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Showing 2689–2712 of 6323 results

The Plane Tree by Godfrey of Bouillon, 1840

20,00 

The Plane Tree by Godfrey of Bouillon It is a copper engraving made in 1840, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, measuring 13x16 cm, has small margins and was extracted from a book, with the verso printed.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

The entire page containing the print will be sent.

The Devil's Bridge, on the Gotthard, 1875

20,00 

The Devil's Bridge on the Gotthard It is an engraving made in 1875, part of the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden.
This woodcut has a format of cm. 20×11 and includes smaller margins, with printed back.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Il Ponte di Carignano a Genova, 1837

20,00 

Il Ponte di Carignano a Genova è un’incisione in xilografia realizzata nel 1837.
This work is taken from Pictorial Cosmorama, una rivista che ha avuto un ruolo significativo nella diffusione delle illustrazioni artistiche nel XIX secolo.

  • Sheet size: cm. 20×14 approx.
  • Support: Paper
  • Condition: Buone condizioni, con scritte al retro in parte visibili

La stampa, ritagliata dal libro, viene spedita completa di passepartout e rappresenta una bella veduta decorativa di Genova.

Il Ponte di Cassano sull’Adda, 1843

25,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 12×16 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

The Water Carrier, F.Palizzi, 1853

60,00 

The Water Bearer It is an engraving made by Philip Palizzi in 1853, performed with the technique of Burin and enriched with a delicate watercolor.
This work is part of the volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

The print has a slight imperfection in the title part, but it is a unique piece and not an anastatic copy.
It represents a moment of daily life, with a galloping horse carrying sea or spring water, used for personal baths.

The Port of Palermo Woodcut 1847

15,00 

The Port of Palermo It is a woodcut made in 1847, which offers a suggestive view of the port of the city of Palermo.
This piece is taken from the Picturesque Store of 1847, an important publication of the time.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 12×14 approx.
  • Support: Light paper
  • Condition: Excellent

Portsmouth Harbour, 1850

20,00 

Portsmouth Harbour It is an engraving made in 1850, which represents the famous British port.
This work is taken from the Art Journal Engraving and presents a fascinating view of Portsmouth Harbour, preserved in the Royal Collection.

  • Sheet size: cm. 32×24 approx.
  • Engraving size: unspecified
  • Support: Strong engraving paper
  • Condition: Excellent state of preservation

Il postino del Villaggio, W.French, 1840-50

20,00 

Il postino del Villaggio It is an etching made by W. French between 1840 and 1850.
This work, entitled Die Dorfpost, is printed on medium-thickness paper and has a white back.

  • Sheet size: cm. 21×27
  • Support: Paper
  • Condition: Excellent

The press was published in Payne's Universum und Buch der Kunst, in Leipzig and Dresden.
William French, artista inglese, ha collaborato con Albert Henry Payne, un incisore e editore noto, che ha fondato una casa editrice a Lipsia nel 1838.

The Prefect in a large suit, 1850

30,00 

The Prefect with a big dress It is a hand-colored lithograph, made in 1850.
This work is taken from Les Français croqués par eux-mêmes, a series that offers a humorous and satirical look at French society.

  • Sheet size: cm. 20×15 approx.
  • Support: Thick paper, glued to another paper support
  • Condition: Excellent

Il Presepe, Francesco Mancini, 1845

20,00 

Il Presepe It is a lithograph made by Francesco Mancini nel 1845, tratta dall’opera Picturesque Polyorama, una pubblicazione dedicata alla diffusione di conoscenze artistiche e culturali.
Questa stampa, che misura cm. 16×23, presenta margini quasi assenti e include scritte attorno e al verso, rendendola un pezzo unico da collezione.

  • Sheet size: cm. 16×23 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Il principe Napoleone, 1859

30,00 

Il Principe Napoleone è una xilografia realizzata nel 1859, tratta dall’opera Wars of Italy.
Questa stampa, di grande impatto visivo, è estratta dal libro e non presenta scritte al verso, rendendola un pezzo unico per collezionisti e appassionati di storia.

  • Sheet size: cm. 37×25 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Prince Rupert, Van Dick, 1850

20,00 

Prince Rupert It is an engraving made by Anton Van Dyck in 1850, which portrays the young prince full-length.
This work is an interpretation of a famous portrait by the Flemish painter, Anthony van Dyck, known for his distinctive style and skill in portraying nobility.

