Woodcut

Showing 625–648 of 2298 results

Church of the Trinity in Paris. Paris 1869

11,00 

Eglise de la Trinitè a Paris è un’incisione realizzata nel 1869, che rappresenta la celebre chiesa parigina.
This work is taken from the Picturesque Store del 1869 ed è stato disegnato da H Clerget.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 22×15 approx.
  • Support: Light paper
  • Condition: Excellent

Emanuel Philibert, 1865, Turin

15,00 

Emanuel Philibert it is an engraving made in 1865, which represents an equestrian statue dedicated to the famous leader.
This woodcut is from the Chorographic Dictionary of Italy by Prof. Amato Amati, a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Sheet size: mm. 120×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Emanuel Philibert, 1889

25,00 

Emanuel Philibert, 1889 è una xilografia su legno di testa che ritrae Sua Altezza Reale il Principe Emanuele Filiberto Duca delle Puglie.
This work is taken from The Italian Illustration, pubblicata dai Fratelli Treves a Milano nel 1889.

  • Sheet size: cm. 19×25 approx.
  • Support: Paper
  • Condition: Good state of preservation

The print has almost no margins and was cut from the book, with writing on the back.

Emissary of the Fucino in Avezzano, 1890

20,00 

Emissario del Fucino ad Avezzano it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Empoli, Florence, 1885

30,00 

Empoli, Florence, 1885 It is an engraving that represents the Collegiate Church and Square, made by Antoine Valerie Bertrand, a French wood engraver.
This woodcut measures cm. 19×25 and is found on a light sheet of cm. 27×37, with white back. The work is taken from the volume Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.

  • Sheet size: cm. 27×37 approx.
  • Engraving size: cm. 19×25 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Empoli, General View, 1875

20,00 

Empoli, General View It is a woodcut made in 1875, which offers a fascinating overview of the city of Empoli.
This engraving, measuring 8x16 cm, was extracted from the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers.

  • Engraving size: cm. 8×16 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print, with reduced margins and printed back, will be shipped complete with passepartout, ready to be framed.

Entry of Charles V into Antwerp, H. Makart, 1887

30,00 

Entry of Charles V into Antwerp It is an engraving made by H. Makart in 1887.
This woodcut represents an important historical scene and comes from the Italian illustration, published by the Treves Brothers of Milan.

  • Sheet size: cm. 46×27 approx.
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Herculaneum, Naples, 1876

20,00 

Herculaneum, Naples, 1876 è un’incisione xilografica su legno di testa acquarellata, realizzata da Auguste Paul Charles Anastasi.
Questa opera, che misura mm. 130×76, è tratta dal volume Promenades in Italy dell’Abbé Rolland, pubblicato a Tours nel 1876.

  • Sheet size: mm. 130×76
  • Condition: Excellent
  • Support: Paper

La veduta rappresenta un’interessante e decorativa scena di Ercolano, rendendola un pezzo affascinante per collezionisti e appassionati d’arte.

Herculaneum, Naples, 1884

20,00 

Herculaneum, Naples, 1884 è un’incisione xilografica su legno di testa, realizzata da Rudolf Kleinpaul.
This work is part of the volume Naples and its surroundings, pubblicato a Lipsia nel 1884.

  • Sheet size: mm. 160×120
  • Support: Light paper
  • Condition: Excellent condition
  • Characteristics: Margini quasi assenti, testo al verso

Questa incisione offre una bella veduta di Ercolano, rappresentando un’importante testimonianza storica della zona.

Farnese Hercules, 1884

30,00 

Farnese Hercules It is a woodcut engraving made in 1884, which represents one of the most famous works of classical sculpture.
This engraving is taken from the volume Naples and its surroundings by Rudolf Kleinpaul.

  • Sheet size: cm. 27×36 approx.
  • Engraving size: cm. 16×24 approx.
  • Support: Paper with wide margins and white back
  • Condition: Excellent

Esa M.du Moncel. Eze French Riviera. France.1847

15,00 

Esa M. du Moncel. Eze, Costa Azzurra, Francia è una xilografia realizzata nel 1847, tratta dal Picturesque Store.
Questa opera è un esempio affascinante della bellezza della Costa Azzurra, catturata attraverso l’abilità del disegnatore Durond.

  • Sheet size: cm. 30 x 21 approx.
  • Engraving size: cm. 12 x 15 circa
  • Support: Light paper
  • Condition: Excellent

Estiarte (Spain) exlibris

10,00 

Estiarte (Spain) Exlibris It is a work created in 1947, characterized by a subject with a strong erotic impact.
This small-sized woodcut is a fascinating example of 20th-century Spanish graphic art.

