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Pompei, Veduta del Foro, 1830

40,00 

Pompei, Veduta del Foro è un’incisione realizzata da J.W. Huber nel 1830, che offre una rappresentazione affascinante delle rovine dell’antica città di Pompei.
Questa acquatinta acquarellata è parte della serie Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, pubblicata a Zurigo tra il 1824 e il 1825.

  • Sheet size: cm. 11×14 circa (inclusi margini)
  • Engraving size: cm. 9×12 approx.
  • Technique: Aquatint
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, Via Consolare e Strada dei Sepolcri, 1835

30,00 

Pompei, Via Consolare e Strada dei Sepolcri è un’incisione realizzata nel 1835, che rappresenta l’ingresso della città di Pompei e la Strada dei Sepolcri.
Questa opera è stata realizzata da Cook e Durau, utilizzando la tecnica del burin on copper.

  • Sheet size: cm. 11×8 circa per ciascuna incisione
  • Support: Medium paper
  • Condition: Excellent
  • Taken from: “L’Italia, la Sicilia, le isole Eolie, l’isola d’Elba, la Sardegna, Malta, l’isola di Calipso ecc.” di AUDOT padre, 1835-1837

Questa incisione è caratterizzata da una nitidezza e finezza eccezionali, rendendola un pezzo prezioso per collezionisti e appassionati di arte.

Pompei, Via dei Sepolcri, 1841

30,00 

Pompei, Via dei Sepolcri è un’incisione realizzata da E. Penna nel 1841, che rappresenta una vista suggestiva della storica città di Pompei.
This work is an example of incisione all’acquaforte su rame, che cattura l’essenza di un luogo intriso di storia e cultura.

  • Sheet size: mm. 270×190
  • Engraving size: mm. 160×120
  • Support: Medium paper
  • Condition: Good state of preservation

Pompeo Colonna, 1846

20,00 

Pompeo Colonna è una litografia realizzata nel 1846, raffigurante Pompeo Cardinal Colonna, nono viceré di Napoli.
This work is taken from the volume Picturesque Polyorama, published in Naples.

  • Size of the joke: cm. 12×11
  • Support: Light paper
  • Condition: Excellent condition
  • Back: Printed

Viene spedito l’intero foglio tratto dal libro.

Pontassieve, Firenze, 1837

20,00 

Pontassieve, Firenze, 1837 è una litografia che rappresenta il famoso Ponte a Sieve.
This work is taken from the volume Universal Pictorial Warehouse, pubblicato a Genova nel 1837.

  • Sheet size: cm. 21×12 approx.
  • Engraving size: cm. 12×7 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent state of preservation

Ponte a S.Trinità di Firenze, 1826

20,00 

Ponte a S.Trinità di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Ponte a Signa, Firenze, 1826

20,00 

Ponte a Signa, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Ponte alla Carraja di Firenze, 1826

20,00 

Ponte alla Carraja di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching rappresenta un’importante veduta della città di Firenze, ed è parte del volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Ponte alla Carraja e Palazzo Corsini, Firenze, 1826

20,00 

Ponte alla Carraja e Palazzo Corsini, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Civita Castellana Bridge, 1798

40,00 

Civita Castellana Bridge It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Trajan's Bridge, Danube, 1700

30,00 

Trajan's Bridge, Danube it is a vintage watercolour etching depicting the famous Trajan's bridge over the Danube.
This work, made by an unknown engraver, is printed on light laid paper and measures 28x17 cm without margins.

  • Sheet size: cm. 28×17 approx.
  • Support: Light laid paper
  • Condition: Good condition

Ponte presso Vicovaro, 1798

40,00 

Ponte presso Vicovaro è un’incisione realizzata nel 1798, che offre una splendida veduta del ponte situato a Vicovaro.
This work is taken from the volume Tour Through Italy del Rev. John Chetwode Eustace, pubblicato a Londra da J. Mawman nel 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

The print features a beautiful view, animated and well contrasted, with an explanation on the back.

