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Eagle, Spotted Eagle, 1870
20,00 €Eagle, Spotted Eagle It is a watercolour lithograph made in 1870, taken from the work A HISTORY OF BRITISH BIRDS by Rev. Francis Orpen Morris, BA
This fascinating depiction of the Eagle is an example of period ornithological art, with vivid and accurate details.
- Sheet size: cm. 12×18 approx.
- Condition: Excellent state of preservation
- Support: Paper
Eagle, Striated Eagle, 1875
25,00 €Eagle, Striated Eagle It is a vintage watercolour lithograph, made in 1875 and taken from A History of Birds of Europe by Charles Robert Bree.
This work, published in London, features a detailed illustration of a striped eagle, capturing the essence of this magnificent bird.
- Sheet size: cm. 16×25 approx.
- Support: Strong paper with white back
- Condition: Excellent condition
Eagle, Tawny Eagle, 1875
25,00 €Aquila, Tawny Eagle It is a vintage watercolour lithograph, made in 1875 and taken from A History of Birds of Europe by Charles Robert Bree.
Questa opera è un esempio pregiato di illustrazione ornithologica, pubblicata a Londra.
- Sheet size: cm. 16×25 approx.
- Support: Strong paper with white back
- Condition: Excellent state of preservation
Eagles, 1800
30,00 €Eagles It is a chromolithograph made in 1800, characterized by a fascinating and detailed design.
This work is printed on medium paper with smaller margins and features a white back.
- Sheet size: cm. 20×13 approx.
- Technique: Chromolithography
- Condition: Good condition
- Printed by: Lit.Central-Tryckeriet, Stockholm
Aquilea, 1865
40,00 €Aquilea It is a woodcut made in 1865, which offers a general view of the historic city of Aquileia.
This work is printed on a sheet of paper of the following dimensions: cm. 40×27 and has another engraving on the back.
- Sheet size: cm. 40×27
- Engraving size: cm. 36×23
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Arabs dividing the spoils, 1830
20,00 €Arabi che dividono il bottino è un’incisione realizzata nel 1830, che rappresenta un momento di condivisione tra arabi.
Questa opera è stata creata con la tecnica dell’Etching and of the Burin, mostrando una notevole maestria artistica.
- Sheet size: cm. 21×30 approx.
- Engraving size: cm. 18×24 approx.
- Support: Thick paper
- Condition: Excellent state of preservation
Arabs, 1850
30,00 €Arabs, 1850 it's a hand-colored lithograph with watercolor, made in 19th century.
This work, of dimensions cm. 24×18, is printed on thick paper and is glued onto another paper support.
This is a humorous and satirical print, reflecting the taste of the time.
- Sheet size: cm. 24×18 approx.
- Technique: Lithography
- Condition: Excellent
- Support: Paper
Lobster, 1890
20,00 €Lobster It is a lithograph made in 1890, taken from the publication Meyers Conversations Lexicon, a German encyclopedic work published by the Bibliographischen Instituts.
This series of antique prints was created to illustrate the famous encyclopedia, which had several editions starting from the second half of the 19th century.
- Sheet size: cm. 20×13 approx.
- Support: Paper
- Condition: Fair general conditions with slight yellowing of the sheet
Arcade, Metamorfosi di Ovidio, acquaforte del 1676
30,00 €Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.
Descrizione dell’opera
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Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux
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Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)
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Publisher: De l’Imprimerie Royale, Parigi, 1676
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Technique: Acquaforte su carta vergellata (testo al verso)
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Dimensions:
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Incisione: cm 7,5 × 9 (alla battuta del rame)
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Foglio: cm 27 × 20
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Importanza storica e artistica
L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.
Le incisioni furono realizzate da tre importanti artisti dell’epoca:
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Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole
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François Chauveau (1613-1676), celebre illustratore parigino
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Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV
Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.
Valore collezionistico
L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.
Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.
