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Showing 193–216 of 8321 results

Alba Pompea, Cuneo, 1871

15,00 

Alba Pompea, Cuneo It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
Questa stampa presenta una dimensione della parte incisa di cm. 6×10, con piccoli margini, ed è stata estratta dal libro, mostrando scritte al verso.

  • Sheet size: Small
  • Engraving size: cm. 6×10
  • Support: Light paper
  • Condition: Excellent

Dawn, 1876

20,00 

Sunrise It is a woodcut engraving made by Adolf Closs in 1876.
This work is taken from the volume Italian by K.Stieler and W.Kaden, published in Stuttgart.

  • Sheet size: mm. 190×145
  • Margins: almost absent
  • Condition: Excellent condition
  • Support: Light sheet, cut from the book with writing on the back

The print is decorative and represents a significant example of the work of Closs, known for his illustrations.

Alba, Cuneo, Baldissero Castle, 1890

20,00 

Alba, Cuneo, Castello di Baldissero it's a woodblock print made in 1890 by the engraver Barberis.
Questa opera è un esempio di arte grafica italiana di fine Ottocento, caratterizzata da un’immagine di cm. 14×12 circa, circondata da testo e con ulteriori annotazioni al verso del foglio.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Alba, Cuneo, Monticello Castle, 1890

20,00 

Alba, Cuneo, Monticello Castle it's a woodblock print made in 1890 by the engraver Barberis.
This work is a significant example of Italian artistic production of the late nineteenth century, with an image measuring approximately 14x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Alba, Cuneo, Cathedral, 1890

20,00 

Alba, Cuneo, Cattedrale it's a woodblock print made in 1890 by the engraver Barberis.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 14×12 circa, con testo attorno e al verso del foglio.

  • Sheet size: cm. 26×18 approx.
  • Condition: Excellent
  • Support: Paper

Dawn, Panorama, 1890

30,00 

Sunrise, Panorama it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 17x24 cm, surrounded by text and with additional writing on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Support: Paper
  • Condition: Excellent

Dawn, Tower Square, 1890

20,00 

Alba, Piazza delle Torri it's a woodblock print realizzata nel 1890, che rappresenta la storica piazza di Alba, in provincia di Cuneo.
Questa opera è un esempio significativo di incisione italiana di fine Ottocento, realizzata dall’incisore Barberis.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Support: Paper
  • Condition: Excellent

Pale-chested Harrier, 1875

25,00 

Pale-chested Harrier It is a vintage watercolour lithograph, made in 1875.
This work is taken from A History of Birds of Europe by Charles Robert Bree, published in London.

  • Sheet size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent condition

Albani, Audran, Diana and Love, 1770

130,00 

Diana and Love It is an engraving made by Francis Albani And Benoit Audran II in 1770.
This work is an example of an etching on heavy laid paper, signed on the plate with the following indications: Franc. Albanus in and pinx And Well. Audran ex cum privilege. Regis.

  • Dimensions of the figured part: cm. 32×26 approx.
  • Engraved part dimensions: cm. 34×30 approx.
  • Condition: Excellent state of preservation
  • Support: Heavy laid paper

Albani, Audran, Venus and Adonis, 1770

130,00 

Venus and Adonis It is an engraving made by Francis Albani And Benoit Audran II in 1770.
This work is a fine example of etching on heavy laid paper, signed on the plate by Albani and Audran.

  • Sheet size: cm. 34×30 approx.
  • Dimensions of the figured part: cm. 32×26 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Heavy laid paper

Albano, 1840

30,00 

Albano, 1840 it is a steel engraving representing a splendid view of Lake Albano.
Made in 1840 for the volume Picturesque Italy, published by Ernst Kollmann in Leipzig, this work is distinguished by its sharpness and well-defined contrast.

  • Sheet size: mm. 140×230 approx.
  • Engraving size: mm. 102×155 approx.
  • Support: Paper
  • Condition: Excellent general condition

Albano, 1850

50,00 

Tomb of the Horatii and Curiatii it is an etching made by G. Cottafavi in 1850.
This work is taken from the collection Collection of the main views of Rome and its surroundings drawn from life and engraved by Gaetano Cottafavi.

