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Showing 6745–6768 of 8306 results

Stonechat, 1853

15,00 

Saltimpalo (Stonechat) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt.
Questa stampa rappresenta un uccello affascinante e si distingue per la sua decoratività.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Saluzzo, Casa Cavazza, 1890

20,00 

Saluzzo, Casa Cavazza it's a woodblock print realizzata nel 1890, che rappresenta il cortile della Casa Cavazza a Saluzzo, Cuneo.
This work is taken from a late nineteenth-century Italian text, with an engraving by Barberis.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Saluzzo, Cuneo, Cavazza House, 1890

20,00 

Saluzzo, Cuneo, Cavazza House it's a woodblock print made in 1890 by the engraver Barberis.
This work is an example of late nineteenth-century Italian graphic art, characterized by an image of approximately 14x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Saluzzo, Cuneo, Cathedral, 1890

20,00 

Saluzzo, Cuneo, Duomo it's a woodblock print made in 1890 by the engraver Barberis.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni di circa cm. 14×12, con testo attorno e al verso del foglio.

  • Sheet size: cm. 26×18 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Saluzzo, Panorama, 1890

30,00 

Saluzzo, Panorama it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
Questa opera offre una vista panoramica della città di Saluzzo, con dettagli architettonici e paesaggistici che catturano l’essenza del periodo.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Support: Paper
  • Condition: Excellent

Saluzzo, Piazza Vittorio Emanuele II, 1890

20,00 

Saluzzo, Piazza Vittorio Emanuele II it's a woodblock print datata 1890, che offre uno scorcio affascinante della storica piazza.
This work is taken from an Italian text from the late nineteenth century and presents a large-sized image cm. 10×12 approximately, with text around and on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×12
  • Support: Paper
  • Condition: Excellent

Salvator Rosa Ceres and Phytalos 1662

250,00 

Ceres and Phytalo It is an engraving made by Salvator Rosa (Arenella 1615 – Rome 1673) in 1662.
This work, which represents a significant moment in mythology, is performed in etching and drypoint, signed on the lower plate with the words 'Salvator Rosa Inu.Scul.'.

  • Sheet size: cm. 50×37 approx.
  • Engraving size: cm. 35×23 approx.
  • Support: Thick laid paper with watermark
  • Condition: Excellent state of preservation

The engraving was made between 1662 and 1663, but it is assumed that the impression is from the 18th century.
This work is documented in several publications, including:

  • G. BOZZOLATO, The engravings of Salvator Rosa, 1973
  • O. THEODOLI, Salvator Rosa 1615-1673, Etchings, Bergamo, 1992
  • Salamon S., Salvator Rosa. The Graphic Work. Catalogue Raisonné, Turin, 1993

Salvator Rosa Three soldiers pointing

80,00 

Tre soldati che indicano è un’incisione attribuita a Salvator Rosa, realizzata con la tecnica dell’acquaforte e bulino.
Questa opera, di dimensioni cm. 22×28 circa alla battuta, è stampata su carta vergellata senza filigrana, con un foglio di cm. 34×43 (margini incollati).

  • Condition: Excellent condition
  • Contrasto: Buon contrasto
  • Rarity: Raro foglio attribuibile a Salvator Rosa

Salvator Rosa, 1837

15,00 

Salvator Rosa è una litografia del 1837, tratta dall’opera Pictorial Cosmorama, anno terzo.
Questa stampa presenta margini quasi assenti e misura cm. 15×19. La stampa è contenuta in una pagina estratta dal libro e presenta scritte al verso.
Viene spedita l’intera pagina contenente la stampa, offrendo un pezzo unico per collezionisti e appassionati d’arte.

  • Sheet size: cm. 15×19 approx.
  • Support: Paper
  • Condition: Excellent

Salvator Rosa, 1839

15,00 

Salvator Rosa It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, from the Omnibus printing house in Naples, has almost no margins and includes writing on the verso.

