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Showing 1753–1776 of 9466 results

German comedy, 18th century

40,00 

German comedy It is a vintage watercolour lithograph representing typical characters from 18th century German comedy.
This work is made on laid paper of medium thickness and features, at the bottom, a German inscription with editorial notes.

  • Sheet size: cm. 26×18 approx.
  • Condition: Excellent condition
  • Support: Laid paper

German comedy, 18th century

40,00 

German comedy It is a vintage watercolour lithograph representing typical characters from 18th century German comedy.
This work is printed on medium-thickness laid paper and features, at the bottom, a German inscription with editorial notes.

  • Sheet size: cm. 26×18 approx.
  • Condition: Excellent condition
  • Support: Laid paper

German comedy, 18th century

40,00 

German comedy It is a vintage watercolour lithograph representing typical characters from 18th century German comedy.
This work is made on medium-thickness laid paper and features, at the bottom, a German inscription with editorial notes.

  • Sheet size: cm. 26×18 approx.
  • Support: Laid paper
  • Condition: Excellent condition

German comedy, 18th century

40,00 

German comedy It is a vintage watercolour lithograph dating back to the 18th century, which vividly represents the typical characters of German comedy.
This work is printed on medium-thickness laid paper and features, at the bottom, a German inscription together with editorial notes.

  • Sheet size: cm. 26×18 approx.
  • Support: Laid paper
  • Condition: Excellent condition

German comedy, 18th century

40,00 

German comedy It is a vintage watercolour lithograph dating back to the 18th century, which represents the typical characters of German comedy.
Made on medium-thickness laid paper, this work features a German inscription and editorial notes at the bottom.

  • Sheet size: cm. 26×18 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Laid paper

German comedy, 18th century

40,00 

German comedy It is a vintage watercolour lithograph representing typical characters from 18th century German comedy.
This work is made on medium-thickness laid paper and features German writing and editorial notes at the bottom.

  • Sheet size: cm. 26×18 approx.
  • Support: Laid paper
  • Condition: Excellent condition

German comedy, 18th century

40,00 

German comedy It is a vintage watercolour lithograph representing typical characters from 18th century German comedy.
This work is made on medium-thickness laid paper and features German writing and editorial notes at the bottom.

  • Sheet size: cm. 26×18 approx.
  • Engraving size: unspecified
  • Support: Laid paper
  • Condition: Excellent condition

German comedy, 18th century

40,00 

German comedy It is a vintage watercolour lithograph representing typical characters from 18th century German comedy.
Made on medium-thickness laid paper, this work features a German inscription and editorial notes at the bottom.

  • Sheet size: cm. 26×18 approx.
  • Condition: Excellent condition
  • Support: Laid paper

German comedy, 18th century

40,00 

German comedy It is a vintage watercolour lithograph representing typical characters from 18th century German comedy.
This work is made on medium-thickness laid paper and features German writing and editorial notes at the bottom.

  • Sheet size: cm. 20×15 approx.
  • Condition: Excellent state of preservation
  • Support: Laid paper

Commodoro Matteo Perry, 1854

20,00 

Commodoro Matteo Perry, 1854 è una litografia che ritrae il celebre commodoro americano, realizzata nel 1854.
This print is taken from the periodical work Picturesque Polyorama, published in Naples by the Poliorama Pittoresco printing and lithography shop, under the direction of Filippo Cirelli.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 14×12 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.
The Picturesque Polyorama è stato un’importante pubblicazione che ha diffuso conoscenze utili in vari campi, contribuendo alla cultura del Regno delle Due Sicilie dal 1836 al 1860.

Como de Medici, Farnese… 1835

20,00 

As the Medici, Farnese… It is an engraving made with the technique of burin on steel in 1835.
This work depicts significant historical figures such as Alessandro Farnese and Leonardo da Vinci, reflecting the art and architecture of the period.

  • Size of the joke: cm. 13×9
  • Support: Lightweight paper with white backing
  • Condition: Excellent

As in 1859 Gravedona

30,00 

Gravedona sul Lago di Como è un’incisione anonima del 1859, che rappresenta due vedute del Duomo di Como.
This woodcut is taken from the work Customs and Traditions of All the Peoples of the Universe, published in Milan.

