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Showing 265–288 of 849 results

Genova, Palazzo Tommaso Pallavicini 1712

25,00 

Genova, Palazzo Tommaso Pallavicini è un’incisione realizzata nel 1712, che rappresenta un’importante testimonianza artistica del periodo.
This work is an etching on copper, taken from the volume The delights of Italy by De Rogissart, German edition published in Berlin.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Genoa, Santa Maria of Carignano, 1712

25,00 

Genoa, Santa Maria of Carignano it is an engraving made in 1712, which represents the Church of Santa Maria di Carignano in Genoa.
This work is an etching on copper, taken from the volume The delights of Italy by De Rogissart, German edition published in Berlin in 1712.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Georg Hertel, Zuccarelli, Paesaggio montano, XVIII s

60,00 

Mountain landscape It is an engraving made by Georg Hertel And Francesco Zuccarelli in the 18th century.
This work is an example of etching su carta vergellata di medio spessore, che cattura la bellezza dei paesaggi montani.

  • Sheet size: cm. 18×29 alla battuta del rame più margini
  • Condition: Excellent condition
  • Support: Laid paper

Georg Hertel, Zuccarelli, Paesaggio montano, XVIII s

60,00 

Mountain landscape It is an engraving made by Georg Hertel And Francesco Zuccarelli in the 18th century.
Questa opera è un’acquaforte su carta vergellata di medio spessore, firmata in basso a sinistra da Zuccarelli e a destra da Ioh. Georg Hertel.

  • Sheet size: cm. 18×29 alla battuta del rame più margini
  • Technique: Etching
  • Condition: Excellent condition
  • Support: Laid paper

Gerard Dou, La vecchia alla lampada, 1786

50,00 

La Vecchia alla Lampada It is an engraving made by Gerard Dou In the 1786.
Questa opera è un’acquaforte su carta vergellata, senza filigrana, che misura cm. 24×37 (compresa la cornice editoriale) e presenta buoni margini irregolari.
Fa parte della pubblicazione Gallery of the Palais Royal, che raccoglie opere delle diverse scuole artistiche, con un’analisi della vita dei pittori e delle descrizioni storiche di ciascun dipinto, a cura dell’abbé de Fontenai.

  • Sheet size: Great
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

Gerard Dow, Basan, 1771

30,00 

Gerard Dow, Basan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Gerrit (o Gerard) Dou, nato a Leida nel 1613, è stato un rinomato pittore olandese, noto per la sua abilità nel ritrarre scene di vita quotidiana con un’attenzione meticolosa ai dettagli.

Gerard ter Borch (Terborg), Basan, 1771

30,00 

Gerard ter Borch (Terborg) è un’incisione realizzata da Pierre-François Basan nel 1771, parte della collezione Cabinet of the Duke of Choiseul.
Questa opera è un’acquaforte su carta vergellata, che riproduce i dipinti del cabinet di Monseigneur le Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

Gerard ter Borch, nato a Zwolle nel dicembre 1617 e morto a Deventer nel dicembre 1681, è stato un rinomato pittore olandese, noto per le sue scene di genere e ritratti.

Gerard ter Borch, Terborg, Basan, 1771

30,00 

Gerard ter Borch, Terborg, Basan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, a collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×15 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Gerard ter Borch (1617-1681) è un noto pittore olandese, famoso per le sue scene di genere e ritratti.

Gerard ter Borch, Terborg, Basan, 1771

30,00 

Gerard ter Borch, Terborg è un’incisione realizzata nel 1771, pubblicata nel Cabinet of the Duke of Choiseul.
Questa opera è parte di un’importante raccolta di stampe incise da opere del celebre pittore olandese Gerard ter Borch, noto per le sue scene di genere e ritratti.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×15 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Giacomo Robusti, Deposition from the Cross, 1786

70,00 

Deposizione dalla Croce It is an engraving made by Giacomo Robusti In the 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, e rappresenta una delle opere più significative dell’autore.

  • Sheet size: cm. 24×37 approx.
  • Support: Laid paper
  • Condition: Excellent condition, nice proof with good contrast

Giovanni Battista Catenaro, Luca Giordano, XVIII secolo

120,00 

Ritratto di Luca Giordano è un’incisione realizzata da Giovanni Battista Catenaro nel XVIII secolo.
Questo ritratto rappresenta Luca Giordano, riconoscibile per i suoi occhiali rotondi e la sua espressione rivolta a sinistra.

  • Sheet size: mm. 175×124 circa
  • Technique: Bulino e acquaforte
  • Support: Carta vergellata forte
  • Condition: Excellent
  • Rarity: Rara incisione, De Vesme 364.3

Giovanni Bellini, The Circumcision, 1786

70,00 

The Circumcision It is an engraving made by Giovanni Bellini, known as Il Giambellino, in 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Condition: Excellent condition, nice proof with good contrast
  • Support: Laid paper

The engraving is dedicated to HSH Monseigneur le Duc d'Orléans, First Prince of the Blood, and was published by J. Couché in Paris in 1786.