  • Sheet size: mm. 470×310
  • Engraving size: mm. 238×164
  • Support: Heavyweight engraving paper
  • Condition: Good, with light rust spots

Albano, Albunea, 1829

30,00 

Albano, Albunea è un’incisione realizzata da Carl Frommel nel 1829, che rappresenta una suggestiva veduta del lago d’acqua dolce Albunea.
This work is made with the technique of burin su rame, offrendo un’eccellente qualità dei dettagli.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper with white back
  • Condition: Excellent condition

Alban, Hermitage, 1798

40,00 

Alban, Hermitage It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by a lively animation and a well-defined contrast, which make it a fascinating work for lovers of art and history.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Albano, Monte Cavo, Marino, 1860

35,00 

Albano, Monte Cavo, Marino it is an engraving made in 1860, representing an Italian landscape.
This work is taken from the album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Albano, Tomb of Ascanius, 1843

70,00 

Tomb of Pompey called Ascanius It is an engraving made by Gaetano Cottafavi in 1843, which represents a lively and decorative view of the tomb located on the Appian Way in Albano.
This work is taken from the collection Collection of the Principal Views of Rome and its Outlines drawn from life and engraved by Gaetano Cottafavi, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Copper strike dimensions: cm. 21×26 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

This engraving has a great contrast and a white back. It will be shipped in a rigid tube.

Albano, Tomb of Pompey, 1834-1837

25,00 

Albano, Tomb of Pompey It is a double steel engraving made between 1834 and 1837.
This work, from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, Paris, presents animated and decorative views of great charm.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11x8 approximately for each
  • Support: Light paper
  • Condition: Excellent state of preservation

Albano, Tomb of Horace, 1798

40,00 

Albano, Tomb of Horace It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view offers a lively and well-contrasted representation of Horace's tomb, a place of great historical and cultural interest.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Royal Albarella, 1870

15,00 

Royal Albarella, 1870 is a watercolour lithograph representing the Circus cyaneus, also known as Hen Harrier.
This work is taken from A HISTORY OF BRITISH BIRDS by the Rev. Francis Orpen Morris, published in London in 1870.

  • Sheet size: cm. 12×18
  • Condition: Excellent
  • Support: Paper

Albenga, Coast of Genoa, 1833

30,00 

Albenga, Genoa Coast It is a steel engraving made by J.D. Harding in 1833.
This work is taken from The Landscape Annual, published in London in the same year.
The press offers a suggestive view of the coast, characterized by a sharp contrast and lively animation.

  • Sheet size: cm. 12×19 approx.
  • Size of the joke: mm. 140×95 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent state of preservation

Albenga, Savona, 1890

20,00 

Albenga, Savona, 1890 it's a woodblock print from the late nineteenth century, which represents an important historical testimony.
This work is characterized by a large-sized image cm. 10×12 approximately, surrounded by text and with further text on the back of the sheet.

  • Sheet size: cm. 30×20
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Alberti Leon Battista, 1857

30,00 

Alberti Leon Battista it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
This work measures 140x180 mm on a sheet of 23x32 cm, made on strong paper with a white back.

  • Condition: Good, with some light rust stains at the edges, which do not affect the engraving.
  • Dimensions: Small
  • Support: Strong paper

Albert Dürer, 1839

20,00 

Alberto Durer it is an engraving made by Brienza in 1839, which represents a half-length portrait of the German artist.
This work is taken from The Picturesque Omnibus, published in Naples.

  • Sheet size: mm. 160×150 approx.
  • Support: Paper
  • Condition: Excellent

The engraving has writing on the back and is shipped with the entire page containing the print.

Albrecht Durer, 1843

15,00 

Albrecht Durer It is a lithograph made in 1843, taken from the Picturesque Polyorama, published in Naples.
This work measures approximately 9 x 16 cm and features text on the back.

  • Sheet size: Small
  • Support: Light paper
  • Condition: Excellent

Albrecht Dürer (1471-1528) is considered the greatest exponent of German Renaissance painting. His work is characterized by a deep connection with Neoplatonism and Hermetic symbolism, as highlighted in the famous engraving Melencolia I.

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