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Showing 289–312 of 1950 results

Certaldo, 1842-1844

45,00 

Certaldo, 1842-1844 It is a steel engraving made by William Brockendon between 1842 and 1844.
This work is taken from the volume Italy, classical, historical, and picturesque illustrated and described, which celebrates the beauty and history of Italy.

  • Sheet size: cm. 34×25 approx.
  • Engraving size: cm. 23×15 approx.
  • Support: Thick engraving paper
  • Condition: Good, with some occasional stains on the edges

Cetara, 1850

30,00 

Cetara, 1850 it is a copper engraving representing a beautiful view of the bay of Salerno.
This work is taken from Payne's Universe and has dimensions of mm. 150×105, with additional margins.

  • Sheet size: mm. 150×105 approx.
  • Support: Lightweight paper, white back
  • Condition: Excellent

Charles Grey, 1842

15,00 

Charles Grey, 1842 è un’incisione in rame che ritrae il noto politico britannico Charles Grey, Conte Grey.
Questa opera è stata estratta dal volume Picturesque Omnibus, published in Naples in 1842.

  • Sheet size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: La stampa presenta scritte al retro e viene spedita con la pagina intera contenente l’incisione.

Charles Pierre François Augereau, 1839

15,00 

Charles Pierre François Augereau It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
Questa stampa, che presenta margini quasi assenti, è contenuta nella pagina del libro e presenta scritte al verso.

  • Sheet size: cm. 13×11 approx.
  • Support: Paper
  • Condition: Excellent

Chateaubriand, 1838

20,00 

Chateaubriand è un’incisione realizzata da Gnaccarini nel 1838, stampata su rame.
Questo mezzobusto è tratto da The Picturesque Omnibus, pubblicato a Napoli nel 1839.
L’opera presenta scritte sul retro e si distingue per i suoi dettagli raffinati.

  • Sheet size: mm. 110×140 circa
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Chiesa di S.Agostino a Roma, 1856

35,00 

Chiesa di S.Agostino a Roma è un’incisione finissima realizzata al burin su acciaio, datata 1856.
Questa opera è stata prodotta dai Rouargue freres e fa parte del volume Picturesque voyage in southern Italy, scritto da M.Paul De Musset e pubblicato a Parigi da Morizot editeur.

  • Sheet size: cm. 17×26 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Heavy paper
  • Condition: Perfect state of preservation

Chiesa, Canivet, 1870-90

15,00 

Chiesa è un’opera realizzata tra il 1870 e il 1890, rappresentante un soggetto sacro.
Questa stampa è una chromolithography con un elegante bordo traforato a punzone, tipica della produzione artistica francese dell’epoca.

  • Sheet size: cm. 7×11
  • Condition: Buone, con strappo restaurato nell’angolo inferiore destro
  • Support: Paper

Closed, Bolzano, 1830

40,00 

Closed, Bolzano It is a copper engraving made in 1830, which represents a delightful scene at the entrance to the village.
This work is taken from the work of William Brockendon, Italy, classical, historical, and picturesque, published in London around 1830.

  • Sheet size: mm 225×159 plus margins
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Cicero, 1839

15,00 

Guide It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, contained in the book page, has almost no margins and writing on the verso.

  • Sheet size: cm. 8×15 approx.
  • Support: Paper
  • Condition: Excellent

The print will be shipped together with the full page containing it.

Cimitero, Morte, Preghiera, canivet, 1870

20,00 

Cimitero, Morte, Preghiera è un canivet realizzato nel 1870, che rappresenta un tema profondo e riflessivo legato alla morte e alla preghiera.
Questo pezzo è stato pubblicato da A. Saintin a Parigi e presenta un elegante pizzo traforato al punzone, che arricchisce la sua bellezza visiva.

  • Sheet size: cm. 6,5×10 circa
  • Technique: Burin
  • Condition: Excellent state of preservation
  • Support: Paper

Cingallegra, 1840

15,00 

Cingallegra It is a copper engraving made in 1840, proveniente dall’opera Picturesque Omnibus, published in Naples.
Questa incisione, di dimensioni contenute, presenta margini quasi assenti e scritte al retro, rendendola un pezzo interessante per collezionisti e appassionati di arte.

  • Sheet size: cm. 14×13 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

City of Capri, 1835

25,00 

City of Capri It is an engraving made in 1835 from AUDOT father, part of the work Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc.
This engraving is performed at burin on steel and has a format of cm. 12×16.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Civita Castellana, 1834

25,00 

Civita Castellana, 1834 It is a burin engraving made by COIGNET And SAVAGE.
This work, taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, is dated 1834 and presents a beautiful view of the city with the bridge in the foreground.

  • Sheet size: mm. 183×115 approx.
  • Support: Light paper
  • Condition: Excellent condition

The engraving features a sharp and decorative contrast, making it a fascinating piece for collectors and art enthusiasts.

Civitella oggi Bellegra, 1835

20,00 

Civitella oggi Bellegra è un’incisione al bulino su acciaio realizzata nel 1835, che rappresenta uno scorcio della cittadina di Civitella, oggi conosciuta come Bellegra.
This work is taken from the work “Italie picturesque tableau historique et descriptif de l’Italie…” di M. De Norvins e C. Nodiers, pubblicata a Parigi nel 1834.

  • Sheet size: mm. 190×260
  • Engraving size: mm. 115×175
  • Support: Carta leggera da incisione
  • Condition: Excellent state of preservation

L’incisione ritrae due donne nei tipici costumi locali, immerse tra le antiche case del borgo medievale.