  • Sheet size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Light paper

Etna, 1877

15,00 

Etna, 1877 è una xilografia che rappresenta le crevasse dell’Etna, realizzata nel 1877.
This work is taken from L'Italy illustrée de 450 engravures sur wood, published by Gourdault Jules in Paris, Hachette.

  • Sheet size: mm. 160×110
  • Support: Light paper
  • Condition: Good, with almost no margins and writing on the back

Etna, 1877

15,00 

Etna, 1877 è una xilografia che rappresenta il cratere dell’Etna, realizzata nel 1877.
This work is taken from L'Italy illustrée de 450 engravures sur wood, di Gourdault Jules, pubblicato a Parigi da Hachette.

  • Sheet size: mm. 160×110
  • Support: Light paper
  • Condition: Ottima, con margini quasi assenti e scritte sul retro

erotic bookplate

10,00 

Exlibris Erotica It is an engraving made in 1955, characterized by a bold and provocative subject that explores the theme of eroticism.
This small-sized woodcut is a fascinating example of 20th-century graphic art.

  • Sheet size: cm. 9×13 approx.
  • Engraving size: Small
  • Support: Light paper
  • Condition: Excellent

erotic bookplate

10,00 

Exlibris Erotica It is an engraving of great charm, made with the technique of woodcut.
This bookplate features an erotic subject, perfect for collectors and art enthusiasts.

  • Sheet size: cm. 12×9
  • Support: Light paper
  • Condition: Excellent

Frank Peterson bookplate

10,00 

Exlibris Frank Peterson It is an engraving made in 1957, characterized by a nature subject erotica.
This work is an example of woodcut, an engraving technique that gives a unique and fascinating look to the image.

  • Sheet size: cm. 12×7 approx.
  • Support: Light paper
  • Condition: Excellent

Exlibris Horst Gebauer (Germania)

10,00 

Exlibris Horst Gebauer è una xilografia realizzata nel 1986, un’opera che riflette l’arte incisoria tedesca contemporanea.
Questo exlibris, dedicato a Horst Gebauer, è un esempio di come la xilografia possa essere utilizzata per creare opere d’arte personalizzate e significative.

  • Sheet size: mm. 98×135
  • Support: Light paper
  • Condition: Excellent

F. Glissenti, Adam and Eve at Work, 1596

35,00 

Adam and Eve at work It is a woodcut made by Fabio Glissenti In the 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
This print represents a significant example of the cultured thought of the late sixteenth century, addressing the theme of death with an approach that is at times ironic and irreverent.

  • Sheet size: cm. 21×15 approx.
  • Image size: cm. 5×6,5 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

F. Glissenti, The Child and Death, 1596

35,00 

The Child and Death It is a woodcut made by Fabio Glissenti In the 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
This print is part of an iconographic cycle that explores the theme of death with an approach that is at times ironic and irreverent, reflecting the cultured thought of the late sixteenth century.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

The work of Glissenti, a doctor and philosopher, addresses death in a provocative way, challenging the censorship and conformism of his time.
His main work, Athanatophilia, is a vast work composed of dialogues and short stories, which addresses the sorrow of death with a critical and profound vision.

Fabbro, xilografia dell’800

25,00 

Fabbro è un’incisione in xilografia dell’800 che rappresenta l’interno di una bottega di fabbri olandese, tratta da una stampa antica di Jacob Cats.
Questa xilografia è estratta da un testo della fine dell’800 e verrà spedita come pagina intera, contenente la stampa.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 11×11 approx.
  • Support: Paper
  • Condition: Excellent

Fabbro, xilografia dell’800

25,00 

Fabbro è un’incisione in xilografia realizzata nell’800, che rappresenta una bottega di fabbri.
Questa opera è tratta da un testo della fine dell’800 e verrà spedita come pagina intera, contenente la stampa estratta dal libro.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Paper
  • Condition: Excellent

Fabbro, xilografia dell’800

25,00 

Fabbro è una xilografia dell’800 che rappresenta una bottega di fabbri, estratta da un testo della fine del XIX secolo.
This work measures approximately cm. 8×6 for engraving and cm. 27×18 per il foglio, con testo presente attorno e al verso.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 8×6 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

Fabio Glissenti, Autopsia, 1596

35,00 

Fabio Glissenti, Autopsia di un Cadavere è una xilografia realizzata nel 1596, parte dell’opera Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa pagina, non firmata, misura circa cm. 6,5×10 sull’intero foglio di cm. 21×15.

  • Era: XVI
  • Technique: Woodcut
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente, sfidando la censura del suo tempo. La sua opera principale, l’Athanatophilia, è un voluminoso lavoro che esplora la mortalità attraverso cinque dialoghi e un trattato.
Queste rare stampe offrono uno sguardo profondo sul pensiero colto della fine del ‘500, rendendo omaggio alla tradizione iconografica della Danza Macabra.

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