English (UK) 
Italiano 
Français 
Paper
Antelope, Gazella, Gnu, 1890
15,00 €Antelope, Gazelle, Wildebeest It is a lithograph from 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany.
This work was produced by the Bibliographischen Instituts, with offices in Leipzig and Vienna, and represents a significant example of 19th-century publishing production.
- Sheet size: cm. 29×23
- Condition: Fair condition, with light yellowing and central crease
- Support: Paper, white back
Anthony van Dyck, 1830
30,00 €Anthony van Dyck, 1830 it is an etching made on laid paper, which represents a significant work by one of the most famous Flemish portraitists.
Van Dyck, known for his elegant style and his ability to portray the nobility, became the first court painter in England after a long stay in Italy.
- Sheet size: cm. 26×21 approx.
- Engraving size: cm. 9×7 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Aosta, Panorama, 1890
30,00 €Aosta, Panorama it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
Questa opera offre una vista suggestiva della città di Aosta, catturando l’essenza del paesaggio montano.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 24×17 approx.
- Support: Paper
- Condition: Excellent state of preservation
The entire sheet containing the print will be shipped.
Aosta, Verres and Emaville, 1834
35,00 €Aosta, Verres e Emaville It is a double steel engraving made between 1834 and 1837.
Ogni incisione misura circa cm. 11×8 e fa parte di un foglio di dimensioni cm. 25×16.
This work is taken from Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, published in Paris.
- Sheet size: cm. 25×16 approx.
- Engraving size: cm. 11×8 approx.
- Support: Light paper
- Condition: Excellent state of preservation
The views are lively and decorative, making this engraving a fascinating piece for collectors and enthusiasts.
Eagle, Facade of San Bernardino, 1890
20,00 €Eagle, Facade of San Bernardino it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet. The complete sheet measures 30x20 cm.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 10×12 approx.
- Technique: Woodcut
- Condition: Excellent state of preservation
- Support: Paper
Eagle, Hawk, 1890
15,00 €Aquila, Falco It is a lithograph made in 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany.
This work was published by the Bibliographischen Instituts, with branches in Leipzig and Vienna, starting in the second half of the 19th century.
- Sheet size: cm. 29×23
- Condition: Fair condition, with light yellowing and central crease
- Support: Paper, white back
Eagle, Panorama, 1890
30,00 €Eagle, Panorama it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 24x17 cm, surrounded by text, with additional information on the back of the sheet, which measures 30x20 cm.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 24×17 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Arabs dividing the spoils, 1830
20,00 €Arabi che dividono il bottino è un’incisione realizzata nel 1830, che rappresenta un momento di condivisione tra arabi.
Questa opera è stata creata con la tecnica dell’Etching and of the Burin, mostrando una notevole maestria artistica.
- Sheet size: cm. 21×30 approx.
- Engraving size: cm. 18×24 approx.
- Support: Thick paper
- Condition: Excellent state of preservation
Archimede, 1857
30,00 €Archimede è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper.
- Sheet size: cm. 23×32
- Engraving size: mm. 140×180
- Support: Strong paper
- Condition: Very good, with some light foxing at the edges, which does not affect the engraving.
Architecture, capital bases, various styles, 1771
30,00 €Architettura, basi dei capitelli, vari stili è un’incisione al bulino realizzata da Fortunato Bartolomeo De Felice nel 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
- Sheet size: cm. 24×18
- Engraving size: cm. not specified
- Support: Medium thickness laid paper
- Condition: Excellent
Questa incisione è particolarmente interessante poiché proviene dall’edizione della Enciclopedia di Diderot e D’Alembert, nota come Encyclopédie d’Yverdon, pubblicata in Svizzera.
Its difference from the original, less French and less anti-religious, gave it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.
Architecture, capitals, five orders 1771
30,00 €Architecture, capitals, five orders It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
- Sheet size: cm. 24×18
- Support: Medium thickness laid paper with white backing
- Condition: Excellent condition
The engraving represents an interesting example of architecture, highlighting the five orders.
De Felice's version, known as Yverdon Encyclopedia, is distinguished by a less French and less anti-religious approach than the original, earning it the nickname of Protestant encyclopedia and ensuring a strong diffusion in Northern Europe.
Architecture, capitals, various orders 1771
30,00 €Architecture, capitals, various orders It is an engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
- Sheet size: cm. 24×18
- Engraving size: cm. 24×18
- Technique: Burin
- Support: Medium thickness laid paper with white backing
- Condition: Excellent
This engraving is particularly interesting because it comes from the edition of Encyclopedia of Diderot and D'Alembert known as Yverdon Encyclopedia, published in Switzerland.
Unlike the original version, which was less French and less anti-religious, this edition is known as the Protestant encyclopedia and had a strong diffusion in Northern Europe.
Architecture, plan of a grand hotel, 1771
30,00 €Architecture, plan of a grand hotel It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the edition of Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert, known as the Encyclopedie d'Yverdon.
- Sheet size: cm. 24×18
- Support: Medium thickness laid paper with white backing
- Condition: Excellent condition
This engraving is notable for its less French and less anti-religious approach than the original, earning it the nickname of Protestant encyclopedia and ensuring a strong diffusion in Northern Europe.
