Woodcut

Showing 1849–1872 of 1884 results

Verzuolo, Cuneo, Castle, 1890

20,00 

Verzuolo, Cuneo, Castello it's a woodblock print made by the engraver Barberis in 1890.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 15×13 circa, circondata da testo.
Il foglio completo misura cm. 26×18 e include testo al verso.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 15×13 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Vesuvius, 1875

20,00 

Vesuvius, 1875 it is a woodcut representing the famous volcano, made by Rudolf Schick as a designer and Henri Theophile Hildibrand as an engraver.
This work is taken from the volume Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.

  • Engraving size: cm. 22×16 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Via Mala, Bergamo, 1885

30,00 

Via Mala, Bergamo It is an engraving made by Adolf Closs nel 1885, parte dell’opera Italy Pictorial Journey from the Alps to Etna, curata da G. Stieler, E. Paulus e W. Kaden.
Questa xilografia rappresenta un paesaggio suggestivo e si distingue per la sua finezza e dettagli.

  • Sheet size: cm. 27×37 approx.
  • Engraving size: cm. 19×25 approx.
  • Support: Light sheet
  • Condition: Excellent condition

Viadana, Mantua, 1890

20,00 

Viadana, Mantua, 1890 it's a woodblock print representing Piazza Vittorio Emanuele in Viadana, built in 1890.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent

Avenue of the Boulogne Wood, De Nittis, 1887

20,00 

Viale del bosco di Boulogne è un’incisione realizzata da Giuseppe De Nittis nel 1887.
Questa xilografia su legno di testa è tratta da The Italian Illustration, published by the Treves Brothers of Milan.

  • Sheet size: mm. 190×145
  • Condition: Good, with almost no margins and writing on the back
  • Support: Paper

Viareggio, Lucca, 1890

20,00 

Viareggio, Lucca, 1890 è una stampa xilografica che rappresenta la Caserma e la Torre Antica della Principessa Matilde.
This work is taken from Illustrated geographical Italy di P. Premoli, pubblicata nel 1890.

  • Sheet size: cm. 12×10 approx.
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent

The print has been removed from the book and has writing on the verso; the full page will be sent.

Vicenza, 1876, Old Seminary

15,00 

Vicenza, 1876, Old Seminary it is a woodblock engraving depicting a fascinating glimpse of the city of Vicenza.
This work is taken from the volume Italian by K. Stieler and W. Kaden, published in Stuttgart in 1876.

  • Sheet size: mm. 75×120
  • Support: Light sheet
  • Condition: Excellent condition
  • Notes: Almost no margins and writing on the back

Vicenza, Court of the Bishop's Palace, 1890

20,00 

Vicenza, Corte del Palazzo Vescovile It is a woodcut made in 1890 by the engraver A. Quantin.
Questa affascinante stampa, tratta da un libro francese di fine ‘800, presenta una scena animata e si trova in excellent condition.

  • Dimensions: cm. 10×13
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Vicenza, Bonin Palace, 1890

20,00 

Vicenza, Bonin Palace It is a woodcut made in 1890 by E. Bondier, a well-known French designer and illustrator active in Paris.
This charming print, from a late 19th-century French book, depicts a lively view of Vicenza, showcasing the architectural beauty of the Palazzo Bonin.

  • Sheet size: cm. 10×13 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Vicenza, Council Palace, 1890

20,00 

Vicenza, Palazzo del Consiglio è una xilografia realizzata nel 1890, proveniente da un libro francese di fine Ottocento.
This beautiful print features a lively animation and comes in excellent condition.

  • Sheet size: cm. 10×13
  • Technique: Woodcut
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Vicenza, Lords Square, 1885

35,00 

Vicenza, Lords Square, 1885 It is a woodcut made by Adolf Closs based on a design by Gustave Bauernfeind.
This engraving measures cm. 19×25 and is printed on a light sheet of cm. 27×37, with white back.
Fa parte dell’opera Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.

  • Sheet size: cm. 27×37 approx.
  • Engraving size: cm. 19×25 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Adolf Closs, incisore su legno, ha collaborato a numerose pubblicazioni, mentre Gustave Bauernfeind è noto per le sue vedute storiche e architettoniche, avendo viaggiato ampiamente in Italia e in Oriente.

Victor Fournel, Aux Pays du Soleil, 1883

60,00 

Victor Fournel, Aux Pays du Soleil is a work published in 1883, which offers a fascinating exploration of a summer spent in Spain, Italy, Alexandria and Cairo.
This large-format volume presents a beautiful editorial cloth binding with gold title on the spine and gold edges.

