Burin

Showing 1153–1176 of 1545 results

Pierluigi Gerosa (Rogeno, Como 1922-2011)

10,00 

Pierluigi Gerosa He is an artist known for his delicate depictions of flowers.
This work, created in 1970, is an example of his mastery in capturing the beauty of nature.

  • Author: Pierluigi Gerosa (Rogeno, Como 1922-2011)
  • Subject: Flowers
  • Sheet size: mm. 102×146
  • Support: Light paper
  • Condition: Excellent

Pierre Mariette Baccanale, XVII secolo

50,00 

Baccanale è uno studio per un affresco realizzato da Pierre Mariette in the 17th century.
Questo lavoro, firmato in basso a destra con la sigla P.Mariette e monogrammato FL, è un esempio significativo dell’arte del periodo.

  • Sheet size: mm. 102×222 alla battuta del rame
  • Technique: Bulino e matita rossa su carta vergellata
  • Condition: Foglio un po’ maltrattato

Pierre-Jean Mariette, Chantilly

40,00 

Pierre-Jean Mariette, Le Bassin quarré-long près le Potager a Chantilly It is an engraving made in the 18th century.
This work is a fine example of Mariette's mastery, signed at the bottom with In Paris chez I.Mariette rue S.Jacques a la Victoire with Privilege du Roy.

  • Sheet size: mm. 112×175 at the copper edge
  • Technique: Burin
  • Condition: Excellent condition
  • Support: Laid paper

Pierre-Jean Mariette, Chantilly

40,00 

Le Salon du Jardin de Silvie in Chantilly It is an engraving made by Pierre-Jean Mariette in the 18th century.
This work, performed with the technique of Burin, represents a fascinating glimpse of the Chantilly garden.

  • Sheet size: mm. 122×195 at the copper edge
  • Condition: Excellent condition
  • Support: Laid paper

Pierre-Jean Mariette, Versailles

40,00 

Pierre-Jean Mariette, Versailles It is an engraving made by Pierre-Jean Mariette in the 18th century.
This work, entitled Water Theater with the new mutations in Versailles, is performed with the technique of Burin on laid paper.

  • Sheet size: mm. 162×222 at the copper edge
  • Condition: Excellent condition

Pietro Antonio Berryer, 1841

15,00 

Pietro Antonio Berryer It is a copper engraving made in 1841, taken from the work Picturesque Omnibus.
This print, which measures approximately cm. 10×15, è stata estratta dal libro e presenta testo sia intorno che al verso.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Pierre-Antoine Berryer, noto come “Berryer figlio”, nacque il 4 gennaio 1790 a Parigi e morì il 29 novembre 1868 a Augerville-la-Rivière. È ricordato come un giurista e politico francese, sepolto nella stessa località.

Pifferari nei Dintorni di Roma, 1834

35,00 

Pifferari nei Dintorni di Roma è un’incisione al bulino realizzata nel 1834, che cattura un momento affascinante della tradizione musicale italiana.
L’opera rappresenta tre zampognari davanti a una cappella votiva, intenti a suonare la novena, un’immagine evocativa della cultura popolare.
Taken from the volume Italy picturesque tableau historique and description of Italy… di M. De Norvins e C. Nodiers, pubblicato a Parigi nel 1834, questa incisione è un esempio pregevole dell’arte dell’epoca.

  • Sheet size: mm. 120×180 circa
  • Engraving size: mm. 120×180 circa
  • Support: Light paper
  • Condition: Excellent state of preservation

Pifferari, Costumi di Roma, 1834

30,00 

Pifferari, Costumi di Roma it is an engraving on burin acquarellata a mano, realizzata nel 1834.
Questa opera rappresenta due zampognari davanti a una cappella votiva, intenti a suonare la novena.
It is taken from the work Italy picturesque tableau historique and description of Italy… di M. De Norvins e C. Nodiers, pubblicata a Parigi nel 1834.

  • Sheet size: mm. 113×180 più margini
  • Support: Light paper
  • Condition: Excellent

Pinelli, Cavalcature in Roma, 1840

25,00 

Cavalcature in Roma è un’incisione realizzata da Bartolomeo Pinelli nel 1840, che rappresenta una vivace scena con molteplici personaggi che conducono bestie bovine attraverso le strade di Roma.
This work is taken from the volume FROMMEL, Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Support: Light paper
  • Condition: Perfect state of preservation

Pinelli, Zecchinetta Game, 1840

25,00 

Zecchinetta Game it is an engraving made by Bartolomeo Pinelli in 1840, which portrays a lively group of idlers intent on playing Zecchinetta in Rome.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Technique: Burin
  • Support: Light paper
  • Condition: Perfect state of preservation

This work is taken from FROMMEL, Picturesque Italy, published in Leipzig in 1840.
Pinelli, known for his ability to capture the customs and daily life of Rome, has created a scene rich in detail and characters, making this engraving a fine subject for collectors and art enthusiasts.

