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Feast of St. Rosalia in Palermo, 1853

25,00 

Feasts of St. Rosalia in Palermo It is a lithographic print made in 1853, which celebrates one of the most important festivities of the city of Palermo.
This work comes from the volume Picturesque Polyorama, a periodical dedicated to the dissemination of useful and enjoyable knowledge for all social classes.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 15×24 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.

Ficus, Cromolitografia, 1867

25,00 

Ficus Suringarii Witte it's a chromolithography made in 1867, from the volume Neerland's Plantentuin from Groningen.
Questa splendida stampa, caratterizzata da un retro bianco e una misura del foglio di cm. 26×17, è molto decorativa e si presenta in excellent condition.

  • Sheet size: cm. 26×17
  • Support: Thick paper
  • Condition: Excellent

Fiesole, General view, 1819

40,00 

Fiesole, General view It is an engraving made by TO THE CASTELLAN in 1819, which offers a panoramic view of the historic city of Fiesole.
This work is taken from the volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×24 approx.
  • Engraving size: cm. 14×21 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Filippo Augusto, 1860

20,00 

Filippo Augusto è una litografia a due tinte realizzata nel 1860 circa, che rappresenta il re francese durante la sua partecipazione alla Terza Crociata (1190).
Questa opera è stampata dall’Imp. Lemercier di Parigi e si distingue per la sua qualità artistica e storica.

  • Sheet size: cm. 26×34
  • Support: Medium paper with white back
  • Condition: Excellent

Watercolor flowers 20th century

30,00 

Fiori Acquarello è un’incantevole opera del XX secolo che presenta tre splendide rappresentazioni floreali.
Questo acquarello anonimo è un pezzo molto decorativo, perfetto per abbellire qualsiasi ambiente.

  • Sheet size: cm. 31×21 circa
  • Condition: Excellent state of preservation
  • Support: Paper

Florence, Palazzo Vecchio, 1850

40,00 

Florence, Palazzo Vecchio It is an engraving made in 1850, which offers a splendid view of the courtyard of Palazzo Vecchio.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18,5 approx.
  • Support: Strong paper
  • Condition: Excellent

This engraving stands out for its sharpness and vividness, making it a valuable addition to any collector.

Firenze, Coro di Santa Maria Novella, 1877

40,00 

Firenze, Coro di Santa Maria Novella è un’incisione xilografica del 1877, acquarellata a mano.
This work, taken from Italy di J. Gourdault, rappresenta l’interno della chiesa con i monaci intenti a cantare, un soggetto di grande bellezza.

  • Size of the joke: mm. 244×182
  • Margins: Wide
  • Support: Medium paper with white back
  • Condition: Excellent

Firenze, Duomo, 1885

30,00 

Firenze, Duomo, 1885 è una xilografia che rappresenta la nuova facciata del Duomo di Firenze.
Questa incisione è stata realizzata da Eduardo Ximenes and it is part of the volume Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.

  • Sheet size: cm. 27×37 approx.
  • Engraving size: cm. 19×25 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Firenze, Giardino di Boboli, 1876

25,00 

Florence, Boboli Gardens It is a woodcut engraving made by Adolphe Francois Pannemaker in 1876.
This work is taken from the volume Promenades in Italy di Rolland, pubblicato a Tours nello stesso anno.

  • Sheet size: mm. 190×290
  • Engraving size: mm. 142×220
  • Support: Light paper
  • Condition: Excellent condition

La stampa presenta una bella veduta decorativa del Giardino di Boboli, un luogo emblematico di Firenze, noto per la sua bellezza e storia.

Firenze, Loggia dei Lanzi, 1850

40,00 

Firenze, Loggia dei Lanzi è un’incisione realizzata nel 1850, che offre una splendida veduta della celebre loggia fiorentina.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18,5 approx.
  • Support: Strong paper
  • Condition: Excellent

Questa incisione si distingue per la sua nitidezza e vivacità, rendendola un pezzo pregiato per collezionisti e appassionati d’arte.

Florence, Or San Michele, 1877

30,00 

Firenze, Or San Michele è un’incisione xilografica realizzata da A. Closs e F. Bauer nel 1877, tratta dall’opera Italy by J. Gourdault.
Questa animata veduta offre un’immagine nitida e contrastata della celebre piazza fiorentina.

  • Sheet size: mm. 190×260 circa
  • Support: Medium paper
  • Condition: Excellent state of preservation

Firenze, Palazzo del Podestà, 1840

30,00 

Firenze, Palazzo del Podestà è un’incisione in acciaio realizzata nel 1840, che offre una beautiful view del palazzo animata da personaggi all’interno.
This work is part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig.

  • Sheet size: mm. 140×230
  • Engraving size: mm. 100×160
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

L’incisione presenta ampi margini e una nitidezza ben contrastata, rendendola un pezzo pregiato per collezionisti e appassionati d’arte.