  • Sheet size: mm. 190×290
  • Engraving size: mm. 190×290
  • Support: Light paper
  • Condition: Excellent

Como, 1859, Panorama of the Lake

30,00 

Panorama del Lago di Como It is an anonymous engraving made in 1859, che offre una vista suggestiva del Lago di Como presa da Bellagio, con la Villa Carlotta, già Clerici e Sommariva.
This work is taken from the volume Customs and Traditions of All the Peoples of the Universe, published in Milan.

  • Sheet size: mm. 190×290
  • Engraving size: mm. 190×290
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent

Como, Fall of the Latte River at Varenna, 1860

35,00 

Como, Caduta del fiume Latte a Varenna è un’acquaforte realizzata nel 1860, che cattura la bellezza naturale della regione.
Questo pezzo è tratto dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Como, The Cathedral, 1884

30,00 

Como, The Cathedral It is a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work represents a suggestive view of the Como Cathedral, capturing the architectural essence of the time.

  • Sheet size: cm. 25×35
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be sent.

Como, The Cathedral, The Broletto and the Tower, 1890

20,00 

Como, The Cathedral, The Broletto and the Tower It is a woodcut print made in 1890, which captures the architectural beauty of Como.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10 x 12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30 x 20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Como, The promontory of Torno, 1860

35,00 

Como, Il promontorio di Torno è un’acquaforte realizzata nel 1860, che cattura la bellezza del paesaggio lacustre.
Questo lavoro è tratto dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Como, Panorama, 1890

30,00 

Como, Panorama è una stampa xilografica realizzata nel 1890, che offre una vista suggestiva della città di Como.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 17×24 circa, circondata da testo e con ulteriore testo al verso del foglio.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Como, Porta Vittoria, 1890

20,00 

How, Victory Gate it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Como, Coat of Arms, 1871

15,00 

Como, Stemma It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
Questa stampa rappresenta lo stemma della città di Como ed è caratterizzata da una parte incisa di dimensioni cm. 8×9, con piccoli margini, su un foglio leggero.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper
  • Notes: The print was removed from the book and has writing on the verso.

Como, View of the Lake, 1877

20,00 

Como, Veduta del Lago è un’incisione xilografica realizzata nel 1877 da Rudolf Schick, un noto pittore di ritratti e paesaggista.
Questa suggestiva veduta del Lago di Como è tratta dal volume Italy by J. Gourdault, published in Paris.

  • Size of the joke: mm. 187×113
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

La stampa, ritagliata dal libro, presenta un retro scritto e offre un’immagine nitida e ben contrastata, animata da un’atmosfera vivace.

Compagne di Ino tramutate in Rocce e Uccelli, Metamorfosi di Ovidio, acquaforte del 1676

30,00 

Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.

Descrizione dell’opera

  • Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux

  • Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)

  • Publisher: De l’Imprimerie Royale, Parigi, 1676

  • Technique: Acquaforte su carta vergellata (testo al verso)

  • Dimensions:

    • Incisione: cm 7,5 × 9 (alla battuta del rame)

    • Foglio: cm 27 × 20

Importanza storica e artistica

L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.

Le incisioni furono realizzate da tre importanti artisti dell’epoca:

  • Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole

  • François Chauveau (1613-1676), celebre illustratore parigino

  • Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV

Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.

Valore collezionistico

L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.

Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.

Comunione, La Meditazione, 1850-90

15,00 

La Meditazione è un’incisione realizzata tra il 1850 e il 1890, che rappresenta il soggetto della Comunione.
Published by the publishing house L.Turgis et fils edit. di Parigi, Francia, questa opera è un esempio di raffinata arte tipografica.

  • Sheet size: cm. 8×12 approx.
  • Condition: Excellent state of preservation
  • Support: Paper

Comus and Timon, A.H.Payne, 1840-50

20,00 

Comus and Timone It is an engraving made by AH Payne between 1840 and 1850.
This etching on medium-thickness paper, it has a format of 21x27 cm and a white back.
The engraver's signature is present at the bottom right: AHPayne sc..
The press was published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Medium thickness paper

Albert Henry Payne, English engraver and designer, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.
Common, in Greek mythology, represents the nocturnal alcoholic revelry, while Helm of Phlius He is an ancient skeptical philosopher, known for his critical thinking.

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