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Showing 913–936 of 8308 results

Brescia, Cemetery Lighthouse, 1890

20,00 

Brescia, Cemetery Lighthouse it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
This work presents a large-sized image cm. 9×10 approximately, surrounded by text and with further information on the back of the sheet, which measures cm. 30×20.

  • Sheet size: cm. 30×20
  • Image size: cm. 9×10
  • Support: Paper
  • Condition: Excellent

Brescia, The Castle, 1890

20,00 

Brescia, The Castle it's a woodblock print made in 1890, which represents the castle of Brescia seen from the eastern side.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 8x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 8×12 approx.
  • Support: Paper
  • Condition: Excellent

Brescia, Interior of the Broletto, 1890

20,00 

Brescia, Interior of the Broletto it's a woodblock print built in 1890, which offers a fascinating look inside one of Brescia's historic sites.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 11 x 12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 11×12 approx.
  • Support: Paper
  • Condition: Excellent

Brescia, Grain Market, 1866

25,00 

Brescia, Mercato del grano it's a woodcut taken from the work From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore nel 1866.
Questa stampa offre una vista affascinante del mercato del grano di Brescia, catturando l’essenza della vita quotidiana dell’epoca.

  • Sheet size: cm. 25×17 approx.
  • Print Size: cm. 19×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Brescia, Monument to Arnaldo da Brescia, 1890

30,00 

Brescia, Monument to Arnaldo da Brescia It is a woodcut print made in 1890, which celebrates the historical figure of Arnaldo da Brescia.
This work is characterized by an image measuring approximately 17x24 cm, surrounded by text, and also features writing on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Brescia, Panorama, 1850

40,00 

Brescia, Panorama è un’incisione realizzata nel 1850, che offre una splendida veduta della città di Brescia.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. di John Sherer, illustrato con incisioni all’acquaforte su acciaio di artisti rinomati come Allom, Bartlett e Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Questa incisione si distingue per la sua nitidezza e vivacità, rendendola un pezzo prezioso per collezionisti e appassionati di arte.

Brescia, Coat of Arms, 1871

15,00 

Brescia, Stemma It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
This print features an engraving measuring 8x9 cm, with small margins, on a light sheet.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

The print was removed from the book and has writing on the verso.

Brixen, 1840

25,00 

Brixen, 1840 è una splendida incisione realizzata con la tecnica del burin on copper.
Questa opera, che rappresenta una bella veduta decorativa della fortezza di Bressanone, è tratta dal libro tedesco Meyer's Universe.

  • Sheet size: mm. 290×190
  • Engraving size: mm. 150×100
  • Support: Paper
  • Condition: Excellent

Brigante, Indovinatrici, 1834-1837

30,00 

Brigante, Indovinatrici It is a double steel engraving made between 1834 and 1837.
Questa opera, firmata da Ferrari e incisa da Rouargue, rappresenta un brigante che depone le sue armi.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11x8 approximately for each
  • Support: Light paper
  • Condition: Excellent state of preservation

L’incisione è tratta dall’opera Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. di Audot Père, pubblicata a Parigi nel periodo 1834-1837.

Toast, 1835

25,00 

Toast, 1835 è un’incisione in rame che offre una bella veduta decorativa della città di Brindisi.
This work is taken from Italy by Le Chevalier Artaud, published in Paris in 1835.

  • Sheet size: mm. 140×85 approx.
  • Condition: Excellent
  • Support: Lightweight sheet with white backing
  • Margins: Small margins

Brindisi, House of Virgil, 1840

40,00 

Brindisi, Casa di Virgilio è un’incisione realizzata nel 1840, che rappresenta una veduta animata della casa di Virgilio a Brindisi.
Questa opera è stata creata da C. Werner, con incisione in acciaio eseguita da Bertrand.

  • Sheet size: mm. 240×320 circa
  • Engraving size: mm. 160×220 circa
  • Support: Thick engraving paper
  • Condition: Perfette, nitida e ben contrastata

Toast, The Castle, Saint-Non, 1781

120,00 

Toast, The Castle It is an engraving made by Jean Claude Richard de Saint-Non in 1781.
This work offers a suggestive view of the Castle of Brindisi and part of its port.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 17×22 approx.
  • Technique: Etching on laid paper colored with watercolor
  • Condition: Excellent state of preservation
  • Work taken from: “Voyage Pittoresque or description of the Royal Palaces of Naples and Sicily”

Brindisi, Port, 1890

20,00 

Brindisi, Port, 1890 it's a woodblock print which represents a fascinating glimpse of the port of Brindisi, dating back to the end of the 19th century.
This work is characterized by a large-sized image cm. 10×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety, offering a complete viewing experience.

