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Showing 25–46 of 46 results

Nicola Vanni, Pittura di Ercolano, 1752

40,00 

Nicola Vanni, Pittura di Ercolano è un’incisione su rame realizzata nel 1752, che rappresenta una scena con putti e cavalli alati.
This work is part of the Raccolta di Pitture d’Ercolano, una serie di stampe pubblicata tra il 1752 e il 1762, che cattura l’essenza degli affreschi e dei manufatti rinvenuti ad Ercolano.

  • Sheet size: cm. 10×16 alla battuta del rame
  • Support: Copper
  • Condition: Excellent
  • Disegnatore e incisore: Nicola Vanni, dopo Fran. Lavega Ispan

Questa incisione è un esempio significativo della collaborazione di Vanni con la Scuola di incisori e disegnatori di Portici, istituita dal re Carlo III per la pubblicazione delle antichità ercolanesi, pompeiane e stabiane.

Oliviero Cromwell, 1838

20,00 

Oliviero Cromwell è un’incisione realizzata da Gnaccarini nel 1838, utilizzando la tecnica del Burin.
Questa opera, che rappresenta una piena figura, è tratta da The Picturesque Omnibus, pubblicato a Napoli nel 1839.

  • Sheet size: cm. 15×12 alla battuta, con margini più piccoli
  • Support: Copper
  • Condition: Excellent

Paestum, 1835

20,00 

Paestum, 1835 It is an engraving made at burin su acciaio, che rappresenta un’importante testimonianza artistica del XIX secolo.
This work is taken from L'Univers, histoire et description de tous les peuples by M. Le Chevalier ARTAUD.

  • Sheet size: mm. 132×94
  • Condition: Good
  • Support: Steel
  • Margins: Good margins, white back

Pifferai, Corricolo, 1876

15,00 

Pifferai, Corricolo è un’incisione xilografica realizzata nel 1876, che rappresenta una bella veduta con zampognari.
This work is taken from the volume Promenades in Italy dell’Abbé Rolland, pubblicato a Tours.

  • Sheet size: mm. 130×76 circa
  • Support: Head wood
  • Condition: Excellent condition

Pompeii, 1835

20,00 

Pompeii, 1835 It is a burin engraving on steel that represents an important historical testimony.
This work is taken from L'Univers, histoire et description de tous les peuples by M. Le Chevalier Artaud.

  • Sheet size: mm 132 x 95
  • Support: Steel
  • Condition: Good margins, white back

Portatrice di acqua a Venezia, 1844

40,00 

Portatrice di acqua a Venezia è un’incisione realizzata da E. Duverger nel 1844.
Questa opera, che presenta una ragazza in costumi popolari, è parte del volume Social, political and religious customs and habits of all the peoples of the world by N. Dally.

  • Sheet size: mm 105 x 170
  • Technique: Burin
  • Condition: Excellent state of preservation
  • Support: Acciaio acquerellato a mano e rifinito all’albume

Un soggetto decorativo e affascinante, ideale per gli amanti dell’arte e della cultura veneziana.

Roma, 1930-50

20,00 

Roma, 1930-50 it is a leporello that presents 30 vedute della città di Roma in bianco e nero, catturando l’essenza di un’epoca storica.
Questo libretto, di dimensioni contenute, è perfetto per chi desidera esplorare la bellezza di Roma attraverso immagini d’epoca.

  • Booklet dimensions: cm. 17×21 approx.
  • Condition: Good condition

Roma, Casa di Rienzo, 1835

20,00 

Roma, Casa di Rienzo It is an engraving made at burin on steel in 1835.
This work is taken from Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE, con disegno di LEMAITRE.

  • Size of the joke: mm. 95×140
  • Support: Steel
  • Condition: Excellent

Saverio Pistolesi, Firenze, Palazzo del Podestà, 1850

30,00 

Saverio Pistolesi, Firenze, Palazzo del Podestà è un’acquaforte realizzata nel 1850 dall’artista Saverio Pistolesi.
This work is part of the album Picturesque album designed and engraved by Saverio Pistolesi dedicated to the majesty of Vittorio Emanuele II king of Sardinia.

  • Sheet size: cm. 35×26 approx.
  • Engraving size: cm. 12×18 approx.
  • Support: Tissue paper glued onto cardboard
  • Condition: Excellent state of preservation

Shakespeare, 1839

20,00 

Shakespeare è un’incisione realizzata da Morghen nel 1839, rappresentante un mezzobusto del celebre drammaturgo.
This work is taken from The Picturesque Omnibus, published in Naples.

  • Sheet size: cm. 11×12 approx.
  • Engraving size: cm. 11×12 approx.
  • Support: Copper
  • Condition: Excellent

Siena, Cathedral

20,00 

Siena, Cathedral It is an engraving made with the technique of Burin on steel in 1835, con disegno di Lemaitre.
Questa opera rappresenta un’importante veduta della cattedrale di Siena, catturando la sua maestosità e bellezza architettonica.

