Etching

Showing 217–240 of 1256 results

Villapianezza Costume, Watercolor, 19th century

150,00 

Villapianezza Costume it is a valuable anonymous watercolour from the 19th century, which represents a woman in traditional Abruzzese costume from the municipality of Villapianezza.
This fascinating piece of art is made on medium-weight paper and stands out for its lively cultural representation.

  • Sheet size: cm. 18×13 approx.
  • Condition: Excellent state of preservation
  • Support: Medium thickness paper

Crispijn van den Queborn Rape of the Vineyard, 1636

25,00 

Rape of the Vineyard It is an engraving made by Crispijn van den Queborn in 1636, which represents a significant biblical episode concerning the rape of the vineyard and the Benjaminites.
Benjamin, Rachel's second son, is at the center of this narrative.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Crispijn van den Queborn (1604-1652), Episodio biblico, 1636

25,00 

Episodio biblico It is an engraving made by Crispijn van den Queborn nel 1636.
Questa opera è un esempio significativo dell’arte olandese del XVII secolo, caratterizzata da un’accurata rappresentazione dei temi religiosi.

  • Sheet size: cm. 20×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Crispijn van den Queborn (1604-1652), Resurrection 1636

30,00 

The Resurrection of the Dead It is an engraving made by Crispijn van den Queborn in 1636.
This work, which represents a theme of great visual and symbolic impact, is a significant example of 17th-century Dutch art.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Crispijn van den Queborn, Massacre of the Innocents, 1636

30,00 

Massacre of the Innocents It is an engraving made by Crispijn van den Queborn In the 1636.
This work is a significant example of the mastery of the Dutch engraver, who was able to capture the intensity of the subject through his technique.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Christ Crowned with Thorns 1830-1850

25,00 

Christ crowned with thorns It is an engraving made between 1830 and 1850, which represents an iconic theme of Christianity.
This work is taken from the Scripture Gallery of Engraving and was made by Ph Veit, with the engraving by H. Wallis.
The work is published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back and editorial frame with vignettes

Crotone, Cape Colonna, Cape Lacinio, 1833

25,00 

Crotone, Cape Colonna, Cape Lacinio it is an engraving made in 1833, representing a suggestive landscape.
This work is an example of etching from the first half of the 19th century, characterised by refined details and a harmonious composition.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Crotone, Capo Colonna, Capo Lacinio, Temple of Minerva, 1832

25,00 

Crotone, Capo Colonna, Capo Lacinio, Tempio di Minerva It is an engraving made in 1832.
This etching rappresenta un’importante veduta del Tempio di Minerva, situato nella storica città di Crotone.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Cuma, Ischia, C.Frommel, 1829

25,00 

Cuma, Ischia It is an engraving made by Carl Frommel In the 1829, che rappresenta l’Arces Apollinis e la Cittadella di Cuma.
This work is part of the volume 50 Bilder zu Virgils Heneide…, featuring high-quality engraving.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

Cuyp, Landscape with Oxen, 1830

70,00 

Cuyp, Landscape with Oxen It is an engraving made in 1830 by Ralph Cockburn, a painter and engraver known for his work at the Dulwich Picture Gallery.
This work is a splendid colored aquatint measuring 17x23 cm, mounted on a thick cardboard support measuring approximately 26x32 cm.

  • Era: XIX
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Cardboard

This rare and decorative work is based on a painting in the Dulwich Picture Gallery and bears the Haverhill Public Library stamp on the reverse.

D.Teniers, Hut with figures, 1830

70,00 

Hut with figures It is a colored aquatint made by D. Teniers in 1830.
This work, which measures 17x24 cm, is mounted on a thick cardboard support measuring approximately 26x32 cm.
Taken from Dulwich Gallery by R. Cockburn, features a Haverhill Public Library postmark on the verso.
This is a splendid execution inspired by one of the paintings in the Dulwich Picture Gallery, made by Ralph Cockburn, painter and engraver as well as the first keeper of the gallery.
A rare and decorative work that enriches any collection.

D.van den Bremden, A.van de Venne, 1636

25,00 

Kaleb and the Philistines è un’incisione realizzata da D.van den Bremden nel 1636, in collaborazione con A.van de Venne.
Questo episodio biblico rappresenta un momento significativo della storia, illustrato con maestria attraverso la tecnica dell’acquaforte.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper with partial watermark
  • Condition: Excellent

D.van den Bremden, A.van de Venne 1636

25,00 

Jacob and Rachel It is an engraving made by D.van den Bremden nel 1636, in collaborazione con A.van de Venne.
Questo episodio biblico rappresenta Giacobbe che si lamenta con Laban per aver ricevuto Lea invece di Rachele come moglie.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

by Adriaen Van Ostade, 1803

40,00 

Tre uomini che bevono e fumano is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 6×7,5 circa
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

40,00 

A mother with her son at the window is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt, Ostade, Cornelius Bega and Van Vliet.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 6×8 approx.
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

40,00 

A mother with her son at the window It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 6×8 approx.
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

30,00 

Uomo con una brocca is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by artists such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 7,5×6,5 circa
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

40,00 

Uomini in una taverna It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade, uno dei più celebri pittori olandesi di scene di genere.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by artists such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 7.5×10 approx.
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen van Ostade, 1803

40,00 

Conversazione tra un Uomo e una Donna è un’incisione realizzata da David Deuchar nel 1803, ispirata ai maestri olandesi come Adriaen van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, che include anche opere di Rembrandt e Cornelius Bega.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 8.5×10 approx.
  • Technique: Etching
  • Support: Very thin paper glued on straw-colored cardboard
  • Condition: Excellent

by Adriaen van Ostade, 1803

40,00 

Gruppo di contadini che fumano e bevono è un’incisione realizzata da David Deuchar nel 1803, ispirata all’opera di Adriaen van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 11×7,5 circa
  • Support: Very thin paper glued on straw-colored cardboard
  • Condition: Excellent state of preservation

by Adriaen Van Ostade, 1803

40,00 

Famiglia di contadini in campagna is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 6×11 approx.
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

40,00 

Famiglia di contadini in campagna It is an engraving made by David Deuchar In the 1803, inspired by the work of Adriaen Van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, che include lavori di maestri come Rembrandt, Ostade, Cornelius Bega e Van Vliet.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 7×12 approx.
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

40,00 

La Morte che spinge una barca It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 5,5×6,5 circa
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

40,00 

Contadino che salta is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by artists such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 5×6,5 approx.
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

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