Etching
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Cividale, The Devil's Bridge, 1860
35,00 €Cividale, Il Ponte del diavolo è un’incisione realizzata nel 1860, che rappresenta un’importante opera del XIX secolo.
Questa acquaforte è tratta dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.
- Sheet size: cm. 24×32 approx.
- Engraving size: cm. 20×14 approx.
- Support: Medium thickness paper
- Condition: Excellent condition
Civitavecchia, 1833-1845
70,00 €Civitavecchia, 1833-1845 è un’incisione realizzata da Attilio Zuccagni-Orlandini, un noto cartografo e geografo italiano.
This acquaforte rifinita al bulino rappresenta la città di Civitavecchia e i suoi dintorni, ed è tratta dall’importante opera Corografia fisica, storica e statistica dell’Italia e delle sue isole, pubblicata tra il 1833 e il 1845.
- Sheet size: mm. 450×620
- Engraving size: mm. 330×510
- Support: Thick engraving paper
- Condition: Perfect state of preservation
Claude – A Landscape, 1830
70,00 €Claude – A landscape It is an engraving made in 1830 by Ralph Cockburn, a well-known painter and engraver, as well as the first keeper of the Dulwich Picture Gallery.
This colored aquatint It is taken from one of the paintings in the gallery and is beautifully executed.
- Sheet size: cm. 26×32 approx.
- Engraving size: cm. 17×23 approx.
- Support: Thick cardboard
- Condition: Excellent
The reverse bears the Haverhill Public Library stamp, making this a rare and decorative work.
Claude Lorrain, The Embarkation of Santa Paola, 1830
70,00 €The Boarding of Santa Paola It is a colored aquatint made by Claude Gellée, known as Claude Lorrain, in 1830.
This work is a splendid execution taken from one of the paintings present in the Dulwich Picture Gallery and created by Ralph Cockburn, painter and engraver, as well as the gallery's first keeper.
- Sheet size: cm. 26×32 approx.
- Engraving size: cm. 17×24 approx.
- Support: Thick cardboard
- Condition: Excellent
- Origin: Dulwich Gallery by R. Cockburn, 1830
- Stamp: Haverhill Public Library on the reverse
Rare and decorative work.
Claude, A Seaport, 1830
70,00 €Claude, A Seaport It is a coloured aquatint made in 1830 by Ralph Cockburn, a well-known painter and engraver as well as the first keeper of the Dulwich Picture Gallery.
This work is a splendid execution based on one of the paintings in the gallery, characterised by a rare and decorative quality.
- Sheet size: cm. 26×32 approx.
- Engraving size: cm. 17×24 approx.
- Support: Thick cardboard
- Condition: Excellent
Clemente XI – Francesco Albani, 1857
30,00 €Clemente XI – Francesco Albani è un’incisione all’acquaforte originale del 1857, tratta dall’Iconoteca Italiana, una collezione di sessanta ritratti di illustri italiani.
Questa opera presenta una battuta di cm. 14×18 su un foglio di cm. 23×32, realizzata su strong paper with white back.
- Sheet size: cm. 23×32
- Engraving size: cm. 14×18
- Support: Strong paper
- Condition: Ottime, con qualche leggera fioritura ai bordi, che non interessa l’incisione.
Como, Fall of the Latte River at Varenna, 1860
35,00 €Como, Caduta del fiume Latte a Varenna è un’acquaforte realizzata nel 1860, che cattura la bellezza naturale della regione.
Questo pezzo è tratto dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.
- Sheet size: cm. 24×32 approx.
- Engraving size: cm. 20×14 approx.
- Support: Medium thickness paper
- Condition: Excellent condition
Como, The promontory of Torno, 1860
35,00 €Como, Il promontorio di Torno è un’acquaforte realizzata nel 1860, che cattura la bellezza del paesaggio lacustre.
Questo lavoro è tratto dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.
- Sheet size: cm. 24×32 approx.
- Engraving size: cm. 20×14 approx.