Ponte S.Giorgio in Mantua, 1837

20,00 

St. George Bridge in Mantua it is an engraving made in 1837, which represents a suggestive view of the S. Giorgio bridge and Castel Vecchio in Mantua.
This work is taken from Pictorial Cosmorama, an innovative magazine for its time, which gave great importance to illustrations.

  • Sheet size: cm. 14×10 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: Almost no margins, cut from the book with writing on the back partially visible.

The print ships complete with mat, making it a beautiful decorative display for any collector.

San Pietro Bridge, on the Brembo, 1890

20,00 

Ponte San Pietro, sul Brembo è una stampa xilografica realizzata nel 1890, che ritrae il famoso ponte situato a Bergamo.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 12 x 10 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 12×10 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Ponte santa Trinità 1833-35

30,00 

Ponte Santa Trinità It is an engraving made by James Duffield Harding between 1833 and 1835.
Questa suggestiva veduta di Firenze è tratta da The Landscape Annual of London.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Acquaforte su acciaio
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

La stampa presenta una nitida e ben contrastata rappresentazione del ponte, animata da dettagli vivaci.

Ponte Volante sul Po, 1801

40,00 

Ponte Volante sul Po è un’incisione realizzata nel 1801, tratta dal volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta è caratterizzata da un’animazione vivace e un contrasto ben definito, con un retro bianco che ne esalta la qualità.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching and aquatint
  • Condition: Excellent
  • Support: Paper

Pontida, Bergamo, 1890

20,00 

Pontida, Bergamo, 1890 it's a woodblock print which offers a fascinating panorama of the locality of Pontida, built in 1890.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 12 x 10 cm, surrounded by text and with additional annotations on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 12×10 approx.
  • Support: Paper
  • Condition: Excellent

Ponza, Island of S. Stefano, 1856

25,00 

Ponza, Island of S. Stefano it's a lithography made in 1856, which offers a suggestive view of Santo Stefano.
This print is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 13×15 approx.
  • Support: Paper
  • Condition: Good condition, with writing on the back

The print has been cut from the book, but will be shipped with the full page containing it.

Populus Alba, 1860

20,00 

Populus Alba è una cromolitografia realizzata nel 1860, proveniente dall’opera THE FLOWERING PLANTS OF GREAT BRITAIN WITH COLORED PLATES by Anne Pratt.
Questa affascinante opera, pubblicata a Londra e New York da FREDERICK WARNE & CO, presenta una bella e decorativa composizione floreale.

  • Sheet size: cm. 15×24 approx.
  • Condition: Good condition
  • Support: Light paper

Pordenone, Panorama, 1890

20,00 

Pordenone, Panorama it's a woodblock print created in 1890, based on a late nineteenth-century Italian text.
This work features an image measuring approximately 9x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Porretta, Chiesa della B.V.del Ponte, 1890

20,00 

Porretta, Chiesa della B.V. del Ponte è una xilografia realizzata nel 1890, parte dell’opera Illustrated geographical Italy by P. Premoli.
Questa stampa, di dimensioni contenute, presenta un testo attorno e al verso, e verrà spedita con la pagina intera, offrendo un affascinante sguardo sulla rappresentazione della chiesa.

  • Sheet size: cm. 12×9 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Light paper

Porretta, Una via, 1890

20,00 

Porretta, Una via it's a woodblock print made in 1890, taken from the work Illustrated geographical Italy by P. Premoli.
Questa stampa, di dimensioni cm. 14×10, è stampata su light paper e presenta testo attorno e al verso.
La stampa è stata estratta dal libro e verrà spedita con la pagina intera, inclusi i testi presenti sul retro.

  • Sheet size: cm. 14×10 approx.
  • Support: Light paper
  • Condition: Excellent

Porta a San Frediano, Firenze, 1826

20,00 

Porta a San Frediano, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Porta alla Croce di Firenze, 1826

20,00 

Porta alla Croce di Firenze it is an engraving made by Antonio Verico in 1826.
Questa opera è un’acquaforte su rame, estratta dal volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

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