Italian City Views

Showing 1705–1728 of 2834 results

Piazza e Duomo di Fiesole, 1826

20,00 

Piazza e Duomo di Fiesole it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Livorno's Piazza Grande, 1826

20,00 

Livorno's main square It is an engraving made by Anthony Verico in 1826, using the technique ofEtching on copper.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

St. Mark's Square, Venice, 1883

40,00 

St. Mark's Square, Venice It is an engraving made in 1883, which portrays one of the most iconic places in Venice.
This etching It is signed by Francesco Guardi and has wide margins, making it a work of great artistic value.

  • Sheet size: cm. 28×39
  • Size of the joke: mm. 305×200
  • Support: Thick paper
  • Condition: Excellent

Picinisco, Frosinone, 1838

15,00 

Picinisco, Frosinone, 1838 it's a lithographic printing which represents the view of Picinisco from the eastern side.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge among all social classes.

  • Printed part dimensions: cm. 5×8 approx.
  • Margins: Almost absent
  • Support: Paper
  • Condition: Excellent

The print is contained in a page extracted from the book and has writing on the verso. The page clipping containing the print is sent.

Piedigrotta, Napoli, Processione, 1854

30,00 

Piedigrotta, Napoli, Processione it's a lithographic printing made in 1854.
This work comes from Picturesque Polyorama, un’importante pubblicazione periodica diretta a diffondere conoscenze utili in tutte le classi della società.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 14×24 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.
Picturesque Polyorama fu pubblicato dal 1836 al 1860 nel Regno delle Due Sicilie e trattava vari argomenti, tra cui scienze, tecnologia e arte.

Piedimonte d’Alife, Caserta, 1845

25,00 

Piedimonte d’Alife, Caserta, 1845 it's a lithographic printing che rappresenta il Conventino de’ PP.MM. Alcantarini in Piedimonte di Alife.
This work comes from Picturesque Polyorama, an important 19th-century publication aimed at spreading useful knowledge across all social classes.

  • Print Size: cm. 16×24
  • Margins: almost absent
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page with historical notes will be sent.
The Picturesque Polyorama fu pubblicato dal 1836 al 1860 nel Regno delle Due Sicilie e si occupò di vari argomenti, tra cui scienze, tecnologia e arte.

Piedmont, Savoy, 1834

30,00 

Piedmont, Savoy, 1834 It is a double burin engraving on steel made by Girard in 1834.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers.
The engravings feature two beautiful and lively views of the Moulins de Gresy and Les charmettes, offering a fascinating insight into the region.

  • Sheet size: mm. 120×85 plus margins for each engraving
  • Technique: Burin
  • Support: Light paper
  • Condition: Perfect

Piedmont, Savoy, 1834

30,00 

Piedmont, Savoy, 1834 it is a burin engraving that represents the Chapelle et ancien chateau de Chambery.
Made in 1834, this work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers.
The press offers a beautiful view of the castle and the Piedmontese mountains, capturing the essence of the Italian landscape of the time.

  • Sheet size: mm. 190×125 approx.
  • Support: Light paper
  • Condition: Perfect

Pierre Mariette, 8 views of Rome, 18th century

120,00 

8 Vedute di Roma è un insieme di incisioni realizzate da Pierre Mariette nel XVIII secolo, che rappresentano monumenti e rovine iconiche della città eterna.
Le vedute includono il Colosseo, il ponte delle Sabine, la piramide di Cestius, i bagni di Antonino Pio, le rovine del tempio della Pace e le terme di Antonino Pio.

  • Sheet size: cm. 18×24 approx.
  • Engraving dimensions: cm. 14×20 approx.
  • Technique: Etching and burin
  • Support: Laid paper
  • Condition: Excellent

Cinque delle stampe presentano il titolo in inglese, mentre le altre tre sono in latino, con la dicitura in basso Chez P. Mariette avec Privilege du Roy.

Pierre Vander AA, Plan of the city of Nola, 1729

40,00 

Map of the city of Nola It is an engraving made by Pierre Vander AA in 1729, taken from the Thesaurus antiquitatum et historiarum Italiae.
This detailed map represents the city of Nola, located in the province of Naples, and was created using the etching technique on laid paper.

  • Sheet size: cm. 40×24 approx.
  • Engraving size: cm. 18×24 approx.
  • Support: Laid paper
  • Condition: Excellent

Pietramarina, (Firenze), 1819

25,00 

Pietramarina, un’incisione realizzata da TO THE CASTELLAN nel 1819, rappresenta il famoso Masso del diavolo.
Questa acquaforte è tratta dal volume Letters on Italy, published in Paris by A. Nepveu.

  • Size of the joke: mm. 105×140
  • Margins: Piccoli margini irregolari
  • Back: White
  • Condition: Excellent

Antoine-Laurent Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato un noto pittore, scrittore e incisore. Decorato della Legion d’onore e membro dell’Accademia di Belle Arti, ha realizzato opere principalmente dedicate ai paesaggi, contribuendo a libri illustrati come View of Italy And View of the Alps.