  • Sheet size: cm. 14×11 approx.
  • Support: Paper
  • Condition: Excellent

La stampa verrà spedita nella pagina intera che la contiene.

Salvator Rosa, 1884

20,00 

Salvator Rosa It is a woodcut engraving made in 1884, taken from the work Naples and its surroundings by Rudolf Kleinpaul.
Questa opera rappresenta un autoritratto di Salvator Rosa, con margini quasi assenti e un testo al verso.

  • Sheet size: cm. 9×13 approx.
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent condition

Salvator Rosa, A.H.Payne, 1840-50

20,00 

Salvator Rosa It is an etching made by AH Payne between 1840 and 1850.
Questa stampa è parte della Royal Dresden Gallery, pubblicata da A.H. Payne e W. French a Dresda, Lipsia e Londra.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent

Albert Henry Payne, incisore, disegnatore ed editore inglese, nacque a Londra nel 1812 e morì a Lipsia nel 1902.
Payne operò a Lipsia dal 1838, dove fondò l’Istituto d’Arte Inglese.

Salvator Rosa, Two men, one with a stick

75,00 

Two men, one with a stick it is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines and is characterized by a beautiful clear proof, probably from a late 18th century print run.

  • Sheet size: mm. 142×93
  • Technique: Etching and drypoint
  • Condition: Excellent
  • Support: Unlaid paper
  • Notes: Trimmed at the edge, glue residues at the edges on the recto visible in part on the front, without monogram, number 26 present at the bottom right.

Salvator Rosa, Two men, one with his arm raised

75,00 

Due uomini, uno con braccio in alto It is an engraving made by Salvator Rosa in the 18th century.
This work, part of the series Various figures or Figurines, è un esempio di etching and drypoint su carta non vergellata.

  • Sheet size: mm. 142×93
  • Condition: Excellent
  • Support: Unlaid paper
  • Monogram: RS in basso a destra
  • Numero: 17 in basso a destra

Questa incisione presenta una bella prova nitida, con residui di colla ai margini al recto visibili in parte a fronte, e si colloca probabilmente tra le tirature fine del ‘700 (Cfr. Bartsch 37).

Salvator Rosa, Figurine, 1720

1.450,00 

Salvator Rosa, Figurines It is a complete set of 60 plates, including the title plate, published by the engraver and publisher François Chéreau in Paris in the first half of the 18th century.
This collection, known as the Figurines, was originally created by Rosa in 62 etchings between 1656 and 1657.

  • Sheet size: Great
  • Dimensions of the tables: Variables
  • Technique: Etching
  • Condition: Good
  • Support: Laid paper

On the frontispiece we read: SALVATOR ROSA Invenit. Liber Primus.
This edition is a good example, with six backlit prints and a few stains that do not detract from the artwork.

Salvator Rosa, Frontispiece of the Figurines

75,00 

Salvator Rosa, Frontispiece of the Figurines It is an engraving made in 18th century.
Questa opera è un frontespizio della serie Various figures or Figurines, performed with the technique ofEtching and drypoint su carta non vergellata.

  • Sheet size: mm. 142×93
  • Condition: Excellent
  • Support: Paper

La prova è rifilata al margine e presenta residui di colla ai margini al recto, visibili in parte a fronte. Si tratta di una bella prova nitida, probabile tiratura fine ‘700 (Cfr. Bartsch 37).

Salvator Rosa, Standing Warrior with Shield

75,00 

Guerriero in piedi con scudo è un’incisione di Salvator Rosa, realizzata nel XVIII secolo.
Questa opera, che fa parte della serie Various figures or Figurines, rappresenta un guerriero armato di scudo e alabarda.

  • Sheet size: mm. 142×93
  • Technique: Etching and drypoint
  • Condition: Excellent
  • Support: Unlaid paper
  • Notes: Rifilata al margine, residui di colla ai margini al recto visibili in parte a fronte. Monogramma in basso a destra RS con lettere intrecciate e numero 21 in basso a destra.

