Burin

Showing 577–600 of 1598 results

Il Salvataggio, 1850

20,00 

Il Salvataggio è un’incisione realizzata nel 1850, che combina la tecnica dell’acquaforte e del bulino.
This work, of small dimensions, measures cm. 13×15 senza margini e presenta un retro bianco.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Medium thickness paper

Il tavernaio, Duclere, 1853

60,00 

Il Tavernaio è un’incisione realizzata nel 1853 da Duclere, caratterizzata da un bulino al delineato acquarellato su carta media.
Questa opera è firmata in lastra e proviene dal volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Condition: Perfect state of preservation
  • Support: Medium paper, white back

Il tributo a Cesare 1830-1850

25,00 

Il tributo a Cesare è un’incisione realizzata da J. Rogers tra il 1830 e il 1850, ispirata al celebre soggetto del tributo a Cesare.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

The Cowherd, F.Palizzi, 1853

60,00 

The Cowherd It is an engraving made by Philip Palizzi In the 1853.
This work is an example of Burin with watercolor outline, printed on medium paper with white back.

  • Sheet size: cm. 17×25
  • Condition: Perfect state of preservation
  • Work taken from: Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard, 1853
  • Note: It is not an anastatic copy

Il venditore di capitoni, F.Palizzi, 1853

60,00 

Il venditore di capitoni It is an engraving made by F. Palizzi In the 1853.
This work is a bulino al delineato acquarellato su carta media, firmata in lastra da Fil. Palizzi.

  • Sheet size: cm. 17×25 approx.
  • Condition: Excellent state of preservation
  • Support: Medium paper, white back

The engraving is taken from Customs and Traditions of Naples and Surrounding Areas di Francesco De Bourcard, pubblicato nel 1853.
Si precisa che non si tratta di una copia anastatica.

Il venditore di fichi d’india, P.Mattei, 1853

60,00 

Il Venditore di Fichi d’India è un’incisione realizzata da P. Mattei nel 1853.
This work is a burin al delineato acquarellato d’epoca, stampata su carta media con retro bianco.

  • Sheet size: cm. 17×25 approx.
  • Condition: Excellent state of preservation
  • Signed on the plate: Pas. Mattei dis., Cucinotta inc.
  • Work taken from: Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard, 1853

Si precisa che non si tratta di una copia anastatica.

Vesuvius, torpedo boat, 1886

30,00 

Vesuvius, torpedo boat It is an engraving made in 1886, published in the illustrious periodical Italian Illustration from the Treves Editors of Milan.
This work represents an important historical and artistic testimony of the time, with accurate details and writings surrounding the image.

  • Sheet size: cm. 21×16 approx.
  • Engraving size: cm. 21×16 approx.
  • Support: Paper
  • Condition: Excellent

The Vote to the Madonna, 1839

20,00 

The Vote to the Madonna It is an engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This copperplate engraving has almost no margins and is shipped with a full page of the book, which includes writing on the verso.

  • Sheet size: cm. 17×13 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Il voto di Left 1830-1850

25,00 

Il Voto di Left è un’incisione realizzata da J.W. Cook, ispirata al tema biblico di Jephthah’s rash vow.
Questa opera, pubblicata tra il 1830 e il 1850, fa parte della Scripture Gallery of Engraving e presenta un’elegante cornice editoriale con vignette.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Impagliatrice di sedie, F.Palizzi, 1853

60,00 

Impagliatrice di sedie It is an engraving made by Philip Palizzi In the 1853.
Questa opera, che rappresenta un’arte tradizionale, è parte del volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Engraving size: cm. 17×25 approx.
  • Technique: Burin
  • Support: Medium paper
  • Condition: Excellent state of preservation

Imperatrice Josephine e la Regina Hortense, 1850

30,00 

Imperatrice Josephine e la Regina Hortense è un’incisione realizzata nel 1850, che ritrae Giuseppina di Beauharnais, la prima moglie di Napoleone Buonaparte, insieme alla Regina Hortense.
This bulino acquarellato è tratto da un libro francese e presenta un tratto raffinato e dettagliato.

