Woodcut

Showing 1969–1992 of 2298 results

Sorrento, Tasso, 1876

20,00 

Sorrento, Badger It is a woodcut engraving made in 1876.
This work represents Tasso's house in Sorrento and is taken from the volume Italian by K.Stieler and W.Kaden, published in Stuttgart.

  • Sheet size: mm. 186×140
  • Condition: Excellent
  • Support: Light sheet
  • Notes: Almost no margins and writing on the back

Sorrento, Watercolor woodcut, 1892

25,00 

Sorrento it's a watercolor woodcut made in 1892, which offers a suggestive view of Sorrento.
This work is taken from the work Chevalier Abbé, Naples le Vésuve et Pompeii. Travel sketches, and bears the engraver's signature Anastasi.

  • Sheet size: cm. 8×13 approx.
  • Support: Lightweight paper, printed back
  • Condition: Excellent

La Spezia, The Dock, 1890

20,00 

Spice, The Dock it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

La Spezia, Vittorio Emanuele Square, 1890

20,00 

La Spezia, Vittorio Emanuele Square, 1890 It is a late nineteenth-century woodcut print that captures the essence of a fascinating historical era.
This work presents an image measuring approximately 10x12 cm, surrounded by text and with further annotations on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Cumae Beach, 1875

20,00 

Cumae Beach, 1875 It is a woodcut made by Ludwig Dill, a well-known German painter and draftsman specializing in landscapes and seascapes.
This engraving, which measures cm. 20×14 (excluding margins), is taken from the work Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Spiaggia di Quinto, Genova, 1875

20,00 

Spiaggia di Quinto, Genova It is a woodcut made in 1875, che cattura la bellezza della costa ligure.
This work is taken from the work Italy Pictorial Journey from the Alps to Etna by G.Stieler, E.Paulus and W.Kaden, published in Milan by the Treves Brothers.

  • Engraving size: cm. 10×19 circa
  • Support: Paper
  • Condition: Excellent state of preservation

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.
Designer: Gustav Schoenleber, noto pittore paesaggista tedesco, e Engraver: Adolf Closs, incisore su legno, hanno collaborato per creare questa affascinante rappresentazione.

Spoleto, 1865

25,00 

Spoleto, 1865 it is a woodcut engraving representing the aqueduct and the fortress of Spoleto.
This work is taken from the edition of Picturesque Emporium, published by Sonzogno in Milan in 1865.

  • Sheet size: mm. 210×140 approx.
  • Support: Light paper
  • Condition: Good condition, with almost no margins and writing on the back, partly visible on the back.

Spoleto, Panorama, 1890

25,00 

Spoleto, Panorama it's a woodblock print made in 1890, che offre una vista affascinante della città di Spoleto.
This work is taken from Illustrated geographical Italy by P. Premoli and features text around and on the back.

  • Sheet size: cm. 16×26 approx.
  • Support: Light paper
  • Condition: Excellent

The print has been removed from the book and will be shipped with the full page, including the text on the verso.

Stampatori, xilografia dell’800

25,00 

Stampatori è una xilografia dell’800, che rappresenta un’importante testimonianza del lavoro degli stampatori.
Questa opera è tratta da un testo della fine dell’800 e presenta un’incisione di dimensioni cm. 16×11 circa, su un foglio di cm. 27×18.
La stampa include testo attorno e al verso, e verrà spedita l’intera pagina, estratta dal libro.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

17th century biblical prints cm.11×9

0,00 

17th Century Biblical Prints they are precious woodcuts made by Christoffel of Shechem, a well-known Dutch engraver.
These works, taken from the volume Bibels tresoor, ofte Der zielen lvsthof, published in 1646, represent significant scenes from the life of Jesus and other biblical episodes.

  • Sheet size: cm. 19×14 approx.
  • Engraving size: cm. 10/11×8/9 approx.
  • Technique: Woodcut
  • Support: Laid paper
  • Condition: Excellent

Each print is monogrammed in CVS plate and comes with a certificate of originality and legitimate provenance.
200 copies available. Contact for a quote.

17th century religious prints cm.11×7

0,00 

17th century religious prints They are woodcuts on laid paper with partial watermark, measuring approximately 11x7.5 cm, with smaller margins and printed back.
These works are monogrammed in CVS plate (Christoffel van Sichem) and come from the volume Bibels tresoor, ofte Der zielen lvsthof, published by Pieter Jacobsz, Paets, in Amsterdam in 1646.

  • They represent: Scenes and episodes from the life of Jesus and biblical episodes.
  • Availability: 180 specimens.
  • Certificate: Each print will be accompanied by a certificate of originality and legitimate origin.

About Christoffel van Sichem: Dutch engraver born in Basel in 1581 and died in Amsterdam in 1658, he created numerous woodcuts inspired by works by artists such as Durer, Abraham Bloemaert, Hendrick Goltzius and Maarten van Heemskerck.

Room of Vittorio Emanuele II, 1890

20,00 

Stanza di Vittorio Emanuele II è una xilografia realizzata nel 1890, che rappresenta l’interno del Castello di Pollenzo a Brà, Cuneo.
Questa stampa è tratta da un testo italiano di fine Ottocento, con incisione di Barberis.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The entire sheet containing the print will be shipped.

Stato Maggiore Francese, 1859

30,00 

Stato Maggiore Francese è una xilografia realizzata nel 1859, proveniente dall’opera Wars of Italy.
Questa stampa, di notevole interesse storico, rappresenta il contesto militare dell’epoca e offre uno sguardo affascinante sulle forze armate francesi.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: not specified
  • Support: Paper
  • Condition: Excellent

Coat of arms of the Province of Naples, 1866

25,00 

Coat of arms of the Province of Naples it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Stemma di Alba, Cuneo, 1866

25,00 

Stemma di Alba, Cuneo it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

​Stemma di Alessandria, 1866

25,00 

Stemma di Alessandria it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Stemma di Ancona , 1866

25,00 

Stemma di Ancona It is an engraving made in 1866, using the technique of hand-colored woodcut with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

Coat of arms of Arezzo, 1866

25,00 

Stemma di Arezzo It is an engraving made in 1866, using the technique of hand-colored woodcut with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Engraving size: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Ascoli, 1866

25,00 

Stemma di Ascoli è un’incisione realizzata nel 1866,
una xilografia colorata a mano ad acquarello e tempera, tratta dall’opera From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Bergamo, 1866

25,00 

Stemma di Bergamo It is an engraving made in 1866, using the technique of hand-colored woodcut with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Stemma di Bologna, 1866

25,00 

Stemma di Bologna it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Camerino, 1866

25,00 

Coat of arms of Camerino it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Carrara, 1866

25,00 

Coat of arms of Carrara it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Casale Monferrato, 1866

25,00 

Stemma di Casale Monferrato It is an engraving made in 1866, using the technique of hand-colored woodcut with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

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