Claudio Gelée, Lorraine, 1839

15,00 

Claudio Gelée, Lorraine It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This small print has almost no margins and includes writing on the back. The full page, which contains the print, will be shipped.

  • Sheet size: cm. 8×6 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Clemente Cardinali, 1840

15,00 

Clemente Cardinali è un’incisione su rame realizzata nel 1840, tratta dall’opera Picturesque Omnibus, published in Naples.
Questa opera presenta una battuta di dimensioni cm. 10×13 ed è stampata su carta leggera, con il retro stampato.

  • Sheet size: Small
  • Support: Light paper
  • Condition: Excellent

Clemente Cardinali nacque a Velletri nel marzo 1789. La sua formazione artistica è stata influenzata dalla forza di animo della madre e dall’operosità del fratello Luigi. Dopo aver compiuto i primi studi a Velletri, fu mandato a Macerata per iniziare gli studi giuridici, ma fu richiamato a causa dell’occupazione francese delle Marche nel 1807.

Cleopatra, Regina d’Egitto, 1839

15,00 

Cleopatra, Regina d’Egitto è un’incisione su rame originale realizzata nel 1839, tratta dal volume Picturesque Omnibus pubblicato a Napoli.
Questa opera rappresenta Cleopatra VII Thea Philopatore, l’ultima regina del Regno tolemaico d’Egitto.

  • Sheet size: cm. 12×13 approx.
  • Support: Light paper
  • Condition: Excellent condition

Como de Medici, Farnese… 1835

20,00 

As the Medici, Farnese… It is an engraving made with the technique of burin on steel in 1835.
This work depicts significant historical figures such as Alessandro Farnese and Leonardo da Vinci, reflecting the art and architecture of the period.

  • Size of the joke: cm. 13×9
  • Support: Lightweight paper with white backing
  • Condition: Excellent

Comunione, La Meditazione, 1850-90

15,00 

La Meditazione è un’incisione realizzata tra il 1850 e il 1890, che rappresenta il soggetto della Comunione.
Published by the publishing house L.Turgis et fils edit. di Parigi, Francia, questa opera è un esempio di raffinata arte tipografica.

  • Sheet size: cm. 8×12 approx.
  • Condition: Excellent state of preservation
  • Support: Paper

Consalvo Carelli, Woman with Child

80,00 

Donna con bambino It is a work created by Consalvo Carelli between 1870 and 1880, using the pencil on paper technique.
Questo lavoro, non firmato, è incollato ad un altro supporto cartaceo e presenta dimensioni di mm. 100×128.

  • Era: XIX
  • Technique: Burin
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Consalvo Carelli, one of the main exponents of the Posillipo School, nacque a Napoli nel 1818. Figlio del noto paesaggista Raffaele Carelli, iniziò la sua carriera artistica in giovane età, perfezionando le sue abilità sotto la guida di William Leicht.
Nel corso della sua vita, Carelli ricevette numerosi riconoscimenti, tra cui l’incarico di maestro di pittura della Regina Margherita e la nomina a professore presso l’Accademia di San Luca. Morì a Napoli nel 1900, lasciando un’importante eredità artistica.

Consalvo Carelli, Woman with dog and child

180,00 

Woman with dog and child It is a work created by Consalvo Carelli between 1870 and 1880.
This refined pencil on paper, characterised by a delicate blue colour, is glued to another paper support.

  • Sheet size: mm. 225×142
  • Condition: Excellent state of preservation
  • Support: Paper

Carelli, one of the main exponents of the Posillipo School, was born in Naples in 1818.
His artistic training began at a young age, under the guidance of his father Raffaele, and he perfected his skills with the Englishman William Leicht.
His career includes important recognitions, such as the position of painting master to Queen Margherita and the nomination as professor at the Accademia di San Luca.

Consalvo Carelli, Two Women and a Child

90,00 

Two women and a child It is a work by Consalvo Carelli, created between 1870 and 1880.
This unsigned pencil on paper is glued to another paper support and has two folds.

  • Sheet size: mm. 120×148
  • Support: Paper
  • Condition: Good
  • Era: XIX
  • Technique: Pencil

Consalvo Carelli, born in Naples in 1818, is one of the main exponents of the Posillipo School, a 19th-century painting movement.
His artistic training began at a young age, under the guidance of his father Raffaele, and he subsequently perfected his technique with the Englishman William Leicht.
Carelli had an important career, becoming an academic of San Luca and collaborating with illustrious figures of his time.

Consalvo Carelli, Family of farmers

70,00 

Farmers' family It is a work created by Consalvo Carelli between 1870 and 1880.
This pencil on paper, glued to another paper support, measures mm. 100×128 and it is a significant example of the work of one of the major exponents of the Posillipo School, 19th century painting movement.

  • Era: XIX
  • Technique: Pencil
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Consalvo Carelli, Landscape with trees

160,00 

Paesaggio con alberi It is a work of Consalvo Carelli, built between 1870 and 1880.
Questa affascinante opera, firmata in basso a sinistra, è eseguita a matita su carta e incollata ad un altro supporto cartaceo.

  • Dimensions: mm. 125×180
  • Support: Paper
  • Condition: Excellent state of preservation

Carelli, one of the main exponents of the Posillipo School, ha saputo catturare la bellezza dei paesaggi napoletani con una maestria unica.
La sua formazione artistica, iniziata in giovane età, e il suo legame con la tradizione pittorica dell’Ottocento lo rendono un artista di grande valore.

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