Burin

Showing 73–96 of 2091 results

Amalthea, 1832

20,00 

Amalthea It is a burin engraving made in 1832, depicting the Almathea butterfly.
This work was taken from the volume Book of Butterflies, Sphinxes & Moths by Captain Thomas Brown.

  • Engraving size: mm. 88×120
  • Support: Lightweight paper with white backing
  • Condition: Good condition

South America, CF Delamarche, 1816

70,00 

South America It is a map engraved by CF Delamarche in 1816, representing South America.
This copper engraving is colored around the outline and is taken from the volume Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicated to youth and published in Paris by Delamarche.

  • Sheet size: cm. 21×27 approx.
  • Condition: Good condition, with some peeling and a central editorial crease
  • Support: Paper

North America, CF Delamarche, 1816

70,00 

North America It is a copper engraving map colored around the outline, made by CF Delamarche in 1816.
This map is part of the volume Petit Atlas Moderne ou Collection de Cartes Elementaires, published in Paris by Delamarche.

  • Sheet size: cm. 21×27 approx.
  • Condition: Good condition, with some peeling and a central editorial crease
  • Support: Paper

Ancona, 1834, Port and Triumphal Arch

30,00 

Ancona, 1834, Port and Triumphal Arch è un’incisione al bulino realizzata da CH.DE VEZE e incisa da CALAISSE.
This work, part of the volume Italy picturesque tableau historique and description of Italy… di M. De Norvins e C. Nodiers, offre una bella veduta dal mare di Ancona, ricca di dettagli e decorativa.

  • Sheet size: mm. 175×120 circa
  • Engraving size: mm. 175×120 circa
  • Support: Light paper
  • Condition: Excellent state of preservation

Ancona, 1835, Arch of Trajan

20,00 

Ancona, 1835, Arch of Trajan it is a burin engraving on steel made in 1835, which represents a beautiful view of the Arch of Trajan in Ancona.
This work is taken from the volume Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE.

  • Sheet size: mm. 95×132 approx.
  • Engraving size: mm. 95×132 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent

Ancona, 1860, Arch of Trajan

40,00 

Ancona, 1860, Arch of Trajan It is an engraving made by Rouargue Frères in 1860, using the technique of burin on steel.
This work is taken from the volume Voyage Pittoresque en Italia. Partie Septentrionale, published in Paris by Morizot, with texts by Paul De Musset.

  • Sheet size: mm. 168×115 plus margins
  • Support: Medium paper, white back
  • Condition: Excellent

The view is beautiful and lively, characterized by remarkable sharpness and contrast.

Ancona, The Trial of the Millions, 1886

30,00 

Ancona, il Processo dei Milioni It is an engraving made in 1886, taken from the prestigious publication The Italian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera presenta un’immagine di dimensioni significative, cm. 29×41, arricchita da scritte intorno e annotazioni al retro del foglio.

  • Sheet size: cm. 29×41 circa
  • Engraving size: cm. 29×41 circa
  • Support: Paper
  • Condition: Excellent

André Masséna, 1839

15,00 

André Masséna, 1839 It is a copper engraving portraying the famous French general, Marshal of the Empire.
This work is taken from Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli, published in Naples by the Omnibus printing house in 1839.

  • Sheet size: cm. 13×11 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained in the book page and has writing on the back; the entire page containing the engraving will be sent.

Guardian Angel, canivet, 1850

20,00 

Angelo Custode è un canivet realizzato nel 1850 dalla casa editrice Pintard à Lyon, situata a Lione, Francia.
Questo affascinante pezzo presenta un’illustrazione dell’Angelo Custode, accompagnata da una preghiera sia al recto che al verso.

  • Sheet size: cm. 7×10 approx.
  • Technique: Burin
  • Condition: Excellent state of preservation
  • Support: Paper

Angera, Varese, 1832

25,00 

Angera, Varese, 1832 è un’incisione realizzata con la tecnica dell’acquaforte e bulino.
Questa opera, stampata da C. Stanfield, è stata pubblicata nel volume Picturesque Annual a partire da un disegno di Clarkson Stanfield, Londra, 1832.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×13 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Annibale Carracci, 1839

15,00 

Hannibal Carracci It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This print, of small size, has almost no margins and contains writing on the verso. The entire page including the print is shipped.

