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Pavia, Certosa Church, 1890
20,00 €Pavia, Chiesa della Certosa It is a woodcut made in 1890 by E. Bondier, un disegnatore ed illustratore francese attivo a Parigi nell’ultima parte del XIX secolo.
Questa opera, tratta da un libro francese di fine ‘800, presenta una bella rappresentazione della chiesa, animata e ricca di dettagli.
- Sheet size: cm. 10×15 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
The print has been cut from the book and has writing on the back. The full page containing the print will be sent.
Pavia, University Courtyard, 1890
20,00 €Pavia, University Courtyard It is a woodcut print made in 1890, which captures the essence of the courtyard of the University of Pavia.
This work is based on a late nineteenth-century Italian text and features a small-sized image, perfect for history and art lovers.
- Sheet size: cm. 10×12 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Pavia, Interior of the Certosa 1712
30,00 €Pavia, Interno della Certosa è un’incisione realizzata nel 1712, rappresentante un interno della Certosa di Pavia.
This work is an etching on copper, taken from the volume The delights of Italy by De Rogissart, German edition published in Berlin.
- Sheet size: cm. 20×15 approx.
- Engraving size: cm. 15×13 approx.
- Support: Light laid paper
- Condition: Excellent state of preservation
Pavia, The Charterhouse, 1871
20,00 €Pavia, La Certosa It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi.
Questa stampa rappresenta un’importante veduta della Certosa di Pavia, un capolavoro dell’architettura rinascimentale.
- Sheet size: cm. 16×23 approx.
- Engraving size: cm. 10×14 approx.
- Support: Light paper
- Condition: Excellent condition
Pavia, Panorama, 1850
40,00 €Pavia, Panorama è un’incisione realizzata nel 1850, che offre una splendida veduta della città di Pavia.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.
- Sheet size: cm. 22×32
- Engraving size: cm. 13×18
- Support: Strong paper
- Condition: Excellent
Questa incisione si presenta in condizioni perfette, con un retro bianco, e offre una rappresentazione nitida ed animata della città.
Pavia, Bridge over the Ticino to the West, 1890
20,00 €Pavia, Bridge over the Ticino to the West it's a woodblock print built in 1890, which represents a fascinating glimpse of the city of Pavia.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 24 x 12 cm, with text around and on the back of the sheet.
- Sheet size: cm. 30×20 approx.
- Support: Paper
- Condition: Excellent
Pavia, St. Peter in the Golden Sky, 1865
15,00 €Pavia, St. Peter in the Golden Sky it is a woodcut made in 1865, which represents the facade of the Basilica of St. Peter in Ciel d'oro.
This work is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.
- Sheet size: mm. 140×100
- Technique: Woodcut
- Condition: Good
- Support: Paper
The print was cut from the book and has writing on the back.
Pavia, St. Peter in the Golden Sky, 1865
15,00 €Pavia, St. Peter in the Golden Sky è una xilografia realizzata nel 1865, che rappresenta il posteriore della Basilica di S. Pietro in Ciel d’oro.
This work is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.
- Sheet size: mm. 100×140
- Technique: Woodcut
- Condition: Good
- Support: Paper
Pavia, Panoramic View, 1859
40,00 €Pavia, Veduta Panoramica è una xilografia realizzata nel 1859, che offre una vista a volo d’uccello della città di Pavia.
This work is taken from the volume Wars of Italy e presenta scritte al verso.
- Sheet size: cm. 22×32 approx.
- Support: Paper
- Condition: Excellent
Payne’s, 1850, Cinque volti
30,00 €Cinque volti è un’incisione realizzata da Albert Henry Payne nel 1850, incisa per Payne’s Universal Geography.
This work is made with the technique ofetching and burin e presenta dimensioni di circa cm. 18×22 alla battuta.
- Sheet size: cm. 18×22 approx.
- Support: Carta vergellata con filigrana corona, corna e G R
- Condition: Excellent condition
Pazzi Antonio, Portrait of Martino Meytens, 1725
50,00 €Portrait of Martin Meytens It is an engraving made by Crazy Antonio in 1725, in collaboration with Domenico Campiglia.
This portrait depicts the well-known painter Martin Meytens, an important figure of the 18th century.
- Sheet size: cm. 38×28 approx.
- Engraving size: cm. 26×17 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Sheep, Lamb, 18th century
20,00 €Pecora, Agnello it is an anonymous engraving dating back to 18th century.
Made in etching on heavy laid paper, questa opera presenta un formato compatto che la rende ideale per collezionisti e appassionati di arte antica.
- Sheet size: cm. 7×10 approx.
- Condition: Excellent
Sheep, Anonymous, 18th century
15,00 €Sheep It is an engraving made by an anonymous artist in 18th century.
This work is an example of etching on heavy laid paper, which highlights the artist's mastery.
- Sheet size: cm. 7x8 approx.
- Condition: Excellent
Pecora, XVIII secolo
20,00 €Sheep It is an engraving made in 18th century, performed with the technique ofEtching on heavy laid paper.
This work, of small dimensions, measures approximately cm. 11×17. Presenta una firma illeggibile e una macchia di unto, che ne evidenziano la storia e l’autenticità.
