Burin

Showing 169–192 of 2090 results

Aulitzky Erich (Germany)

7,00 

Aulitzky Erich è un’incisione su plastica realizzata nel 1992 dall’artista tedesco Erich Aulitzky.
Questa opera, monogrammata, è stata commissionata da Paul Ultsch e presenta un formato compatto.

  • Sheet size: mm. 75×105
  • Paper Type: Light
  • Condition: Excellent

Aulitzky Erich (Germany)

7,00 

Aulitzky Erich It is an engraving made in 1989 by the German artist Aulitzky Erich.
Questa opera, monogrammata, è stata commissionata da Rhebergen e presenta un soggetto intrigante.

  • Sheet size: mm. 100×90
  • Support: Light paper
  • Condition: Excellent
  • Technique: Burin

Australia, Otto Petri, 1853

50,00 

Australia It is a hand-engraved and hand-colored map, made by Otto Petri in 1853.
This map is part of the School Atlas Alle Deelen Der Aarde, published by J. Van Den Bosch in Rotterdam.

  • Sheet size: cm. 26×34 approx.
  • Map dimensions: cm. 22×27 approx.
  • Support: Medium thickness paper
  • Condition: Ottime condizioni, con retro bianco e piega editoriale

​Ave Maria gratia plena, painting by Angelo Dall'Oca Bianca, 1886

30,00 

Hail Mary full of grace It is an engraving made by White Goose Angel In the 1886.
This work is taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.

  • Sheet size: cm. 21×9 approx.
  • Support: Paper
  • Condition: Excellent

Hail Mary, 1856

35,00 

Hail Mary it is a very fine burin engraving made in 1856, the work of the Rouargue brothers.
This engraving is watercolour and measures 12x17 cm on a 17x26 cm sheet.

  • Sheet size: cm. 17×26
  • Engraving size: cm. 12×17
  • Support: Heavy paper
  • Condition: Perfect state of preservation

The work is taken from the volume Picturesque voyage in southern Italy, written by M. Paul De Musset and published in Paris by Morizot editeur.

Ave Maria, AHPayne, 1840-50

20,00 

Hail Mary It is an engraving made by AH Payne between 1840 and 1850.
Questa opera è una pregevole incisione al burin su rame, tratta da Payne's Universe.

  • Sheet size: mm. 152×115, più margini
  • Support: Rame con retro bianco
  • Condition: Excellent

Avellino, 1835

35,00 

Avellino, 1835 è un’incisione al bulino su acciaio acquarellata, realizzata nel 1835.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Avernus and Lake Fusaro, 1847

30,00 

Avernus and Fusaro Lake It is an engraving made in 1847, which offers a suggestive view of Lake Averno and Fusaro, located near Naples.
This work is made with the technique of burin on steel, and was hand-watercoloured, giving it a unique and artistic touch.

  • Sheet size: mm. 150×100 approx.
  • Support: Paper with wide margins and white back
  • Condition: Excellent

Avernus, Lake, Phlegraean Fields, 1830

30,00 

Avernus, Lake, Phlegraean Fields It is a copper engraving colored with watercolour made in 1830.
This decorative view of Lake Avernus features vivid detail and a charming composition.

  • Sheet size: mm. 190×126 plus margins
  • Engraving size: mm. 190×126
  • Support: Medium paper
  • Condition: Excellent condition

Avernus, Lake, Phlegraean Fields, 1835

20,00 

Avernus, Lake, Phlegraean Fields It is a burin engraving made in 1835, which captures the beauty of the Phlegraean landscape.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 plus irregular margins
  • Technique: Burin
  • Support: Medium paper, white back
  • Condition: Good state of preservation

Avignon, France, 1839

15,00 

Avignon, France, 1839 It is a copper engraving representing the historic city of Avignon, located on the banks of the Rhone.
This work is taken from Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli, published in Naples by the Omnibus printing house in 1839.

  • Sheet size: cm. 8×13 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained in the book page and has writing on the back; the entire page containing the print will be sent.
Avignon is famous for its imposing Palais des Papes, which was the seat of the Catholic Popes from 1309 to 1377, and remains an important symbol of the city's history.

Aymaville, 1835

20,00 

Aymaville, 1835 it is a copper engraving made by Leonce Lhuillier, with the collaboration of Emaville, Grundmann and Audot.
This work offers a panoramic view of Aymaville, with the castle rising majestically in the background, making it a decorative piece of great charm.