- Support: Medium thickness paper
- Condition: Excellent state of preservation
Comus and Timon, A.H.Payne, 1840-50
20,00 €Comus and Timone It is an engraving made by AH Payne between 1840 and 1850.
This etching on medium-thickness paper, it has a format of 21x27 cm and a white back.
The engraver's signature is present at the bottom right: AHPayne sc..
The press was published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.
- Sheet size: cm. 21×27
- Condition: Excellent
- Support: Medium thickness paper
Albert Henry Payne, English engraver and designer, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.
Common, in Greek mythology, represents the nocturnal alcoholic revelry, while Helm of Phlius He is an ancient skeptical philosopher, known for his critical thinking.
Consacrazione, Cresima, 1880
20,00 €Consacrazione, Cresima It is an engraving made in 1880, che rappresenta un importante momento religioso.
Published by the publishing house A. Frojo Ed.Succ. Leonardi Torino, questa opera è un esempio di arte tipografica italiana.
- Sheet size: cm. 7×11 approx.
- Technique: Etching with lace-cut edges
- Condition: Perfect
- Support: Paper
Consalvo Carelli, Cross of Pozzano
Croce di Pozzano It is a work created by Consalvo Carelli between 1870 and 1880.
This drawing, done in pencil on paper, measures mm. 130×204 and is glued to another paper support.
Carelli, one of the main exponents of the Posillipo School, è noto per la sua abilità nel catturare la bellezza dei paesaggi napoletani.
- Era: XIX
- Technique: Pencil
- Condition: Good
- Dimensions: Small
- Support: Paper
Consalvo Carelli, Abruzzo Shepherds
240,00 €Abruzzo Shepherds It is a work by Consalvo Carelli, created between 1870 and 1880.
This fascinating composition, which portrays Abruzzese shepherds with their sheep, is executed in ink and watercolor on paper, glued to another paper support.
- Dimensions: mm. 129×181
- Condition: Excellent
- Support: Paper
Consalvo Carelli (1818-1900) is considered one of the major exponents of Posillipo School, a 19th-century painting movement.
Born in Naples to a family from Puglia, Carelli had a rich and varied artistic career, becoming a master in the use of watercolor.
His work is characterized by a deep attention to detail and a vivid depiction of rural life.
Consalvo Carelli, Pastori e monaco
260,00 €Pastori e monaco It is a work of Consalvo Carelli, built between 1870 and 1880.
Questa pregevole composizione, eseguita a matita e acquarello su carta, presenta una scena di pastori e un monaco in viaggio.
- Sheet size: mm. 247×265
- Support: Paper glued to another paper support
- Condition: Excellent
Carelli, one of the major exponents of the Posillipo School, è noto per la sua abilità nell’acquerello, appresa dal padre e perfezionata con l’inglese William Leicht.
His career includes important recognitions, such as the position of painting master to Queen Margherita and the nomination as professor at the Accademia di San Luca.
Contadina, Acquarello, XIX secolo
35,00 €Contadina è un acquarello di pregevole fattura, realizzato da un autore anonimo nel 19th century.
L’opera rappresenta una giovane contadinella, eseguita su carta di medio spessore vergellata.
- Sheet size: cm. 15×12 approx.
- Dimensioni della figura alla cornice: cm. 11×7 approx.
- Support: Laid paper
- Condition: Excellent condition
Convent of Vallombrosa, 1819
25,00 €Convent of Vallombrosa It is an engraving made in 1819 by TO THE CASTELLAN, a well-known French painter and engraver.
This work is an etching that measures cm. 10×14 for the joke, on a sheet of paper cm. 20×12 of laid paper, with white back.
The engraving is taken from the volume Letters on Italy, published in Paris by A. Nepveu in 1819.
- Era: XIX
- Technique: Etching
- Condition: Excellent
- Dimensions: Small
- Support: Laid paper
Corfu, Panorama, 1850
30,00 €Corfù, Panorama It is an engraving made in 1850, che offre una splendida veduta dell’isola di Corfù.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by such eminent artists as Allom, Bartlett and Leitch.