Arcas, Metamorfosi di Ovidio, acquaforte del 1676
30,00 €Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.
Descrizione dell’opera
-
Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux
-
Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)
-
Publisher: De l’Imprimerie Royale, Parigi, 1676
-
Technique: Acquaforte su carta vergellata (testo al verso)
-
Dimensions:
-
Incisione: cm 7,5 × 9 (alla battuta del rame)
-
Foglio: cm 27 × 20
-
Importanza storica e artistica
L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.
Le incisioni furono realizzate da tre importanti artisti dell’epoca:
-
Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole
-
François Chauveau (1613-1676), celebre illustratore parigino
-
Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV
Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.
Valore collezionistico
L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.
Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.
Archimede, 1857
30,00 €Archimede è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper.
- Sheet size: cm. 23×32
- Engraving size: mm. 140×180
- Support: Strong paper
- Condition: Very good, with some light foxing at the edges, which does not affect the engraving.
Archimedes, 1883
20,00 €Archimede è un’incisione xilografica realizzata nel 1883, tratta dall’opera Cent Tableaux de Science Pittoresque, pubblicata da Albert-Levy, Hacette et C., a Parigi.
This print measures mm. 120×160 (inclusi i margini) ed è stampata su un foglio leggero, con retro stampato.
- Sheet size: Small
- Condition: Excellent
- Support: Paper
Architects at work, 19th century woodcut
25,00 €Architetti al lavoro è una xilografia dell’800, che rappresenta un affascinante momento di lavoro degli architetti.
Questa incisione è tratta da un testo della fine dell’800 e misura circa cm. 12×11 per l’incisione, su un foglio di cm. 27×18.
La pagina intera, contenente la stampa, verrà spedita estratta dal libro, con testo attorno e al verso.
- Sheet size: cm. 27×18 approx.
- Engraving size: cm. 12×11 approx.
- Support: Paper
- Condition: Excellent
Italian architect
25,00 €Architetto Italiano è una xilografia dell’800, ispirata a una stampa antica del XVII secolo realizzata da Mitelli.
This work is taken from a text from the late 19th century and features text around and on the back.
- Sheet size: cm. 27×18 approx.
- Engraving size: cm. 16×11 approx.
- Support: Paper
- Condition: Excellent
The full page, containing the print, extracted from the book will be sent.
Architecture, capital bases, various styles, 1771
30,00 €Architettura, basi dei capitelli, vari stili è un’incisione al bulino realizzata da Fortunato Bartolomeo De Felice nel 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
- Sheet size: cm. 24×18
- Engraving size: cm. not specified
- Support: Medium thickness laid paper
- Condition: Excellent
Questa incisione è particolarmente interessante poiché proviene dall’edizione della Enciclopedia di Diderot e D’Alembert, nota come Encyclopédie d’Yverdon, pubblicata in Svizzera.
Its difference from the original, less French and less anti-religious, gave it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.
Architecture, capitals, five orders 1771
30,00 €Architecture, capitals, five orders It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
- Sheet size: cm. 24×18
- Support: Medium thickness laid paper with white backing
- Condition: Excellent condition
The engraving represents an interesting example of architecture, highlighting the five orders.
De Felice's version, known as Yverdon Encyclopedia, is distinguished by a less French and less anti-religious approach than the original, earning it the nickname of Protestant encyclopedia and ensuring a strong diffusion in Northern Europe.
Architecture, capitals, various orders 1771
30,00 €Architecture, capitals, various orders It is an engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
- Sheet size: cm. 24×18
- Engraving size: cm. 24×18
- Technique: Burin
- Support: Medium thickness laid paper with white backing
- Condition: Excellent
This engraving is particularly interesting because it comes from the edition of Encyclopedia of Diderot and D'Alembert known as Yverdon Encyclopedia, published in Switzerland.
Unlike the original version, which was less French and less anti-religious, this edition is known as the Protestant encyclopedia and had a strong diffusion in Northern Europe.
