English (UK) 
Italiano 
Français 
Paper
Initial letter from the 15th-16th century
60,00 €Initial letter from the 15th-16th century è una lettera O miniata, proveniente da un antifonario italiano, attribuita probabilmente a Filippo di Matteo Torelli.
Questa opera è caratterizzata da un ritaglio alla figura e presenta una parte leggibile dell’antifonario sul retro.
- Dimensions: mm. 80×78
- Support: Parchment paper
- Technique: Tempera and pen
- Condition: Excellent
- Rarity: Un pezzo unico e prezioso
Initial letter from the 15th-16th century
70,00 €Initial letter from the 15th-16th century it is an illuminated letter 'O', coming from an antiphonary of the Italian area, probably attributed to Philip by Matteo Torelli.
This work, cut to the figure, has dimensions of 74x73 mm and is made on parchment paper with the use of tempera and pen.
On the back, a legible part of the antiphonary is visible, making this work a true rarity.
Initial letter from the 15th-16th century
70,00 €Initial letter from the 15th-16th century è una lettera O miniata, proveniente da un antifonario italiano di questo periodo.
Si attribuisce probabilmente a Filippo di Matteo Torelli.
- Dimensions: mm. 83×83
- Support: Parchment paper
- Technique: Tempera and pen
- Condition: Excellent
- Rarity: A unique piece with legible part of the back of the antiphonary
Initial letter from the 15th-16th century
70,00 €Initial letter from the 15th-16th century è una raffinata lettera A miniata, proveniente da un antifonario italiano attribuito a Filippo di Matteo Torelli.
Questa opera, ritagliata alla figura, misura mm. 74×81 ed è realizzata su parchment paper with the use of tempera and pen. Sul retro si trova una parte leggibile dell’antifonario, rendendo questo pezzo una vera rarità per collezionisti e appassionati.
- Dimensions: Small
- Condition: Excellent
- Support: Parchment paper
- Technique: Tempera and pen
Initial letter from the 15th-16th century
60,00 €Initial letter from the 15th-16th century è un’affascinante lettera O miniata, proveniente da un antifonario di area italiana.
Questo capolavoro, attribuito probabilmente a Philip by Matteo Torelli, è stato ritagliato con cura e presenta una misura di mm. 70×71.
- Dimensions: mm. 70×71
- Support: Parchment paper
- Technique: Tempera and pen
- Condition: Excellent
- Rarity: A unique piece with legible part of the back of the antiphonary
Initial letter from the 15th-16th century
40,00 €Initial letter from the 15th-16th century è un’affascinante miniatura che rappresenta la lettera P, proveniente da un antifonario italiano attribuito probabilmente a Filippo di Matteo Torelli.
This work is made on parchment paper with the use of tempera and pen, e presenta una parte leggibile del testo sul retro, rendendola un pezzo raro e prezioso per i collezionisti.
- Dimensions: mm. 60×50
- Condition: Excellent
- Rarity: Yes
Initial letter from the 15th-16th century
50,00 €Initial letter from the 15th-16th century è una lettera A miniata, proveniente da un antifonario di area italiana, attribuita probabilmente a Filippo di Matteo Torelli.
Questa opera, ritagliata alla figura, presenta dimensioni di mm. 60×65 e è realizzata su parchment paper with the use of tempera and pen.
Sul retro è presente una parte leggibile dell’antifonario, rendendo questo pezzo una vera rarità per collezionisti e appassionati.
- Dimensions: mm. 60×65
- Support: Parchment paper
- Condition: Excellent
Claens Jansz Visscher, Darius and Xerxes, ca. 1600
80,00 €Darius and Xerxes It is an engraving made by Claens Jansz Visscher around 1600.
This work represents the two powerful Persian kings, Darius and Xerxes, full-length standing.
- Sheet size: cm. 24×31 approx.
- Engraving size: cm. 21×27 approx.
- Technique: Etching
- Support: Laid paper with watermark
- Condition: Excellent, with vertical crease and small stain in the center
Council of Basel, Cosmographia, 1588
30,00 €Concilio di Basilea It is an engraving made in woodcut nel 1588, pubblicata da Sebastian Munster nel celebre volume Cosmography.
Questa opera, una delle più popolari del XVI secolo, presenta una scritta in ancient gothic and comes from the edition From the German Lands.
