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Catania, Etna Crater, 1835

20,00 

Catania, Etna Crater It is a burin engraving made in 1835, which offers an extraordinary animated view of the inside of the crater of Etna.
This work is taken from the volume Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE.

  • Size of the joke: mm. 132×90 plus margins
  • Technique: Burin
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

Catania, Organ, 1841

20,00 

Catania, Organo è una litografia del 1841 che rappresenta il prospetto dell’organo nella chiesa dei PP. Cassinesi a Catania.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge to all classes of society.

  • Sheet size: cm. 21×16 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print is contained in a page extracted from the book and has writing on the verso. The entire page containing the print is sent.

Catania, Elephant Square, 1871

20,00 

Catania, Piazza dell’Elefante It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy, pubblicata da Ariodante Manfredi a Milazzo.
Questa stampa rappresenta un’importante veduta della storica piazza catanese, con dettagli architettonici che catturano l’essenza del luogo.

  • Sheet size: cm. 16×23 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Light paper
  • Condition: Excellent condition

Catania, Elephant Square, 1835

25,00 

Catania, Piazza Elefante It is an engraving made at burin on steel in 1835.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper, white back
  • Condition: Good state of preservation

Catania, Market Square, 1835

25,00 

Catania, Piazza mercato It is an engraving made at burin on steel in 1835.
This work comes from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. di AUDOT padre, pubblicato tra il 1835 e il 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Catania, Bridge over Cantara, 1835

20,00 

Catania, Ponte su Cantara It is an engraving made at burin on steel in 1835, colorata all’acquarello.
This work measures mm. 132×90 per la battuta, esclusi i margini, ed è tratta da Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE.

  • Sheet size: Small
  • Support: Light paper
  • Condition: Excellent

La veduta animata presenta l’Etna fumante sullo sfondo, rendendola un’opera decorativa di grande fascino.

Catania, Coat of Arms, 1871

15,00 

Catania, Stemma It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi.
Questa stampa rappresenta lo stemma della città di Catania e misura la parte incisa circa cm. 8×9, con piccoli margini.

  • Sheet size: Small
  • Support: Light sheet
  • Condition: Excellent
  • Notes: Print extracted from the book with writing on the back

Catanzaro, Coat of Arms, 1871

15,00 

Catanzaro, Stemma It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi.
Questa stampa rappresenta il simbolo della città di Catanzaro, con una dimensione dell’incisione di cm. 8×9 e piccoli margini.

  • Sheet size: Small
  • Support: Light paper
  • Condition: Excellent condition
  • Notes: The print was removed from the book and has writing on the verso.

Catherine of Aragon, 1844

15,00 

Caterina d’Aragona è un’incisione in rame realizzata nel 1844, tratta dall’opera Picturesque Omnibus, published in Naples.
Questa incisione rappresenta Caterina d’Aragona, una figura storica di grande importanza, regina consorte d’Inghilterra e Irlanda, nota per il suo matrimonio con Enrico VIII.

  • Sheet size: cm. 7x9 approx.
  • Support: Light paper
  • Condition: Excellent condition
  • Back: Printed

Caterpillar of Metopsilus Tersa, 1836

30,00 

Caterpillar of Metopsilus Tersa It is an engraving made in 1836 by Edward Lear And William H. Lizars.
This work, an example of burin engraving on steel with manual watercolouring, it is part of the famous series The Naturalist's Library by Sir William Jardine.

  • Engraving size: mm 100×150
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

Basel Cathedral, Switzerland, 1843

15,00 

Basel Cathedral, Switzerland It is a lithograph from 1843 which represents a view of the famous underground church.
This print is taken from the work Picturesque Polyorama, a periodical dedicated to the dissemination of artistic and cultural knowledge.

  • Sheet size: cm. 12×15 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained within a page of the book, with writing around and on the verso, and the entire page containing the print will be shipped.

Orvieto Cathedral, 1837

20,00 

Cattedrale di Orvieto è un’incisione in xilografia realizzata nel 1837, che offre una bella veduta decorativa della famosa cattedrale.
Questa stampa è stata estratta dal volume Pictorial Cosmorama, Anno terzo, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 23×18 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

La stampa presenta scritte al retro in parte visibili e viene spedita completa di passepartout.

