Paper

Showing 3841–3864 of 5559 results

Pierluigi Gerosa (Rogeno, Como 1922-2011)

10,00 

Pierluigi Gerosa It is a work created in 1960 dall’artista Pierluigi Gerosa, originario di Rogeno, Como.
Questa xilografia, commissionata da Gilda Gerosa, rappresenta un esempio significativo della sua produzione artistica.

  • Sheet size: mm. 102×146
  • Support: Light paper
  • Condition: Excellent

Pierluigi Gerosa (Rogeno, Como 1922-2011)

10,00 

Pierluigi Gerosa It is an engraving made in 1971 dall’artista Pierluigi Gerosa, originario di Rogeno, Como.
Questa opera rappresenta un soggetto di architettura e si distingue per la sua tecnica incisoria di woodcut.

  • Sheet size: mm. 75×95
  • Support: Light paper
  • Condition: Excellent

Pierluigi Gerosa (Rogeno, Como 1922-2011)

10,00 

Pierluigi Gerosa è un artista noto per il suo stile unico e la sua abilità nella woodcut.
Nato a Rogeno, Como, nel 1922, Gerosa ha lasciato un’impronta significativa nel panorama artistico italiano fino alla sua morte nel 2011.

  • Sheet size: mm. 75×95
  • Support: Light paper
  • Condition: Excellent

Pierre Corneille, 1873

30,00 

Pierre Corneille It is a watercolour etching made in 1873, depicting the famous French playwright.
This engraving is part of the volume Oeuvres de P. Corneille, theater complet, published in Paris in 1873.

  • Sheet size: cm. 26×17 approx.
  • Engraving size: cm. 9×17 approx.
  • Support: White backed paper
  • Condition: Excellent state of preservation

Pierre Mariette Baccanale, XVII secolo

50,00 

Baccanale è uno studio per un affresco realizzato da Pierre Mariette in the 17th century.
Questo lavoro, firmato in basso a destra con la sigla P.Mariette e monogrammato FL, è un esempio significativo dell’arte del periodo.

  • Sheet size: mm. 102×222 alla battuta del rame
  • Technique: Bulino e matita rossa su carta vergellata
  • Condition: Foglio un po’ maltrattato

Pierre Moreau, Esequie in Italia, 1760 ca.

60,00 

Esequie in Italia è un’incisione realizzata da Pierre Moreau, un artista francese attivo nel XVIII secolo.
Questa opera, datata circa 1760, è un esempio significativo della sua abilità nell’arte dell’acquaforte.

  • Sheet size: cm. 13×19 approx.
  • Technique: Etching
  • Support: Carta vergellata, incollato ai margini ad altro supporto cartaceo
  • Condition: Buone, con mancanze ai margini superiori

Pierre Moreau, Ships in the Port, ca. 1760

60,00 

Ships in the port It is an engraving made by Pierre Moreau around 1760.
This work, which represents a suggestive scene of moored ships, is executed in etching on laid paper.

  • Sheet size: cm. 13×19 approx.
  • Support: Glued at the edges to another paper support
  • Condition: Excellent condition

Pierre Paul Prud'hon, L'Innocence, Louvre, 1850

30,00 

L’Innocence It is a lithograph made by Pierre Paul Prud’hon nel 1850, conservata presso il Louvre.
This work, which measures cm. 13×16 on a sheet of paper cm. 21×31, presenta alcune sporadiche macchie di foxing ai margini, ma ciò non compromette l’immagine.

  • Artist: Pierre Paul Prud’hon
  • Technique: Lithography
  • Condition: Excellent
  • Support: Strong paper
  • Price: €30,00

Pierre-Jean Mariette, Chantilly

40,00 

Pierre-Jean Mariette, Le Bassin quarré-long près le Potager a Chantilly It is an engraving made in the 18th century.
This work is a fine example of Mariette's mastery, signed at the bottom with In Paris chez I.Mariette rue S.Jacques a la Victoire with Privilege du Roy.

  • Sheet size: mm. 112×175 at the copper edge
  • Technique: Burin
  • Condition: Excellent condition
  • Support: Laid paper

Pierre-Jean Mariette, Chantilly

40,00 

Le Salon du Jardin de Silvie in Chantilly It is an engraving made by Pierre-Jean Mariette in the 18th century.
This work, performed with the technique of Burin, represents a fascinating glimpse of the Chantilly garden.

  • Sheet size: mm. 122×195 at the copper edge
  • Condition: Excellent condition
  • Support: Laid paper

Pierre-Jean Mariette, Versailles

40,00 

Pierre-Jean Mariette, Versailles It is an engraving made by Pierre-Jean Mariette in the 18th century.
This work, entitled Water Theater with the new mutations in Versailles, is performed with the technique of Burin on laid paper.

  • Sheet size: mm. 162×222 at the copper edge
  • Condition: Excellent condition

Pierrot, 18th century

40,00 

Pierrot è una litografia acquarellata d’epoca che rappresenta i personaggi della commedia tedesca, risalente al 18th century.
This work is made on laid paper di medio spessore e presenta una scritta in tedesco con note editoriali nella parte inferiore.

  • Sheet size: cm. 26×18 approx.
  • Condition: Excellent
  • Technique: Lithography
  • Dimensions: Small

Pietramarina, (Firenze), 1819

25,00 

Pietramarina, un’incisione realizzata da TO THE CASTELLAN nel 1819, rappresenta il famoso Masso del diavolo.
Questa acquaforte è tratta dal volume Letters on Italy, published in Paris by A. Nepveu.

