Italian City Views

Showing 937–960 of 2919 results

Il Ponte di Carignano a Genova, 1837

20,00 

Il Ponte di Carignano a Genova è un’incisione in xilografia realizzata nel 1837.
This work is taken from Pictorial Cosmorama, una rivista che ha avuto un ruolo significativo nella diffusione delle illustrazioni artistiche nel XIX secolo.

  • Sheet size: cm. 20×14 approx.
  • Support: Paper
  • Condition: Buone condizioni, con scritte al retro in parte visibili

La stampa, ritagliata dal libro, viene spedita completa di passepartout e rappresenta una bella veduta decorativa di Genova.

Il Ponte di Cassano sull’Adda, 1843

25,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 12×16 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

The Port of Palermo Woodcut 1847

15,00 

The Port of Palermo It is a woodcut made in 1847, which offers a suggestive view of the port of the city of Palermo.
This piece is taken from the Picturesque Store of 1847, an important publication of the time.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 12×14 approx.
  • Support: Light paper
  • Condition: Excellent

Il Romitorio del Vesuvio, 1839

15,00 

Il Romitorio del Vesuvio It is an engraving made in 1839, from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
Questa incisione in rame, di dimensioni contenute, presenta margini quasi assenti e contiene scritte al verso. La stampa viene fornita con la pagina intera del libro, offrendo un pezzo autentico della storia artistica napoletana.

  • Sheet size: cm. 7×11 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The Temple of S. Fedele in Milan, 1837

20,00 

The Temple of S. Fedele in Milan It is a woodcut engraving made in 1837, which offers a beautiful decorative view of the historic Milanese church.
This print was extracted from the magazine Pictorial Cosmorama, published in the third year of its edition.

  • Printed part dimensions: cm. 11×16
  • Margins: almost absent
  • Condition: Excellent, with writing on the back partly visible
  • Support: Card, shipped complete with passepartout

Pictorial Cosmorama It was an innovative magazine for its time, founded by Giovanni Francesco Zini and directed by Giuseppe Sacchi, who gave great importance to illustrations.
This engraving represents a significant piece of Milanese artistic history.

The Mont Cenis Tunnel, 1892

20,00 

The Mont Cenis Tunnel It is a woodcut made in 1892 by the author Chevalier C. Abbé.
This work represents the Church of S. Restituta, located in the Cathedral of Naples, and is taken from the volume Naples le Vesuve and Pompeii. Travel sketches.

  • Sheet size: cm. 19×28 approx.
  • Engraving size: cm. 12×18 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent

Imola, Rocca (Prisons), 1890

20,00 

Imola, Rocca (Prisons) it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
This work presents a large-sized image cm. 10×12 approximately, surrounded by text and with further information on the back of the sheet, which measures cm. 30×20.
The entire sheet containing the print will be shipped, offering a complete experience for collectors and art enthusiasts.

Imola, Coat of Arms, 1871

15,00 

Imola, Stemma It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
Questa stampa presenta una dimensione della parte incisa di cm. 8×9, con piccoli margini, su un foglio leggero.

  • Sheet size: Small
  • Support: Paper
  • Condition: Excellent

The print was removed from the book and has writing on the verso.

Inauguration of the Viterbo-Attigliano railway, 1886

30,00 

Inauguration of the Viterbo-Attigliano railway It is a historical engraving published in 1886 on The Italian Illustration, published in Milan by the Treves Brothers.
This work represents an important moment in the history of Italian transport, with accurate details and writings that enrich the context.

  • Sheet size: cm. 21×31 approx.
  • Engraving size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Interior of the Colosseum, Cottafavi, 1843

70,00 

Interno dell’Anfiteatro Flavio detto il Colosseo It is an engraving made by Gaetano Cottafavi in 1843, part of the Collection of the Principal Views of Rome and its Surroundings.
Questa opera rappresenta una veduta animata e decorativa del Colosseo, incisa con grande maestria.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation
  • Technique: Burin

Questa incisione è caratterizzata da un buon contrasto e un retro bianco, rendendola un pezzo pregiato per collezionisti e appassionati d’arte.