  • Sheet size: cm. 23×15 approx.
  • Support: Thick paper with white backing
  • Condition: Excellent state of preservation

Improvvisatore in Napoli, 1840

25,00 

Improvvisatore in Napoli è un’incisione al bulino realizzata nel 1840.
This work is taken from the volume Frommel Carl, Pittoreskes Italien, pubblicato a Lipsia nello stesso anno.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Support: Light paper
  • Condition: Buono stato

Incappucciati a Venezia, 1840

25,00 

Incappucciati a Venezia è un’incisione realizzata da W. Gail nel 1840, che cattura una vivace scena di frati incappucciati in processione.
This work is taken from the volume FROMMEL, Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Support: Light paper
  • Condition: Perfect state of preservation

Incredulity of St. Thomas, 1839

15,00 

Incredulity of St. Thomas It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, measuring 7x10 cm, has almost no margins and is contained within the book page, with writing on the back.
The full page containing the print is shipped, offering a unique piece of art history.

  • Sheet size: cm. 7×10 approx.
  • Support: Paper
  • Condition: Excellent

Iniziali BF intrecciate, 1881

20,00 

Iniziali BF intrecciate è una piccola litografia acquarellata realizzata nel 1881.
Questa opera, di dimensioni contenute, misura circa cm. 5×5 ed è stampata su cartoncino con retro bianco.
It is taken from the volume Dictionaire du Chiffre Monogramme Planche gravées au burin by Charles Demengeot, published in Paris in 1881.

  • Sheet size: cm. 5×5 circa
  • Technique: Burin
  • Condition: Excellent
  • Support: Cardboard

Iniziali BP intrecciate, 1881

20,00 

Iniziali BP intrecciate è una piccola litografia acquarellata realizzata nel 1881.
Questa opera, di dimensioni contenute, misura circa cm. 5×5 ed è stampata su cartoncino con retro bianco.
It is taken from the volume Dictionaire du Chiffre Monogramme Planche gravées au burin by Charles Demengeot, published in Paris in 1881.

  • Sheet size: cm. 5×5 circa
  • Technique: Burin
  • Condition: Excellent
  • Support: Cardboard

Innsbruck, 1832

25,00 

Innsbruck, 1832 It is an engraving made with the etching and burin technique, which captures the essence of the Austrian city of Innsbruck.
This work was printed by C. Stanfield and published in the volume Picturesque Annual, based on a drawing by Clarkson Stanfield, London in 1832.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×13 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Innsbruck, 1832

25,00 

Innsbruck, 1832 It is an engraving made with the etching and burin technique, which captures the essence of the Austrian city at a historical moment.
This work was printed by C. Stanfield and published in Picturesque Annual based on a drawing by Clarkson Stanfield, London 1832.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Intra, 1840

25,00 

Intra It is an engraving made by Frommel in 1840, executed with the technique of burin on steel.
This work is a beautiful view taken from the volume Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

Ipomea, 1852

20,00 

Ipomea, 1852 è un’incisione che rappresenta la splendida Morning Glory, realizzata con la tecnica del burin e colorata a mano all’acquerello.
This work is taken from Ladies' Wreath an illustrated annual, published in New York by JC Burdick.

  • Sheet size: mm. 130×220
  • Support: Medium paper
  • Condition: Good condition

La composizione floreale è bella e decorativa, perfetta per gli amanti della botanica e dell’arte.

Hippolytus and Phaedra, 1839

15,00 

Hippolytus and Phaedra It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This print, with almost no margins, is contained within the book page and features writing on the verso.

  • Sheet size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent

The full page containing the print will be shipped.

Isabella of Aragon, 1844

15,00 

Isabella d’Aragona It is a copper engraving made in 1844, taken from the work Picturesque Omnibus pubblicata a Napoli.
Questa stampa, con dimensioni di cm. 12×14 alla battuta, presenta margini più piccoli e scritte al retro, evidenziando la sua provenienza da un libro.

  • Sheet size: cm. 12×14 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Isabella, conosciuta anche come Sant’Elisabetta del Portogallo, nacque a Saragozza il 4 gennaio 1271 e morì a Estremoz il 4 luglio 1336.
Fu regina consorte del Portogallo e dell’Algarve dal 1282 al 1325, e fu canonizzata nel 1625, venendo venerata come santa dalla Chiesa cattolica.

Isabella di Baviera, 1838

15,00 

Isabella di Baviera è un’incisione in rame realizzata nel 1838, proveniente dall’Omnibus Pittoresco di Napoli.
This work portrays Isabella di Baviera, regina consorte di Francia dal 1385 al 1422, figlia di Stefano III di Baviera-Ingolstadt e Taddea Visconti.

  • Sheet size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation
  • Notes: La stampa è stata estratta dal libro e presenta scritte al retro.

Ischia, 1835

35,00 

Ischia, 1835 è un’incisione al bulino su rame acquarellata, che rappresenta un affascinante scorcio dell’isola di Ischia.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 110×73, più margini
  • Support: Medium paper
  • Condition: Good state of preservation

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