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Salita al Vomero, Scale del Petraio, 1884

25,00 

Salita al Vomero, Scale del Petraio It is a woodcut engraving made in 1884 by Rudolf Kleinpaul.
This work is taken from the volume Naples and its surroundings e presenta dimensioni di cm. 8×24, con margini più piccoli.

  • Sheet size: cm. 8×24 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Salò, Garibaldi's Headquarters, 1866

20,00 

Salò, Garibaldi's Headquarters It is a woodcut engraving from 1866, which represents Garibaldi's headquarters in Salò, located on Lake Garda.
This work is taken from the edition of Picturesque Emporium, published by Sonzogno in Milan.

  • Sheet size: cm. 13×13 approx.
  • Support: Light paper
  • Condition: Excellent

The print has been cut from the book and has almost no margins, with the back written, partly visible on the back. The full page containing the print will be shipped.

Salomon Gessner, Paesaggio, 1764

60,00 

Paesaggio con Pescatore e Bambini it is an etching made by Solomon Gessner nel 1764.
Questa opera rappresenta un idilliaco paesaggio con un pescatore e bambini accanto a un cottage dal tetto di paglia.

  • Sheet size: cm. 20×17 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Technique: Etching
  • Era: XVIII
  • Dimensions: Small

Salomon Gessner, poeta e pittore svizzero, è noto per i suoi paesaggi delicati e immaginari, influenzati da maestri come Poussin e Claude Lorrain.
La sua opera riflette un profondo legame con la natura, esprimendo un’estetica rococò che caratterizza il suo tempo.

Salomon Gessner, Satyr and nymphs, 18th century

90,00 

Satyr and Nymphs It is an engraving made by Solomon Gessner in the 18th century, which represents a moment of play between a satyr and some nymphs in the forest.
This work is an example of his mastery in engraving and is part of a series of classical landscapes.

  • Sheet size: cm. 32×22
  • Engraving size: mm. 210×190
  • Technique: Etching
  • Support: Heavy laid paper with watermark
  • Condition: Excellent
  • Impression: Excellent with great inking
  • Signed: S.Gessner inv. et f.
  • Table: n.8 of a series of classical landscapes

Salomon van Ruysdael, Bashan, 1771

30,00 

Solomon van Ruysdael It is an engraving made by Pierre-François Basan in 1771, part of the Cabinet of the Duke of Choiseul.
This collection of prints It is dedicated to the works of the famous Dutch painter, known for his landscapes.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

Salomon van Ruysdael, Bashan, 1771

30,00 

Salomon van Ruysdael, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the famous collector.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

Salomon van Ruysdael, a well-known Dutch landscape painter, created works that capture the beauty of natural landscapes, making him one of the most appreciated artists of his time.

Salomon van Ruysdael, Bashan, 1771

30,00 

Salomon van Ruysdael, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Salomon van Ruysdael, a well-known Dutch landscape painter, created works that capture the beauty of natural landscapes.

Salsomaggiore, Panorama, 1890

20,00 

Salsomaggiore, Panorama it's a woodblock print made in 1890, coming from the work Illustrated geographical Italy by P. Premoli.
This engraving offers a panoramic view of Salsomaggiore, with details that capture the essence of the place. The print has been extracted from the book and has writing on the back, the full page will be sent.

  • Sheet size: cm. 12×9 approx.
  • Support: Light paper
  • Condition: Excellent

Stonechat, 1853

15,00 

Saltimpalo (Stonechat) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt.
Questa stampa rappresenta un uccello affascinante e si distingue per la sua decoratività.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Saluzzo, Casa Cavazza, 1890

20,00 

Saluzzo, Casa Cavazza it's a woodblock print realizzata nel 1890, che rappresenta il cortile della Casa Cavazza a Saluzzo, Cuneo.
This work is taken from a late nineteenth-century Italian text, with an engraving by Barberis.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Saluzzo, Cuneo, Cavazza House, 1890

20,00 

Saluzzo, Cuneo, Cavazza House it's a woodblock print made in 1890 by the engraver Barberis.
This work is an example of late nineteenth-century Italian graphic art, characterized by an image of approximately 14x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Saluzzo, Cuneo, Cathedral, 1890

20,00 

Saluzzo, Cuneo, Duomo it's a woodblock print made in 1890 by the engraver Barberis.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni di circa cm. 14×12, con testo attorno e al verso del foglio.

  • Sheet size: cm. 26×18 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Saluzzo, Panorama, 1890

30,00 

Saluzzo, Panorama it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
Questa opera offre una vista panoramica della città di Saluzzo, con dettagli architettonici e paesaggistici che catturano l’essenza del periodo.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Support: Paper
  • Condition: Excellent

Saluzzo, Piazza Vittorio Emanuele II, 1890

20,00 

Saluzzo, Piazza Vittorio Emanuele II it's a woodblock print datata 1890, che offre uno scorcio affascinante della storica piazza.
This work is taken from an Italian text from the late nineteenth century and presents a large-sized image cm. 10×12 approximately, with text around and on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×12
  • Support: Paper
  • Condition: Excellent

Salvator Rosa Ceres and Phytalos 1662

250,00 

Ceres and Phytalo It is an engraving made by Salvator Rosa (Arenella 1615 – Rome 1673) in 1662.
This work, which represents a significant moment in mythology, is performed in etching and drypoint, signed on the lower plate with the words 'Salvator Rosa Inu.Scul.'.