  • Sheet size: cm. 12×10 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Anonymous, Woman from behind, pencil on paper

30,00 

Woman from behind it is an anonymous work made with pencil on paper In the 20th century.
This drawing represents a figure study, highlighting the artist's mastery of pencil on thick drawing paper.

  • Sheet size: cm. 20×30 approx.
  • Technique: Pencil
  • Condition: Excellent
  • Support: Paper

Anzio, 1834

25,00 

Anzio, 1834 It is an engraving made with the technique of burin on steel, which represents a fascinating forest interior with animals.
This work is taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 185×110 plus margins
  • Condition: Good condition
  • Support: Lightweight paper, white back

Anzio, Albani Villa, 1834-1837

25,00 

Anzio, Albani Villa It is a steel engraving made between 1834 and 1837.
This work comes from the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 18×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

This view is lively and decorative, perfect for art and history lovers.

Aosta, 1835

25,00 

Aosta, 1835 It is a copper engraving made in 1835, taken from the work The Wundermappe oder Sämmtliche Kunst- und Natur-Wunder des ganzen Erdballs by C. Strahlheim.
This precious engraving has a compact format, ideal for collectors and art enthusiasts.

  • Sheet size: cm. 11×14 approx.
  • Engraving size: cm. 7.5×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Aosta, 1835

30,00 

Aosta, 1835 è un’incisione in rame realizzata da Grundmann, con la collaborazione di Audot e Lhuillier.
This panoramic view offre una rappresentazione decorativa e animata della città di Aosta, catturando l’essenza del paesaggio urbano dell’epoca.

  • Sheet size: cm. 16×26 approx.
  • Engraving size: cm. 17×11 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Aosta, Roman Arch and Villanova d'Aosta,1834

35,00 

Aosta, Arco Romano e Villanova d’Aosta It is a double steel engraving made between 1834 and 1837.
This work is part of the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11x8 approximately for each
  • Support: Lightweight paper with white backing
  • Condition: Excellent state of preservation

Aosta, Fenis Castle, 1886

30,00 

Aosta, Castello di Fenis è un’incisione del 1886, tratta dall’illustre pubblicazione Italian Illustration, published in Milan by the Treves Brothers.
Questa opera presenta un’immagine di cm. 10×16, arricchita da scritte decorative intorno e annotazioni al retro del foglio.

  • Sheet size: Small
  • Engraving size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent

Aosta, Praetorian Gate, 1886

30,00 

Aosta, Porta Pretoria It is an engraving made in 1886, taken from the illustrious publication Italian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera presenta un’immagine di dimensioni contenute, arricchita da scritte decorative intorno e annotazioni al retro del foglio.

  • Sheet size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent

Aosta, Praetorian Gate, 1886

30,00 

Aosta, Porta Pretoria It is an engraving made in 1886, taken from theItalian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera offre una vista suggestiva della storica Porta Pretoria di Aosta, arricchita da scritte decorative intorno all’immagine e annotazioni al retro del foglio.

  • Sheet size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent

Aosta, Roman Theatre, 1886

30,00 

Aosta, Roman Theatre It is an engraving made in 1886, taken from theItalian Illustration, published in Milan by Fratelli Treves Editori.
This work features a small-sized image, with decorative writing around it and annotations on the back of the sheet.

  • Sheet size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Aosta, Verres and Emaville, 1834

35,00 

Aosta, Verres e Emaville It is a double steel engraving made between 1834 and 1837.
Ogni incisione misura circa cm. 11×8 e fa parte di un foglio di dimensioni cm. 25×16.
This work is taken from Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11×8 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

The views are lively and decorative, making this engraving a fascinating piece for collectors and enthusiasts.

Aquila destructor great Harpy, 1840

15,00 

Aquila destructor grande Arpia è un’incisione su rame realizzata nel 1840, tratta dall’opera Picturesque Omnibus, published in Naples.
Questa affascinante incisione presenta un retro scritto, aggiungendo un ulteriore elemento di interesse per i collezionisti.

  • Sheet size: cm. 15×18 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Eagle, Napoleon, 1882

10,00 

Aquila, Napoleone è un’incisione al bulino realizzata nel 1882, parte della serie DYNASTIE NAPOLEONIENNE.
This work is taken from the Dictionaire du Chiffre Monogramme Planche gravées au burin by Charles Demengeot, published in Paris in 1881.

  • Sheet size: mm. 180×90
  • Support: Medium thickness paper
  • Condition: Excellent condition
  • Notes: The print was cut from the book and has writing on the back.

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