Etching

Showing 193–216 of 236 results

Rome, Villa of Maecenas, 1843

70,00 

Entrance Hall in the Villa of Maecenas It is an engraving made by Gaetano Cottafavi in 1843, which represents an important view of Rome, in particular of the ancient Via Tiburtina.
This work is part of the Collection of the Principal Views of Rome and its Surroundings, drawn from life and engraved by Cottafavi himself.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation
  • Notes: Excellent proof with good contrast, white back, animated and decorative view, diffuse stain.

It will be shipped in a rigid tube.

European Russia, 1865

60,00 

European Russia, 1865 It is a watercolor map that offers a detailed view of Russia in the year 1865.
Drawn by Naymiller and engraved by Allodi, this map is part of theAtlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, published in Milan in 1865.

  • Sheet size: cm. 49×38 approx.
  • Paper size: cm. 40×32 approx.
  • Support: Paper
  • Condition: Excellent

Sadeler, Ammon, 1850

40,00 

Sadeler, Ammon It is an engraving made by Joannis and Raphael Sadeler in 1850.
This work is taken from Solitudo sive vitae patrum Eremicolarum, a collection representing the life of hermits, dating back to the 16th-17th century.

  • Sheet size: cm. 26×42 approx.
  • Size of the joke: cm. 17×21 approx.
  • Technique: Etching
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Sadeler, Ciomus, 1850

40,00 

Ciomus It is an engraving made by Joannis and Raphael Sadeler in 1850, taken from the work Solitudo sive vitae patrum Eremicolarum.
Questa opera rappresenta la vita degli eremiti ed è una probabile edizione del XIX secolo.

  • Sheet size: cm. 26×42 approx.
  • Engraving size: cm. 17×21 approx.
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Sadeler, Helias, 1850

40,00 

Sadeler, Helias It is an engraving made by Joannis and Raphael Sadeler in 1850.
This work is taken from Solitudo sive vitae patrum Eremicolarum, a collection representing the life of hermits, dating back to the 16th-17th century.

  • Sheet size: cm. 26×42 approx.
  • Size of the joke: cm. 17×21 approx.
  • Technique: Etching
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Sadeler, Hieronymus, 1850

40,00 

Sadeler, Hieronymus It is an etching made by Joannis and Raphael Sadeler in 1850.
This work is taken from Solitudo sive vitae patrum Eremicolarum, a collection representing the life of hermits, dating back to the 16th-17th century.

  • Sheet size: cm. 26×42 approx.
  • Size of the joke: cm. 17×21 approx.
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

Salvator Rosa Ceres and Phytalos 1662

250,00 

Ceres and Phytalo It is an engraving made by Salvator Rosa (Arenella 1615 – Rome 1673) in 1662.
This work, which represents a significant moment in mythology, is performed in etching and drypoint, signed on the lower plate with the words 'Salvator Rosa Inu.Scul.'.

  • Sheet size: cm. 50×37 approx.
  • Engraving size: cm. 35×23 approx.
  • Support: Thick laid paper with watermark
  • Condition: Excellent state of preservation

The engraving was made between 1662 and 1663, but it is assumed that the impression is from the 18th century.
This work is documented in several publications, including:

  • G. BOZZOLATO, The engravings of Salvator Rosa, 1973
  • O. THEODOLI, Salvator Rosa 1615-1673, Etchings, Bergamo, 1992
  • Salamon S., Salvator Rosa. The Graphic Work. Catalogue Raisonné, Turin, 1993

Salvator Rosa, Figurine, 1720

1.450,00 

Salvator Rosa, Figurines It is a complete set of 60 plates, including the title plate, published by the engraver and publisher François Chéreau in Paris in the first half of the 18th century.
This collection, known as the Figurines, was originally created by Rosa in 62 etchings between 1656 and 1657.

  • Sheet size: Great
  • Dimensions of the tables: Variables
  • Technique: Etching
  • Condition: Good
  • Support: Laid paper

On the frontispiece we read: SALVATOR ROSA Invenit. Liber Primus.
This edition is a good example, with six backlit prints and a few stains that do not detract from the artwork.

Scotland, England, Ireland, 1865

60,00 

Scozia, Inghilterra, Irlanda It is a watercolour map made in 1865.
Drawn by Naymiller and engraved by Allodi, this map is part of theAtlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, published in Milan.

  • Sheet size: cm. 49×38 approx.
  • Paper size: cm. 40×32 approx.
  • Support: Paper
  • Condition: Excellent

Syracuse, Fountain, Papyri, Saint-Non, 1786

40,00 

Syracuse, Fountain, Papyri It is an engraving made by Jean-Claude Richard de Saint-Non in 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Good

The engraving offers a beautiful animated view of Syracuse, Sicily, and represents an important artistic and historical testimony of the 18th century.

Syracuse, Plan of the city, Saint-Non, 1781-86

120,00 

Siracusa, Pianta della città è un’incisione a volo d’uccello realizzata da Jean-Claude Richard de Saint-Non tra il 1781 e il 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21x34 approximately at the copper edge
  • Support: Paper
  • Condition: Excellent condition

La veduta animata di Siracusa offre un affascinante sguardo sulla città siciliana, rendendola un pezzo prezioso per collezionisti e appassionati di storia.