Palermo Cathedral, 1860

40,00 

Palermo Cathedral It is an engraving made by Adolphe Rouargue nel 1860.
This work is part of the volume Voyage picturesque in Italy, southern part by P. De Musset.

  • Sheet size: mm. 165×120 circa
  • Engraving size: mm. 165×120 circa
  • Support: Thick paper
  • Condition: Perfect

Questa incisione al burin su rame presenta una rappresentazione nitida e fine della cattedrale di Palermo, rendendola un’opera animata e decorativa.

Palermo Cathedral, 1866

25,00 

Palermo Cathedral è un’incisione realizzata nel 1866, tratta dal volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.
Questa xilografia rappresenta un’importante testimonianza artistica e architettonica.

  • Sheet size: cm. 25×17 approx.
  • Engraving size: cm. 19×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Cathedral of Pistoia, 1826

30,00 

Cattedrale di Pistoia it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Siena Cathedral, 1826

20,00 

Cattedrale di Siena It is an engraving made by Anthony Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

Strasbourg Cathedral, France, 1841

15,00 

Strasbourg Cathedral, France It is a lithograph from 1841 that represents one of the most iconic monuments of France.
This print is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 18×13 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: Almost no margins, the print is contained within the book page with writing around and on the back.

York Minster, England, 1841

15,00 

York Minster, England It is a lithograph made in 1841, which represents one of the most iconic monuments of England.
This print comes from the work Picturesque Polyorama, a periodical publication designed to disseminate useful knowledge to all social classes.

  • Sheet size: cm. 13×18 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained in the page extracted from the book and has writing on the back. The entire page containing the print is sent.

Cava de' Tirreni, Abbey of the Trinity, 1890

20,00 

Cava de' Tirreni, Abbey of the Trinity It is a woodcut print made in 1890, representative of the late nineteenth century in Italy.
This work is characterized by a large-sized image cm. 10×12 approximately, surrounded by text and with further text on the back of the sheet, which measures cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The entire sheet containing the print will be shipped.

Cava dei Tirreni, 1837

25,00 

Cava dei Tirreni It is a lithograph made in 1837, which represents the Bonea Cave near Cava dei Tirreni.
This work is taken from the volume Picturesque Polyorama, published in Naples.

  • Sheet size: mm. 154×190
  • Condition: Excellent
  • Support: Paper
  • Notes: Almost no margins and writing on the back

This is a beautiful, uncommon view that captures the essence of the local landscape.

Cava dei Tirreni, 1837

30,00 

Cava dei Tirreni, 1837 It is a lithograph representing the Monastery of the Holy Trinity of Cava, made in 1837 and taken from the volume Picturesque Polyorama of Naples.
This print offers a beautiful view of the monastery, an uncommon subject, with almost no margins and writing on the back.

  • Sheet size: mm. 154×162
  • Condition: Excellent
  • Support: Paper

Cava dei Tirreni, 1840

30,00 

Cava dei Tirreni, 1840 It is a steel engraving made by James Duffield Harding and engraved by Jeavons.
This work represents the Convent of the Holy Trinity and is part of the volume Views of Cities and Scenery in Italy, France, and Switzerland by Samuel Prout and J.D. Harding.

  • Sheet size: mm. 100×140 approx.
  • Support: Medium paper
  • Condition: Perfect
  • Rarity: Rare and decorative

Cava dei Tirreni, View, 1836

25,00 

Cava dei Tirreni, View It is a lithographic print made in 1836, which offers a splendid representation of the Cava dei Tirreni.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge to all classes of society.

  • Sheet size: cm. 15×10 approx.
  • Support: Paper
  • Condition: Good state of preservation

The print features almost no margins and has been cropped from the book, with writing on the back and back, making it a beautiful decorative view for collectors and enthusiasts.

Cava, Salerno, Convent of the Holy Trinity, 1833

30,00 

Cava, Salerno, Convent of the Holy Trinity It is a steel engraving made by J.D. Harding in 1833, taken from The Landscape Annual, published in London in the same year.
This evocative view presents a sharp, well-contrast image, animated by details that capture the attention.

  • Sheet size: cm. 12×19 approx.
  • Size of the joke: mm. 140×95 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent

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