Giuseppe Cunego, Paesaggio, 1784

80,00 

Landscape It is an engraving made by Giuseppe Cunego nel 1784, che rappresenta un pescatore che torna dalla pesca, ispirato a un’opera di Francesco da Capo.
Questa acquaforte è firmata in lastra con la dicitura Joseph Cunego sculp. Romae anno 1784 e presenta anche la nota Franciscus de Capo inv. et del. Romae a sinistra.

  • Sheet size: cm. 17×31 circa
  • Engraving size: mm. 145×282 alla battuta del rame
  • Support: Laid paper
  • Condition: Excellent state of preservation

Giuseppe Ribera, Gesù tra i Dottori, 1786

70,00 

Gesù tra i Dottori è un’incisione realizzata da Giuseppe Ribera, noto come Lo Spagnoletto, nel 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Support: Laid paper
  • Condition: Excellent condition, nice proof with good contrast

Giuseppe Ribera, The Philosopher Democritus, 1786

60,00 

Il Filosofo Democrito It is an engraving made by Giuseppe Ribera, noto come Lo Spagnoletto, nel 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, e rappresenta un’importante testimonianza dell’arte del XVIII secolo.

  • Sheet size: cm. 24×37 approx.
  • Condition: Excellent condition, nice proof with good contrast
  • Support: Laid paper

Gnyp, Basan, 1771

30,00 

Gnyp è un’incisione realizzata da Pierre-François Basan nel 1771, parte del volume Cabinet of the Duke of Choiseul.
This work is a collection of prints che raccoglie opere incise da dipinti del cabinet di Monseigneur le Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Grotta del Cane, Campi Flegrei, 1707

40,00 

Grotta del Cane, Campi Flegrei è un’incisione realizzata nel 1707, che offre una veduta animata di uno dei più celebri siti dei Campi Flegrei.
This work is taken from The delights of Italy by De Rogissart, published in Paris.

  • Sheet size: cm. 18×20 approx.
  • Engraving size: cm. 13×17 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Gufo, Pettirosso, Leclerc de Buffon, 1770

25,00 

Gufo e Pettirosso è un’incisione realizzata da Leclerc de Buffon nel 1770, tratta dall’opera Histoire Naturelle des Oiseaux.
Questa acquaforte acquarellata d’epoca presenta un design affascinante e dettagliato, perfetto per gli amanti della natura e della storia dell’arte.

  • Sheet size: cm. 20×13 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Paper
  • Condition: Excellent condition

Guido Reni, The Virgin and Child Jesus, 1786

70,00 

The Virgin and the Child Jesus it is an engraving made by Guido Reni in 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, and represents one of the most significant works of the period.

  • Sheet size: cm. 24×37 approx.
  • Support: Laid paper
  • Condition: Excellent condition, nice proof with good contrast

Hogarth William (1697-1764), A Rake's Progress, 1813

150,00 

A Rake's Progress It is a series of 7 etchings made by William Hogarth in 1813.
These works measure approximately cm. 14×17 each and are printed on a sheet of cm. 22×30.
The paper used is of medium thickness and features Hogarth's signature at the bottom, together with that of T. Cook.

  • Sheet size: cm. 22×30 approx.
  • Engraving dimensions: cm. 14×17 approx.
  • Support: Paper
  • Condition: Excellent

A Rake's Progress tells the story of Tom Rakewell, a young spendthrift who, after arriving in London, squanders his fortune in a life of excess, prostitution and gambling.
The series charts his tragic decline, culminating in his imprisonment and admission to Bethlem Hospital (Bedlam).

Hogarth William (1697-1764), For the Benefit of Spiller, 1808

30,00 

For the Benefit of Spiller It is an engraving made by William Hogarth in 1808.
This work is a significant example of his art and is part of the volume The Genuine Graphic Works of William Hogarth, published in London in 1813.

  • Sheet size: cm. 22×30 approx.
  • Engraving size: cm. 14×17 approx.
  • Technique: Etching
  • Support: Medium thickness paper
  • Condition: Excellent condition

Hogarth William (1697-1764), Frontespiece to the terrae Filius, 1808

30,00 

Frontespiece to the terrae Filius It is an engraving made by William Hogarth in 1808.
This work is an example of etching and has an engraving size of approximately 14x17 cm on a sheet of 22x30 cm.

  • Sheet size: cm. 22×30 approx.
  • Engraving size: cm. 14×17 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

The work is signed at the bottom with “Hogarth pinx” and “T.Cook sculp” and is taken from The Genuine Graphic Works of William Hogarth, published in London in 1813.

Hogarth William (1697-1764), Frontispieces, 1809

30,00 

Title pages by William Hogarth it is an engraving made in 1809, which has two frontispieces: Frontespiece to the Happy Ascetic (1724) and Frontespiece to Leveridge's song (1727).
This work is an example of etching, with engraving dimensions of approximately 14x17 cm on a 22x30 cm sheet.

  • Sheet size: cm. 22×30 approx.
  • Engraving size: cm. 14×17 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Hogarth William (1697-1764), Gulliver Presented to the Queen of Babilary, 1808

30,00 

Gulliver Presented to the Queen of Babilary It is an engraving made by William Hogarth in 1808.
This work is taken from The Genuine Graphic Works of William Hogarth, published in London in 1813.

  • Sheet size: cm. 22×30 approx.
  • Engraving size: cm. 14×17 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

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