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Ancona, 1860, Arch of Trajan
40,00 €Ancona, 1860, Arch of Trajan It is an engraving made by Rouargue Frères in 1860, using the technique of burin on steel.
This work is taken from the volume Voyage Pittoresque en Italia. Partie Septentrionale, published in Paris by Morizot, with texts by Paul De Musset.
- Sheet size: mm. 168×115 plus margins
- Support: Medium paper, white back
- Condition: Excellent
The view is beautiful and lively, characterized by remarkable sharpness and contrast.
Ancona, The Trial of the Millions, 1886
30,00 €Ancona, il Processo dei Milioni It is an engraving made in 1886, taken from the prestigious publication The Italian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera presenta un’immagine di dimensioni significative, cm. 29×41, arricchita da scritte intorno e annotazioni al retro del foglio.
- Sheet size: cm. 29×41 circa
- Engraving size: cm. 29×41 circa
- Support: Paper
- Condition: Excellent
André Masséna, 1839
15,00 €André Masséna, 1839 It is a copper engraving portraying the famous French general, Marshal of the Empire.
This work is taken from Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli, published in Naples by the Omnibus printing house in 1839.
- Sheet size: cm. 13×11 approx.
- Support: Paper
- Condition: Excellent
The print is contained in the book page and has writing on the back; the entire page containing the engraving will be sent.
Guardian Angel, canivet, 1850
20,00 €Angelo Custode è un canivet realizzato nel 1850 dalla casa editrice Pintard à Lyon, situata a Lione, Francia.
Questo affascinante pezzo presenta un’illustrazione dell’Angelo Custode, accompagnata da una preghiera sia al recto che al verso.
- Sheet size: cm. 7×10 approx.
- Technique: Burin
- Condition: Excellent state of preservation
- Support: Paper
Angera, Varese, 1832
25,00 €Angera, Varese, 1832 è un’incisione realizzata con la tecnica dell’acquaforte e bulino.
Questa opera, stampata da C. Stanfield, è stata pubblicata nel volume Picturesque Annual a partire da un disegno di Clarkson Stanfield, Londra, 1832.
- Sheet size: cm. 12×19 approx.
- Engraving size: cm. 10×13 approx.
- Support: Paper
- Condition: Excellent state of preservation
Annibale Carracci, 1839
15,00 €Hannibal Carracci It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This print, of small size, has almost no margins and contains writing on the verso. The entire page including the print is shipped.
- Sheet size: cm. 12×10 approx.
- Technique: Burin
- Condition: Excellent
- Support: Paper
Anonymous, Woman from behind, pencil on paper
30,00 €Woman from behind it is an anonymous work made with pencil on paper In the 20th century.
This drawing represents a figure study, highlighting the artist's mastery of pencil on thick drawing paper.
- Sheet size: cm. 20×30 approx.
- Technique: Pencil
- Condition: Excellent
- Support: Paper
Anzio, 1834
25,00 €Anzio, 1834 It is an engraving made with the technique of burin on steel, which represents a fascinating forest interior with animals.
This work is taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.
- Sheet size: mm. 185×110 plus margins
- Condition: Good condition
- Support: Lightweight paper, white back
Anzio, Albani Villa, 1834-1837
25,00 €Anzio, Albani Villa It is a steel engraving made between 1834 and 1837.
This work comes from the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.
- Sheet size: cm. 25×16 approx.
- Engraving size: cm. 18×10 approx.
- Support: Light paper
- Condition: Excellent state of preservation
This view is lively and decorative, perfect for art and history lovers.
Aosta, 1835
25,00 €Aosta, 1835 It is a copper engraving made in 1835, taken from the work The Wundermappe oder Sämmtliche Kunst- und Natur-Wunder des ganzen Erdballs by C. Strahlheim.
This precious engraving has a compact format, ideal for collectors and art enthusiasts.
- Sheet size: cm. 11×14 approx.
- Engraving size: cm. 7.5×10 approx.
- Support: Paper
- Condition: Excellent state of preservation
Aosta, 1835
30,00 €Aosta, 1835 è un’incisione in rame realizzata da Grundmann, con la collaborazione di Audot e Lhuillier.
This panoramic view offre una rappresentazione decorativa e animata della città di Aosta, catturando l’essenza del paesaggio urbano dell’epoca.
- Sheet size: cm. 16×26 approx.
- Engraving size: cm. 17×11 approx.
- Support: Paper
- Condition: Excellent state of preservation
Aosta, Roman Arch and Villanova d'Aosta,1834
35,00 €Aosta, Arco Romano e Villanova d’Aosta It is a double steel engraving made between 1834 and 1837.
This work is part of the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.
- Sheet size: cm. 25×16 approx.
- Engraving size: cm. 11x8 approximately for each
- Support: Lightweight paper with white backing
- Condition: Excellent state of preservation
Aosta, Fenis Castle, 1886
30,00 €Aosta, Castello di Fenis è un’incisione del 1886, tratta dall’illustre pubblicazione Italian Illustration, published in Milan by the Treves Brothers.
Questa opera presenta un’immagine di cm. 10×16, arricchita da scritte decorative intorno e annotazioni al retro del foglio.
- Sheet size: Small
- Engraving size: cm. 10×16 approx.