  • Sheet size: mm. 110×85 approx.
  • Support: Paper
  • Condition: Excellent

Babiana, 1852

20,00 

Babiana, 1852 è un’incisione che rappresenta una composizione floreale decorativa.
Realizzata con la tecnica del burin e colorata a mano all’acquerello, questa opera è stampata su carta media.

  • Sheet size: mm. 130×220
  • Support: Paper
  • Condition: Good condition

L’incisione proviene da Ladies' Wreath an illustrated annual, pubblicato a New York da J.C. Burdick, datato 1852.

Bacchanal of Rome, Bartolomeo Pinelli, 1840

25,00 

Bacchanal of Rome It is an engraving made by Bartholomew Pinelli in 1840.
This unsigned work is an example of burin engraving on copper, which captures a beautiful and lively scene with many characters.
It is taken from the volume FROMMEL, Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Support: Light paper
  • Condition: Perfect state of preservation

Bagaria, Palermo, Villa of the Prince of Buttera, 1839

30,00 

Bagaria, Palermo, Villa of the Prince of Buttera is a steel engraving made by W.L. Leitch and J. Redaway in 1839.
This work, published by Fischer and Son in London and Paris, represents a beautiful animated scene of the villa.

  • Sheet size: mm. 265×200
  • Engraving size: mm. 190×130
  • Support: Thick paper
  • Condition: Excellent condition

Bay, 1847

30,00 

Bay, 1847 è un’incisione al bulino che rappresenta una vista panoramica della Baia di Bajae con il Smoking Vesuvius.
Realizzata nel 1847, questa opera è tratta da un libro tedesco della metà dell’800.

  • Sheet size: mm. 250×182
  • Engraving size: mm. 150×100
  • Support: Paper
  • Condition: Excellent

Bay, AH Payne, 1850

30,00 

Bay is an engraving made by AH Payne in 1850, which offers a suggestive overview of the town of Campi Flegrei.
This work is performed in burin on steel, with an engraving measuring 16.5x11 cm on a sheet of 22x18 cm.

  • Back: White
  • Condition: Excellent condition

Baia, Phlegraean Fields, 1829

25,00 

Bay, Phlegraean Fields è un’incisione a bulino realizzata nel 1829, che offre una suggestiva veduta della storica località.
This work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper, white back
  • Condition: Excellent condition
  • Rarity: Rare

Baia, Phlegraean Fields, 1829

25,00 

Bay, Phlegraean Fields è un’incisione realizzata nel 1829, che offre una suggestiva veduta animata della storica area dei Campi Flegrei.
This work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: cm. 16×12 approx.
  • Engraving size: mm. 107×75 approx.
  • Support: Medium paper with white back
  • Condition: Excellent condition
  • Rarity: Rare

Baia, Phlegraean Fields, 1829

30,00 

Bay, Phlegraean Fields It is a watercolour copper engraving, made in 1829.
This suggestive view is taken from the work Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: cm. 13×21 approx.
  • Engraving size: cm. 11×7 approx.
  • Support: Medium paper, white back
  • Condition: Excellent condition

Bay, Pozzuoli, Christopher Weigel, 1719

120,00 

Bay, Pozzuoli It is an engraving made by Christopher Weigel In the 1719, which represents the famous town of Pozzuoli in Campania.
This work is an example of an original copper engraving, with beautiful colouring contemporary with the watercolour, which enhances the details.

  • Sheet size: cm. 37,5×28,5 approx.
  • Support: Laid paper with watermark
  • Condition: Good condition, with some stains on the front and back and a thin, almost invisible lesion at the bottom

Baia, Temple of Venus, 1834

20,00 

Baia, Temple of Venus it is a burin engraving made in 1834, which represents the famous Temple of Venus in Baia.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers.

  • Sheet size: mm. 117×90
  • Support: Light glued paper
  • Condition: Good state of preservation

Baia, Temple of Venus, Phlegraean Fields, 1835

20,00 

Baia, Tempio di Venere, Campi Flegrei è un’incisione realizzata nel 1835, che rappresenta un’importante testimonianza artistica dei Campi Flegrei.
Questa opera è stata realizzata da STRUTT e fa parte del volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 plus irregular margins
  • Engraving size: mm. 105×73 circa
  • Technique: Burin
  • Support: Medium paper
  • Condition: Good state of preservation

Mountain hut, pencil on paper, 20th century

40,00 

Mountain hut It is a charming work made in pencil on paper by an anonymous artist of the 20th century.
This drawing features beautiful execution and measure. mm. 190×140. On the back there is another pencil drawing, which further enriches the work.

  • Sheet size: mm. 190×140
  • Technique: Pencil
  • Condition: Excellent
  • Support: Paper

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