  • Era: XIX
  • Technique: Woodcut
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Brindisi, Ruins of the Temple of San Giovanni, 1890

20,00 

Brindisi, Rovine del tempio di San Giovanni it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Brindisi, View of the City, Saint-Non, 1781

120,00 

Brindisi, Veduta della Città It is an engraving made by Jean Claude Richard de Saint-Non in 1781.
This work, entitled Vue de la Ville de Brindes, è un’acquaforte su carta vergellata colorata all’acquarello, parte del volume Voyage Pittoresque ou description des Royaumes de Naples et de Sicile.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 17×22 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Bromeliad, Chromolithograph, 1887

30,00 

Bromelia it's a chromolithography made in 1887, coming from the prestigious Horticultural Review of Paris.
This work, signed by Godard and lithographed by G. Severeyns, presents a splendid decorative representation of the bromeliad, perfect for lovers of botany and art.

  • Sheet size: cm. 25×16 approx.
  • Condition: Excellent state of preservation
  • Support: Thick paper with white backing

Browne, Muscles of the Legs, 1694

135,00 

Muscoli delle gambe è un’incisione realizzata da Giulio Casserio e Odoardo Fialetti nel 1694.
Questa tavola di anatomia, tratta dall’opera Myographia nova, sive musculorum omnium, pubblicata ad Amsterdam, offre una dettagliata rappresentazione dei muscoli del corpo umano.

  • Sheet size: cm. 34×21 approx.
  • Support: Laid paper
  • Condition: Buone condizioni, con scritte retro in latino leggermente visibili al recto

Browne, Muscles of the Legs, 1694

35,00 

Muscoli delle gambe è un’incisione realizzata da Giulio Casserio e Odoardo Fialetti nel 1694.
Questa tavola di anatomia illustra i muscoli del corpo umano ed è tratta dall’opera Myographia nova, sive musculorum omnium, pubblicata ad Amsterdam nel 1694.

  • Sheet size: cm. 34×21 approx.
  • Engraving size: cm. 34×21 approx.
  • Support: Laid paper
  • Condition: Buone condizioni, con scritte retro in latino leggermente visibili al recto

Brueghel, Bashan, 1771

30,00 

Brueghel, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe basate sui dipinti del Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jan Brueghel il Vecchio, noto anche come Bruegel dei Velluti, è stato un rinomato pittore fiammingo, membro di una famiglia di artisti.
È il figlio di Pieter Bruegel il Vecchio e il padre di Jan Brueghel il Giovane.

Bruges, Belgium, 1842

15,00 

Bruges, Belgium, 1842 è una litografia che rappresenta una veduta del palazzo di città di Bruges.
This print is taken from the work Picturesque Polyorama, un periodico dedicato alla diffusione di conoscenze utili in tutte le classi della società.

  • Printed part dimensions: cm. 10×15
  • Margins: almost absent
  • Director: Philip Cirelli
  • Year of publication: 1842
  • Support: Pagina di libro con scritte attorno e al verso

La stampa viene fornita con l’intera pagina del libro.

Bruges, Belgium, 1842

15,00 

Bruges, Belgium, 1842 It is a lithograph representing the Palazzo della Borsa a Bruges.
This print is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Printed part dimensions: cm. 10×15
  • Margins: almost absent
  • Year of publication: 1842
  • Typography: Lithograph of the Poliorama Pittoresco, Naples

The print is contained within the book page and has writing around and on the back. The entire page containing the print is shipped.

Bruno Cassinari (1912-1992), Motherhood

120,00 

Maternità è una litografia di Bruno Cassinari (1912-1992), un’opera che cattura l’essenza della maternità attraverso uno stile distintivo.
Questo esemplare è firmato a mano dall’autore ed è parte di una tiratura limitata di soli 220 esemplari, realizzata dalla Saga (Società Applicazioni Gomma Antivibranti). La stampa è stata curata dall’Istituto Geografico De Agostini di Novara.

  • Sheet size: cm. 48×33
  • Condition: Excellent condition
  • Price: €120,00

Bruno Missieri (Piacenza, 1940)

14,00 

Bruno Missieri è un artista di Piacenza, nato nel 1940, noto per le sue opere incisorie.
Questa particolare opera, realizzata nel 1998, is a stampa a tre colori eseguita con la tecnica dell’acquaforte a morsure aperte.
Il soggetto rappresentato è papi, un tema che riflette la sua creatività e il suo stile unico.

  • Sheet size: mm. 124×127
  • Support: Heavy paper
  • Condition: Excellent

Bruno Missieri (Piacenza, 1940)

20,00 

Giovanni Paolo II It is a work created by Bruno Missieri, artista di Piacenza, nel 1998.
Questa incisione è firmata e numerata, utilizzando la tecnica dell’acquaforte a morsure aperte per stampe a tre colori.

  • Sheet size: mm. 134×144
  • Support: Heavy paper
  • Condition: Excellent

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