Burin

Showing 313–336 of 389 results

Small engraving from the 18th-19th century

20,00 

Small engraving from the 18th-19th century it is a work of approximately 8x11 cm, characterised by small margins and a white back.
This engraving depicts a life scene with perfectly delineated characters, comparable to excellent miniatures.

  • Sheet size: cm. 8×11 approx.
  • Support: Paper
  • Condition: Excellent

Considered a precious furnishing accessory, it is ideal for framing.

Small engraving from the 18th-19th century

20,00 

Small engraving from the 18th-19th century it is a work of approximately 8x11 cm, characterised by small margins and a white back.
This engraving depicts a life scene with perfectly delineated characters, comparable to excellent miniatures.

  • Sheet size: cm. 8×11 approx.
  • Condition: Excellent
  • Support: Paper

Considered a precious furnishing accessory, it is ideal for framing.

Small engraving from the 18th-19th century

20,00 

Small engraving from the 18th-19th century it is a work of approximately 8x11 cm, characterised by small margins and a white back.
This engraving depicts a life scene with perfectly delineated characters, comparable to excellent miniatures.

  • Sheet size: cm. 8×11 approx.
  • Condition: Excellent
  • Support: Paper

A work of excellent workmanship that can be framed and considered a precious furnishing accessory.

Small engraving from the 18th-19th century

20,00 

Small engraving from the 18th-19th century it is a work of approximately 8x11 cm, characterised by small margins and a white back.
This engraving depicts a life scene with beautifully delineated characters, comparable to excellent miniatures.
It is a piece of excellent workmanship, ideal for framing and considered a precious furnishing accessory.

  • Sheet size: cm. 8×11 approx.
  • Condition: Excellent state of preservation
  • Support: Paper

Small engraving from the 18th-19th century

20,00 

Small engraving from the 18th-19th century it is a work of approximately 9x12 cm, made by beating the copper.
This engraving has smaller margins and a white back, depicting a life scene with perfectly delineated characters, comparable to excellent miniatures.

  • Sheet size: cm. 9×12 approx.
  • Condition: Excellent
  • Support: Paper

Considerata un prezioso complemento d’arredo, questa incisione è ideale per essere incorniciata e apprezzata in ogni ambiente.

Small engraving from the 18th-19th century

20,00 

Small engraving from the 18th-19th century it is a work of approximately 8x11 cm, made on the copper plate, with small margins and a white back.
This engraving depicts a life scene with perfectly delineated characters, comparable to excellent miniatures.

  • Sheet size: cm. 8×11 approx.
  • Condition: Excellent
  • Support: Paper

Considered a precious furnishing accessory, it is ideal for being framed and enhancing any environment.

Small engraving from the 18th-19th century

20,00 

Small engraving from the 18th-19th century it is a work of approximately 9x12 cm, characterised by reduced margins and a white back.
This engraving depicts a life scene with perfectly delineated characters, comparable to excellent miniatures.

  • Sheet size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent

A work of excellent workmanship, ideal for framing and considering as a precious furnishing accessory.

Pierre-Jean Mariette, Chantilly

40,00 

Pierre-Jean Mariette, Le Bassin quarré-long près le Potager a Chantilly It is an engraving made in the 18th century.
This work is a fine example of Mariette's mastery, signed at the bottom with In Paris chez I.Mariette rue S.Jacques a la Victoire with Privilege du Roy.

  • Sheet size: mm. 112×175 at the copper edge
  • Technique: Burin
  • Condition: Excellent condition
  • Support: Laid paper

Pierre-Jean Mariette, Chantilly

40,00 

Le Salon du Jardin de Silvie in Chantilly It is an engraving made by Pierre-Jean Mariette in the 18th century.
This work, performed with the technique of Burin, represents a fascinating glimpse of the Chantilly garden.

  • Sheet size: mm. 122×195 at the copper edge
  • Condition: Excellent condition
  • Support: Laid paper

Pierre-Jean Mariette, Versailles

40,00 

Pierre-Jean Mariette, Versailles It is an engraving made by Pierre-Jean Mariette in the 18th century.
This work, entitled Water Theater with the new mutations in Versailles, is performed with the technique of Burin on laid paper.

  • Sheet size: mm. 162×222 at the copper edge
  • Condition: Excellent condition

Pine, J.Miller, late 18th century

30,00 

The Yen Tree It is an engraving made by J. Miller at the end of the 18th century.
This work, performed with the technique of Burin and watercolour, presents a fascinating and detailed subject.

  • Sheet size: cm. 30×24 approx.
  • Engraving size: cm. 23×19 approx.
  • Support: Laid paper
  • Condition: Good condition, with some stains

Platano Orientale, J.Miller, fine XVIII secolo

30,00 

Platano Orientale It is an engraving made by J. Miller at the end of the 18th century.
This work, entitled The Oriental Plane Tree, is performed with the technique of Burin acquarellato su carta vergellata.

