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Showing 5089–5112 of 6450 results

Salita al Vesuvio, G.Lenghi, 1860

50,00 

Salita al Vesuvio è una litografia colorita all’acquerello realizzata da G. Lenghi nel 1860.
Questa opera rappresenta una scena animata e colorata della tipica salita al Vesuvio, rendendola rara e decorativa.

  • Sheet size: mm. 137×183 più margini
  • Support: Medium paper
  • Condition: Buone condizioni generali (tracce di carta gommata al retro negli angoli)

Salita al Vesuvio, Mattei, 1853

60,00 

Salita al Vesuvio è un’incisione realizzata da Pasquale Mattei nel 1853, caratterizzata da un bulino al delineato acquarellato d’epoca.
This work is taken from the volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Support: Medium paper, white back
  • Condition: Perfect state of preservation

Salita al Vomero, Scale del Petraio, 1884

25,00 

Salita al Vomero, Scale del Petraio It is a woodcut engraving made in 1884 by Rudolf Kleinpaul.
This work is taken from the volume Naples and its surroundings e presenta dimensioni di cm. 8×24, con margini più piccoli.

  • Sheet size: cm. 8×24 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Salò, Garibaldi's Headquarters, 1866

20,00 

Salò, Garibaldi's Headquarters It is a woodcut engraving from 1866, which represents Garibaldi's headquarters in Salò, located on Lake Garda.
This work is taken from the edition of Picturesque Emporium, published by Sonzogno in Milan.

  • Sheet size: cm. 13×13 approx.
  • Support: Light paper
  • Condition: Excellent

The print has been cut from the book and has almost no margins, with the back written, partly visible on the back. The full page containing the print will be shipped.

Salsomaggiore, Panorama, 1890

20,00 

Salsomaggiore, Panorama it's a woodblock print made in 1890, coming from the work Illustrated geographical Italy by P. Premoli.
This engraving offers a panoramic view of Salsomaggiore, with details that capture the essence of the place. The print has been extracted from the book and has writing on the back, the full page will be sent.

  • Sheet size: cm. 12×9 approx.
  • Support: Light paper
  • Condition: Excellent

Stonechat, 1853

15,00 

Saltimpalo (Stonechat) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt.
Questa stampa rappresenta un uccello affascinante e si distingue per la sua decoratività.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Saluzzo, Casa Cavazza, 1890

20,00 

Saluzzo, Casa Cavazza it's a woodblock print realizzata nel 1890, che rappresenta il cortile della Casa Cavazza a Saluzzo, Cuneo.
This work is taken from a late nineteenth-century Italian text, with an engraving by Barberis.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Saluzzo, Cuneo, Cavazza House, 1890

20,00 

Saluzzo, Cuneo, Cavazza House it's a woodblock print made in 1890 by the engraver Barberis.
This work is an example of late nineteenth-century Italian graphic art, characterized by an image of approximately 14x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Saluzzo, Cuneo, Cathedral, 1890

20,00 

Saluzzo, Cuneo, Duomo it's a woodblock print made in 1890 by the engraver Barberis.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni di circa cm. 14×12, con testo attorno e al verso del foglio.

  • Sheet size: cm. 26×18 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Saluzzo, Panorama, 1890

30,00 

Saluzzo, Panorama it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
Questa opera offre una vista panoramica della città di Saluzzo, con dettagli architettonici e paesaggistici che catturano l’essenza del periodo.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Support: Paper
  • Condition: Excellent

Saluzzo, Piazza Vittorio Emanuele II, 1890

20,00 

Saluzzo, Piazza Vittorio Emanuele II it's a woodblock print datata 1890, che offre uno scorcio affascinante della storica piazza.
This work is taken from an Italian text from the late nineteenth century and presents a large-sized image cm. 10×12 approximately, with text around and on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×12
  • Support: Paper
  • Condition: Excellent

Salvator Rosa, 1837

15,00 

Salvator Rosa è una litografia del 1837, tratta dall’opera Pictorial Cosmorama, anno terzo.
Questa stampa presenta margini quasi assenti e misura cm. 15×19. La stampa è contenuta in una pagina estratta dal libro e presenta scritte al verso.
Viene spedita l’intera pagina contenente la stampa, offrendo un pezzo unico per collezionisti e appassionati d’arte.

  • Sheet size: cm. 15×19 approx.
  • Support: Paper
  • Condition: Excellent

Salvator Rosa, 1839

15,00 

Salvator Rosa It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, from the Omnibus printing house in Naples, has almost no margins and includes writing on the verso.