Interior of the Pitti Palace, Florence, 1826

20,00 

Interno del Palazzo Pitti, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Interno del Portico degli Uffizi di Firenze, 1826

20,00 

Interno del Portico degli Uffizi di Firenze it is an etching on copper made by Antonio Verico in 1826.
Questo incantevole lavoro è tratto dal volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Interno della Chiesa di S.Spirito di Firenze, 1826

20,00 

Interno della Chiesa di S.Spirito di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Intra, 1840

25,00 

Intra It is an engraving made by Frommel in 1840, executed with the technique of burin on steel.
This work is a beautiful view taken from the volume Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

Ischia, 1835

35,00 

Ischia, 1835 è un’incisione al bulino su rame acquarellata, che rappresenta un affascinante scorcio dell’isola di Ischia.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 110×73, più margini
  • Support: Medium paper
  • Condition: Good state of preservation

Ischia, 1840

35,00 

Ischia, 1840 è un’incisione in acciaio realizzata da W. L. Leitch, che cattura la bellezza dell’isola di Ischia.
This work is taken from the volume Views of Cities and Scenery in Italy, France, and Switzerland di Samuel Prout e J.D. Harding, pubblicato da Fisher, Son & Co. a Londra e Parigi.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 19×12 approx.
  • Support: Medium thickness paper
  • Condition: Perfect

Questa incisione è rara e decorativa, ideale per collezionisti e appassionati d’arte.

Ischia, 1840

35,00 

Ischia, 1840 It is an engraving made by C. Frommel, an artist known for his picturesque depictions of Italy.
This work is taken from the volume Picturesque Italy and offers a fascinating view of the island of Ischia, capturing its natural and architectural beauty.

  • Sheet size: cm. 14×22 approx.
  • Image size: cm. 10×16 approx.
  • Support: White backed paper
  • Condition: Excellent

Ischia, 1843

20,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 10×14 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Ischia, 1885

35,00 

Ischia, 1885 It is a watercolour woodcut made by Arthur Jean Baptiste Calame as a designer and Adolf Closs as an engraver.
This work measures cm. 12×16 ed è stata ritagliata da una pagina del libro Italy Pictorial Journey from the Alps to Etna, pubblicato a Milano dai Fratelli Treves nel 1885 (edizione francese).

  • Engraving size: cm. 12×16 approx.
  • Condition: Excellent
  • Support: Paper

Isola Bella (Lake Maggiore), 1835

20,00 

Beautiful Island (Lake Maggiore) It is a copper engraving made in 1835 by Leonce Audot.
This work offers a beautiful and decorative view of Isola Bella, located on the suggestive Lake Maggiore.

  • Sheet size: cm. 17×10 approx.
  • Support: Paper
  • Condition: Excellent

Isola Bella on Lake Maggiore, 1837

20,00 

Isola Bella on Lake Maggiore It is a lithograph made in 1837, which offers a fascinating view of one of the most iconic places on Lake Maggiore.
This print is taken from the work Picturesque Polyorama, a periodical founded by Filippo Cirelli and Salvatore Fergola, dedicated to the dissemination of knowledge in various fields.

  • Sheet size: cm. 10×15 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print has almost no margins and has been cut from the book, with writing around and on the verso, making it a valuable decorative piece.

Beautiful Island, 1832

25,00 

Beautiful Island It is an engraving made in 1832, printed by C. Stanfield and published in Picturesque Annual based on a drawing by Clarkson Stanfield.
This work, which represents a fascinating view of Isola Bella, is made with the technique ofetching and burin.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×13 approx.
  • Support: Paper
  • Condition: Excellent

Isola d’Elba, C.Frommel, 1829

25,00 

Isola d’Elba It is an engraving made by Carl Frommel In the 1829.
This work is an etching on medium paper, part of the series 50 Bilder zu Virgils Heneide…, featuring high-quality engravings.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Isle of Capri, 1835

25,00 

Isle of Capri It is an engraving made at burin in 1835, which captures the beauty of this famous place.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

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