- Sheet size: Small
- Condition: Good
- Support: Heavy laid paper
Pecoraio, 1877
15,00 €Pecoraio It is an engraving made in 1877, taken from the volume L'Italy illustrée de 450 engravures sur wood by Gourdault Jules, published in Paris by Hachette.
Questa stampa, di dimensioni contenute, è stata ritagliata dal libro e presenta margini quasi assenti, con scritte sul retro.
- Sheet size: mm. 140×180
- Condition: Good
- Support: Light paper
Pegli, 1876, Pallavicini Villa
15,00 €Pegli, 1876, Pallavicini Villa è un’incisione xilografica che ritrae l’obelisco situato nella villa Pallavicini a Pegli.
This work is taken from the volume Italian by K. Stieler and W. Kaden, published in Stuttgart in 1876.
- Sheet size: mm. 120×181
- Support: Light paper
- Condition: Excellent condition
- Notes: Almost no margins, cut from the book with writing on the back
Pegli, Villa Doria, 1890
15,00 €Pegli, Villa Doria It is a woodcut made in 1890, the work of E. Bondier as a designer and C. Petit as an engraver.
Questa affascinante stampa proviene da un libro francese di fine ‘800 e presenta una scena animata di grande interesse.
- Sheet size: cm. 10×8 approx.
- Support: Paper
- Condition: Excellent
The print has been cut from the book and has writing on the back. The full page containing the print will be sent.
Pelago (Firenze), 1850
30,00 €Pelago (Firenze) It is a burin engraving made in 1850 from James Duffield Harding, a well-known English landscape painter.
This work represents a very fine animated scene della città di Pelago, vista dall’alto, ed è caratterizzata da un’eleganza decorativa.
- Size of the joke: mm. 140×100 approx.
- Support: Medium paper with white back
- Condition: Excellent
Pilgrimage to the Madonna Dell'Arco, 1860
30,00 €Pellegrinaggio alla Madonna Dell’Arco è un’incisione realizzata nel 1860, che rappresenta una vivace scena di un festival vinicolo napoletano.
Questa xilografia, ispirata a un’opera di Robert Leopold (1794-1835), mostra un affollato pellegrinaggio con numerosi personaggi e il Vesuvio fumante sullo sfondo.
- Sheet size: cm. 26×21 approx.
- Engraving size: cm. 22×16 approx.
- Support: Medium thickness paper
- Condition: Excellent
Pellegrini presso il Convento A Subiaco, 1845
25,00 €Pellegrini presso il Convento A Subiaco è un’incisione realizzata nel 1845, che rappresenta un momento di vita religiosa presso il Convento di San Benedetto a Subiaco.
This work is taken from L’ami de la jeunesse ed è stato inciso da B. Linton based on a design by Bocourt.
- Sheet size: cm. 29×37 approx.
- Engraving size: cm. 22×28 circa
- Support: Paper
- Condition: Buone, con piega centrale editoriale e strappo restaurato al verso
Pellegrino, C.Rochussen, 1845
20,00 €Pellegrino è una litografia realizzata da C. Rochussen nel 1845.
This work was published in the magazine Art crown between 1845 and 1846.
- Sheet size: cm. 32×25 approx.
- Print Size: cm. 20×16 approx.
- Support: Medium thickness paper
- Condition: Excellent condition
Pelican, 1830
20,00 €Pellicano è una litografia con coloritura manuale realizzata nel 1830 circa da Pretre del e Aubert sc.
Questa opera presenta un’immagine affascinante di un pellicano, un soggetto che simboleggia la cura e la protezione.
- Sheet size: mm. 130×200
- Engraving size: mm. 58×95
- Support: Medium paper with white back
- Condition: Discrete condizioni, con qualche macchia
Peppola (Brambling), 1853
15,00 €Peppola (Brambling) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa presenta un’immagine vivace e decorativa della peppola, un uccello noto per il suo canto melodioso.
- Sheet size: mm. 135×100
- Support: Medium thickness paper, white back
- Condition: Excellent condition
Perelle, 3 Round Landscapes, 17th century
80,00 €Perelle, 3 Paesaggi formato tondo è una serie di tre stampe realizzate nel XVII secolo, attribuite alla celebre famiglia di incisori francesi, i Perelle.
Queste opere, caratterizzate da un formato tondo, presentano paesaggi incantevoli e sono state realizzate con la tecnica dell’etching on laid paper.
- Dimensions: diametro cm. 8/9/11 circa
- Condition: Excellent
- Support: Laid paper
- Engravers: Gabriel Perelle (1604-1677), Adam Perelle (1638-1695), Nicolas Perelle (1631-1695)
- Firmati: Due delle stampe sono firmate ‘Perelle fecit’ e ‘le Blond exc.’
I Perelle sono noti per la loro abilità nel rappresentare paesaggi e la loro opera è caratterizzata da una grande attenzione ai dettagli. La collaborazione tra Gabriel e i suoi figli ha reso difficile attribuire con certezza le stampe a un singolo incisore, rendendo queste opere ancora più affascinanti per i collezionisti e gli appassionati d’arte.
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