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Della Bella, Landscapes of Rome
70,00 €Della Bella, Landscapes of Rome It is an engraving made by Stephen of the Beautiful (1610-1664), which represents the famous landscapes and ruins of Rome.
This work dates back to the 19th century and it is an etching on thick ivory-colored unlaid paper.
- Sheet size: cm. 37×32
- Engraving size: mm. 133×133 at the copper edge
- Support: Unlaid paper
- Condition: Excellent
Signed lower left with the wording Stef.Della Bella invented fecitThe plates of these copies belong to the Calcografia of Rome, as indicated by the dry mark visible in the lower left corner of the title page (Lugt 2144).
Della Bella, Landscapes of Rome
70,00 €Della Bella, Landscapes of Rome it is an engraving made by Stefano della Bella, an artist active in the 17th century.
This work, part of the series Landscapes and Ruins of Rome, was created in the 19th century and features a refined etching on thick ivory-colored unlaid paper.
- Sheet size: cm. 37×32
- Engraving size: mm. 133×133
- Support: Unlaid paper
- Condition: Excellent
The work is signed on the lower left with the wording Stef.Della Bella invented fecit and features the dry mark of the Calcografia of Rome, visible in the lower left corner of the title page (Lugt 2144).
Della Bella, Landscapes of Rome
70,00 €Della Bella, Landscapes of Rome it is an engraving made by Stefano della Bella, an artist active in the 17th century.
This work, part of the series Landscapes and Ruins of Rome, was produced in the 19th century and features an etching on thick ivory-colored unlaid paper.
- Sheet size: cm. 37×32
- Engraving size: mm. 133×133 at the copper edge
- Support: Unlaid paper
- Condition: Excellent
The work is signed at the bottom left with the words 'Stef.Della Bella invent fecit' and features the dry mark of the Calcografia di Roma, visible in the bottom left corner of the title page (Lugt 2144).
Della Bella, Landscapes of Rome
70,00 €Della Bella, Landscapes of Rome it is an engraving made by Stefano della Bella, an artist active in the 17th century.
This work, part of the series Landscapes and Ruins of Rome, was executed in etching on thick ivory-colored unlaid paper.
- Sheet size: cm. 37×32
- Engraving size: mm. 133×133 at the copper edge
- Support: Unlaid paper
- Condition: Excellent
The engraving is signed lower left with the wording Stef.Della Bella invented fecit.
The plates of these copies belong to the Calcografia of Rome, visible through the dry mark in the lower left corner of the title page (Lugt 2144).
Della Bella, Landscapes of Rome
70,00 €Della Bella, Landscapes of Rome it is an engraving made by Stefano della Bella, an artist active in the 17th century.
This work, part of the series Landscapes and Ruins of Rome, is an etching on thick ivory-colored unlaid paper.
- Sheet size: cm. 37×32
- Engraving size: mm. 133×133 at the copper edge
- Technique: Etching
- Support: Unlaid paper
- Condition: Excellent
The work is signed at the bottom left with the words 'Stef.Della Bella invent fecit' and features the dry mark of the Calcografia di Roma, visible in the bottom left corner of the title page (Lugt 2144).
Della Bella, Landscapes of Rome
70,00 €Della Bella, Landscapes of Rome it is an engraving made by Stefano della Bella, an artist active in the 17th century.
This work, part of the series Landscapes and Ruins of Rome, is an etching on thick ivory-colored unlaid paper.
- Sheet size: cm. 37×32
- Engraving size: mm. 133×133 at the copper edge
- Support: Unlaid paper
- Condition: Excellent
The work is signed on the lower left with the wording Stef.Della Bella invented fecit and features the dry mark of the Calcografia of Rome, visible in the lower left corner of the title page (Lugt 2144).
Della Bella, Landscapes of Rome
70,00 €Della Bella, Landscapes of Rome it is an engraving made by Stefano della Bella, an artist active in the 17th century.
This work, part of the series Landscapes and Ruins of Rome, is an etching on thick ivory-colored unlaid paper.
- Sheet size: cm. 37×32
- Engraving size: mm. 133×133 at the copper edge
- Technique: Etching
- Support: Unlaid paper
- Condition: Excellent
The work is signed at the bottom left with the words 'Stef.Della Bella invent fecit' and features the dry mark of the Calcografia di Roma, visible in the bottom left corner of the title page (Lugt 2144).