  • Sheet size: cm. 14×11 approx.
  • Support: Paper
  • Condition: Excellent

La stampa verrà spedita nella pagina intera che la contiene.

Salvator Rosa, 1884

20,00 

Salvator Rosa It is a woodcut engraving made in 1884, taken from the work Naples and its surroundings by Rudolf Kleinpaul.
Questa opera rappresenta un autoritratto di Salvator Rosa, con margini quasi assenti e un testo al verso.

  • Sheet size: cm. 9×13 approx.
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent condition

Salvator Rosa, A.H.Payne, 1840-50

20,00 

Salvator Rosa It is an etching made by AH Payne between 1840 and 1850.
Questa stampa è parte della Royal Dresden Gallery, pubblicata da A.H. Payne e W. French a Dresda, Lipsia e Londra.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent

Albert Henry Payne, incisore, disegnatore ed editore inglese, nacque a Londra nel 1812 e morì a Lipsia nel 1902.
Payne operò a Lipsia dal 1838, dove fondò l’Istituto d’Arte Inglese.

Samaritans, Straw Chairs, 1854

35,00 

Samaritans, Straw Chairs it is a vintage watercolour lithograph made in 1854, which represents the costumes of the Kingdom of Naples.
Signed on the plate, this work is taken from the Collection of Neapolitan costumes, published in Naples by Calvi.

  • Sheet size: cm. 23×16 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent
  • Characteristics: Vivid colors and beautiful subject

Sampierdarena, 1865 Palazzo Comunale

20,00 

Sampierdarena, 1865 – Palazzo Comunale è una xilografia che rappresenta un’importante opera del prof. Amato Amati, tratta dal suo Chorographic Dictionary of Italy.
Questa illustrazione, realizzata nel 1865, è parte di un’opera che include circa 1000 armi comunali colorate, pubblicata da Vallardi editore a Milano.

  • Sheet size: mm. 220×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Sampierdarena, Veduta dal faro di Genova, 1890

30,00 

Sampierdarena, Veduta dal faro di Genova è una stampa xilografica realizzata nel 1890, che offre una vista suggestiva di Sampierdarena dal faro di Genova.
This work is based on a late nineteenth-century Italian text and features text around the image, as well as text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Sampiero of Bastelica, 1839

15,00 

Sampiero of Bastelica It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This print, measuring 16x12 cm, has almost no margins and is contained within the book page, with writing on the back.

  • Sheet size: cm. 16×12 approx.
  • Support: Paper
  • Condition: Excellent

Sampiero Corso, also known as Sampiero di Bastelica, was an important Italian mercenary and soldier, considered a patriot for his role in calling for the independence of Corsica from Genoa.

Samuel Prout (1783–1852), Venice, watercolor

350,00 

Venice it is a watercolor made by Samuel Prout (1783–1852), one of the masters of architectural watercolor painting.
This splendid work, signed lower left, is dated 19th century and measure cm. 26×19.

  • Sheet size: Small
  • Support: Medium thickness paper
  • Condition: Excellent

The work has traces of glue on the back at the corners, but its execution is of high quality and very decorative.

San Alessandro, 1819

25,00 

San Alessandro è un’incisione realizzata nel 1819 da A.L. Castellan, un noto pittore e incisore francese.
Questa opera è un’acquaforte che misura mm. 105×140 e presenta piccoli margini irregolari, con il retro bianco.
It is taken from the volume Letters on Italy, published in Paris by A. Nepveu in 1819.

  • Sheet size: Small
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Saint Benedict, 1854

20,00 

Saint Benedict it's a lithography from 1854 which represents the saint exorcising a possessed man.
This work is taken from the volume Picturesque Polyorama, a periodical publication that aimed to spread useful knowledge throughout all classes of society.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 20×16 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.

Saint Benedict, 1854

20,00 

Saint Benedict it is a lithograph from 1854 which represents the saint while exorcising and resurrecting a child.
This print comes from the periodical work Picturesque Polyorama, published in Naples by the Poliorama Pittoresco printing and lithography company under the direction of Filippo Cirelli.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 17×10 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.

San Bernardo, 1809

20,00 

San Bernardo è un’incisione realizzata nel 1809, che offre una splendida veduta del Der grosse St.Bernhardesberg.
Questa opera è un’acquaforte di dimensioni contenute, perfetta per gli amanti della grafica antica.

  • Sheet size: mm. 130×80 circa
  • Support: Paper
  • Condition: Perfect condition

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