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View of the city of Brindisi, 1837

20,00 

Veduta della città di Brindisi It is a woodcut engraving made in 1837.
This work is taken from Pictorial Cosmorama, una rivista innovativa che ha dato spazio alle illustrazioni nel panorama editoriale dell’epoca.

  • Sheet size: cm. 17×12 approx.
  • Support: Paper
  • Condition: Ottima, con un piccolo strappo restaurato
  • Shipping: Completa di passepartout

Questa bella veduta decorativa offre uno spaccato della città di Brindisi e rappresenta un pezzo significativo della storia dell’illustrazione.

Veduta della città di Pisa e del combattimento sul Ponte, 1707

50,00 

Incisione realizzata nel 1707, utilizzando la tecnica dell’acquaforte su rame.
Questa opera è stampata su carta leggera vergellata con retro bianco.
It is part of the volume Les delices de l’Italie di De Rogissart, edizione francese, pubblicata a Parigi nel 1707.

  • Sheet size: cm. 19×16 circa
  • Dimensioni dell’incisione: cm. 10×14 circa
  • Support: Laid paper
  • Condition: Discrete condizioni. Due pieghe editoriali.

View of the Loggia dei Lanzi, Florence, 1826

20,00 

Veduta della Loggia dei Lanzi, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Technique: Burin
  • Support: Paper
  • Condition: Excellent condition

Veduta della Metropolitana di Firenze, 1826

20,00 

Veduta della Metropolitana di Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta della Piazza del Granduca, Firenze, 1826

20,00 

Veduta della Piazza del Granduca, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

View of the Piazza di S. Croce, Florence, 1826

20,00 

Veduta della Piazza di S.Croce, Firenze it is an engraving made by Antonio Verico in 1826.
Questo lavoro è un’acquaforte su rame, tratto dal volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta della Piazza di S.Marco di Firenze, 1826

20,00 

Veduta della Piazza di S.Marco di Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Veduta della Porta al Prato di Firenze, 1826

20,00 

Veduta della Porta al Prato di Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Veduta della Porta di S.Gallo, Firenze, 1826

20,00 

Veduta della Porta di S.Gallo, Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

Veduta della Porta Romana, Firenze, 1826

20,00 

Veduta della Porta Romana, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Veduta della strada di Amalfi, 1845

25,00 

Veduta della strada di Amalfi è una litografia realizzata da Gonsalvo Carelli nel 1845.
This print comes from the work Picturesque Polyorama, an important publication that aimed to spread useful knowledge across all social classes.

  • Sheet size: cm. 20×15 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page with historical notes will be sent.
Questa bella veduta rappresenta un’importante testimonianza della strada di Amalfi nel XIX secolo.

Veduta della Via Larga, Firenze, 1826

20,00 

Veduta della Via Larga, Firenze it is an etching on copper made by Anthony Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

View of the Public Prisons of Florence, 1826

20,00 

Veduta delle Pubbliche Carceri di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

Veduta dello Spedale di Bonifazio, Firenze, 1826

20,00 

Veduta dello Spedale di Bonifazio It is an engraving made by Anthony Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

View of Arles, 1614

50,00 

View of Arles, 1614 It is a page extracted from the Cosmography Universalis by Sebastian Munster, made in Basel in 1614.
This work represents a detailed view of the city of Arles, France, and has been colored in watercolor. On the back there is a writing that adds further historical value to the work.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 8×15,5 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

View of Avignon, 1614

80,00 

Veduta di Avignone è una pregiata pagina estratta dalla Cosmography Universalis, created by Sebastian Munster in 1614.
Questa incisione offre una dettagliata rappresentazione di Avignone, in Francia, colorata all’acquerello. Sul retro, è presente una veduta del famoso Pont du Gard, un antico acquedotto romano.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 8×15,5 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

View of Baia, 1845

25,00 

View of Baia it's a lithographic printing made in 1845.
This work comes from Picturesque Polyorama, an important publication that aimed to spread useful knowledge to all classes of society.

  • Print Size: cm. 12×15
  • Margins: almost absent
  • Typography: Lithograph of the Poliorama Pittoresco, Naples
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page with historical notes will be sent.
The Picturesque Polyorama It was published from 1836 to 1860 in the Kingdom of the Two Sicilies and dealt with science, technology, art and biographies.

View of Barletta, 1845

25,00 

Veduta di Barletta è una litografia del 1845 che rappresenta una panoramica del castello e di una porzione della città di Barletta.
This print is taken from the work Picturesque Polyorama, un’importante pubblicazione del XIX secolo, diretta da Filippo Cirelli, che mirava a diffondere conoscenze utili in tutte le classi sociali.

  • Sheet size: cm. 12×15 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; the full page with historical notes will be sent.
The Picturesque Polyorama è stato pubblicato dal 1836 al 1860 nel Regno delle Due Sicilie, trattando vari argomenti tra cui scienze, tecnologia e arte.

veduta di Como, 1877

35,00 

Veduta di Como è un’incisione xilografica su legno di testa realizzata nel 1877, tratta dall’opera Italy by J. Gourdault, published in Paris.
Questa suggestiva veduta offre un’immagine nitida e ben contrastata della città di Como, animata da dettagli vivaci.

  • Sheet size: cm. 27×38 approx.
  • Size of the joke: cm. 19×25 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent

View of Edinburgh, 1614

120,00 

View of Edinburgh it is a valuable engraving made by Sebastian Munster in 1614, taken from his work Cosmography Universalis.
This view represents the city of Edinburgh, located in Scotland, and is distinguished by its watercolour colouring. At the bottom right is the monogram of Hans Rudolf Manuel German, a well-known German cartographer.

  • Sheet size: cm. 36×22 approx.
  • Engraving size: cm. 10×18 approx.
  • Technique: Woodcut on laid paper with watercolour
  • Condition: Excellent
  • Support: Paper

View of Munster, 1614

80,00 

Veduta di Munster It is an engraving made by Sebastian Munster nel 1614, proveniente dalla sua celebre opera Cosmography Universalis.
Questa veduta rappresenta la città di Munster, situata nel Monaco di Vestfalia, Germania. L’opera è caratterizzata da un piccolo strappo riparato con carta e presenta sul retro altre immagini.

  • Sheet size: cm. 36×22 approx.
  • Engraving size: cm. 12×15 approx.
  • Support: Laid paper
  • Condition: Good

Veduta di Napoli, 1838

20,00 

Veduta di Napoli it's a lithographic printing realizzata nel 1838, che offre una panoramica suggestiva della città dalla strada nuova del Campo.
This work is taken from Picturesque Polyorama, a periodical work aimed at spreading useful knowledge to all classes of society.

  • Sheet size: cm. 9×15 approx.
  • Condition: Excellent
  • Support: Paper
  • Notes: La stampa è contenuta in una pagina ritagliata dal libro e presenta scritte al verso.

The entire page containing the print is sent.

View of Orange, Aurange, 1614

50,00 

Veduta di Orange, Aurange It is a page extracted from the Cosmography Universalis, created by Sebastian Munster in 1614.
Questa opera presenta una veduta colorata all’acquerello della città di Orange, arricchita da un retro scritto.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 8×12,5 circa
  • Support: Laid paper
  • Condition: Excellent

View of Orsanmichele, Florence, 1826

20,00 

Veduta di Orsanmichele, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

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