Burin

Showing 1225–1248 of 1488 results

Rome, view of Rome, 1834

25,00 

Rome, view of Rome It is a steel engraving made in 1834, which offers a splendid representation of the eternal city.
This work, taken from a German text from the mid-nineteenth century, presents a beautiful animated view di Roma, catturando l’essenza della città con dettagli vivaci e storici.

  • Sheet size: cm. 13×19 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Light paper
  • Condition: Buono stato di conservazione, con foglio ingiallito e retro bianco

Rome, view of Rome, 1834

25,00 

Rome, view of Rome It is a steel engraving made in 1834, which offers a splendid representation of the eternal city.
This work, taken from a German text from the mid-nineteenth century, presents a beautiful animated view of Rome, capturing the essence and vitality of the city.

  • Sheet size: cm. 18×24 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Roma, Villa Albani, S.Stefano Rotondo, 1834-1837

30,00 

Roma, Villa Albani, S.Stefano Rotondo It is a double steel engraving made between 1834 and 1837.
This work is part of the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11x8 approximately for each
  • Support: Light paper
  • Condition: Excellent state of preservation

Le vedute sono animate e decorative, offrendo uno sguardo affascinante sulla bellezza di Roma.

Roma, Villa Borghese, 1840

25,00 

Roma, Villa Borghese It is a steel engraving made in 1840, part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig.
This work offers a beautiful animated view della Villa Borghese, caratterizzata da un great contrast e un aspetto decorativo che la rende particolarmente affascinante.

  • Sheet size: cm. 23×14 approx.
  • Engraving size: cm. 16×10 approx.
  • Support: Paper
  • Condition: Good general condition

Roma, Villa Medici, 1835

20,00 

Rome, Villa Medici It is a burin engraving made in 1835, taken from the work Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE, published in Paris.
This engraving offers a beautiful view of the eternal city, rendendola un pezzo decorativo affascinante.

  • Sheet size: cm. 13×20 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent

Roma, Villa Medici, Viilla Borghese, 1834-1837

30,00 

Roma, Villa Medici e Villa Borghese It is a double steel engraving made between 1834 and 1837.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.
Le incisioni, di dimensioni cm. 11×8 circa ciascuna, sono stampate su un foglio di cm. 25×16.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11×8 approx.
  • Support: Light paper
  • Condition: Excellent condition

Le vedute sono animate e decorative, rappresentando un’importante testimonianza della bellezza di Roma.

Rose of Sharon, 1852

20,00 

Rose of Sharon, an engraving made in 1852, is a charming work featuring a decorative floral composition.
This engraving is made with the technique of burin, outlined and hand-colored in watercolor, on medium quality paper.

  • Sheet size: mm. 130×220
  • Support: Paper
  • Condition: Good condition

The work is taken from Ladies' Wreath an illustrated annual, published in New York by JC Burdick. A beautiful and decorative piece, ideal for lovers of botany and floral art.

Rosa doppia, 1852

20,00 

Rosa doppia, 1852 è un’incisione realizzata con la tecnica del burin, delineata e colorata a mano all’acquerello.
This work comes from Ladies' Wreath an illustrated annual, published in New York by JC Burdick.

  • Sheet size: mm. 130×220
  • Condition: Good condition
  • Support: Medium paper

Si tratta di una bella e decorativa composizione floreale, perfetta per gli amanti dell’arte botanica.

Rosa Govona, 1844

15,00 

Rosa Govona It is a copper engraving made in 1844, proveniente dall’opera Picturesque Omnibus of Naples.
Questa stampa, con dimensioni di cm. 12×14 alla battuta, è stata estratta da un libro e presenta scritte al retro.

  • Sheet size: Small
  • Engraving size: cm. 12×14 approx.
  • Technique: Burin
  • Support: Paper
  • Condition: Excellent

Rosa Govona è una figura storica significativa, nota per il suo animo generoso. Nata a Mondovì nel 1716 e morta a Torino nel 1776, nel 1742 aprì la sua casa per accogliere ragazze orfane e di famiglie povere, istruendole al lavoro e avviandole alla fede cristiana.
Con l’aiuto di Carlo Emanuele III, fondò nel 1755 un importante istituto a Torino, dando vita a una comunità di ragazze chiamate “rosine”, che vivevano liberamente senza vincoli religiosi.

Rosario, 1834

35,00 

Rosario, 1834 It is a burin engraving made by Dunaine and Coignet, which offers a splendid view of the Plaine de Rosarno.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 190×130 plus margins
  • Engraving size: mm. 190×130
  • Technique: Burin
  • Condition: Good
  • Support: Lightweight paper, white back

This engraving is characterized by a clear and decorative representation, which makes it a fascinating piece for collectors and enthusiasts.

