Etching

Showing 1–24 of 54 results

A.Tempesta (attr.), Hare Hunting, 1600

40,00 

Hare hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presents a hunting scene rich in detail and dynamism.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Notes: Refined on the marginal line, unsigned; at the bottom there is a Latin inscription.

Antonio Tempesta (1555-1630), Lion Hunt, 1590

80,00 

Caccia al leone It is an engraving made by Anthony Tempest nel 1590, parte della serie Diverse cacce, pesche e combattimenti di animali.
This work, made in etching, presenta dimensioni di mm. 94×145 e si distingue per i suoi dettagli vivaci e la rappresentazione dinamica della scena.

  • Sheet size: mm. 94×145
  • Condition: Good general condition
  • Support: Laid paper
  • Notes: Retro con tracce di precedente incollatura e mancanza al bordo superiore sinistro

Antonio Tempesta (attr.), Deer Hunt, 1600

40,00 

Deer hunting it is an engraving attributed to Antonio Tempesta, made in 1600.
This work, performed in etching on laid paper, measures approximately 22x8 cm and has been trimmed to the marginal line.
The engraver, Antonio Tempesta, did not sign the work, but at the bottom there is a Latin inscription attesting to its authenticity.

  • Sheet size: cm. 22×8 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

Antonio Tempesta (attr.), Leopard Hunt, 1600

40,00 

Caccia al leopardo it is an engraving attributed to Anthony Tempest, made in 1600.
This work is an example of etching on laid paper, trimmed to the marginal line.
In basso è presente una scritta in latino, che aggiunge un tocco di storicità all’opera.

  • Sheet size: cm. 22×8 approx.
  • Condition: Excellent state of preservation

Antonio Tempesta (attr.), Bear Hunt, 1600

40,00 

Bear hunting it is an engraving attributed to Antonio Tempesta, made in 1600.
This work, characterised by a lively representation of the hunt, is a significant example of the art of the period.

  • Sheet size: cm. 22×8 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Antonio Tempesta (attr.), Fox Hunting, 1600

40,00 

Caccia alla volpe it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace di caccia, riflettendo l’abilità dell’incisore nel catturare il movimento e l’energia del momento.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Antonio Tempesta (attr.), Duck Hunting, 1600

40,00 

Duck hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work is an example of etching on laid paper, trimmed to the marginal line. The engraver, Antonio Tempesta, did not sign the work, but there is a Latin inscription at the bottom.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent

Antonio Tempesta (attr.), Duck Hunting, 1600

40,00 

Duck hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace di caccia, riflettendo l’abilità dell’incisore nel catturare momenti dinamici.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Notes: Riflato alla linea marginale, non firmato, con scritta in latino in basso.

Antonio Tempesta (attr.), Ibex Hunting, 1600

40,00 

Hunting the ibex it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, represents a hunting scene and stands out for its dynamic and detailed style.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Antonio Tempesta (attr.), Ostrich Hunt, 1600

40,00 

Ostrich Hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work is an example of etching on laid paper, trimmed to the marginal line.
The engraver, known for his highly detailed works, left a Latin inscription at the bottom of the engraving.

  • Sheet size: cm. 22×8 approx.
  • Condition: Excellent
  • Support: Laid paper

Antonio Tempesta (attr.), Animal Market, 1600

40,00 

Mercato degli animali it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace di un mercato di animali, riflettendo la vita quotidiana dell’epoca.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent
  • Notes: Refined on the marginal line, unsigned; at the bottom there is a Latin inscription.

Antonio Tempesta Dragon Hunt, 1590

80,00 

Caccia al drago It is an engraving made by Anthony Tempest nel 1590, parte della serie Diverse cacce, pesche e combattimenti di animali.
Questa opera è un esempio significativo della maestria di Tempesta, noto per le sue rappresentazioni vivide e dinamiche della fauna.

  • Sheet size: mm. 94×145 circa
  • Engraving size: alla battuta del rame con margini minimi
  • Support: Laid paper
  • Condition: Buone condizioni generali, con qualche macchia sul retro

Antonio Tempesta Caccia al Leopardo, 1590

80,00 

Caccia al Leopardo It is an engraving made by Anthony Tempest tra il 1590 e il 1610, parte della serie Diverse cacce, pesche e combattimenti di animali.
This work, performed in etching, presenta una scena vivace e dettagliata di una caccia al leopardo, tipica dello stile del maestro fiorentino.

  • Sheet size: mm. 94×145
  • Condition: Good general condition
  • Support: Laid paper
  • Notes: Retro con qualche macchia e margini molto piccoli

Antonio Tempesta Caccia al serpente, 1590

80,00 

Caccia al serpente It is an engraving made by Anthony Tempest tra il 1590 e il 1610, parte della serie Diverse cacce, pesche e combattimenti di animali.
This work, performed in etching, presenta una dimensione di mm. 94×145, con margini minimi alla battuta del rame.

  • Sheet size: mm. 94×145
  • Condition: Buone condizioni generali, con qualche macchia sul retro
  • Support: Laid paper

Battista Pittoni, Emblema del Conte Brandolino, 1578

35,00 

Emblema del Conte Brandolino It is an engraving made by Battista Pittoni in 1578.
This work, performed in etching, presenta un monogramma in basso a sinistra B.P.V. ed è parte del volume Imprese nobili, et ingeniose di diversi Prencipi, et D’Altri Personaggi Illustri.
L’incisione è incollata agli angoli su cartoncino, ma presenta una mancanza all’angolo superiore.