- Sheet size: cm. 33×20 approx.
- Engraving size: cm. 12×12 circa
- Support: Handmade laid paper
- Condition: Bad
Conrad Gessner (Zurigo, 1516 – 1565) Tavola Ornitologica tratta da Historiae Animalium
80,00 €Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from his famous work Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.
- Technique: Watercolor woodcut
- Sheet size: cm. 34×22
- Condition: Excellent
- Support: Paper
There Animal history It has been a fundamental source for scientific studies, with early German publications from various parts having a significant impact on the field of zoology.
Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 1
80,00 €Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.
- Technique: Watercolor woodcut
- Sheet size: cm. 34×22
- Support: Paper
- Condition: Excellent
There Historia Animalium It was one of the first scientific reference works, initially published in Latin and later translated into German.
The first German publications of the various parts were printed in 1563, while the Bird book (Book of Birds) was published in 1557, shortly before the present plate.
Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 2
90,00 €Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.
- Technique: Watercolor woodcut
- Sheet size: cm. 34×22
- Support: Paper
- Condition: Excellent
There Historia Animalium, first published in Latin, has been widely reprinted and translated, becoming a fundamental source for scientific studies.
The first German publications of the various parts were produced by the Froschauer publishing house in Zurich, with the Bird book (Book of Birds) published in 1557.
Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 3
90,00 €Conrad Gessner (Zurich, 1516 – 1565) presents a Ornithological Table taken from Historiae Animalium, published in Zurich by Froschauer between 1551 and 1587.
This watercolour woodcut, dating back to 1557, is an important testimony to the history of zoology, used as a source of scientific studies.
- Sheet size: cm. 34×22
- Support: Paper
- Condition: Excellent
Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 5
90,00 €Ornithological Table by Conrad Gessner It is an engraving made between 1551 and 1587, taken from the work Historiae Animalium.
This plate, published in Zurich by the Froschauer publishing house, represents an important source of scientific studies in the field of zoology.
- Sheet size: cm. 34×22
- Engraving size: cm. 34×22 (another image on the back)
- Technique: Watercolor woodcut
- Condition: Excellent state of preservation
- Support: Paper
Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 6
80,00 €Ornithological Table by Conrad Gessner It is an engraving made by Conrad Gessner, an important naturalist of the 16th century.
This plate is taken from the work Historiae Animalium, published in Zurich between 1551 and 1587, with the German edition of 1557.
- Sheet size: cm. 34×22
- Technique: Watercolor woodcut
- Support: Paper
- Condition: Excellent
There Historia Animalium It is considered one of the first scientific works on animals, used as a source of scientific studies and translated into several languages.
The first German publications of the various parts of the work were produced by the Froschauer publishing house of Zurich, contributing significantly to the spread of zoological knowledge during the Renaissance period.
Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 7
80,00 €Conrad Gessner (Zurich, 1516 – 1565) is an important figure in the field of natural history, known for his work Historiae Animalium.
This Ornithological Table It is taken from the German edition of 1557, published by Froschauer in Zurich.
- Sheet size: cm. 34×22
- Technique: Watercolor woodcut
- Condition: Excellent
- Support: Paper
There Historia Animalium has been a fundamental source for scientific studies, with the first German publications of the various parts dating back to 1563. The third part, the Bird book (Book of Birds), was published in 1557, contributing significantly to the ornithological knowledge of the time.
Correggio, Jan Van Troyen, La Maddalena,
60,00 €The Magdalene It is an engraving made by Jan Van Troyen, inspired by the work of the famous painter I correct.
This etching, measuring 17x21 cm at the copperplate strike, is printed on a sheet of 26x44 cm, made of thick laid paper without watermark.
- Artists: Correggio (1489-1534) and Jan Van Troyen (1610-1666)
- Condition: Excellent condition
- Price: €60,00
Antonio Allegri, known as I correct, was an important Italian painter of the sixteenth century, influenced by the great masters of the fifteenth century.
Jan Van Troyen, an engraver from Brussels, created works of religious and genre subjects, contributing to the artistic tradition of his time.
from Albrecht Durer, Calvary with three crosses
550,00 €Calvario con tre croci è una delle stampe più celebri di Albrecht Dürer, realizzata tra il 1471 e il 1528.
In questa incisione, l’artista costruisce una scena ricca di personaggi, disposti intorno alla croce in modo dinamico.