Roveredo, Svizzera, 1832

25,00 

Roveredo, Svizzera è un’incisione realizzata nel 1832, che cattura la bellezza di questo luogo svizzero.
The work was printed by C. Stanfield and published in the volume Picturesque Annual, based on a drawing by Clarkson Stanfield.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×13 approx.
  • Technique: Etching and Burin
  • Condition: Excellent state of preservation

Rubens, The Putti, 1838

15,00 

Rubens, I Putti It is a copper engraving made in 1838, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This engraving measures cm. 7×15 per la parte stampata, con margini più piccoli, e viene fornita con l’intera pagina contenente la stampa.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Good
  • Support: Paper

Rubens, The Holy Family, 1838

15,00 

The Holy Family It is a copper engraving made in 1838, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, with printed part dimensions of cm. 7×9, was cut from the book and has writing on the back. The entire page containing the print will be sent.

  • Sheet size: Small
  • Engraving size: cm. 7x9 approx.
  • Support: Paper
  • Condition: Good

Russia, C.F. Delamarche, 1816

70,00 

Russia è una mappa dell’Europa, realizzata da C.F. Delamarche nel 1816.
This copper engraving is colored around the outline and comes from the volume Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicato alla gioventù, pubblicato a Parigi presso Delamarche.

  • Sheet size: cm. 21×27 approx.
  • Condition: Good condition, with some peeling and a central editorial crease
  • Support: Paper

Russia, Otto Petri, 1853

50,00 

Russia It is a detailed map made by Eight Petri In the 1853.
This hand-colored engraving measures cm. 22×27 on a sheet of paper cm. 26×34.

  • Sheet size: cm. 26×34
  • Map dimensions: cm. 22×27
  • Support: Medium thickness paper
  • Condition: Excellent condition

The map is taken from the School Atlas Alle Deelen Der Aarde, published by J. Van Den Bosch, Rotterdam.

Ruth cleaning. Booz e Rut. Acquaforte 1830

25,00 

Ruth cleaning. Booz e Rut è un’incisione realizzata da H.W. Allis nel 1830, parte della Scripture Gallery of Engraving.
Questa opera, pubblicata da John Tallis & Company, London & New York, presenta una raffinata rappresentazione del soggetto biblico di Ruth.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 15 x 11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back and editorial frame with vignettes

St. Anthony at Tivoli, C. Frommel, 1829

25,00 

St. Anthony in Tivoli It is an engraving made by C. Frommel In the 1829.
This work, part of the series Horazen's Works by Dr. Sickler, presents a suggestive animated view of St. Anthony in Tivoli.

  • Sheet size: cm. 13×21 approx.
  • Engraving size: cm. 10×8 approx.
  • Technique: Etching and Burin
  • Support: Medium paper, white back
  • Condition: Excellent condition

St. Benedict, 1797

25,00 

St. Benedict It is a copper engraving made in 1797, taken from the volume Lives of the Saints for each day of the Year with copper portraits, published in Florence.
This work presents an accurate representation of the saint, highlighting the mastery of the engraver.

  • Sheet size: cm. 17x9 approx.
  • Engraving size: cm. 11×7 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Saint-Cloud, Francia, 1839

15,00 

Saint-Cloud, Francia, 1839 è un’incisione in rame che rappresenta un’importante opera artistica del XIX secolo.
This engraving is taken from Omnibus Pittoresco, enciclopedia artistica e letteraria, diretta da Vincenzo Torelli, pubblicata a Napoli dalla tipografia dell’Omnibus nel 1839.

  • Sheet size: cm. 13×8 circa
  • Support: Paper
  • Condition: Excellent

The print is contained in the book page and has writing on the back; the entire page containing the print will be sent.

Salamandra, 1840

15,00 

Salamandra It is a copper engraving made in 1840, taken from the work Picturesque Omnibus, published in Naples.
Questa affascinante incisione presenta un retro scritto, che aggiunge un ulteriore livello di interesse storico e culturale.

  • Sheet size: cm. 13×10 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Salerno, 1835

25,00 

Salerno, 1835 It is a copper engraving that offers a splendid decorative view of the city.
This work is taken from Italy by Le Chevalier Artaud, published in Paris in 1835.

  • Sheet size: mm. 140×85 approx.
  • Support: Light paper
  • Condition: Excellent condition

Salerno, 1835

25,00 

Salerno, 1835 è un’incisione al bulino su rame che cattura la bellezza di questa storica città.
Realizzata nel 1835, l’opera fa parte del volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 110×80 circa, con margini irregolari
  • Condition: Perfect condition
  • Support: Retro bianco

Salerno, 1835

25,00 

Salerno, 1835 è un’incisione al bulino su acciaio, realizzata nel 1835.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper, white back
  • Condition: Good state of preservation

Salerno, 1840

30,00 

Salerno, 1840 It is a steel engraving made by Karl August Lindemann-Frommel, un noto paesaggista e litografo francese.
This work is part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig in 1840.

  • Sheet size: cm. 14×23 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent

L’incisione presenta piccoli margini e si trova in ottime condizioni generali.
Lindemann-Frommel, nato nel 1819 e morto a Roma nel 1891, ha studiato a Karlsruhe e Monaco, trasferendosi poi a Roma nel 1856, dove ha insegnato all’Accademia di Santa Lucia. Le sue opere sono conservate in diversi musei tedeschi, con vedute di Sorrento, Capri e La Spezia.

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