- Support: Paper
- Condition: Excellent
Aosta, Praetorian Gate, 1886
30,00 €Aosta, Porta Pretoria It is an engraving made in 1886, taken from the illustrious publication Italian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera presenta un’immagine di dimensioni contenute, arricchita da scritte decorative intorno e annotazioni al retro del foglio.
- Sheet size: cm. 10×16 approx.
- Support: Paper
- Condition: Excellent
Aosta, Praetorian Gate, 1886
30,00 €Aosta, Porta Pretoria It is an engraving made in 1886, taken from theItalian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera offre una vista suggestiva della storica Porta Pretoria di Aosta, arricchita da scritte decorative intorno all’immagine e annotazioni al retro del foglio.
- Sheet size: cm. 10×16 approx.
- Support: Paper
- Condition: Excellent
Aosta, Roman Theatre, 1886
30,00 €Aosta, Roman Theatre It is an engraving made in 1886, taken from theItalian Illustration, published in Milan by Fratelli Treves Editori.
This work features a small-sized image, with decorative writing around it and annotations on the back of the sheet.
- Sheet size: cm. 10×16 approx.
- Support: Paper
- Condition: Excellent state of preservation
Aosta, Verres and Emaville, 1834
35,00 €Aosta, Verres e Emaville It is a double steel engraving made between 1834 and 1837.
Ogni incisione misura circa cm. 11×8 e fa parte di un foglio di dimensioni cm. 25×16.
This work is taken from Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, published in Paris.
- Sheet size: cm. 25×16 approx.
- Engraving size: cm. 11×8 approx.
- Support: Light paper
- Condition: Excellent state of preservation
The views are lively and decorative, making this engraving a fascinating piece for collectors and enthusiasts.
Aquila destructor great Harpy, 1840
15,00 €Aquila destructor grande Arpia è un’incisione su rame realizzata nel 1840, tratta dall’opera Picturesque Omnibus, published in Naples.
Questa affascinante incisione presenta un retro scritto, aggiungendo un ulteriore elemento di interesse per i collezionisti.
- Sheet size: cm. 15×18 approx.
- Technique: Burin
- Condition: Excellent
- Support: Paper
Architecture, capital bases, various styles, 1771
30,00 €Architettura, basi dei capitelli, vari stili è un’incisione al bulino realizzata da Fortunato Bartolomeo De Felice nel 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
- Sheet size: cm. 24×18
- Engraving size: cm. not specified
- Support: Medium thickness laid paper
- Condition: Excellent
Questa incisione è particolarmente interessante poiché proviene dall’edizione della Enciclopedia di Diderot e D’Alembert, nota come Encyclopédie d’Yverdon, pubblicata in Svizzera.
Its difference from the original, less French and less anti-religious, gave it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.
Architecture, capitals, five orders 1771
30,00 €Architecture, capitals, five orders It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
- Sheet size: cm. 24×18
- Support: Medium thickness laid paper with white backing
- Condition: Excellent condition
The engraving represents an interesting example of architecture, highlighting the five orders.
De Felice's version, known as Yverdon Encyclopedia, is distinguished by a less French and less anti-religious approach than the original, earning it the nickname of Protestant encyclopedia and ensuring a strong diffusion in Northern Europe.
Architecture, capitals, various orders 1771
30,00 €Architecture, capitals, various orders It is an engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
- Sheet size: cm. 24×18
- Engraving size: cm. 24×18
- Technique: Burin
- Support: Medium thickness laid paper with white backing
- Condition: Excellent
This engraving is particularly interesting because it comes from the edition of Encyclopedia of Diderot and D'Alembert known as Yverdon Encyclopedia, published in Switzerland.
Unlike the original version, which was less French and less anti-religious, this edition is known as the Protestant encyclopedia and had a strong diffusion in Northern Europe.
Architecture, plan of a grand hotel, 1771
30,00 €Architecture, plan of a grand hotel It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the edition of Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert, known as the Encyclopedie d'Yverdon.
- Sheet size: cm. 24×18
- Support: Medium thickness laid paper with white backing
- Condition: Excellent condition
This engraving is notable for its less French and less anti-religious approach than the original, earning it the nickname of Protestant encyclopedia and ensuring a strong diffusion in Northern Europe.
Architecture, plan of a grand hotel, drawing by JFBlondel, 1771
30,00 €Architecture, plan of a grand hotel It is a burin engraving made by JF Blondel in 1771.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×30
- Engraving size: cm. not specified
- Support: Medium thickness laid paper
- Condition: Excellent state of preservation
This engraving is part of the edition of the Encyclopédie by Diderot and D'Alembert, known as the Encyclopedie d'Yverdon, published in Switzerland.
Its difference from the original gave it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.
Architecture, project of a grand hotel, drawing by JFBlondel, 1771
30,00 €Architecture, project of a grand hotel It is an engraving made by JF Blondel in 1771.
This drawing is part of the important work Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×18 approx.
- Engraving size: cm. not specified
- Support: Medium thickness laid paper
- Condition: Excellent condition, with white back
This engraving represents an interesting example of architecture, known for its diffusion in Northern Europe thanks to its edition in Switzerland, known as the Encyclopédie d'Yverdon.
The difference in approach compared to the original by Diderot and D'Alembert gives it a unique character.
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