  • Sheet size: mm. 115×164
  • Condition: Good
  • Support: Laid paper

Battista Pittoni, Emblema del Conte, 1578

35,00 

Emblema del Conte It is an engraving made by Battista Pittoni nel 1578, dedicata al Conte Alfonso di Villa Chiara.
Questa opera è un’acquaforte su carta vergellata, caratterizzata dal monogramma in basso a sinistra B.P.V..

  • Sheet size: mm. 115×164
  • Support: Laid paper
  • Condition: Buone (mancanza all’angolo superiore)
  • Technique: Etching
  • Era: XVI

L’incisione è parte della raccolta Imprese nobili, et ingeniose di diversi Prencipi, et D’Altri Personaggi Illustri, datata 1578.
Giovanni Battista Pittoni, noto come Battista vicentino, è un importante artista del XVI secolo.

Callot, Military Exercises

60,00 

Military Exercises It is a series of two engravings made by Jacques Callot (1592-1635), a well-known French engraver.
These works are part of the series Military Exercises and are performed in etching, unsigned, and date back to an unknown era.

  • Sheet size: cm. 8×5 at the copper edge for each engraving
  • Support: Laid paper without watermark
  • Condition: Excellent

Initial letter from the 15th-16th century

60,00 

Initial letter from the 15th-16th century è un’affascinante lettera A miniata, proveniente da un antifonario di area italiana, attribuita probabilmente a Filippo di Matteo Torelli.
Questa opera, ritagliata alla figura, misura mm. 74×81 ed è realizzata su parchment paper con tempera e penna.
Sul retro si trova una parte leggibile dell’antifonario, rendendo questo pezzo una vera rarità per collezionisti e appassionati di arte antica.

  • Sheet size: Small
  • Technique: Tempera
  • Condition: Excellent
  • Support: Parchment paper

Claens Jansz Visscher, Darius and Xerxes, ca. 1600

80,00 

Darius and Xerxes It is an engraving made by Claens Jansz Visscher around 1600.
This work represents the two powerful Persian kings, Darius and Xerxes, full-length standing.

  • Sheet size: cm. 24×31 approx.
  • Engraving size: cm. 21×27 approx.
  • Technique: Etching
  • Support: Laid paper with watermark
  • Condition: Excellent, with vertical crease and small stain in the center

Correggio, Jan Van Troyen, La Maddalena,

60,00 

The Magdalene It is an engraving made by Jan Van Troyen, inspired by the work of the famous painter I correct.
This etching, measuring 17x21 cm at the copperplate strike, is printed on a sheet of 26x44 cm, made of thick laid paper without watermark.

  • Artists: Correggio (1489-1534) and Jan Van Troyen (1610-1666)
  • Condition: Excellent condition
  • Price: €60,00

Antonio Allegri, known as I correct, was an important Italian painter of the sixteenth century, influenced by the great masters of the fifteenth century.
Jan Van Troyen, an engraver from Brussels, created works of religious and genre subjects, contributing to the artistic tradition of his time.

Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575

180,00 

The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575, a fundamental work for the study of ancient architecture.
This etching on laid paper measures approximately cm. 16×28 and is trimmed to the marginal line. At the bottom, there is a detailed description of the monument and the site depicted, which offers important historical testimony.

  • Description of the monument: Remains of the Septizonium of Emperor Severus I, a tomb located along the Appian Way, designed to be visible to those coming from Africa.
  • Architectural details: Corinthian style building, with columns of different stones, some striated and others smooth, and marble decorations.
  • Popular name: Also known as Virgil's school.

Du Perac Etienne, architect and engraver, began his career in Venice before moving to Rome, where he made drawings of ancient monuments. His work, The Vestiges of Ancient Rome, is composed of a frontispiece and 39 plates, accompanied by historical-descriptive inscriptions that provide information on the monuments represented.

Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575

180,00 

The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575. This work represents an important collection of ancient monuments, executed with great attention to detail.
The work includes a description of the monument and the site represented, with an illustration of the Baths of Constantine in the Quirinal Hill.

  • Sheet size: cm. 16×28 approx.
  • Engraving size: trimmed to the marginal line
  • Support: Laid paper
  • Condition: Excellent

Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575

180,00 

The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575.
This work is an important collection of drawings of ancient monuments, executed with great precision and attention to detail.

  • Sheet size: cm. 16×28 approx.
  • Engraving size: trimmed to the marginal line
  • Support: Laid paper
  • Condition: Excellent state of preservation

At the bottom, the engraving contains a description of the Antonine Column, with historical and architectural details that enrich the work.
Du Pérac, architect and engraver, dedicated his life to the study of antiquity, creating a volume that is a precious document for the history of Roman art and architecture.

Gerard de Jode Il Re che risponde al popolo 1585

80,00 

Il Re che risponde al popolo It is an engraving made by Gerard de Jode nel 1585, un’opera che rappresenta Geroboamo in piedi su una piattaforma mentre si rivolge agli israeliti.
Questa incisione è stata pubblicata da Gerard de Jode, un noto cartografo e incisore fiammingo, e si basa su un disegno di Ambrosius Francken.

  • Sheet size: cm. 22×31 approx.
  • Engraving size: cm. 21×30 approx.
  • Technique: Etching
  • Support: Laid paper with watermark
  • Condition: Excellent

Questo lavoro è un esempio significativo della tradizione incisoria fiamminga, con riferimenti bibliografici nel catalogo New Hollstein che documenta le incisioni olandesi e fiamminghe dal 1450 al 1700.

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