Firenze, Palazzo Vecchio, 1877

35,00 

Florence, Palazzo Vecchio It is a woodcut engraving made in 1877 da A. Closs e F. Bauer, tratta dall’opera Italy di J. Gourdauld.
Questa incisione rappresenta l’interno del Palazzo Vecchio, affollato da vari visitatori, offrendo uno spaccato della vita culturale dell’epoca.

  • Sheet size: mm. 190×260 circa
  • Support: Medium paper with white back
  • Condition: Excellent

Florence, Piazza del Granduca, 1835

30,00 

Florence, Grand Duke's Square it is a burin engraving made in 1835.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Technique: Burin
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Firenze, Piazzale Michelangelo, 1885

35,00 

Firenze, Piazzale Michelangelo, 1885 è un’incisione che ritrae il famoso Piazzale Michelangelo, situato sui Viali dei Colli.
Made in woodcut, l’opera è stata incisa da Canedi and designed by Bonamore.

  • Engraving size: cm. 19×27
  • Sheet size: cm. 27×37
  • Support: Light paper
  • Condition: Excellent condition

This engraving is taken from Italy Pictorial Journey from the Alps to Etna di G. Stieler, E. Paulus, W. Kaden, pubblicato a Milano dai Fratelli Treves nel 1885.
Antonio Bonamore è stato un illustratore attivo a Milano tra il 1870 e il 1890, noto per i suoi disegni di avvenimenti di cronaca.
Francesco Canedi, allievo di Francesco Ratti, ha operato a Milano e Torino, collaborando con vari editori.

Firenze, Veduta Panoramica a volo d’uccello, 1859

40,00 

Firenze, Veduta Panoramica a volo d’uccello è una xilografia realizzata nel 1859, che offre una vista aerea della città di Firenze.
This work is taken from the volume Wars of Italy and features writing on the verso, making it an interesting piece for collectors and history buffs.

  • Sheet size: cm. 22×32 approx.
  • Condition: Excellent
  • Support: Paper

Florence. Arno, 1796

40,00 

Florence. Arno It is an engraving from 1796 that portrays a splendid view of the Arno River and the famous Ponte Vecchio.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching and aquatint
  • Condition: Excellent state of preservation
  • Support: Paper

This beautiful view is animated and well contrasted, with an explanation of the print on the back.

Foche, 1890

15,00 

Foche It is a lithograph made in 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, edita in Germania a partire dalla seconda metà del XIX secolo dal Bibliographischen Instituts, con sedi a Leipzig e Vienna.

  • Sheet size: cm. 29×23
  • Condition: Discrete condizioni, con leggero ingiallimento e una piega centrale dovuta all’inserimento nel volume originale.
  • Support: Carta, retro bianco.

Foggia, View of the City, 1890

30,00 

Foggia, View of the City it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work offers a fascinating vision of the city of Foggia, with accurate details and a descriptive text surrounding it.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Support: Paper
  • Condition: Excellent

Folco Portinari, 1857

30,00 

Folco Portinari è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’opera Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
Questa incisione rappresenta Folco Portinari, un noto banchiere italiano del XIII secolo.

  • Sheet size: cm. 23×32
  • Size of the joke: cm. 14×18
  • Support: Strong paper
  • Condition: Buone, con qualche leggera macchia di ruggine ai bordi, che non interessa l’incisione.

Foligno, 1859

25,00 

Foligno, 1859 it is an anonymous engraving representing two views of the Church of San Feliciano and of the Church of San Francesco in Foligno.
Made in 1859, this work is taken from the volume Customs and Traditions of All the Peoples of the Universe by Sanvito, published in Milan.

  • Sheet size: mm. 290×190
  • Engraving dimensions: mm. 290×190
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Light paper

Foligno, Church of S. Francesco and S. Feliciano, 1834

35,00 

Foligno, Church of S.Francesco and S.Feliciano It is a double steel engraving made between 1834 and 1837.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Dimensions of each engraving: cm. 11×8 approx.
  • Support: Lightweight paper, white back
  • Condition: Excellent state of preservation

The views are lively and decorative, making this work an interesting collector's piece.

Carnelo Fountain, Carnello, Itri, 1850

40,00 

Fontana del Carnelo è un’incisione realizzata nel 1850, che rappresenta una splendida veduta di Carnello, Itri.
This work is a etching su carta forte, con un’immagine nitida e animata, proveniente dal volume The Classic Lands of Europe, Italy, Sicily and Greece.. di John Sherer.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent

Fossano, Cuneo, Cathedral, 1890

20,00 

Fossano, Cuneo, Cathedral it's a woodblock print made in 1890 by the engraver Barberis.
This work, taken from an Italian text from the late nineteenth century, presents a large-sized image cm. 14×12 approximately, surrounded by text and with further annotations on the back of the sheet. The complete sheet measures cm. 26×18 about.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

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