Della Bella, Landscapes of Rome
70,00 €Della Bella, Landscapes of Rome It is an engraving made by Stefano della Bella, an important artist of the 17th century.
This work, part of the series Landscapes and Ruins of Rome, was created in the 19th century and presents an extraordinary representation of Roman landscapes.
- Sheet size: cm. 37×32 approx.
- Engraving size: mm. 133×133 at the copper edge
- Support: Thick ivory-colored unlaid paper
- Condition: Perfect
The engraving is signed lower left with 'Stef.Della Bella invent fecit' and features the dry mark of the Calcografia di Roma, visible in the lower left corner of the title page.
Della Bella, Landscapes of Rome
70,00 €Della Bella, Landscapes of Rome it is an engraving made by Stefano della Bella, an artist active in the 17th century.
This work, part of the series Landscapes and Ruins of Rome, is an etching on thick ivory-colored unlaid paper.
- Sheet size: cm. 37×32
- Engraving size: mm. 133×133 at the copper edge
- Support: Thick ivory-colored unlaid paper
- Condition: Perfect
The work is signed on the lower left with the wording Stef.Della Bella invented fecit and features the dry mark of the Calcografia of Rome, visible in the lower left corner of the title page (Lugt 2144).
This engraving is described by De Vesme and Massar on page 128, and is a reverse copy of the series mentioned.
Delphi, C.Frommel, 1829
25,00 €Delphi It is an engraving made by Carl Frommel In the 1829.
This work is part of the series 50 Bilder zu Virgils Heneide…, featuring high-quality engravings.
- Sheet size: cm. 21×26 approx.
- Engraving size: cm. 7×10 approx.
- Support: Medium paper
- Condition: Excellent state of preservation
Delusione d’amore, 1850
15,00 €Delusione d’amore è un’incisione realizzata nel 1850, che cattura l’essenza di un tema romantico profondo.
This work is made with the combination of etching and burin, su carta di medio spessore, e presenta un retro bianco.
- Engraving size: cm. 7×9 senza margini
- Condition: Excellent condition
- Support: Medium thickness paper
Dendrobium, Cromolitografia, 1883
30,00 €Dendrobium eburneum it's a chromolithography realizzata nel 1883, proveniente dalla Horticultural Review of Paris.
This splendid print, characterised by a white back and a sheet size of 25x16 cm, is very decorative and comes in excellent condition.
- Sheet size: cm. 25×16
- Support: Thick paper
- Condition: Excellent
Deposizione, A.Correggio, 1837
25,00 €Deposition è una litografia realizzata da A. Correggio nel 1837, tratta dal Universal pictorial warehouse of Genoa.
Questa opera, che misura cm. 15×19, è stampata su un foglio di cm. 21×27 ed è realizzata su light paper with white back.
- Sheet size: cm. 21×27
- Lithograph dimensions: cm. 15×19
- Technique: Lithography
- Condition: Excellent
Deposition, Annibale Carracci, 1884
25,00 €Deposition It is a woodcut engraving made by an anonymous author in 1884.
This work represents Der Leichnam Christi im Schoosse der Maria and it is taken from the volume Naples and its surroundings by Rudolf Kleinpaul, published in Leipzig.
- Sheet size: mm. 360×270
- Engraving size: mm. 240×160
- Support: Lightweight paper, white back
- Condition: Excellent condition
This engraving is a beautiful view, interesting and decorative.
Deposizione, Ribera, 1884
15,00 €Deposition è un’incisione xilografica realizzata da Ribera nel 1884.
This work is taken from the volume Neapel di R. Kleinpaul, pubblicato a Lipsia.
- Sheet size: mm. 130×165
- Condition: Excellent condition
- Support: Paper
- Notes: Margini quasi assenti, retro stampato
Dercette e Nais trasformati in pesci, Metamorfosi di Ovidio, acquaforte del 1676
30,00 €Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.
Descrizione dell’opera
-
Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux
-
Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)
-
Publisher: De l’Imprimerie Royale, Parigi, 1676
-
Technique: Acquaforte su carta vergellata (testo al verso)
-
Dimensions:
-
Incisione: cm 7,5 × 9 (alla battuta del rame)
-
Foglio: cm 27 × 20
-
Importanza storica e artistica
L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.
Le incisioni furono realizzate da tre importanti artisti dell’epoca:
-
Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole
-
François Chauveau (1613-1676), celebre illustratore parigino
-
Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV
Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.
Valore collezionistico
L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.
Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.
Desenzano, Brescia, View, 1890
20,00 €Desenzano, Brescia, View it's a woodblock print made in 1890, which offers a fascinating view of the locality.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 12 x 10 cm, with text around and on the back of the sheet.
- Sheet size: cm. 30×20
- Image size: cm. 12×10 approx.
- Support: Paper
- Condition: Excellent
Desmarets de Saint-Sorlin, Hesperie, 1873
20,00 €Hesperia It is a watercolour etching made in 1873 by Desmarets de Saint-Sorlin.
This work is part of the series Le Théatre Francais, XVI et au XVII siécle, edited by M. Edouard Fournier.
- Sheet size: cm. 26×17 approx.
- Engraving size: cm. 12×17 approx.
- Technique: Etching
- Condition: Excellent condition
- Support: Paper
Deucalione e Pirra, Metamorfosi di Ovidio, acquaforte del 1676
30,00 €Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.
Descrizione dell’opera
-
Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux
-
Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)
-
Publisher: De l’Imprimerie Royale, Parigi, 1676
-
Technique: Acquaforte su carta vergellata (testo al verso)
-
Dimensions:
-
Incisione: cm 7,5 × 9 (alla battuta del rame)
-
Foglio: cm 27 × 20
-
Importanza storica e artistica
L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.
Le incisioni furono realizzate da tre importanti artisti dell’epoca:
-
Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole
-
François Chauveau (1613-1676), celebre illustratore parigino
-
Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV
Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.
Valore collezionistico
L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.
Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.
Deveria: La visita del marito. 1832 stampa erotica
30,00 €Era: XX secolo
Technique: litografia
Dimensioni del foglio: cm 27×20
Dimensioni dell’immagine: cm14×10
Support: carta liscia moderna, retro stampato
Condizioni: buone, con minime tracce del tempo ai margini
Dichiarazione, C.Troost, 1845
20,00 €Dichiarazione è una litografia realizzata da C. Troost nel 1845.
This work was published in the magazine Art crown between 1845 and 1846.
- Sheet size: cm. 32×25 approx.
- Print Size: cm. 20×16 approx.
- Support: Medium thickness paper
- Condition: Excellent condition
Diderot and D'Alembert, 1778 reproductive system ovary
30,00 €Diderot e D’Alembert, 1778 – Apparato riproduttore ovaio è un’incisione al bulino di grande valore scientifico, realizzata da Fortunate Bartholomew De Felice (1723-1789).
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edizione curata da De Felice, nota come Yverdon Encyclopedia, published in Switzerland.
- Sheet size: cm. 24×18 approx.
- Engraving size: not specified
- Support: Medium thickness laid paper
- Condition: Excellent state of preservation
Questa incisione, realizzata nel 1771, offre un’interessante rappresentazione anatomica e si distingue per il suo approccio meno francese e meno antireligioso rispetto all’originale di Diderot e D’Alembert, guadagnandosi così il soprannome di enciclopedia protestante e una notevole diffusione nel Nord Europa.
Diderot e D’Alembert, 1778 apparato riproduttore ovaio ginecologia vagina
30,00 €Diderot e D’Alembert, 1778: Apparato Riproduttore è un’incisione al bulino che illustra l’anatomia del sistema riproduttivo femminile, in particolare l’ovaio e la vagina.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances humaines, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×18
- Engraving size: cm. 24×18 approx.
- Support: Medium thickness laid paper with white backing
- Condition: Excellent condition
Questa incisione, datata 1771, proviene dall’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Yverdon Encyclopedia, published in Switzerland.
Unlike the original version, this edition is less influenced by French and anti-religious thought, earning it the nickname of Protestant encyclopedia and contributing to its diffusion in Northern Europe.
Diderot e D’Alembert, 1778 apparato riproduttore ovaio pube ginecologia
30,00 €Diderot and D'Alembert, 1778 è un’incisione al bulino che rappresenta un apparato riproduttore femminile, specificamente l’ovaio e il pube, con un focus sulla ginecologia.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×18
- Engraving size: cm. 24×18
- Technique: Burin
- Support: Medium thickness laid paper with white backing
- Condition: Excellent
Questa incisione, realizzata nel 1771, proviene dall’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Yverdon Encyclopedia, published in Switzerland.
Unlike the original version, which was less French and less anti-religious, this edition is known as the Protestant encyclopedia and had a strong diffusion in Northern Europe.
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