  • Volume dimensions: 8th great
  • Number of pages: 487
  • Iconography: Extensive iconography with numerous full-page and in-text woodcuts
  • Condition: Excellent state of preservation

The work is considered important and uncommon, perfect for lovers of travel literature.

Vieille Porte sur le grand Mole in Dordrecht. 1859

11,00 

Vieille Porte sur le grand Mole a Dordrecht è un’incisione realizzata nel 1859, che rappresenta un affascinante scorcio della storica porta di Dordrecht.
This work is taken from the Picturesque Store del 1859 e presenta un disegno di da Rouargue.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 22×15 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Vietri, 1884

20,00 

Vietri, 1884 è un’incisione xilografica che offre una beautiful view del paesaggio, rendendola un’opera interessante e decorativa.
This engraving is taken from Picturesque Europe del 1884 e presenta un retro stampato.

  • Sheet size: mm. 170×100
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Light paper

Vigevano, Pavia, 1890

20,00 

Vigevano, Pavia, 1890 it's a woodblock print che rappresenta la Piazza del Duomo di Vigevano, realizzata nel 1890.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Vignola, 1880, The Castle

20,00 

Il Castello di Vignola è un’incisione xilografica realizzata nel 1880, con un disegno di Pessina.
This work, taken from theUniverso Illustrato, offre una bella veduta del castello, con dimensioni di mm. 220×145.

  • Sheet size: mm. 220×145
  • Support: Light sheet
  • Condition: Discrete condizioni, con margini quasi assenti e scritte sul retro

Villa Borghese in Rome.

11,00 

Villa Borghese in Rome It is a woodcut made in 1866, which captures the beauty of one of the most famous parks in the Italian capital.
This work is taken from the Picturesque Store from 1866 and features an enchanting scene in which animals graze inside the villa.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 18×15 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Villa Comunale a Napoli, 1875

20,00 

Villa Comunale a Napoli è un’incisione del 1875 che rappresenta una fontana nella Villa Reale a Napoli.
Made in woodcut, questa opera è stata disegnata da Ludwig Dill and engraved by Adolf Closs.

  • Engraving size: cm. 13×19 approx.
  • Support: Paper
  • Condition: Excellent state of preservation
  • Taken from: Italia Viaggio Pittorico dall’Alpi all’Etna di G.Stieler, E.Paulus, W.Kaden, Milano, Fratelli Treves, Editori, 1885

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Villafranca, Castello, 1883

20,00 

Villafranca, Castello è un’incisione xilografica realizzata nel 1883, che rappresenta una graziosa veduta del Chateau de Villafranca.
This work is taken from the volume Picturesque Italy by J. Gourdault, published in Paris in 1883.

  • Sheet size: mm. 184×130 circa
  • Support: Paper
  • Condition: Excellent condition
  • Notes: Piccoli margini e scritte sul retro

Villafranca, Verona, 1843

25,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 10×14 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa.

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Viterbo, 1890

20,00 

Viterbo, 1890 it's a woodblock print representing the city of Viterbo, created in 1890.
This work is taken from Illustrated geographical Italy by P. Premoli and features a descriptive text around the image and the back.
The print has been extracted from the book and will be shipped with the full page, thus maintaining the original context of the work.

  • Sheet size: cm. 12×9 approx.
  • Support: Light paper
  • Condition: Excellent

Viterbo, The Fountain, 1877

20,00 

Viterbo, The Fountain It is a woodcut engraving made by Gustave Bauernfeind in 1877.
This work represents the Big Fountain in Viterbo and is taken from the volume Italy from the Alps to Etna by Kaden.

  • Sheet size: cm. 18×22 approx.
  • Condition: Excellent state of preservation
  • Support: Paper

The print has been cut from the book and features lettering on the back, making it a beautiful decorative display for collectors and art enthusiasts.

Viterbo, Alessandrini Palace, 1890

20,00 

Viterbo, Alessandrini Palace it's a woodblock print dating back to 1890, which represents an important view of Viterbo, in particular of Piazza San Pellegrino.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10 x 12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Condition: Excellent
  • Support: Paper

Viterbo, Poscia Palace, 1877

15,00 

Viterbo, Poscia Palace It is a woodcut engraving made by Gustave Bauernfeind in 1877.
This work represents a beautiful decorative view of the famous and historic Palazzo Poscia, located in Via Saffi in Viterbo.

  • Sheet size: mm. 100×138
  • Support: Paper
  • Condition: Excellent condition
  • Taken from: “L'Italie” by J. Gourdault
  • Notes: The print was cut from the book and has writing on the back.

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