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Burin
Vico Equense, Naples, 1833
30,00 €Vico Equense, Naples, 1833 It is a steel engraving made by James Duffield Harding, a well-known English landscape painter.
This suggestive view of the bay of Naples is taken from The Landscape Annual, published in London in 1833.
- Sheet size: mm. 140×95 approx.
- Support: Light paper
- Condition: Excellent
The engraving features a sharp, well-contrasted image, animated by vivid details that capture the essence of the Neapolitan landscape.
Vicovaro, 1829
30,00 €Vicovaro, 1829 è un’incisione a bulino su rame che offre una suggestiva veduta animata del paesaggio.
This work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.
- Sheet size: mm. 260×210
- Engraving size: mm. 107×75
- Support: Medium paper with white back
- Condition: Excellent condition
Vicovaro, 1840
35,00 €Vicovaro, 1840 è un’incisione in acciaio realizzata da James Duffield Harding e incisa da Wilmore.
Questa opera rappresenta il paesaggio di Vico Varo, situato vicino a Tivoli, ed è parte del volume Views of Cities and Scenery in Italy, France, and Switzerland by Samuel Prout and J.D. Harding.
- Sheet size: mm. 145×95 approx.
- Support: Medium paper
- Condition: Perfect
- Rarity: Rare and decorative
Vicovaro, Villa Adriana, 1834-1837
30,00 €Vicovaro, Villa Adriana It is a double steel engraving made between 1834 and 1837.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.
- Sheet size: cm. 25×16 approx.
- Dimensions of each engraving: cm. 11×8 approx.
- Support: Light paper
- Condition: Excellent state of preservation
The views are lively and decorative, making this engraving a fascinating piece for collectors and enthusiasts.
Victor Cousin, 1840
15,00 €Victor Cousin è un’incisione su rame realizzata nel 1840, tratta dall’opera Picturesque Omnibus, published in Naples.
Questa incisione rappresenta un importante contributo alla storiografia filosofica francese, in quanto ritrae Victor Cousin, un influente filosofo e storico della filosofia.
- Sheet size: cm. 10×13 approx.
- Support: Light paper
- Condition: Excellent condition
- Back: Printed
Victor Hugo, 1839
15,00 €Victor Hugo, 1839 è un’incisione in rame che ritrae il celebre scrittore francese, considerato il padre del Romanticismo.
This work is taken from Omnibus Pittoresco, enciclopedia artistica e letteraria, diretta da Vincenzo Torelli, pubblicata a Napoli dalla tipografia dell’Omnibus nel 1839.
- Sheet size: cm. 16×12 approx.
- Support: Paper
- Condition: Excellent
- Notes: Margini quasi assenti, la stampa è contenuta nella pagina del libro ed ha scritte al verso; viene spedita la pagina intera che contiene la stampa.
Vietri, 1840
40,00 €Vietri, 1840 è un’incisione realizzata da Harding e incisa da W.R. Smith.
Questa opera, datata 1840, è un esempio di incisione in acciaio, caratterizzata da un’accurata acquarellatura a mano.
- Sheet size: mm. 195×123
- Engraving size: mm. 97×145
- Support: Paper
- Condition: Excellent general condition
- Characteristics: Ben contrastata e animata; non comune.
Vietri, Salerno, 1833
30,00 €Vietri, Salerno, 1833 It is a steel engraving made by J.D. Harding, taken from The Landscape Annual, published in London in 1833.
Questa suggestiva veduta offre un’immagine nitida e ben contrastata, animata da dettagli che catturano l’essenza del paesaggio italiano.
- Sheet size: cm. 12×19 approx.
- Size of the joke: mm. 140×95 approx.
- Support: Lightweight paper with white backing
- Condition: Excellent
Vietri, Salerno, 1833
30,00 €Vietri, Salerno, 1833 It is a steel engraving made by J.D. Harding, taken from The Landscape Annual, published in London in 1833.
Questa suggestiva veduta offre un’immagine nitida e ben contrastata, animata da dettagli che catturano l’essenza del paesaggio italiano.
- Sheet size: cm. 12×19 approx.
- Size of the joke: mm. 140×95 approx.
- Support: Lightweight paper with white backing
- Condition: Excellent
Vignaroli in Roma, B. Pinelli, 1840
25,00 €Vignaroli in Roma It is an engraving made by Bartholomew Pinelli nel 1840, che rappresenta una vivace scena di vita quotidiana con una famiglia di vignaroli.
Questa opera, non firmata, è un esempio della maestria di Pinelli nel catturare i costumi e le tradizioni italiane.
- Sheet size: mm. 230×140
- Engraving size: mm. 105×70
- Technique: Burin
- Support: Light paper
- Condition: Perfect
This engraving is taken from FROMMEL, Picturesque Italy, pubblicato a Lipsia nel 1840, e rappresenta un’importante testimonianza della vita romana dell’epoca.
Vignola, Columbus, Tasso, Galileo, 1835
20,00 €Vignola, Columbus, Tasso, Galileo It is an engraving made with the technique of Burin in 1835.
This work features a joke of cm. 13×9 and is printed on lightweight paper with a white back.
- Sheet size: Small
- Condition: Excellent
- Support: Paper
Villafranca, 1835
25,00 €Villafranca, 1835 è un’incisione al bulino su acciaio realizzata da Grundmann.
Questa opera, con dimensioni di mm. 150×110, è parte del volume “Italy, Sicily, the Aeolian Islands, Elba, Sardinia, Malta, Calypso Island, etc.” by Audot père, published between 1835 and 1837.
- Sheet size: mm. 150×110 più margini
- Support: Medium paper
- Condition: Perfect condition
Questa incisione offre una bella veduta all’ingresso del paese, rendendola un pezzo affascinante per collezionisti e appassionati di arte.