Architecture, plan of a grand hotel, drawing by JFBlondel, 1771
30,00 €Architecture, plan of a grand hotel It is a burin engraving made by JF Blondel in 1771.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×30
- Engraving size: cm. not specified
- Support: Medium thickness laid paper
- Condition: Excellent state of preservation
This engraving is part of the edition of the Encyclopédie by Diderot and D'Alembert, known as the Encyclopedie d'Yverdon, published in Switzerland.
Its difference from the original gave it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.
Architecture, project of a grand hotel, drawing by JFBlondel, 1771
30,00 €Architecture, project of a grand hotel It is an engraving made by JF Blondel in 1771.
This drawing is part of the important work Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×18 approx.
- Engraving size: cm. not specified
- Support: Medium thickness laid paper
- Condition: Excellent condition, with white back
This engraving represents an interesting example of architecture, known for its diffusion in Northern Europe thanks to its edition in Switzerland, known as the Encyclopédie d'Yverdon.
The difference in approach compared to the original by Diderot and D'Alembert gives it a unique character.
Architecture, elevation of a grand hotel, drawing by JFBlondel, 1771
30,00 €Architecture, elevation of a grand hotel It is an engraving made by JF Blondel in 1771, part of the important work Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.
This burin engraving, of considerable historical interest, comes from the edition of the Diderot and D'Alembert Encyclopedia, known as Yverdon Encyclopedia, published in Switzerland.
- Sheet size: cm. 24×30 approx.
- Engraving size: cm. 24×30 approx.
- Support: Medium thickness laid paper
- Condition: Excellent state of preservation
Archbishopric of Bavaria.1861 Woodcut
15,00 €Archbishopric of Bavaria It is a woodcut from 1861 representing a view of the old Archbishopric of Bamberg.
This work was created by Freeman, who drew inspiration from a photograph for his drawing.
- Sheet size: cm. 30×21 approx.
- Engraving size: cm. 21×15 approx.
- Support: Light paper
- Condition: Excellent
Aretusi Caesar, 1764
40,00 €Aretusi Caesar It is an etching made in 1764, part of the Series of portraits of famous painters, published in Florence by the Moückiana printing house.
The engraving is the work of the engraver Antonio Pazzi and depicts the Bolognese painter Cesare Aretusi, known for his collaboration with Giambattista Fiorini in the decoration of the dome of St. Peter's in Bologna.
- Sheet size: cm. 37×49 approx.
- Engraving size: cm. 16×21 approx.
- Support: Heavy paper
- Condition: Good condition, with some stains on the edges that do not affect the engraving
Ariccia, 1840
30,00 €Ariccia, 1840 it is a steel engraving that offers a fascinating view of the town of Ariccia.
Made in 1840 for the volume Picturesque Italy, published by Ernst Kollmann in Leipzig, this work has wide margins and a remarkable printing quality.
- Sheet size: mm. 140×230
- Engraving size: mm. 102×155
- Support: Paper
- Condition: Good general condition
The engraving is signed by FROMMEL del. and made by Atelier C.Frommel and H. Winkles, showing a beautiful animated view, well contrasted and decorative.
Ariccia, 1860
35,00 €Ariccia It is an engraving made in 1860, part of the album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.
This work is an etching that represents an important artistic testimony of the 19th century.
- Sheet size: cm. 24×32 approx.
- Engraving size: cm. 20×14 approx.
- Support: Medium thickness paper
- Condition: Excellent condition
Ariccia, 1877
25,00 €Ariccia, 1877 It is a woodcut made by Adolf Closs, a well-known 19th-century wood engraver.
This work offers a beautiful panoramic view from Ariccia, lively and very decorative, perfect for enriching any environment.
- Sheet size: cm. 25×19 approx.
- Engraving size: cm. 20×15 approx.
- Support: Paper
- Condition: Excellent
Armadillo, Sloth, 1890
15,00 €Armadillo, Sloth It is a lithograph from 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany since the second half of the 19th century by the Bibliographischen Instituts, with offices in Leipzig and Vienna.
This print features a white back and a light yellowing of the sheet, highlighting its state of conservation.
- Sheet size: cm. 29×23
- Condition: Discrete
- Folding: The sheet has a central fold because it was originally inserted folded into the volume
Armed, Salvino of the Armed, 1857
30,00 €Armed, Salvino of the Armed it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper with white back.
- Condition: Very good, with some light foxing at the edges, which does not affect the engraving.
- History: Salvino degli Armati is known as one of the alleged inventors of glasses, although he is probably a character who never existed, the result of a 17th century forgery.
Arnold von Winkelried, A.H.Payne, 1850
20,00 €Arnold von Winkelried It is an engraving made by AH Payne in 1850, using the technique of burin.
This work is published by Verlag d. Englischen Kunstastalt AH Payne, Leipzig & Dresden.
- Sheet size: mm 210×270
- Condition: Good state of preservation
- Support: Medium engraving paper
It represents a mythical figure in Swiss history, a symbol of courage and sacrifice.
Explore the fascinating world of antique prints
Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.
A safe and rewarding shopping experience
We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.
