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Showing 409–432 of 2154 results

Christian Wilhelm Allers, Marriageable Girl, 1890

50,00 

Ragazza da marito It is a watercolour lithograph made by Christian Wilhelm Allers in 1890.
Questa opera, firmata W.Allers, è tratta da un testo tedesco di fine Ottocento e presenta un formato di cm. 23×17 circa su un foglio di cm. 27×35. Al verso è presente del testo, che aggiunge un ulteriore valore storico all’opera.

  • Sheet size: cm. 27×35 approx.
  • Engraving size: cm. 23×17 approx.
  • Support: Paper
  • Condition: Excellent

Christophorus Cellarius, acquaforte, 1701

25,00 

Christophorus Cellarius it is an etching made by Martin Bernigeroth nel 1701.
Questa opera è un esempio significativo dell’arte incisoria del periodo, caratterizzata da un attento uso delle linee e dei dettagli.

  • Sheet size: cm. 24×18 approx.
  • Engraving size: cm. 24×18 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Wounded Swan, J. Moerenhout, 1845

20,00 

Cigno ferito è una litografia realizzata da J. Moerenhout nel 1845.
This work was published in the magazine Art crown in the period 1845-1846.

  • Sheet size: cm. 32×25 approx.
  • Print Size: cm. 20×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Cina, Chinesisches Puppentheater, A.H.Payne, 1840-50

25,00 

Incisione realizzata all’acquaforte da A.H. Payne between 1840 and 1850.
This work is an etching on medium-thickness paper, published in the volume Payne's Universum und Buch der Kunst, published in Leipzig and Dresden.

  • Image size: cm. 11×15 circa con ampi margini
  • Support: Medium thickness paper
  • Condition: Excellent condition

Cione Pollini, 1857

30,00 

Cione Pollini è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Iconoteca Italiana – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
Questa opera rappresenta Cione Pollini, un ricco mercante fiorentino noto per aver fondato l’Ospedale di S.Maria della Scala.

  • Sheet size: cm. 23×32
  • Size of the joke: cm. 14×18
  • Support: Strong paper
  • Condition: Buone, con qualche leggera macchia di ruggine ai bordi, che non interessa l’incisione.

City of Caltavuturo, Saint-Non, 1781-86

40,00 

City of Caltavuturo It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The work offers a beautiful animated view of the city of Caltavuturo, representing the Sicilian landscape in great detail.
Jean-Claude Richard de Saint-Non, also known as the Abbot of Saint-Non, was an important French draughtsman and archaeologist whose work had a significant impact on the representation of the kingdoms of Naples and Sicily.

Cividale, The Devil's Bridge, 1860

35,00 

Cividale, Il Ponte del diavolo è un’incisione realizzata nel 1860, che rappresenta un’importante opera del XIX secolo.
Questa acquaforte è tratta dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Civitella oggi Bellegra, 1835

20,00 

Civitella oggi Bellegra è un’incisione al bulino su acciaio realizzata nel 1835, che rappresenta uno scorcio della cittadina di Civitella, oggi conosciuta come Bellegra.
This work is taken from the work “Italie picturesque tableau historique et descriptif de l’Italie…” di M. De Norvins e C. Nodiers, pubblicata a Parigi nel 1834.

  • Sheet size: mm. 190×260
  • Engraving size: mm. 115×175
  • Support: Carta leggera da incisione
  • Condition: Excellent state of preservation

L’incisione ritrae due donne nei tipici costumi locali, immerse tra le antiche case del borgo medievale.

Claens Jansz Visscher, Darius and Xerxes, ca. 1600

80,00 

Darius and Xerxes It is an engraving made by Claens Jansz Visscher around 1600.
This work represents the two powerful Persian kings, Darius and Xerxes, full-length standing.

  • Sheet size: cm. 24×31 approx.
  • Engraving size: cm. 21×27 approx.
  • Technique: Etching
  • Support: Laid paper with watermark
  • Condition: Excellent, with vertical crease and small stain in the center

Clemente XI – Francesco Albani, 1857

30,00 

Clemente XI – Francesco Albani è un’incisione all’acquaforte originale del 1857, tratta dall’Iconoteca Italiana, una collezione di sessanta ritratti di illustri italiani.
Questa opera presenta una battuta di cm. 14×18 su un foglio di cm. 23×32, realizzata su strong paper with white back.

  • Sheet size: cm. 23×32
  • Engraving size: cm. 14×18
  • Support: Strong paper
  • Condition: Ottime, con qualche leggera fioritura ai bordi, che non interessa l’incisione.

Pigeons, Turtle Doves, 1890

15,00 

Colombi, Tortore It is a lithograph made in 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany.
This work was published by the Bibliographischen Instituts, with branches in Leipzig and Vienna, starting in the second half of the 19th century.

  • Sheet size: cm. 29×23
  • Condition: Fair condition, with slight yellowing of the sheet
  • Support: Paper, white back
  • Note: The sheet has a central fold because it was originally inserted folded into the volume from which it was taken.