Vincenzo Monti, 1839
20,00 €Vincenzo Monti, 1839 è un’incisione in rame che ritrae il celebre poeta e scrittore italiano.
This work is taken from Omnibus Pittoresco, enciclopedia artistica e letteraria, diretta da Vincenzo Torelli, pubblicata a Napoli dalla tipografia dell’Omnibus nel 1839.
- Sheet size: cm. 20×10 circa
- Support: Paper
- Condition: Excellent
The print is contained in the book page and has writing on the back; the entire page containing the engraving will be sent.
Vincenzo Monti (1754-1828) è considerato l’esponente per eccellenza del Neoclassicismo italiano, noto per la sua traduzione dell’Iliade e per il suo servizio presso le corti papale e napoleonica.
Viola, A.H.Payne, 1840-50
20,00 €Viola It is an engraving made by A.H. Payne between 1840 and 1850.
This work, performed in etching, misura cm. 8×10 ed è stampata su un foglio di cm. 19×27, with white back.
Published in Payne's Universe da A.H. Payne e W. French, a Dresda, Lipsia e Londra, l’incisione si presenta in excellent condition.
- Era: XIX
- Dimensions: Small
- Support: Strong paper
- Technique: Burin
- Condition: Excellent
Viterbo, 1840
30,00 €Viterbo, 1840 It is a steel engraving made by Karl August Lindemann-Frommel, a well-known landscape painter and designer of the French school.
This work is part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig in 1840.
- Sheet size: cm. 14×23 approx.
- Engraving size: cm. 10×15 approx.
- Support: Paper
- Condition: Excellent
The engraving has small margins and is in excellent overall condition.
Lindemann-Frommel, born in 1819 and died in Rome in 1891, studied in Karlsruhe and Munich, moving to Rome in 1856, where he became a professor at the Accademia di Santa Lucia. His works are preserved in several German museums.
Viterbo, Balcony of Casa Porcia, 1886
30,00 €Viterbo, Balcony of Casa Porcia It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work offers a fascinating view of the balcony of Casa Porcia, enriched by decorative writings around the image and annotations on the back of the sheet.
- Sheet size: cm. 10×16 approx.
- Support: Paper
- Condition: Excellent
Viterbo, Cloister of Santa Maria della Quercia, 1886
30,00 €Viterbo, Chiostro di Santa Maria della Quercia It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera presenta un’immagine di dimensioni cm. 10×16, con scritte decorative intorno e annotazioni al retro del foglio.
- Sheet size: cm. 10×16 approx.
- Engraving size: cm. 10×16 approx.
- Support: Paper
- Condition: Excellent
Viterbo, Gothic brick window, 1886
30,00 €Viterbo, Finestra gotica in mattoni è un’incisione del 1886, tratta da The Italian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera rappresenta un esempio affascinante di architettura gotica, con dettagli accurati e un’atmosfera storica.
- Sheet size: cm. 10×16 approx.
- Support: Paper
- Condition: Excellent
Viterbo, Pulpit of San Francesco, 1886
30,00 €Viterbo, Pulpit of St. Francis It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work features a small-sized image, with decorative writing around it and annotations on the back of the sheet.
- Sheet size: cm. 10×16 approx.
- Engraving size: cm. 10×16 approx.
- Support: Paper
- Condition: Excellent
Child's face, pencil drawing, 20th century
30,00 €Volto di Bambino it's a disegno a matita realizzato nel 20th century, che cattura l’innocenza e la dolcezza di un bambino.
Questo affascinante lavoro è eseguito su carta color grigio con filigrana P.M.FABRIANO e porta la firma dell’artista Kessler, datata 16/VIII/30.
- Sheet size: cm. 33×24 circa
- Condition: Excellent state of preservation
- Support: Paper
Volcano, 1835
25,00 €Volcano It is a burin engraving made in 1835, part of the work Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT father.
This steel engraving has a format of cm. 12×16 and stands out for its medium thickness paper with white back.
- Sheet size: Small
- Condition: Good
- Support: Paper
Washington, 1839
15,00 €Washington, 1839 It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This print is contained within the book page and features writing on the verso. The entire page including the print is shipped, making it a unique collector's item.
- Sheet size: cm. 19×12 approx.
- Support: Paper
- Condition: Excellent
William Harvey, 1850
20,00 €William Harvey is an engraving made in 1850 by W. Harvey, MD, and engraved by E. Scriven.
This work, which represents a fine half-length portrait of the famous English doctor, was created using the technique of burin and comes from an original work by C. Jansen, published by S. Orr & C. London.
- Sheet size: cm. 104×130 plus margins
- Condition: Excellent
- Support: Paper
William Hogarth, Masquerades and Opera, 1822
50,00 €Masquerades and Opera è una celebre incisione di William Hogarth, realizzata nel 1822.
This work, also known as The Bad Taste of the Town, critica la moda contemporanea e la commedia dell’arte, rappresentando una scena vivace di mascherate e opere italiane.
- Sheet size: cm. 30×18 circa
- Image size: cm. 18×13 approx.
- Support: Thick paper without watermark
- Condition: Excellent condition
La scena si svolge davanti al King’s Theatre, Haymarket, dove una folla di persone mascherate è guidata da un diavolo che porta una borsa contenente £ 1.000.
Un striscione sopra l’ingresso mostra nobili inginocchiati davanti alla soprano italiana Francesca Cuzzoni, mentre a destra si attende l’ingresso alla pantomima di Arlecchino Doctor Faustus.
Hogarth, con maestria, utilizza sia l’acquaforte che il bulino per creare dettagli vividi e incisivi.
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