Burin

Showing 1513–1525 of 1525 results

Viola, A.H.Payne, 1840-50

20,00 

Viola It is an engraving made by A.H. Payne between 1840 and 1850.
This work, performed in etching, misura cm. 8×10 ed è stampata su un foglio di cm. 19×27, with white back.
Published in Payne's Universe da A.H. Payne e W. French, a Dresda, Lipsia e Londra, l’incisione si presenta in excellent condition.

  • Era: XIX
  • Dimensions: Small
  • Support: Strong paper
  • Technique: Burin
  • Condition: Excellent

Viterbo, 1840

30,00 

Viterbo, 1840 It is a steel engraving made by Karl August Lindemann-Frommel, a well-known landscape painter and designer of the French school.
This work is part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig in 1840.

  • Sheet size: cm. 14×23 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent

The engraving has small margins and is in excellent overall condition.
Lindemann-Frommel, born in 1819 and died in Rome in 1891, studied in Karlsruhe and Munich, moving to Rome in 1856, where he became a professor at the Accademia di Santa Lucia. His works are preserved in several German museums.

Viterbo, Balcony of Casa Porcia, 1886

30,00 

Viterbo, Balcony of Casa Porcia It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work offers a fascinating view of the balcony of Casa Porcia, enriched by decorative writings around the image and annotations on the back of the sheet.

  • Sheet size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent

Viterbo, Cloister of Santa Maria della Quercia, 1886

30,00 

Viterbo, Chiostro di Santa Maria della Quercia It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera presenta un’immagine di dimensioni cm. 10×16, con scritte decorative intorno e annotazioni al retro del foglio.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent

​Viterbo, Gothic brick window, 1886

30,00 

Viterbo, Finestra gotica in mattoni è un’incisione del 1886, tratta da The Italian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera rappresenta un esempio affascinante di architettura gotica, con dettagli accurati e un’atmosfera storica.

  • Sheet size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent

​Viterbo, Pulpit of San Francesco, 1886

30,00 

Viterbo, Pulpit of St. Francis It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work features a small-sized image, with decorative writing around it and annotations on the back of the sheet.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent

Volcano, 1835

25,00 

Volcano It is a burin engraving made in 1835, part of the work Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT father.
This steel engraving has a format of cm. 12×16 and stands out for its medium thickness paper with white back.

  • Sheet size: Small
  • Condition: Good
  • Support: Paper

Washington, 1839

15,00 

Washington, 1839 It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This print is contained within the book page and features writing on the verso. The entire page including the print is shipped, making it a unique collector's item.

  • Sheet size: cm. 19×12 approx.
  • Support: Paper
  • Condition: Excellent

William Harvey, 1850

20,00 

William Harvey is an engraving made in 1850 by W. Harvey, MD, and engraved by E. Scriven.
This work, which represents a fine half-length portrait of the famous English doctor, was created using the technique of burin and comes from an original work by C. Jansen, published by S. Orr & C. London.

  • Sheet size: cm. 104×130 plus margins
  • Condition: Excellent
  • Support: Paper

William Hogarth, Masquerades and Opera, 1822

50,00 

Masquerades and Opera è una celebre incisione di William Hogarth, realizzata nel 1822.
This work, also known as The Bad Taste of the Town, critica la moda contemporanea e la commedia dell’arte, rappresentando una scena vivace di mascherate e opere italiane.

  • Sheet size: cm. 30×18 circa
  • Image size: cm. 18×13 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent condition

La scena si svolge davanti al King’s Theatre, Haymarket, dove una folla di persone mascherate è guidata da un diavolo che porta una borsa contenente £ 1.000.
Un striscione sopra l’ingresso mostra nobili inginocchiati davanti alla soprano italiana Francesca Cuzzoni, mentre a destra si attende l’ingresso alla pantomima di Arlecchino Doctor Faustus.
Hogarth, con maestria, utilizza sia l’acquaforte che il bulino per creare dettagli vividi e incisivi.

William Hogarth, The Battle of the Paintings, 1822

30,00 

The Battle of the Paintings It is an engraving made by William Hogarth in 1822.
This work, which combines the technique ofEtching and of the Burin, represents a comparison between different artistic currents.

  • Sheet size: cm. 24×27 approx.
  • Image size: cm. 20×20 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent condition

Wolfgang Amadeus Mozart, 1846

15,00 

Wolfgang Amadeus Mozart è un’incisione su rame realizzata nel 1846, tratta dall’Picturesque Omnibus.
Questa litografia misura circa cm. 10×19 e presenta testo sia intorno che al verso.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Wolfgang Amadeus Mozart, nome di battesimo Joannes Chrysostomus Wolfgangus Theophilus Mozart, è stato un compositore, pianista, organista e violinista austriaco, nato a Salisburgo il 27 gennaio 1756 e morto a Vienna il 5 dicembre 1791. È universalmente riconosciuto per la creazione di opere musicali di straordinario valore artistico.
The entire page containing the print will be sent.

Zeno, 1839

20,00 

Zeno, 1839 It is a copper engraving depicting the famous Greek philosopher Zeno of Elea, known for his paradoxes and for being the inventor of dialectics.
This work is taken from Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli, published in Naples by the Omnibus printing house in 1839.

  • Sheet size: cm. 17x8 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: Almost no margins, the print is contained within the book page and has writing on the back. The entire page containing the print is sent.

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