  • Size of the joke: mm. 95×140
  • Condition: Qualche leggera macchia
  • Support: Steel

Syracuse, 1846

15,00 

Syracuse, 1846 It is a woodcut engraving representing a decorative view of the ruins of Selinonte.
This work was created in 1846 and comes from the volume Picturesque Store.

  • Sheet size: mm. 140×121
  • Support: Head wood
  • Condition: Excellent condition
  • Notes: Almost no margins and writing on the back

Syracuse, Timoleon's Country House, 1835

25,00 

Syracuse, Timoleon's Country House It is an engraving made in 1835, using the technique of burin on steel, with manual watercolouring.
This work represents a fascinating view of the Syracusan countryside, evoking the atmosphere of the period.

  • Sheet size: mm. 142×95
  • Condition: Excellent
  • Support: Steel

Sorrento, Tasso House, 1835

30,00 

Sorrento, Tasso's House It is a burin engraving made in 1835, which offers a splendid panoramic view of the Maison du Tasse in Sorrento.
This work was hand-watercoloured and comes from the volume Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE.

  • Sheet size: mm. 95×140 approx.
  • Condition: Excellent state of preservation
  • Support: Steel

Spluga, 1834-1838

20,00 

Spluga è un’incisione realizzata tra il 1834 e il 1838, che rappresenta la Strada della Spluga nella valle di S.Giacomo.
This work is a burin on steel con una misura della battuta di mm. 115×80 e presenta margini quasi assenti.

  • Taken from: Italy, Sicily, the Aeolian Islands, etc., first Italian edition by Audot père, Turin by Giuseppe Pomba, 1834
  • Back: White
  • Condition: Excellent condition

Drummer, 1850

20,00 

Tamburino It is a lithograph made in 1850, che rappresenta una scena amorosa.
Questa opera è caratterizzata da una dimensione di cm. 16×12 and it is printed on thick paper.

  • Era: 19th century
  • Technique: Lithography
  • Condition: Excellent
  • Dimensions: Small
  • Support: Altro (incollata su altro supporto cartaceo)

Syracuse Theatre, 1835

25,00 

Syracuse Theatre It is an engraving made with the technique of burin on steel in 1835, characterized by a light watercolour.
This work represents an important view of the famous Sicilian theatre, a symbol of the culture and history of the island.

  • Sheet size: mm. 142×95
  • Condition: Excellent
  • Support: Steel

Syracuse Theater, gouache on papyrus, late 1800s

50,00 

Syracuse Theatre it is a work made with gouache on papyrus by an anonymous artist, dating back to the late 19th century.
This beautiful execution is distinguished by the use of an unusual support, papyrus, which gives the work a unique charm.

  • Sheet size: cm. 8×14 approx.
  • Dimensions of the work: mm. 45×88
  • Support: Papyrus
  • Condition: Excellent

Trento, 1876, Cimon della Pala

20,00 

Cimon of the Pala It is a woodcut engraving made by Whymper in 1876, which offers a beautiful view from the Trento area.
This work is taken from Picturesque Europe and features an interesting and animated illustration.

  • Sheet size: mm. 162×230 approx.
  • Support: Head wood
  • Condition: Excellent condition
  • Notes: The print has writing on the back

Trieste, 1857

15,00 

Trieste, 1857 è un’incisione xilografica che offre una vista affascinante della città di Trieste.
Realizzata nel 1857, questa opera mostra il palazzo Carciotti in Riva Carciotti, visto dal Molo San Carlo.

  • Sheet size: mm. 148×105
  • Support: Head wood
  • Condition: Excellent condition
  • Notes: Almost no margins and writing on the back

Questa incisione è stata ritagliata da un libro tedesco e rappresenta una bella veduta decorativa della città.

Vaprio, 1834-1838

20,00 

Vaprio It is an engraving made with the technique of burin su acciaio, datata tra il 1834 e il 1838.
This work represents the Ponte di Vaprio and it is taken from Italy, Sicily, the Aeolian Islands, etc., the first Italian edition by Audot père, published in Turin by Giuseppe Pomba in 1834.

  • Size of the joke: mm. 115×80
  • Margins: almost absent
  • Back: white
  • Condition: ottime

Varenna, 1834-1838 Gallery

20,00 

Varenna, 1834-1838 It is an engraving made with the technique of burin on steel, which represents the Varenna Gallery.
This work is taken from Italy, Sicily, the Aeolian Islands, etc., the first Italian edition by Audot père, published in Turin by Giuseppe Pomba in 1834.

  • Size of the joke: mm. 115×80
  • Margins: almost absent
  • Back: white
  • Condition: excellent condition

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