- Sheet size: cm. 22×32 approx.
- Engraving size: cm. 13×18 approx.
- Support: Strong paper
- Condition: Excellent
Questa incisione si distingue per la sua nitidezza e vivacità, rendendola un pezzo prezioso per collezionisti e appassionati di arte.
Cori, Temple of Hercules, 1798
40,00 €Cori, Temple of Hercules It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view offers remarkable animation and contrast, making it a fascinating work for art and history lovers. On the back of the print is a detailed explanation that further enhances the value of the work.
- Sheet size: cm. 21×27 approx.
- Engraving size: cm. 15×22 approx.
- Technique: Etching
- Condition: Excellent
- Support: Paper
Corinth, C.Frommel, 1829
25,00 €Corinto It is an engraving made by Carl Frommel In the 1829, part of the series 50 Bilder zu Virgils Heneide….
Questa opera è un’acquaforte su carta media, caratterizzata da un’incisione di dimensioni cm. 7×10, su un foglio di cm. 21×13, con retro bianco.
- Sheet size: cm. 21×13
- Engraving size: cm. 7×10
- Technique: Etching
- Condition: Ottimo stato
- Support: Paper
Corinth, Corinthus, 1850
25,00 €Corinth, Corinthus It is an engraving made in 1850, which offers a beautiful view of the historic city of Corinth.
This work is an etching on light paper, from a mid-19th century book.
- Sheet size: cm. 8×12 approx.
- Technique: Etching
- Condition: Excellent state of preservation
- Support: Light paper
Corinth, Greece, 1833
25,00 €Corinth, Greece It is an engraving made in 1833, representing a suggestive view of the historic Greek city.
This work is an example of etching from the first half of the 19th century, characterised by refined details and a balanced composition.
- Sheet size: cm. 16×22 approx.
- Engraving size: cm. 9×13 approx.
- Support: Medium thickness paper with white backing
- Condition: Excellent condition
Cork Convent, near Citra (Sintra) Portugal, 1832
25,00 €Cork Convent, near Citra (Sintra) Portugal It is an engraving made in 1832.
This etching presents an image size of 9x13 cm on a sheet of 16x22 cm.
- Sheet size: cm. 16×22
- Engraving size: cm. 9×13
- Support: Medium thickness paper with white backing
- Condition: Excellent condition
Corneille, Don Sanche d'Aragon, 1873
20,00 €Don Sanche of Aragon It is a watercolour etching from 1873, made by Geoffroy and Wolff.
This work represents a mask of the French theatre, inspired by the tragedy of Corneille.
- Sheet size: cm. 26×17 approx.
- Engraving size: cm. 9×17 approx.
- Technique: Etching
- Condition: Excellent condition
- Support: Paper
Taken from Oeuvres de P.Corneille, theater complet, published in Paris in 1873.
Human body back, 1814
70,00 €Corpo Umano Parte Posteriore it is an anatomical plate created in 1814, engraved by Antonio Gajani based on a drawing by Giuseppe Guizzardi.
This work is part of the volume Anatomical tables for painters and sculptors di Giambattista Sabattini, pubblicato a Bologna.
- Sheet size: cm. 33×23 approx.
- Engraving size: cm. 24×16 approx.
- Technique: Etching
- Support: Heavy paper
- Condition: Good condition
Viene venduta la tavola e le spiegazioni della stessa, rendendola una rarità per collezionisti e studiosi.
Human body, front, 1814
70,00 €Human body, front part it is an anatomical plate created in 1814, engraved by Antonio Gajani based on a drawing by Giuseppe Guizzardi.
This work is part of the Anatomical tables for painters and sculptors by Giambattista Sabattini, published in Bologna.
- Sheet size: cm. 33×23 approx.
- Engraving size: cm. 24×16 approx.
- Support: Heavy paper
- Condition: Good condition
The plate is sold with explanations of the same, making it a rarity for collectors and scholars.
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