  • Engraving size: cm. 23×19 approx.
  • Sheet size: cm. 30×24 approx.
  • Support: Laid paper
  • Condition: Good condition, with some stains

Pozzuoli, Amphitheatre, 1707

20,00 

Pozzuoli, Amphitheatre It is an engraving made in 1707, which represents the remains of the Roman amphitheatre of Pozzuoli.
This work is taken from the volume The delights of Italy by De Rogissart, published in Paris.

  • Sheet size: cm. 65×121 approx.
  • Engraving size: cm. 65×121 approx.
  • Support: Paper
  • Condition: Excellent

Roma, Arco di Costantino, 1771

30,00 

Roma, Arco di Costantino It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent condition

L’incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Yverdon Encyclopedia, published in Switzerland.
Questa edizione, meno influenzata dal pensiero francese e più neutra in ambito religioso, è conosciuta come enciclopedia protestante e ha avuto una notevole diffusione nel Nord Europa.

Rome, Arch of Septimius Severus, 1771

30,00 

Rome, Arch of Septimius Severus It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the edition of Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper
  • Condition: Excellent state of preservation

The engraving is notable for its less French and less anti-religious approach than the original, which has earned it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.

Rome, Arch of Septimius Severus, Roman rings, 1771

30,00 

Rome, Arch of Septimius Severus, Roman rings It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 20×15 approx.
  • Technique: Burin
  • Support: Medium thickness laid paper
  • Condition: Excellent

This engraving is particularly interesting because it comes from the edition of the Diderot and D'Alembert Encyclopedia, known as Yverdon Encyclopedia, published in Switzerland.
The difference in approach from the original earned it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.

Rome, Colosseum, 1771

30,00 

Rome, Colosseum It is a burin engraving made by Fortunate Bartholomew De Felice In the 1771.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×30
  • Engraving size: cm. 24×30
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent condition

This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland.
Unlike the original version, which was less French and less anti-religious, this edition earned the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.

Roma, Insegne romane, amuleti, 1771

30,00 

Roma, Insegne romane, amuleti It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 24×18
  • Support: Medium thickness laid paper
  • Condition: Excellent condition, with white back

This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland.
A differenza dell’edizione originale, meno francese e meno antireligiosa, questa versione ha guadagnato il soprannome di enciclopedia protestante, contribuendo alla sua diffusione nel Nord Europa.

Roma, Insegne romane, amuleti, 1771 *33570

30,00 

Roma, Insegne romane, amuleti It is a burin engraving made by Fortunate Bartholomew De Felice In the 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 24×18
  • Support: Medium thickness laid paper
  • Condition: Excellent condition, with white back

This engraving is particularly interesting because it comes from the edition of the Diderot and D'Alembert Encyclopedia, known as Encyclopédie d’Yverdon, published in Switzerland.
A differenza della versione originale, meno francese e meno antireligiosa, questa edizione è stata definita enciclopedia protestante, il che ha contribuito alla sua diffusione nel Nord Europa.

Roma, Nove Chiese per Indulgenza, 1707

40,00 

Roma, Nove Chiese per Indulgenza è un’incisione in rame realizzata nel 1707, che rappresenta un bell’insieme delle nove chiese importanti di Roma.
This work is taken from The delights of Italy by De Rogissart, published in Paris.

  • Sheet size: mm. 165×122
  • Support: Light paper
  • Condition: Buone, con piccoli margini irregolari e due pieghe editoriali

Roma, Tempio di Giove, Tomba di Adriano, 1771

30,00 

Roma, Tempio di Giove, Tomba di Adriano It is a burin engraving made by Fortunate Bartholomew De Felice In the 1771.
This work is taken from the Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edizione curata da De Felice, nota come Yverdon Encyclopedia, published in Switzerland.

  • Sheet size: cm. 24×30
  • Engraving size: cm. not specified
  • Technique: Burin
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent

Questa incisione si distingue per il suo approccio meno francese e meno antireligioso rispetto all’originale di Diderot e d’Alembert, guadagnandosi il soprannome di enciclopedia protestante e contribuendo alla sua diffusione nel Nord Europa.

St. Abraham Solitary, 1797

25,00 

St. Abraham the Lonely It is a copper engraving made in 1797.
This work is taken from the volume Lives of the Saints for each day of the Year with copper portraits, published in Florence.

  • Sheet size: cm. 17x9 approx.
  • Engraving size: cm. 11×7 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

St. Agnes of Montepulciano, 1797

25,00 

St. Agnes of Montepulciano It is a copper engraving made in 1797.
This work is taken from the volume Lives of the Saints for each day of the Year with copper portraits, published in Florence in the same year.

  • Sheet size: cm. 17x9 approx.
  • Engraving size: cm. 11×7 approx.
  • Support: Laid paper
  • Condition: Excellent

St. Albino Bishop, 1797

25,00 

St. Albino Bishop It is a copper engraving made in 1797.
This work is taken from the volume Lives of the Saints for each day of the Year with copper portraits, published in Florence in the same year.

  • Sheet size: cm. 17x9 approx.
  • Engraving size: cm. 11×7 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

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