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Pieter van der Werff, Bashan, 1771

30,00 

Pieter van der Werff, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

Pieter van der Werff (1665 – 1722) was a Dutch Golden Age painter, known for his collaboration with his brother Adriaen van der Werff.

Pieter van der Werff, Bashan, 1771

30,00 

Pieter van der Werff, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise basate sui dipinti del duca.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×10 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Pieter van der Werff (1665 – 1722) è noto come un pittore dell’età d’oro olandese, che ha collaborato con suo fratello Adriaen van der Werff.

Pieter van Laer called Bamboccio, The Servants, 1786

50,00 

Pieter van Laer called the Bamboccio, The Servants It is an engraving made in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.

  • Taken from: Galerie Du Palais Royal, with works from different schools
  • Description: Includes an abbé of the painters' lives and a historical description of each painting, by Mr l'abbé de Fontenai
  • Dedication: To HSH Monseigneur le Duc d'Orléans, Premier Prince du Sang
  • Published by: J. Couche, Paris, 1786
  • Condition: Excellent condition, nice proof with good contrast

Pietramarina, (Firenze), 1819

25,00 

Pietramarina, un’incisione realizzata da TO THE CASTELLAN nel 1819, rappresenta il famoso Masso del diavolo.
Questa acquaforte è tratta dal volume Letters on Italy, published in Paris by A. Nepveu.

  • Size of the joke: mm. 105×140
  • Margins: Piccoli margini irregolari
  • Back: White
  • Condition: Excellent

Antoine-Laurent Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato un noto pittore, scrittore e incisore. Decorato della Legion d’onore e membro dell’Accademia di Belle Arti, ha realizzato opere principalmente dedicate ai paesaggi, contribuendo a libri illustrati come View of Italy And View of the Alps.

Stonewall, 1876

15,00 

Stonewall, 1876 It is a woodcut engraving representing the beauty of the Sarca-Thal.
Made in 1876, this work is taken from the volume Italian by K.Stieler and W.Kaden, published in Stuttgart.

  • Sheet size: mm. 186×89
  • Condition: Excellent condition
  • Support: Light sheet, cut from the book
  • Notes: Almost no margins and writing on the back

This engraving is not only a decorative piece, but also an important historical testimony.

Pietrasanta, The Doors, 1890

20,00 

Pietrasanta, The Doors It is a woodcut print made in 1890, depicting the city of Pietrasanta, located in the province of Lucca.
This work is taken from Illustrated geographical Italy by P. Premoli and features a descriptive text around the image and the back.

  • Sheet size: cm. 12×10 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Light paper

The print has been removed from the book and will be shipped with the full page, including the text on the verso.

Pietro Antonio Berryer, 1841

15,00 

Pietro Antonio Berryer It is a copper engraving made in 1841, taken from the work Picturesque Omnibus.
This print, which measures approximately cm. 10×15, è stata estratta dal libro e presenta testo sia intorno che al verso.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Pierre-Antoine Berryer, noto come “Berryer figlio”, nacque il 4 gennaio 1790 a Parigi e morì il 29 novembre 1868 a Augerville-la-Rivière. È ricordato come un giurista e politico francese, sepolto nella stessa località.

Pietro Da Cortona (Pietro Berrettini), Jacob's Flight, 1786

70,00 

Jacob's Escape It is an engraving made by Peter From Cortona (Pietro Berrettini) in the 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Condition: Excellent condition, nice proof with good contrast
  • Support: Laid paper

Peter and John heal the lame man.

25,00 

Peter and John heal the lame man It is an engraving made by J. Rogers, inspired by the famous healing of the paralytic.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York, between 1830 and 1850.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back, with editorial frame with vignettes

Peter and John, Raphael Sanzio, 1846

30,00 

Pietro e Giovanni è un’incisione realizzata da Raffaello Sanzio nel 1846, che rappresenta la scena in cui Pietro e Giovanni curano un zoppo.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Peter and John, Raphael Sanzio, 1846

30,00 

Pietro e Giovanni è un’incisione realizzata da Raffaello Sanzio nel 1846, che rappresenta la scena in cui Pietro e Giovanni curano un zoppo.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Pietro Pacecco XI viceroy of Naples, 1846

15,00 

Pietro Pacecco XI Viceré di Napoli è una litografia realizzata nel 1846, tratta dal volume Picturesque Polyorama of Naples.
Questa opera rappresenta D. Pietro Cardinal Pacecco, un’importante figura storica che ha ricoperto il ruolo di viceré di Napoli.

  • Size of the joke: cm. 10×10
  • Support: Paper, back printed
  • Condition: Excellent

La stampa è stata estratta dal libro e presenta scritte al retro.
Pietro Pacecco, noto anche come Pedro Pacheco Ladrón de Guevara, è stato un cardinale e vescovo cattolico spagnolo, che ha avuto un ruolo significativo nella storia di Napoli.

Peter Pulli, 1842

15,00 

Peter Pulli, 1842 it's a lithographic printing which represents an important work by the Italian composer Pietro Pulli, published in 1842.
This print is from Picturesque Polyorama, a periodical work aimed at spreading useful knowledge to all classes of society.

