Burin

Showing 313–336 of 2091 results

Cellarius, Spain, 1701

60,00 

Cellarius, Spain, 1701 It is a copper engraving map, part of the work Notitia Orbis Antiqui sive Geographia Plenior by Christophorus Cellarius, published in 1701.
This engraving represents Hispania Antiqua and offers a historical vision of the Spanish geography of the time.

  • Sheet size: cm. 24×33 approx.
  • Engraving size: cm. 20×30 approx.
  • Support: Paper
  • Condition: Excellent

Cellarius, Tracia, 1701

60,00 

Cellarius, Tracia It is a copperplate map made by Christophorus Cellarius in 1701.
This engraving is taken from the work Notitia Orbis Antiqui sive Geographia Plenior, un’importante fonte di geografia antica.

  • Sheet size: cm. 24×33 approx.
  • Engraving size: cm. 20×30 approx.
  • Support: Paper
  • Condition: Excellent

Searching for Harold's Body, 1850-60

20,00 

Cercando il corpo di Harold It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
Questa incisione è stata pubblicata nell’Art Journal Engraving e combina le tecniche dell’etching and of the burin.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Certaldo, 1842-1844

45,00 

Certaldo, 1842-1844 It is a steel engraving made by William Brockendon between 1842 and 1844.
This work is taken from the volume Italy, classical, historical, and picturesque illustrated and described, which celebrates the beauty and history of Italy.

  • Sheet size: cm. 34×25 approx.
  • Engraving size: cm. 23×15 approx.
  • Support: Thick engraving paper
  • Condition: Good, with some occasional stains on the edges

Cervantes, 1839

20,00 

Cervantes è un’incisione realizzata da Brienza nel 1839, eseguita su rame.
Questa opera, che rappresenta un mezzobusto di profilo, è tratta da The Picturesque Omnibus, published in Naples.

  • Sheet size: mm. 110×120 circa
  • Technique: Burin
  • Condition: Excellent
  • Support: Copper

Cetara, 1850

30,00 

Cetara, 1850 it is a copper engraving representing a beautiful view of the bay of Salerno.
This work is taken from Payne's Universe and has dimensions of mm. 150×105, with additional margins.

  • Sheet size: mm. 150×105 approx.
  • Support: Lightweight paper, white back
  • Condition: Excellent

Charles Grey, 1842

15,00 

Charles Grey, 1842 è un’incisione in rame che ritrae il noto politico britannico Charles Grey, Conte Grey.
Questa opera è stata estratta dal volume Picturesque Omnibus, published in Naples in 1842.

  • Sheet size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: La stampa presenta scritte al retro e viene spedita con la pagina intera contenente l’incisione.

Charles Pierre François Augereau, 1839

15,00 

Charles Pierre François Augereau It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
Questa stampa, che presenta margini quasi assenti, è contenuta nella pagina del libro e presenta scritte al verso.

  • Sheet size: cm. 13×11 approx.
  • Support: Paper
  • Condition: Excellent

Chateaubriand, 1838

20,00 

Chateaubriand è un’incisione realizzata da Gnaccarini nel 1838, stampata su rame.
Questo mezzobusto è tratto da The Picturesque Omnibus, pubblicato a Napoli nel 1839.
L’opera presenta scritte sul retro e si distingue per i suoi dettagli raffinati.

  • Sheet size: mm. 110×140 circa
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

He who sees the defects of others and not his own.

15,00 

He who sees the defects of others and not his own It is a copper engraving made in 1838 by Salvator Rosa and engraved by Morgese.
This work is taken from the work Picturesque Omnibus and reflects the theme of perceiving the defects of others compared to one's own.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 23×16 approx.
  • Support: Paper
  • Condition: Excellent

Chiesa di S.Agostino a Roma, 1856

35,00 

Chiesa di S.Agostino a Roma è un’incisione finissima realizzata al burin su acciaio, datata 1856.
Questa opera è stata prodotta dai Rouargue freres e fa parte del volume Picturesque voyage in southern Italy, scritto da M.Paul De Musset e pubblicato a Parigi da Morizot editeur.

  • Sheet size: cm. 17×26 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Heavy paper
  • Condition: Perfect state of preservation

Chiesa, Canivet, 1870-90

15,00 

Chiesa è un’opera realizzata tra il 1870 e il 1890, rappresentante un soggetto sacro.
Questa stampa è una chromolithography con un elegante bordo traforato a punzone, tipica della produzione artistica francese dell’epoca.

  • Sheet size: cm. 7×11
  • Condition: Buone, con strappo restaurato nell’angolo inferiore destro
  • Support: Paper

Closed, Bolzano, 1830

40,00 

Closed, Bolzano It is a copper engraving made in 1830, which represents a delightful scene at the entrance to the village.
This work is taken from the work of William Brockendon, Italy, classical, historical, and picturesque, published in London around 1830.