Salvator Rosa, Soldier with spear pointing

75,00 

Soldato con lancia che indica It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines ed è caratterizzata da un monogramma in basso a destra, con le lettere intrecciate RS e il numero 22.

  • Sheet size: mm. 142×93
  • Support: Unlaid paper
  • Technique: Etching and drypoint
  • Condition: Ottima, con residui di colla ai margini visibili in parte a fronte

La prova è nitida e si presume sia una tiratura fine del ‘700 (Cfr. Bartsch 37).

Salvator Rosa, Soldier with shield

75,00 

Soldato con scudo It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines e presenta un monogramma RS con lettere intrecciate all’interno dello scudo.

  • Sheet size: mm. 142×93
  • Support: Unlaid paper
  • Technique: Etching and drypoint
  • Condition: Ottima, con residui di colla ai margini visibili al recto
  • Notes: Bella prova nitida, probabile tiratura fine ‘700 (Cfr. Bartsch 37)

Salvator Rosa, Armored Soldier with Spear

75,00 

Soldato corazzato con lancia it is an engraving of Salvator Rosa dating back to 18th century.
This work is made in etching and drypoint su carta non vergellata, con dimensioni di mm. 142×93, rifilata al margine. Presenta residui di colla ai margini al recto, visibili in parte a fronte.

  • Monogram: RS con lettere intrecciate in basso a sinistra
  • Numero: 6 in basso a destra
  • Serie: Diverse figure o Figurine
  • Condition: Excellent
  • Circulation: Probabile fine ‘700 (Cfr. Bartsch 37)

Salvator Rosa, Three Peasants, Figurine, 18th century

75,00 

Tre contadini It is an engraving made by Salvator Rosa nel XVIII secolo, appartenente alla serie Various figures or Figurines.
This work is characterized by a etching and drypoint su carta non vergellata, con dimensioni di mm. 142×93, rifilata al margine.

  • Monogram: RS con lettere intrecciate in basso a sinistra
  • Numero: 24 in basso a destra
  • Condition: Excellent state of preservation
  • Circulation: Probabile fine ‘700 (Cfr. Bartsch 37)

Salvator Rosa, Three Warriors

75,00 

Tre guerrieri It is an engraving made by Salvator Rosa nel XVIII secolo, che rappresenta tre figure: uno seduto, uno in piedi e uno nascosto.
This work is part of the series Various figures or Figurines.

  • Sheet size: mm. 142×93
  • Technique: Etching and drypoint
  • Support: Unlaid paper
  • Condition: Excellent

L’incisione presenta un monogramma in basso a sinistra con le lettere intrecciate ‘RS’ e il numero ‘7’ in basso a destra.
Si tratta di una bella prova nitida, probabile tiratura fine ‘700 (Cfr. Bartsch 37).

Salvator Rosa, Three Soldiers, Figurines

75,00 

Tre Soldati It is an engraving made by Salvator Rosa In the 18th century.
Questa opera appartiene alla serie Various figures or Figurines and is characterized by a beautiful clear proof, probably from a late 18th century print run.

  • Sheet size: mm. 142×93
  • Engraving size: rifilata al margine
  • Support: Unlaid paper
  • Condition: Excellent
  • Technique: Etching and drypoint
  • Notes: Residui di colla ai margini al recto visibili in parte a fronte; senza monogramma; numero 18 presente in basso a destra.

Salvator Rosa, Three Soldiers, Figurine, 18th century

75,00 

Tre Soldati It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines ed è caratterizzata da un monogramma in basso a destra, rappresentato dalle lettere intrecciate RS, e dal numero 20.

  • Sheet size: mm. 142×93
  • Technique: Etching and drypoint
  • Support: Unlaid paper
  • Condition: Excellent

La prova è nitida e si tratta di una probabile tiratura della fine del ‘700 (Cfr. Bartsch 37).

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