  • Printed part dimensions: cm. 14×16
  • Margins: almost absent
  • Support: Paper
  • Condition: Excellent

The print is contained within the book page and has writing around and on the back. The entire page containing the print is shipped.

Pietro rinnega Cristo 1830

25,00 

Pietro rinnega Cristo It is an engraving made by B. West and engraved by Henry Wallis in the period 1830-1850.
This work is part of the Scripture Gallery of Engraving and it was published by John Tallis & Co. of London and New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Ottime condizioni, retro bianco

Questa incisione è caratterizzata da una cornice editoriale con vignette, rendendola un pezzo affascinante per collezionisti e appassionati di arte.

Pietro Scoppetta, Two Oriental Women, 19th-20th century

420,00 

Two oriental women It is a monochrome watercolor made by Peter Scoppetta in the 19th-20th century.
This work, signed lower left, is of fine workmanship and measures approximately cm. 15×28.

  • Artist: Pietro Scoppetta (Amalfi, 15 February 1863 – Naples, 10 February 1920)
  • Technique: Watercolor
  • Condition: Excellent
  • Support: Paper

Pietro Vedovato (1774–1847) Marian

40,00 

Marian It is an engraving made by Pietro Vedovato (1774–1847), noto incisore italiano.
Questa opera è un’acquaforte su carta di medio spessore, con una dimensione di cm. 24×17 al margine dell’immagine e presenta una didascalia in inglese.

  • Sheet size: cm. 24×17 approx.
  • Technique: Etching
  • Condition: Fair condition
  • Support: Medium thickness paper

Petersburg, Alexander Column, 1850

25,00 

Petersburg, Alexander Column It is an engraving made in 1850, representing the architectural beauty of St. Petersburg.
This etching It measures 10 x 7 cm, excluding margins, and is printed on medium-thickness paper with a white back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Pietroburgo, Palazzo Imperiale d’Inverno, 1866

25,00 

Incisione xilografica su legno di testa che rappresenta una veduta della città.
This work is taken from Picturesque Emporium, edito da Sonzogno a Milano nel XIX secolo.

  • Dimensioni della immagine: cm. 21×16 approx.
  • Margins: presenti
  • Support: Carta leggera con scritto al verso in parte visibile.
  • Condition: Excellent

La stampa è stata ritagliata dal libro e presenta scritte sul retro, rendendola un pezzo raro e affascinante per collezionisti.

Pieve di Cadore, Square, 1890

20,00 

Pieve di Cadore, Square it's a woodblock print created in 1890, based on a late nineteenth-century Italian text.
This work presents a large-sized image cm. 9×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.

  • Sheet size: cm. 30×20
  • Image size: cm. 9×12
  • Support: Paper
  • Condition: Excellent

Pifferai, Corricolo, 1876

15,00 

Pifferai, Corricolo è un’incisione xilografica realizzata nel 1876, che rappresenta una bella veduta con zampognari.
This work is taken from the volume Promenades in Italy dell’Abbé Rolland, pubblicato a Tours.

  • Sheet size: mm. 130×76 circa
  • Support: Head wood
  • Condition: Excellent condition

Pipers, Bagpipers, 1840

70,00 

Pifferai, Zampognari è un’acquaforte acquarellata realizzata nel 1840, tratta dall’opera Costumi di Roma e suoi contorni, disegnata da vari artisti e incisa da Salvatore Marroni.
Questa pregevole opera è stata pubblicata a Roma presso l’editore e calcografo Tommaso Cuccioni, situato in Via della Croce N.88.

  • Sheet size: cm. 32×22
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

Pifferari nei Dintorni di Roma, 1834

35,00 

Pifferari nei Dintorni di Roma è un’incisione al bulino realizzata nel 1834, che cattura un momento affascinante della tradizione musicale italiana.
L’opera rappresenta tre zampognari davanti a una cappella votiva, intenti a suonare la novena, un’immagine evocativa della cultura popolare.
Taken from the volume Italy picturesque tableau historique and description of Italy… di M. De Norvins e C. Nodiers, pubblicato a Parigi nel 1834, questa incisione è un esempio pregevole dell’arte dell’epoca.

  • Sheet size: mm. 120×180 circa
  • Engraving size: mm. 120×180 circa
  • Support: Light paper
  • Condition: Excellent state of preservation

Pifferari, Costumi di Roma, 1834

30,00 

Pifferari, Costumi di Roma it is an engraving on burin acquarellata a mano, realizzata nel 1834.
Questa opera rappresenta due zampognari davanti a una cappella votiva, intenti a suonare la novena.
It is taken from the work Italy picturesque tableau historique and description of Italy… di M. De Norvins e C. Nodiers, pubblicata a Parigi nel 1834.

  • Sheet size: mm. 113×180 più margini
  • Support: Light paper
  • Condition: Excellent

Pifferari, Zampognari, acquarello

40,00 

Pifferari, Zampognari it's a beautiful watercolor of exquisite workmanship, created by an anonymous author and datable to the first half of the 19th century.
This little masterpiece, measuring approximately 7x10 cm, is made on cardboard con retro bianco, su cui sono presenti scritte a penna.

  • Condition: Excellent state of preservation
  • Colors: Alive and bright

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