  • Sheet size: mm 225×159 plus margins
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Cicero, 1839

15,00 

Guide It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, contained in the book page, has almost no margins and writing on the verso.

  • Sheet size: cm. 8×15 approx.
  • Support: Paper
  • Condition: Excellent

The print will be shipped together with the full page containing it.

Cifre del nome BENOIT intrecciate, 1881

20,00 

Cifre del nome BENOIT intrecciate è una piccola litografia acquarellata realizzata nel 1881.
Questa opera presenta le iniziali del nome BENOIT in un elegante intreccio, ed è tratta dal volume Dictionaire du Chiffre Monogramme Planche gravées au burin di Charles Demengeot, pubblicato a Parigi.

  • Sheet size: cm. 5×5 circa
  • Technique: Burin
  • Support: Cardboard
  • Condition: Excellent

Cifre del nome BERTHE intrecciate, 1881

20,00 

Cifre del nome BERTHE intrecciate è una piccola litografia acquarellata realizzata nel 1881.
This work is taken from the Dictionaire du Chiffre Monogramme Planche gravées au burin di Charles Demengeot, pubblicato a Parigi.

  • Sheet size: cm. 10×7 approx.
  • Support: Cardboard with white back
  • Condition: Excellent

DS interlaced figures, 1881

20,00 

Cifre DS intrecciate It is a small watercolour lithograph made in 1881.
This work, of dimensions cm. 4×4 circa, is printed on cardboard with white back.
It is taken from the volume Dictionaire du Chiffre Monogramme Planche gravées au burin by Charles Demengeot, published in Paris in 1881.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Excellent
  • Support: Cardboard

Cimitero, Morte, Preghiera, canivet, 1870

20,00 

Cimitero, Morte, Preghiera è un canivet realizzato nel 1870, che rappresenta un tema profondo e riflessivo legato alla morte e alla preghiera.
Questo pezzo è stato pubblicato da A. Saintin a Parigi e presenta un elegante pizzo traforato al punzone, che arricchisce la sua bellezza visiva.

  • Sheet size: cm. 6,5×10 circa
  • Technique: Burin
  • Condition: Excellent state of preservation
  • Support: Paper

Cingallegra, 1840

15,00 

Cingallegra It is a copper engraving made in 1840, proveniente dall’opera Picturesque Omnibus, published in Naples.
Questa incisione, di dimensioni contenute, presenta margini quasi assenti e scritte al retro, rendendola un pezzo interessante per collezionisti e appassionati di arte.

  • Sheet size: cm. 14×13 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

City of Capri, 1835

25,00 

City of Capri It is an engraving made in 1835 from AUDOT father, part of the work Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc.
This engraving is performed at burin on steel and has a format of cm. 12×16.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Civita Castellana, 1834

25,00 

Civita Castellana, 1834 It is a burin engraving made by COIGNET And SAVAGE.
This work, taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, is dated 1834 and presents a beautiful view of the city with the bridge in the foreground.

  • Sheet size: mm. 183×115 approx.
  • Support: Light paper
  • Condition: Excellent condition

The engraving features a sharp and decorative contrast, making it a fascinating piece for collectors and art enthusiasts.

Civitella oggi Bellegra, 1835

20,00 

Civitella oggi Bellegra è un’incisione al bulino su acciaio realizzata nel 1835, che rappresenta uno scorcio della cittadina di Civitella, oggi conosciuta come Bellegra.
This work is taken from the work “Italie picturesque tableau historique et descriptif de l’Italie…” di M. De Norvins e C. Nodiers, pubblicata a Parigi nel 1834.

  • Sheet size: mm. 190×260
  • Engraving size: mm. 115×175
  • Support: Carta leggera da incisione
  • Condition: Excellent state of preservation

L’incisione ritrae due donne nei tipici costumi locali, immerse tra le antiche case del borgo medievale.

Claudio Gelée, Lorraine, 1839

15,00 

Claudio Gelée, Lorraine It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This small print has almost no margins and includes writing on the back. The full page, which contains the print, will be shipped.

  • Sheet size: cm. 8×6 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Clemente Cardinali, 1840

15,00 

Clemente Cardinali è un’incisione su rame realizzata nel 1840, tratta dall’opera Picturesque Omnibus, published in Naples.
Questa opera presenta una battuta di dimensioni cm. 10×13 ed è stampata su carta leggera, con il retro stampato.

  • Sheet size: Small
  • Support: Light paper
  • Condition: Excellent

Clemente Cardinali nacque a Velletri nel marzo 1789. La sua formazione artistica è stata influenzata dalla forza di animo della madre e dall’operosità del fratello Luigi. Dopo aver compiuto i primi studi a Velletri, fu mandato a Macerata per iniziare gli studi giuridici, ma fu richiamato a causa dell’occupazione francese delle Marche nel 1807.

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