Pio VII scomunica Napoleone, 1841

20,00 

Pio VII scomunica Napoleone è un’incisione realizzata nel 1841, che rappresenta un momento cruciale della storia europea.
This work is taken from the work Histoire des Papes e combina le tecniche dell’Etching and of the Burin.

  • Sheet size: cm. 15×23 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent

Pisa, Baptistery, Cathedral and Tower, 1835

20,00 

Pisa, Baptistery, Cathedral and Tower It is an engraving made in 1835, which offers an iconic view of the famous square in Pisa.
This work is taken from Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE and is made with the technique of burin on steel.

  • Sheet size: mm. 130×90 approx.
  • Support: Lightweight paper with white backing
  • Condition: Good condition

Pisa, Campo Santo, 1834

25,00 

Pisa, Holy Field è un’incisione in acciaio realizzata nel 1834, che cattura la bellezza del celebre Campo Santo di Pisa.
This work is taken from Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms

Pisa, Campo Santo, 1834-1837

25,00 

Pisa, Holy Field It is a steel engraving made between 1834 and 1837.
This work comes from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 18×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Questa veduta è caratterizzata da un aspetto animato e decorativo, rendendola un pezzo affascinante per collezionisti e appassionati di arte.

Pisa, Campo Santo, 1835

25,00 

Pisa, Holy Field It is an engraving made with the technique of burin on steel in 1835.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 195×130 plus margins
  • Condition: Good condition
  • Support: Lightweight paper, white back

The view of the interior is particularly beautiful and clear, making this engraving a fascinating piece for collectors and art enthusiasts.

Pisa, Campo Santo, 1846

30,00 

Pisa, Holy Field è un’incisione al bulino realizzata da A.H. Payne nel 1846, che ritrae l’interno del famoso Campo Santo di Pisa.
Questa opera è un esempio pregevole di arte incisoria, con una misura della battuta di mm. 170×110, più margini.

  • Sheet size: Small
  • Engraving size: mm. 170×110
  • Support: Paper
  • Condition: Excellent

Pisa, Cathedral, 1834

25,00 

Pisa, Duomo è un’incisione in acciaio realizzata nel 1834, che cattura la bellezza architettonica del Duomo di Pisa.
This work is taken from the volume Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Ottime, con sporadiche fioriture sul retro

Pisa, La Torre, 1834

25,00 

Pisa, La Torre è un’incisione in acciaio realizzata nel 1834, che rappresenta uno dei simboli più iconici della città di Pisa.
This work is taken from the volume Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main: Comptoir für Literatur und Kunst.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Excellent, with sporadic blooms on the white back

Pisa, Piazza del Duomo, 1835

30,00 

Pisa, Piazza del Duomo It is an engraving made at burin In the 1835.
This work comes from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Pisa, Piazza del Duomo, 1838

15,00 

Pisa, Piazza del Duomo, 1838 è un’incisione su rame realizzata da Cataneo.
This work, taken from the volume Picturesque Omnibus, presenta una bella veduta della famosa piazza, animata e decorativa.

  • Sheet size: mm. 164×100
  • Condition: Excellent
  • Support: Paper
  • Notes: Almost no margins and writing on the back

Pisa, Piazza del Duomo, 1864

35,00 

Pisa, Piazza del Duomo, 1864 è un’incisione al bulino realizzata dai ROUARGUE freres, che offre una vista affascinante e decorativa della celebre piazza.
This work is taken from the volume Voyage picturesque in Italy, northern part di Paul De Musset, pubblicato a Parigi nel 1864.

  • Sheet size: mm. 260×170
  • Engraving size: mm. 168×118
  • Support: Heavy paper
  • Condition: Perfect condition

Pisa, S.Maria della Spina, 1834

25,00 

Pisa, S.Maria della Spina It is a steel engraving made in 1834.
This work comes from the volume Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms

Pisa, Santa Maria della Spina, 1834

25,00 

Pisa, St. Mary of the Spine è un’incisione in acciaio realizzata tra il 1834 e il 1837, che cattura la bellezza di questa storica chiesa.
Taken from the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe di Audot Père, pubblicato a Parigi, quest’opera è caratterizzata da una veduta animata e decorativa.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 16×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Pisa, Leaning Tower, 1835

30,00 

Pisa, Torre pendente It is an engraving made at burin in 1835.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

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