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Showing 4249–4272 of 5347 results

Saluzzo, Cuneo, Cavazza House, 1890

20,00 

Saluzzo, Cuneo, Cavazza House it's a woodblock print made in 1890 by the engraver Barberis.
This work is an example of late nineteenth-century Italian graphic art, characterized by an image of approximately 14x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Saluzzo, Cuneo, Cathedral, 1890

20,00 

Saluzzo, Cuneo, Duomo it's a woodblock print made in 1890 by the engraver Barberis.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni di circa cm. 14×12, con testo attorno e al verso del foglio.

  • Sheet size: cm. 26×18 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Saluzzo, Piazza Vittorio Emanuele II, 1890

20,00 

Saluzzo, Piazza Vittorio Emanuele II it's a woodblock print datata 1890, che offre uno scorcio affascinante della storica piazza.
This work is taken from an Italian text from the late nineteenth century and presents a large-sized image cm. 10×12 approximately, with text around and on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×12
  • Support: Paper
  • Condition: Excellent

Salvator Rosa, 1837

15,00 

Salvator Rosa è una litografia del 1837, tratta dall’opera Pictorial Cosmorama, anno terzo.
Questa stampa presenta margini quasi assenti e misura cm. 15×19. La stampa è contenuta in una pagina estratta dal libro e presenta scritte al verso.
Viene spedita l’intera pagina contenente la stampa, offrendo un pezzo unico per collezionisti e appassionati d’arte.

  • Sheet size: cm. 15×19 approx.
  • Support: Paper
  • Condition: Excellent

Salvator Rosa, 1839

15,00 

Salvator Rosa It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, from the Omnibus printing house in Naples, has almost no margins and includes writing on the verso.

  • Sheet size: cm. 14×11 approx.
  • Support: Paper
  • Condition: Excellent

La stampa verrà spedita nella pagina intera che la contiene.

Salvator Rosa, 1884

20,00 

Salvator Rosa It is a woodcut engraving made in 1884, taken from the work Naples and its surroundings by Rudolf Kleinpaul.
Questa opera rappresenta un autoritratto di Salvator Rosa, con margini quasi assenti e un testo al verso.

  • Sheet size: cm. 9×13 approx.
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent condition

Salvator Rosa, Soldier with spear pointing

75,00 

Soldato con lancia che indica It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines ed è caratterizzata da un monogramma in basso a destra, con le lettere intrecciate RS e il numero 22.

  • Sheet size: mm. 142×93
  • Support: Unlaid paper
  • Technique: Etching and drypoint
  • Condition: Ottima, con residui di colla ai margini visibili in parte a fronte

La prova è nitida e si presume sia una tiratura fine del ‘700 (Cfr. Bartsch 37).

Salvator Rosa, Soldier with shield

75,00 

Soldato con scudo It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines e presenta un monogramma RS con lettere intrecciate all’interno dello scudo.

  • Sheet size: mm. 142×93
  • Support: Unlaid paper
  • Technique: Etching and drypoint
  • Condition: Ottima, con residui di colla ai margini visibili al recto
  • Notes: Bella prova nitida, probabile tiratura fine ‘700 (Cfr. Bartsch 37)

Salvator Rosa, Armored Soldier with Spear

75,00 

Soldato corazzato con lancia it is an engraving of Salvator Rosa dating back to 18th century.
This work is made in etching and drypoint su carta non vergellata, con dimensioni di mm. 142×93, rifilata al margine. Presenta residui di colla ai margini al recto, visibili in parte a fronte.

  • Monogram: RS con lettere intrecciate in basso a sinistra
  • Numero: 6 in basso a destra
  • Serie: Diverse figure o Figurine
  • Condition: Excellent
  • Circulation: Probabile fine ‘700 (Cfr. Bartsch 37)

Salvator Rosa, Three Soldiers, Figurine, 18th century

75,00 

Tre Soldati It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines ed è caratterizzata da un monogramma in basso a destra, rappresentato dalle lettere intrecciate RS, e dal numero 20.

  • Sheet size: mm. 142×93
  • Technique: Etching and drypoint
  • Support: Unlaid paper
  • Condition: Excellent

La prova è nitida e si tratta di una probabile tiratura della fine del ‘700 (Cfr. Bartsch 37).

Samaritans, Straw Chairs, 1854

35,00 

Samaritans, Straw Chairs it is a vintage watercolour lithograph made in 1854, which represents the costumes of the Kingdom of Naples.
Signed on the plate, this work is taken from the Collection of Neapolitan costumes, published in Naples by Calvi.

  • Sheet size: cm. 23×16 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent
  • Characteristics: Vivid colors and beautiful subject

Sampierdarena, 1865 Palazzo Comunale

20,00 

Sampierdarena, 1865 – Palazzo Comunale è una xilografia che rappresenta un’importante opera del prof. Amato Amati, tratta dal suo Chorographic Dictionary of Italy.
Questa illustrazione, realizzata nel 1865, è parte di un’opera che include circa 1000 armi comunali colorate, pubblicata da Vallardi editore a Milano.