Colombo Cristoforo, 1857

30,00 

Colombo Cristoforo è un’incisione all’acquaforte originale realizzata nel 1857.
This work is taken from theItalian Iconoteca, una collezione di sessanta ritratti di illustri italiani, pubblicata a Firenze.

  • Sheet size: cm. 23×32 approx.
  • Engraving size: cm. 14×18 approx.
  • Support: Strong paper
  • Condition: Ottima, con qualche leggera fioritura ai bordi che non interessa l’incisione

Fish farming, 1890

30,00 

Coltivazione del pesce It is a lithograph made in 1890, taken from the famous publication Meyers Conversations Lexicon, published in Germany.
This work is part of a large series of antique prints created to illustrate this encyclopedia, which had several editions starting from the second half of the 19th century.

  • Sheet size: cm. 29×23
  • Support: Paper
  • Condition: Fair general condition, with light yellowing and central editorial fold

German comedy, 18th century

40,00 

German comedy It is a vintage watercolour lithograph representing typical characters from 18th century German comedy.
This work is printed on medium-thickness laid paper and features, at the bottom, a German inscription with editorial notes.

  • Sheet size: cm. 26×18 approx.
  • Condition: Excellent condition
  • Support: Laid paper

German comedy, 18th century

40,00 

German comedy It is a vintage watercolour lithograph representing typical characters from 18th century German comedy.
This work is made on medium-thickness laid paper and features, at the bottom, a German inscription with editorial notes.

  • Sheet size: cm. 26×18 approx.
  • Support: Laid paper
  • Condition: Excellent condition

German comedy, 18th century

40,00 

German comedy It is a vintage watercolour lithograph dating back to the 18th century, which vividly represents the typical characters of German comedy.
This work is printed on medium-thickness laid paper and features, at the bottom, a German inscription together with editorial notes.

  • Sheet size: cm. 26×18 approx.
  • Support: Laid paper
  • Condition: Excellent condition

German comedy, 18th century

40,00 

German comedy It is a vintage watercolour lithograph representing typical characters from 18th century German comedy.
This work is made on medium-thickness laid paper and features German writing and editorial notes at the bottom.

  • Sheet size: cm. 26×18 approx.
  • Support: Laid paper
  • Condition: Excellent condition

Como, The Cathedral, The Broletto and the Tower, 1890

20,00 

Como, The Cathedral, The Broletto and the Tower It is a woodcut print made in 1890, which captures the architectural beauty of Como.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10 x 12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30 x 20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Como, The promontory of Torno, 1860

35,00 

Como, Il promontorio di Torno è un’acquaforte realizzata nel 1860, che cattura la bellezza del paesaggio lacustre.
Questo lavoro è tratto dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Como, Panorama, 1890

30,00 

Como, Panorama è una stampa xilografica realizzata nel 1890, che offre una vista suggestiva della città di Como.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 17×24 circa, circondata da testo e con ulteriore testo al verso del foglio.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Comus and Timon, A.H.Payne, 1840-50

20,00 

Comus and Timone It is an engraving made by AH Payne between 1840 and 1850.
This etching on medium-thickness paper, it has a format of 21x27 cm and a white back.
The engraver's signature is present at the bottom right: AHPayne sc..
The press was published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Medium thickness paper

Albert Henry Payne, English engraver and designer, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.
Common, in Greek mythology, represents the nocturnal alcoholic revelry, while Helm of Phlius He is an ancient skeptical philosopher, known for his critical thinking.

Rabbits, 1890

30,00 

Conigli It is a lithograph made in 1890, taken from the publication Meyers Conversations Lexicon, published in Germany.
Questa opera fa parte di una vasta serie di stampe antiche create per illustrare questa celebre enciclopedia, pubblicata a partire dalla seconda metà del XIX secolo dal Bibliographischen Instituts, con sedi a Leipzig e Vienna.

  • Sheet size: cm. 29×23
  • Support: Paper
  • Condition: Fair general condition, with light yellowing and central editorial fold

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 1

80,00 

Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.

  • Technique: Watercolor woodcut
  • Sheet size: cm. 34×22
  • Support: Paper
  • Condition: Excellent

There Historia Animalium It was one of the first scientific reference works, initially published in Latin and later translated into German.
The first German publications of the various parts were printed in 1563, while the Bird book (Book of Birds) was published in 1557, shortly before the present plate.

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 7

80,00 

Conrad Gessner (Zurich, 1516 – 1565) is an important figure in the field of natural history, known for his work Historiae Animalium.
This Ornithological Table It is taken from the German edition of 1557, published by Froschauer in Zurich.

  • Sheet size: cm. 34×22
  • Technique: Watercolor woodcut
  • Condition: Excellent
  • Support: Paper

There Historia Animalium has been a fundamental source for scientific studies, with the first German publications of the various parts dating back to 1563. The third part, the Bird book (Book of Birds), was published in 1557, contributing significantly to the ornithological knowledge of the time.

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