  • Sheet size: cm. 50×37 approx.
  • Engraving size: cm. 35×23 approx.
  • Support: Thick laid paper with watermark
  • Condition: Excellent state of preservation

The engraving was made between 1662 and 1663, but it is assumed that the impression is from the 18th century.
This work is documented in several publications, including:

  • G. BOZZOLATO, The engravings of Salvator Rosa, 1973
  • O. THEODOLI, Salvator Rosa 1615-1673, Etchings, Bergamo, 1992
  • Salamon S., Salvator Rosa. The Graphic Work. Catalogue Raisonné, Turin, 1993

Salvator Rosa Three soldiers pointing

80,00 

Tre soldati che indicano è un’incisione attribuita a Salvator Rosa, realizzata con la tecnica dell’acquaforte e bulino.
Questa opera, di dimensioni cm. 22×28 circa alla battuta, è stampata su carta vergellata senza filigrana, con un foglio di cm. 34×43 (margini incollati).

  • Condition: Excellent condition
  • Contrasto: Buon contrasto
  • Rarity: Raro foglio attribuibile a Salvator Rosa

Salvator Rosa, 1837

15,00 

Salvator Rosa è una litografia del 1837, tratta dall’opera Pictorial Cosmorama, anno terzo.
Questa stampa presenta margini quasi assenti e misura cm. 15×19. La stampa è contenuta in una pagina estratta dal libro e presenta scritte al verso.
Viene spedita l’intera pagina contenente la stampa, offrendo un pezzo unico per collezionisti e appassionati d’arte.

  • Sheet size: cm. 15×19 approx.
  • Support: Paper
  • Condition: Excellent

Salvator Rosa, 1839

15,00 

Salvator Rosa It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, from the Omnibus printing house in Naples, has almost no margins and includes writing on the verso.

  • Sheet size: cm. 14×11 approx.
  • Support: Paper
  • Condition: Excellent

La stampa verrà spedita nella pagina intera che la contiene.

Salvator Rosa, 1884

20,00 

Salvator Rosa It is a woodcut engraving made in 1884, taken from the work Naples and its surroundings by Rudolf Kleinpaul.
Questa opera rappresenta un autoritratto di Salvator Rosa, con margini quasi assenti e un testo al verso.

  • Sheet size: cm. 9×13 approx.
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent condition

Salvator Rosa, A.H.Payne, 1840-50

20,00 

Salvator Rosa It is an etching made by AH Payne between 1840 and 1850.
Questa stampa è parte della Royal Dresden Gallery, pubblicata da A.H. Payne e W. French a Dresda, Lipsia e Londra.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent

Albert Henry Payne, incisore, disegnatore ed editore inglese, nacque a Londra nel 1812 e morì a Lipsia nel 1902.
Payne operò a Lipsia dal 1838, dove fondò l’Istituto d’Arte Inglese.

Salvator Rosa, Figurine, 1720

1.450,00 

Salvator Rosa, Figurines It is a complete set of 60 plates, including the title plate, published by the engraver and publisher François Chéreau in Paris in the first half of the 18th century.
This collection, known as the Figurines, was originally created by Rosa in 62 etchings between 1656 and 1657.

  • Sheet size: Great
  • Dimensions of the tables: Variables
  • Technique: Etching
  • Condition: Good
  • Support: Laid paper

On the frontispiece we read: SALVATOR ROSA Invenit. Liber Primus.
This edition is a good example, with six backlit prints and a few stains that do not detract from the artwork.

Salvator Rosa, Landscape, 1830

70,00 

Salvator Rosa, Paesaggio è un’acquatinta colorata realizzata nel 1830 da Ralph Cockburn, un noto pittore ed incisore.
Questa opera è tratta dalla Dulwich Picture Gallery e presenta una splendida esecuzione, ispirata a uno dei quadri esposti nella galleria.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The reverse bears the Haverhill Public Library stamp, making this a rare and decorative work.

Salvator Rosa, Soldiers Playing, 1830

70,00 

Soldati che giocano è un’acquatinta colorata realizzata da Ralph Cockburn nel 1830.
Questa opera è tratta dalla Dulwich Gallery e rappresenta una splendida esecuzione ispirata a uno dei quadri presenti nella galleria.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent state of preservation

The reverse bears the Haverhill Public Library stamp, making this a rare and decorative work.

Salvator Rosa, Soldier with spear pointing

75,00 

Soldato con lancia che indica It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines ed è caratterizzata da un monogramma in basso a destra, con le lettere intrecciate RS e il numero 22.

  • Sheet size: mm. 142×93
  • Support: Unlaid paper
  • Technique: Etching and drypoint
  • Condition: Ottima, con residui di colla ai margini visibili in parte a fronte

La prova è nitida e si presume sia una tiratura fine del ‘700 (Cfr. Bartsch 37).

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