Stonewall, 1876

15,00 

Stonewall, 1876 It is a woodcut engraving representing the beauty of the Sarca-Thal.
Made in 1876, this work is taken from the volume Italian by K.Stieler and W.Kaden, published in Stuttgart.

  • Sheet size: mm. 186×89
  • Condition: Excellent condition
  • Support: Light sheet, cut from the book
  • Notes: Almost no margins and writing on the back

This engraving is not only a decorative piece, but also an important historical testimony.

Pietrasanta, The Doors, 1890

20,00 

Pietrasanta, The Doors It is a woodcut print made in 1890, depicting the city of Pietrasanta, located in the province of Lucca.
This work is taken from Illustrated geographical Italy by P. Premoli and features a descriptive text around the image and the back.

  • Sheet size: cm. 12×10 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Light paper

The print has been removed from the book and will be shipped with the full page, including the text on the verso.

Pieve di Cadore, Square, 1890

20,00 

Pieve di Cadore, Square it's a woodblock print created in 1890, based on a late nineteenth-century Italian text.
This work presents a large-sized image cm. 9×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.

  • Sheet size: cm. 30×20
  • Image size: cm. 9×12
  • Support: Paper
  • Condition: Excellent

Pinerolo, View of the Waldensian Theatre, 1890

20,00 

Pinerolo, View of the Waldensian Theatre it's a woodblock print built in 1890, which offers a fascinating view of the Teatro Valdese.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10x12 cm, surrounded by text and with additional information on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Piombino, 1865

20,00 

Piombino, 1865 è un’incisione xilografica su legno di testa che rappresenta una graziosa veduta del marina presso Piombino.
This work is taken from Picturesque Emporium, published by Sonzogno in Milan in 1865.

  • Size of the joke: mm. 230×160
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

La stampa è stata ritagliata dal libro e presenta scritte sul retro, rendendola un pezzo raro e affascinante per collezionisti.

Pisa, 1840

25,00 

Pisa, 1840 It is a burin engraving that offers an uncommon view of the city, animated by vivid details.
Made around 1840, this work is based on a German book and features a joke. mm. 95×150 on a sheet of paper mm. 262×180.

  • Sheet size: mm. 262×180
  • Engraving size: mm. 95×150
  • Support: Medium paper
  • Condition: Excellent

Pisa, 1840

30,00 

Pisa, 1840 è un’incisione al bulino realizzata dall’incisore Rouargue, che offre una beautiful view of the city.
Questa opera è caratterizzata da un great contrast e da una vivace animazione, rendendola un pezzo affascinante per gli amanti dell’arte.

  • Sheet size: cm. 17×26 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent

Pisa, Baptistery, 1881

25,00 

Pisa, Battistero It is an engraving made by Dieudonne Lancelot nel 1881.
Questa incisione xilografica su legno di testa presenta una bella veduta decorativa e animata del Battistero di Pisa.

  • Sheet size: mm. 160×220
  • Condition: Excellent condition
  • Support: Paper
  • Notes: Margini quasi assenti, ritagliata da un libro tedesco con scritte sul retro

Pisa, Baptistery, 1890

20,00 

Pisa, Battistero It is a woodcut made in 1890 by A.Quantin, an engraver and publisher active in Paris at the end of the 19th century.
This beautiful print, animated and in excellent condition, è stata tratta da un libro francese di fine ‘800.

  • Sheet size: cm. 10×16
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Pisa, Baptistery, Cathedral, 1835

30,00 

Pisa, Battistero, Cattedrale It is an engraving made with the technique of burin on steel in 1835.
This work offers a beautiful view della famosa piazza di Pisa, con il Battistero, la Cattedrale, la Torre e il Cimitero, presentata in modo nitido e ben contrastato.

  • Sheet size: mm. 195×130 plus margins
  • Support: Light paper
  • Condition: Good condition

Pisa, Baptistery, Cathedral and Tower, 1835

20,00 

Pisa, Baptistery, Cathedral and Tower It is an engraving made in 1835, which offers an iconic view of the famous square in Pisa.
This work is taken from Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE and is made with the technique of burin on steel.

  • Sheet size: mm. 130×90 approx.
  • Support: Lightweight paper with white backing
  • Condition: Good condition

Pisa, Campo Santo, 1834

25,00 

Pisa, Holy Field è un’incisione in acciaio realizzata nel 1834, che cattura la bellezza del celebre Campo Santo di Pisa.
This work is taken from Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms

Pisa, Campo Santo, 1834-1837

25,00 

Pisa, Holy Field It is a steel engraving made between 1834 and 1837.
This work comes from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 18×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Questa veduta è caratterizzata da un aspetto animato e decorativo, rendendola un pezzo affascinante per collezionisti e appassionati di arte.

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.