Syracuse, Stairway from Etna, Saint-Non, 1786

40,00 

Siracusa, Scala dall’Etna It is an engraving made by Jean-Claude Richard de Saint-Non in 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Good

La veduta animata di Siracusa offre un affascinante sguardo sulla Sicilia del XVIII secolo, rendendo questa incisione un pezzo prezioso per collezionisti e appassionati di storia.

Syracuse, View of the ancient theatre, Saint-Non, 1781-86

90,00 

Syracuse, View of the ancient theatre It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21×34 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The view represents a lively scene of the ancient theatre of Syracuse, an important historical and artistic testimony of Sicily.

Ancient Spain, 1865

60,00 

Spagna Antica è una carta geografica acquarellata realizzata nel 1865, disegnata da Naymiller e incisa da Allodi.
This map is taken from the work Atlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, published in Milan.

  • Sheet size: cm. 49×38 approx.
  • Paper size: cm. 40×32 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Study of Van der Velde, 1850-60

20,00 

Van der Velde's study It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
This engraving was produced using the technique ofEtching and Burin and was published in Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

Sweden, Norway and Denmark, 1865

60,00 

Sweden, Norway and Denmark It is a watercolour map made in 1865.
Drawn by Naymiller and engraved by Allodi, this map is from the work Atlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, published in Milan.

  • Sheet size: cm. 49×38 approx.
  • Map dimensions: cm. 40×32 approx.
  • Support: Paper
  • Condition: Excellent

Switzerland, 1865

60,00 

Switzerland, 1865 è una carta geografica acquarellata che offre una rappresentazione dettagliata della Svizzera nel XIX secolo.
Drawn by Naymiller and engraved by Allodi, this map is from the work Atlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, pubblicata a Milano nel 1865.

  • Sheet size: cm. 49×38 approx.
  • Paper size: cm. 40×32 approx.
  • Support: Paper
  • Condition: Excellent

Switzerland, Canton Ticino, Tyrol, 1865

60,00 

Switzerland, Canton Ticino, Tyrol It is a watercolour map made in 1865.
Drawn by Naymiller and engraved by Allodi, this map is from the Atlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, published in Milan.

  • Sheet size: cm. 49×38 approx.
  • Map dimensions: cm. 40×32 approx.
  • Technique: Watercolor
  • Condition: Excellent state of preservation
  • Support: Paper

Tempio d’Ercole nella Città di Cora, Cottafavi, 1843

70,00 

Tempio d’Ercole nella Città di Cora It is an engraving made by Gaetano Cottafavi in 1843, part of the Collection of the Principal Views of Rome and its Surroundings.
Questa opera rappresenta una veduta animata e decorativa di Roma, incisa con grande maestria.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Tempio della Sibilla a Tivoli, 1843

70,00 

Tempio della Sibilla a Tivoli It is an engraving made by Gaetano Cottafavi in 1843, part of the Collection of the Principal Views of Rome and its Surroundings.
Questa opera rappresenta una veduta animata e decorativa del famoso tempio, incisa con grande maestria.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Copper strike dimensions: cm. 21×26 approx.
  • Support: Heavy paper
  • Condition: Excellent condition

L’incisione è caratterizzata da un ottimo contrasto e un retro bianco, ed è pronta per essere spedita in tubo rigido.

Tempio di Castore e Polluce in Cora

70,00 

Avanzi del Tempio di Castore e Polluce nella Città di Cora It is an engraving made by Gaetano Cottafavi nel 1843.
This work is part of the Collection of the Principal Views of Rome and its Surroundings, drawn from life and engraved by Cottafavi himself.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Questa incisione presenta una veduta animata e decorativa, con un buon contrasto e retro bianco.
Verrà spedita in tubo rigido per garantire la massima protezione.

Tempio di Venere e Roma, Cottafavi, 1843

70,00 

Tempio di Venere e Roma It is an engraving made by Gaetano Cottafavi In the 1843, part of the Collection of the Principal Views of Rome and its Surroundings.
Questa opera rappresenta una veduta animata e decorativa di Roma, incisa su rame con grande maestria.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Heavy paper
  • Condition: Ottime condizioni, ottima prova con buon contrasto

La stampa verrà spedita in tubo rigido per garantire la massima protezione.

Ruined Temples, 1850-60

20,00 

Templi in rovina è un’incisione realizzata tra il 1850 e il 1860, che rappresenta un suggestivo tempio in rovina, tratto dalla famosa Vernon Gallery.
This work was created using the technique ofEtching and Burin e pubblicata nell’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

Tivoli, Neptune's Grotto, 1843

70,00 

Grotta di Nettuno a Tivoli It is an engraving made by Gaetano Cottafavi in 1843, part of the Collection of the Principal Views of Rome and its Surroundings.
Questa opera rappresenta una veduta animata e decorativa della famosa grotta, incisa con grande maestria.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Copper strike dimensions: cm. 21×26 approx.
  • Support: Heavy paper
  • Condition: Excellent condition

L’incisione è caratterizzata da un buon contrasto e un retro bianco, ed è pronta per essere spedita in tubo rigido.

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