  • Sheet size: cm. 111×198 approximately, plus margins
  • Engraving size: cm. 111×198 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Patch, F. v. Mieris, 1840-50

20,00 

The Patch It is an engraving made by F. v. Mieris between 1840 and 1850.
This work, also known as The Tinker, is an etching on strong paper, published in the prestigious Royal Dresden Gallery by AH Payne and W. French.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

The King and the Subject, 1850

30,00 

The King and the Subject It is a hand-colored lithograph with watercolor, made in 1850.
This small-sized work presents a humorous and satirical print that reflects the dynamics between power and subjection.

  • Sheet size: cm. 24×18 approx.
  • Support: Thick paper, glued to another paper support
  • Era: 19th century
  • Condition: Excellent

The Peaceable Kingdom, J.Martin, 1846

30,00 

The Peaceful Kingdom It is an engraving made by J. Martin in 1846.
This work is taken from the volume The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Rebuke, J.Coomans, 1830

30,00 

The Rebuke It is an engraving made by J. Coomans in 1830.
This work, also known as The Reproof, is made with the etching and burin technique.

  • Sheet size: cm. 21×30 approx.
  • Engraving size: cm. 18×24 approx.
  • Support: Thick paper with white backing
  • Condition: Perfect condition

The Knight's Rest, W.French, 1840-50

20,00 

Il Riposo del Cavaliere It is an engraving made by W. French between 1840 and 1850.
This work, also known as Holksche Reiter, is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

William French, artista inglese nato intorno al 1815 e morto nel 1898, ha collaborato con la casa editrice di Albert Henry Payne, incisore e disegnatore, attivo a Lipsia dal 1838.
Questa incisione rappresenta un esempio significativo della produzione artistica dell’epoca.

The Retreat, W.French, 1840-50

20,00 

Il Ritiro It is an etching made by W. French between 1840 and 1850.
This work, entitled Der Ruckzug, is printed on medium-thickness paper and has a white back.

  • Sheet size: cm. 21×27
  • Support: Paper
  • Condition: Excellent condition

Published in Payne's Universum und Buch der Kunst a Lipsia e Dresda, l’opera è firmata in basso a destra da W. French.
William French, English artist, collaborated with the publishing house of Albert Henry Payne, incisore e disegnatore, che ha fondato un’importante casa editrice a Lipsia.

Il ritorno dai campi, 1856

20,00 

Il ritorno dai campi it's a lithographic printing built in 1856.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge among all social classes.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 12×20 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.

Il ritorno dal battesimo in Spagna, J.Gonzales, 1879

20,00 

Il ritorno dal battesimo in Spagna è un’opera realizzata da J. Gonzales nel 1879.
This woodcut on end grain is taken from the Italian illustration, published by Fratelli Treves in Milan in 1887.

  • Sheet size: mm. 310×210
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

The Return of the Soldier, AHPayne, 1850

20,00 

The Return of the Soldier It is an engraving made by AH Payne in 1850, executed with the technique of burin.
This work, published for the owners by AH Payne in Dresden and Leipzig, depicts a touching moment with various characters on a boat, while a soldier salutes.

  • Size of the joke: mm 177×134 plus margins
  • Condition: Good state of preservation
  • Support: Medium engraving paper

Il Ritorno, A.H.Payne, 1840-50

20,00 

Il Ritorno It is an engraving made by AH Payne between 1840 and 1850.
This work, entitled Die Ruckkehr, is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.

The Finding of Moses 1830

25,00 

The Finding of Moses It is an engraving made by WM Dove in the period 1830-1850, taken from the Scripture Gallery of Engraving.
This work represents the scene in which the Pharaoh's daughter, together with her handmaidens, saves Moses on the banks of the Nile, wearing precious costumes.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Il Romitorio del Vesuvio, 1839

15,00 

Il Romitorio del Vesuvio It is an engraving made in 1839, from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
Questa incisione in rame, di dimensioni contenute, presenta margini quasi assenti e contiene scritte al verso. La stampa viene fornita con la pagina intera del libro, offrendo un pezzo autentico della storia artistica napoletana.

  • Sheet size: cm. 7×11 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

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