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Showing 2425–2448 of 5559 results

La Mano di Sant’Anna, 1843

20,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 8×10 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Melancholy, Allegory, 1839

15,00 

La Melanconia, Allegoria è un’incisione realizzata nel 1839, eseguita in copper e parte dell’opera Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This small print has almost no margins and is contained within the book page, with writing on the verso.

  • Sheet size: cm. 14×10 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

La Merlettaia, Sarta, xilografia dell’800

25,00 

La Merlettaia, Sarta è una xilografia dell’800, proveniente da una stampa antica.
Questa opera è tratta da un testo della fine dell’800 e presenta un’incisione di dimensioni cm. 16×11 circa, su un foglio di cm. 27×18.
La pagina intera, contenente la stampa, verrà spedita estratta dal libro e include testo attorno e al verso.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

La messa votiva, F.Palizzi, 1853

60,00 

La Messa Votiva It is an engraving made by Philip Palizzi In the 1853.
This work is an example of Burin with watercolor outline, printed on medium paper with white back.
È firmata in lastra e proviene dal volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25
  • Condition: Perfect state of preservation
  • Support: Paper

The Death of Ananias. Etching1830-1850

25,00 

The Death of Ananias It is an engraving made by J. Rogers between 1830 and 1850, inspired by the biblical subject of the death of Ananias.
This work is part of the Scripture Gallery of Engraving, published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 15 x 11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back with editorial frame and vignettes

La morte di Cleopatra, 1842

15,00 

La morte di Cleopatra è un’incisione su rame realizzata nel 1842, tratta dall’opera Picturesque Omnibus, published in Naples.
Questa incisione rappresenta un momento drammatico della storia, raffigurando Cleopatra VII, l’ultima regina del Regno tolemaico d’Egitto.

  • Sheet size: cm. 10×16 approx.
  • Support: Lightweight paper, printed back
  • Condition: Excellent condition

​La Mummia di Ramsete II, 1886

30,00 

La Mummia di Ramsete II It is an engraving made in 1886, taken from the prestigious publication The Italian Illustration, published in Milan by the Treves Brothers.
Questa opera presenta un’immagine di dimensioni cm. 16×13, arricchita da scritte decorative intorno e annotazioni al retro del foglio.

  • Sheet size: cm. 16×13 approx.
  • Support: Paper
  • Condition: Excellent

La Nonna.Litografia 1842

15,00 

La Nonna it's a lithography made in 1842, tratta dal dipinto di Mad. Brune Pagèt e incisa dal litografo G. Riccio.
Questa opera rappresenta una nonna altera e composta che prega con i suoi nipotini, una bimba e un bimbo inginocchiati, vestiti con abiti antichi.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 16 x 15 circa
  • Support: Light paper
  • Condition: Excellent state of preservation

La Odalisca, L.Leloir, 1889

20,00 

La Odalisca è un’acquerello realizzato da L. Leloir nel 1889.
Questa opera è una xilografia tratta da The Italian Illustration, published by the Treves Brothers of Milan.

  • Sheet size: mm. 200×250
  • Margins: Almost absent
  • Condition: Good, with writing on the back
  • Support: Paper

Peace, Neapolitan Women, 1850

40,00 

Peace, Neapolitan Women It is a watercolour lithograph made by an anonymous author in 1850.
This work represents a valuable and lively scene of Neapolitan costumes, with Vesuvius in the background, which captures the essence of Neapolitan life and culture.

  • Sheet size: cm. 20×25 approx.
  • Lithograph dimensions: cm. 12×17 approx.
  • Support: Paper
  • Condition: Good condition, with light stains on the edges

The Departure of Agar1830-1850

25,00 

Hagar's departure It is an engraving made by Rob Wallis, taken from the Scripture Gallery of Engraving and published by John Tallis & Company in London and New York.
This work, dated between 1830 and 1850, represents a significant moment in the biblical narrative.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

Furthermore, the engraving is presented with an editorial frame decorated with vignettes, making it a fascinating piece for collectors and art enthusiasts.

La partenza di Rebecca. Acquaforte 1830-1850

25,00 

La partenza di Rebecca è un’incisione realizzata da J.W. Cook tra il 1830 e il 1850, parte della Scripture Gallery of Engraving.
Questa opera, pubblicata da John Tallis & Company di Londra e New York, presenta una cornice editoriale decorata con vignette.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

La Pena, Sintra, Convent, Palacio de Pena, Portugal, 1832

25,00 

La Pena, Sintra, Convento, Palacio de Pena, Portogallo It is an engraving made in 1832.
This etching rappresenta un’importante opera della prima metà del XIX secolo, catturando la bellezza del famoso palazzo di Sintra.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

La Pietà, Canova, 1837

20,00 

The Piety è un’incisione su rame realizzata da Antonio Canova nel 1837.
This work is taken from the Picturesque Polyorama e presenta un’incisione di dimensioni cm. 15×18 circa.
La stampa è stata estratta dal libro e include testo sia intorno che al verso.
Viene spedito il foglio intero, garantendo così la preservazione dell’opera.