Architettura, Case e piante, 1850
40,00 €Questa stampa rappresenta i seguenti soggetti:
Edificio residenziale M-Germanic Laurie Matalalerliches ad Hannover,
Schema della casa di una vedova medievale a Goslar.
Schema del palazzo in località Orassi a Venezia.
Edificio residenziale a LeMans.
Burgerhauser xu Nirnberg (lil Jaksh).
Cortile di una casa patrizia a Numbery.
Media della Rathhousea a Augsburg.
This work is taken from the volume Bilder-Atlas, published in Leipzig by FA Brockhaus in 1850.
- Sheet size: cm.26×32
- Dimensioni dell’incisione: cm.20×30
- Technique: Woodcut
- Support: Lightweight paper, white back
- Condition: Excellent condition
Architettura, Case e piante, Planimetrie di antiche case, 1850
40,00 €Questa stampa rappresenta i seguenti soggetti:
Pianta del monastero
San Gallo (III secolo)
Vecchia planimetria del castello di Norimberga
Veduta del Bury vicino a Norimberga (XV secolo).
Pianta originale del Warburg
Vecchia pianta di Norimberga,
Wetherhaus Oleishammer vicino a Norimberga Pianta di Mankam (1767)
Città di Forchheim (1632)
This work is taken from the volume Bilder-Atlas, published in Leipzig by FA Brockhaus in 1850.
- Sheet size: cm.26×32
- Dimensioni dell’incisione: cm.20×30
- Technique: Woodcut
- Support: Lightweight paper, white back
- Condition: Excellent condition
Architecture, plan of a grand hotel, 1771
30,00 €Architecture, plan of a grand hotel It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the edition of Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert, known as the Encyclopedie d'Yverdon.
- Sheet size: cm. 24×18
- Support: Medium thickness laid paper with white backing
- Condition: Excellent condition
This engraving is notable for its less French and less anti-religious approach than the original, earning it the nickname of Protestant encyclopedia and ensuring a strong diffusion in Northern Europe.
Architecture, plan of a grand hotel, drawing by JFBlondel, 1771
30,00 €Architecture, plan of a grand hotel It is a burin engraving made by JF Blondel in 1771.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×30
- Engraving size: cm. not specified
- Support: Medium thickness laid paper
- Condition: Excellent state of preservation
This engraving is part of the edition of the Encyclopédie by Diderot and D'Alembert, known as the Encyclopedie d'Yverdon, published in Switzerland.
Its difference from the original gave it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.
Architecture, project of a grand hotel, drawing by JFBlondel, 1771
30,00 €Architecture, project of a grand hotel It is an engraving made by JF Blondel in 1771.
This drawing is part of the important work Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×18 approx.
- Engraving size: cm. not specified
- Support: Medium thickness laid paper
- Condition: Excellent condition, with white back
This engraving represents an interesting example of architecture, known for its diffusion in Northern Europe thanks to its edition in Switzerland, known as the Encyclopédie d'Yverdon.
The difference in approach compared to the original by Diderot and D'Alembert gives it a unique character.
Architecture, elevation of a grand hotel, drawing by JFBlondel, 1771
30,00 €Architecture, elevation of a grand hotel It is an engraving made by JF Blondel in 1771, part of the important work Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.
This burin engraving, of considerable historical interest, comes from the edition of the Diderot and D'Alembert Encyclopedia, known as Yverdon Encyclopedia, published in Switzerland.
- Sheet size: cm. 24×30 approx.
- Engraving size: cm. 24×30 approx.
- Support: Medium thickness laid paper
- Condition: Excellent state of preservation
Architecture of particular houses, 1834-1837
25,00 €Architectures of particular houses It is a steel engraving made by Aubert and Bouchet between 1834 and 1837.
This work is part of the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.
- Sheet size: cm. 25×16 approx.
- Engraving size: cm. 18×10 approx.
- Support: Light paper
- Condition: Excellent state of preservation
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