  • Sheet size: mm. 220×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Sampiero of Bastelica, 1839

15,00 

Sampiero of Bastelica It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This print, measuring 16x12 cm, has almost no margins and is contained within the book page, with writing on the back.

  • Sheet size: cm. 16×12 approx.
  • Support: Paper
  • Condition: Excellent

Sampiero Corso, also known as Sampiero di Bastelica, was an important Italian mercenary and soldier, considered a patriot for his role in calling for the independence of Corsica from Genoa.

Samuel Prout (1783–1852), Venice, watercolor

350,00 

Venice it is a watercolor made by Samuel Prout (1783–1852), one of the masters of architectural watercolor painting.
This splendid work, signed lower left, is dated 19th century and measure cm. 26×19.

  • Sheet size: Small
  • Support: Medium thickness paper
  • Condition: Excellent

The work has traces of glue on the back at the corners, but its execution is of high quality and very decorative.

San Alessandro, 1819

25,00 

San Alessandro è un’incisione realizzata nel 1819 da A.L. Castellan, un noto pittore e incisore francese.
Questa opera è un’acquaforte che misura mm. 105×140 e presenta piccoli margini irregolari, con il retro bianco.
It is taken from the volume Letters on Italy, published in Paris by A. Nepveu in 1819.

  • Sheet size: Small
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Saint Benedict, 1854

20,00 

Saint Benedict it is a lithograph from 1854 which represents the saint while exorcising and resurrecting a child.
This print comes from the periodical work Picturesque Polyorama, published in Naples by the Poliorama Pittoresco printing and lithography company under the direction of Filippo Cirelli.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 17×10 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.

San Bernardo Abate, la Vergine ed il Bambino, XVIII secolo

30,00 

San Bernardo Abate, la Vergine ed il Bambino è un’incisione anonima del 18th century che rappresenta una scena sacra con la Madonna e il Bambino Gesù, assunti in cielo, accompagnati da San Bernardo Abate su una nuvola e angioletti.
This work is made in etching su carta vergellata con parziale filigrana, e presenta una bella rappresentazione artistica.

  • Sheet size: cm. 16×11,5 circa
  • Condition: Excellent state of preservation
  • Support: Laid paper

San Bernardo, 1809

20,00 

San Bernardo è un’incisione realizzata nel 1809, che offre una splendida veduta del Der grosse St.Bernhardesberg.
Questa opera è un’acquaforte di dimensioni contenute, perfetta per gli amanti della grafica antica.

  • Sheet size: mm. 130×80 circa
  • Support: Paper
  • Condition: Perfect condition

Saint Blaise Healing a Child, 1845

20,00 

Saint Blaise healing a child it is a lithograph made in 1845 by A. Chierici.
This work is taken from Picturesque Polyorama, a periodical work designed to spread useful knowledge to all classes of society.

  • Sheet size: cm. 14×10 approx.
  • Condition: Excellent
  • Support: Paper
  • Notes: The print is contained within the book page and has writing around and on the back. The entire page containing the print is shipped.

Saint Celsus, Julian, Marcionilla, Basilissa, 1800

25,00 

Saint Celsus, Julian, Marcionilla, Basilissa it is an engraving made in 1800 by Gio Petrini.
This work, performed with the technique ofburin etching, has a size of cm. 10×14 and it is printed on medium thickness paper without watermark.

  • Condition: Excellent condition
  • Back: White
  • Price: €25,00

St. Daniel, 1650

30,00 

Saint Daniel It is an engraving made in 1650, using the technique ofetching and of the colored burin.
This work, dating back to the mid-seventeenth century, is printed on laid paper without watermark and features a prayer in Latin on the back.

  • Sheet size: cm. 6×11 approx.
  • Engraving size: cm. 5×6,5 approx.
  • Support: Light paper
  • Condition: Excellent condition

Saint Felix redeeming the slaves, 1845

20,00 

Saint Felix redeeming the slaves it is a lithograph made in 1845 by the knight de Vivo.
This work is taken from Picturesque Polyorama, an important Neapolitan publication aimed at spreading useful knowledge among the different social classes.

  • Sheet size: cm. 14×22 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print has almost no margins and includes writing around and on the back, being contained within the book page. The entire page containing the print will be shipped.

Saint Francis, Guido Reni, 1846

20,00 

Saint Francis in Prayer It is a lithograph made by Guido Reni In the 1846.
This work is taken from Picturesque Polyorama, a periodical publication designed to disseminate useful knowledge to all social classes.
The press, which measures cm. 10×13, has almost no margins and is contained in one page of the book, with writing around and on the back.
The entire page containing the print is sent, providing complete context of the work.

Saint Cajetan, 1800

20,00 

Saint Cajetan It is an engraving made in 1800, which represents an important religious figure.
This work is made in Etching and Burin and measure 60×70 mm on a sheet of paper 200×140 mm.

  • Era: 19th century
  • Condition: Excellent condition
  • Support: Laid paper without watermark

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