  • Size of the joke: mm. 105×140
  • Margins: Piccoli margini irregolari
  • Back: White
  • Condition: Excellent

Antoine-Laurent Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato un noto pittore, scrittore e incisore. Decorato della Legion d’onore e membro dell’Accademia di Belle Arti, ha realizzato opere principalmente dedicate ai paesaggi, contribuendo a libri illustrati come View of Italy And View of the Alps.

Stonewall, 1876

15,00 

Stonewall, 1876 It is a woodcut engraving representing the beauty of the Sarca-Thal.
Made in 1876, this work is taken from the volume Italian by K.Stieler and W.Kaden, published in Stuttgart.

  • Sheet size: mm. 186×89
  • Condition: Excellent condition
  • Support: Light sheet, cut from the book
  • Notes: Almost no margins and writing on the back

This engraving is not only a decorative piece, but also an important historical testimony.

Pietrasanta, The Doors, 1890

20,00 

Pietrasanta, The Doors It is a woodcut print made in 1890, depicting the city of Pietrasanta, located in the province of Lucca.
This work is taken from Illustrated geographical Italy by P. Premoli and features a descriptive text around the image and the back.

  • Sheet size: cm. 12×10 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Light paper

The print has been removed from the book and will be shipped with the full page, including the text on the verso.

Pietro Antonio Berryer, 1841

15,00 

Pietro Antonio Berryer It is a copper engraving made in 1841, taken from the work Picturesque Omnibus.
This print, which measures approximately cm. 10×15, è stata estratta dal libro e presenta testo sia intorno che al verso.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Pierre-Antoine Berryer, noto come “Berryer figlio”, nacque il 4 gennaio 1790 a Parigi e morì il 29 novembre 1868 a Augerville-la-Rivière. È ricordato come un giurista e politico francese, sepolto nella stessa località.

Peter and John heal the lame man.

25,00 

Peter and John heal the lame man It is an engraving made by J. Rogers, inspired by the famous healing of the paralytic.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York, between 1830 and 1850.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back, with editorial frame with vignettes

Pietro Pacecco XI viceroy of Naples, 1846

15,00 

Pietro Pacecco XI Viceré di Napoli è una litografia realizzata nel 1846, tratta dal volume Picturesque Polyorama of Naples.
Questa opera rappresenta D. Pietro Cardinal Pacecco, un’importante figura storica che ha ricoperto il ruolo di viceré di Napoli.

  • Size of the joke: cm. 10×10
  • Support: Paper, back printed
  • Condition: Excellent

La stampa è stata estratta dal libro e presenta scritte al retro.
Pietro Pacecco, noto anche come Pedro Pacheco Ladrón de Guevara, è stato un cardinale e vescovo cattolico spagnolo, che ha avuto un ruolo significativo nella storia di Napoli.

Peter Pulli, 1842

15,00 

Peter Pulli, 1842 it's a lithographic printing which represents an important work by the Italian composer Pietro Pulli, published in 1842.
This print is from Picturesque Polyorama, a periodical work aimed at spreading useful knowledge to all classes of society.

  • Printed part dimensions: cm. 14×16
  • Margins: almost absent
  • Support: Paper
  • Condition: Excellent

The print is contained within the book page and has writing around and on the back. The entire page containing the print is shipped.

Pietro Scoppetta, Two Oriental Women, 19th-20th century

420,00 

Two oriental women It is a monochrome watercolor made by Peter Scoppetta in the 19th-20th century.
This work, signed lower left, is of fine workmanship and measures approximately cm. 15×28.

  • Artist: Pietro Scoppetta (Amalfi, 15 February 1863 – Naples, 10 February 1920)
  • Technique: Watercolor
  • Condition: Excellent
  • Support: Paper

Petersburg, Alexander Column, 1850

25,00 

Petersburg, Alexander Column It is an engraving made in 1850, representing the architectural beauty of St. Petersburg.
This etching It measures 10 x 7 cm, excluding margins, and is printed on medium-thickness paper with a white back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Pieve di Cadore, Square, 1890

20,00 

Pieve di Cadore, Square it's a woodblock print created in 1890, based on a late nineteenth-century Italian text.
This work presents a large-sized image cm. 9×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.

  • Sheet size: cm. 30×20
  • Image size: cm. 9×12
  • Support: Paper
  • Condition: Excellent

Pifferari nei Dintorni di Roma, 1834

35,00 

Pifferari nei Dintorni di Roma è un’incisione al bulino realizzata nel 1834, che cattura un momento affascinante della tradizione musicale italiana.
L’opera rappresenta tre zampognari davanti a una cappella votiva, intenti a suonare la novena, un’immagine evocativa della cultura popolare.
Taken from the volume Italy picturesque tableau historique and description of Italy… di M. De Norvins e C. Nodiers, pubblicato a Parigi nel 1834, questa incisione è un esempio pregevole dell’arte dell’epoca.

  • Sheet size: mm. 120×180 circa
  • Engraving size: mm. 120×180 circa
  • Support: Light paper
  • Condition: Excellent state of preservation

Pifferari, Costumi di Roma, 1834

30,00 

Pifferari, Costumi di Roma it is an engraving on burin acquarellata a mano, realizzata nel 1834.
Questa opera rappresenta due zampognari davanti a una cappella votiva, intenti a suonare la novena.
It is taken from the work Italy picturesque tableau historique and description of Italy… di M. De Norvins e C. Nodiers, pubblicata a Parigi nel 1834.

  • Sheet size: mm. 113×180 più margini
  • Support: Light paper
  • Condition: Excellent

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.