  • Condition: Excellent condition
  • Engraving size: cm. 15×18 approx.
  • Support: Paper

The Pietà, by Michelangelo, 1893

25,00 

The Piety It is a woodcut created in 1893, inspired by the sculpture of the same name by Michelangelo.
This work is taken from the volume Italy souvenirs and travel impressions by Abbé Paul Barbier, published in Paris.

  • Sheet size: cm. 26×17 approx.
  • Engraving size: cm. 18×11 approx.
  • Support: Paper
  • Condition: Excellent condition

The Place Rouge Moscow Red Square. 1860

15,00 

The Red Square It is a woodcut made in 1860, which represents the famous Red Square in Moscow, with the monument to Minine and Pozharsky.
This work is taken from the Picturesque Store of the same year, and the drawing was made by d'Henriel, while the engraving was executed by E. Vermorcken.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 12×15 approx.
  • Support: Light paper
  • Condition: Excellent

La Poetessa, Matita su carta, XIX sec.

30,00 

La Poetessa è un’opera realizzata in matita su carta da un artista anonimo nel 19th century.
Questa affascinante rappresentazione mostra una bella esecuzione, con dettagli curati e un’atmosfera evocativa. Sul retro del foglio sono presenti altri parziali disegni, che aggiungono valore e interesse all’opera.

  • Sheet size: cm. 18×12 approx.
  • Dimensions of the work: cm. 18×12 approx.
  • Support: Paper
  • Condition: Excellent

The Jerusalem Gate, 1839

15,00 

La Porta di Gerusalemme It is an engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
Questa incisione in rame presenta dimensioni di cm. 10×14 e margini quasi assenti. La stampa è contenuta nella pagina del libro e presenta scritte al verso. Si spedisce la pagina intera che contiene la stampa.

  • Sheet size: cm. 10×14 approx.
  • Support: Paper
  • Condition: Excellent

La Predica al Colosseo, Pinelli, 1840

25,00 

La Predica al Colosseo It is an engraving made by Bartholomew Pinelli in 1840.
Questa opera, non firmata, è un’incisione al burin su rame che rappresenta una scena vivace e animata con molti personaggi.
Taken from FROMMEL, Picturesque Italy, pubblicato a Lipsia nel 1840, questa stampa offre uno sguardo affascinante sulla vita e i costumi dell’epoca.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Support: Light paper
  • Condition: Perfect state of preservation

La raccolta dell’uva, Leitghton Brothers

30,00 

La raccolta dell’uva it's a beautiful one chromolithography made by Leitghton Brothers.
Questa opera, datata al 20th century, presenta un’immagine vivace e dettagliata della vendemmia.

  • Sheet size: cm. 22×15 approx.
  • Support: Thick paper, white back
  • Condition: Excellent

Queen Elizabeth of England, 1838

20,00 

Queen Elizabeth of England it's a lithographic printing of 1838, taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
This print, of small dimensions of cm. 9×9, has almost no margins and has been cut from the book, with writing on the back. The entire page containing the print will be sent.

  • Era: XIX
  • Technique: Lithography
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Picturesque Polyorama, published from 1836 to 1860 in the Kingdom of the Two Sicilies, dealt with science, technology, art and biographies, making family reading pleasant and profitable.

La Resurrezione 1830-1850

25,00 

La Resurrezione è un’incisione realizzata da J. Rogers tra il 1830 e il 1850, che rappresenta il momento della resurrezione di Gesù.
This work is taken from the Scripture Gallery of Engraving e pubblicata da John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back, with editorial frame with vignettes

The Raising of Lazarus 1830-1850

25,00 

The Resurrection of Lazarus It is an engraving made by J. Rogers, inspired by the famous biblical theme of the resurrection.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 15 x 11 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent state of preservation, with editorial frame and vignettes

La riffa dei polli, Duclere, 1853

60,00 

La Riffa dei Polli è un’incisione realizzata nel 1853 da Duclere, con la collaborazione di Cucinotta per l’incisione.
This work, performed with the technique of Burin e caratterizzata da un delicato acquarello, è stampata su carta media con retro bianco.

  • Sheet size: cm. 17×25 approx.
  • Condition: Excellent state of preservation

La stampa rappresenta un’usanza popolare dell’epoca, in cui la vendita dei capponi era legata ai numeri del lotto, un tema che riflette i Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

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