- Il Salvatore occupa il centro della composizione, con piccoli teschi ai suoi piedi che simboleggiano il Golgota, il luogo di sepoltura di Adamo.
- Intorno a lui si percepisce una forte atmosfera di passione, sofferenza e brutalità.
- La Croce di Gesù, elevata sopra tutte, trionfa sul peccato, rappresentando il compimento delle scritture.
Questa incisione, di maestro ignoto, è una copia della xilografia originale di Dürer.
- Dimensions: mm 215×145 alla linea marginale, senza margini.
- Technique: Xilografia su carta vergellata.
- Condition: Buone, con due piccole pieghe dovute alla stampa e leggere macchie di foxing.
Bibliography: Riferimento catalogo: Bartsch 59, Meder 180, Strauss 82, Schoch, Mende, Scherbaum 131.
from Albrecht Durer, The Deposition
450,00 €La Deposizione è un’incisione realizzata da Albrecht Durer, datata 1501, che rappresenta il Lamento sul Cristo morto.
Questa opera è la XIII tavola de The Little Passion ed è eseguita con la tecnica del Burin on laid paper.
- Sheet size: mm 114×71 alla linea marginale, senza margini
- Support: Paper
- Condition: Excellent condition
- Era: XVI
- Monogrammato e datato in lastra
- Scritta in latino al retro
- Incollato al margine superiore ad un ampio supporto cartaceo
Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575
180,00 €The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575, a fundamental work for the study of ancient architecture.
This etching on laid paper measures approximately cm. 16×28 and is trimmed to the marginal line. At the bottom, there is a detailed description of the monument and the site depicted, which offers important historical testimony.
- Description of the monument: Remains of the Septizonium of Emperor Severus I, a tomb located along the Appian Way, designed to be visible to those coming from Africa.
- Architectural details: Corinthian style building, with columns of different stones, some striated and others smooth, and marble decorations.
- Popular name: Also known as Virgil's school.
Du Perac Etienne, architect and engraver, began his career in Venice before moving to Rome, where he made drawings of ancient monuments. His work, The Vestiges of Ancient Rome, is composed of a frontispiece and 39 plates, accompanied by historical-descriptive inscriptions that provide information on the monuments represented.
Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575
180,00 €The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575. This work represents an important collection of ancient monuments, executed with great attention to detail.
The work includes a description of the monument and the site represented, with an illustration of the Baths of Constantine in the Quirinal Hill.
- Sheet size: cm. 16×28 approx.
- Engraving size: trimmed to the marginal line
- Support: Laid paper
- Condition: Excellent
Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575
180,00 €The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575.
This work is an important collection of drawings of ancient monuments, executed with great precision and attention to detail.
- Sheet size: cm. 16×28 approx.
- Engraving size: trimmed to the marginal line
- Support: Laid paper
- Condition: Excellent state of preservation
At the bottom, the engraving contains a description of the Antonine Column, with historical and architectural details that enrich the work.
Du Pérac, architect and engraver, dedicated his life to the study of antiquity, creating a volume that is a precious document for the history of Roman art and architecture.
Durer Albrecht, Saint Anne and Saint Joachim, 1509
450,00 €Incontro di Sant’Anna e San Gioacchino è una xilografia realizzata da Albrecht Dürer nel 1509.
Questa opera fa parte della serie di venti tavole della Vita della Vergine, pubblicata a Norimberga nel 1511.
- Sheet size: cm. 21×29 circa
- Engraving size: cm. 21×29 alla linea marginale
- Support: Carta vergellata sottile
- Condition: Buone, con abile intervento di ricostruzione di cm. 7×2 nell’angolo in basso a destra e riparazioni con carta al verso agli altri angoli
Questa xilografia è rara e ricercata, rappresentando un’importante opera di Dürer, con una datazione della serie compresa tra il 1502 e il 1511.
Enea Vico – Vaso con manici, 1543
80,00 €Vaso con manici It is an engraving made by Aeneas Vico in 1543, a work that is part of the series “Different subjects of Vases from the ancient”.
Questo esemplare, datato e monogrammato in lastra in basso, presenta teste di satiro sui manici.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 25×18 approx.
- Support: Contemporary laid paper
- Condition: Excellent state of preservation
Explore the fascinating world of antique prints
Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.
A safe and rewarding shopping experience
We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.
