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Showing 241–264 of 306 results

Raffaello Sanzio, 1857

30,00 

Raphael Sanzio è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Iconoteca Italiana – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
Questa opera misura la battuta di cm. 14×18 su un foglio di cm. 23×32, realizzata su strong paper with white back.
Presenta alcune leggere macchie di ruggine ai bordi, che non interessano l’incisione.

  • Sheet size: cm. 23×32
  • Engraving size: cm. 14×18
  • Support: Strong paper
  • Condition: Good

Redi Francesco, 1857

30,00 

Redi Francesco, 1857 it is an original etching, taken from the Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence in 1857.
This work represents an important testimony of the figure of Francesco Redi, an Italian physician and man of letters, known for his contributions to science and literature.

  • Sheet size: cm. 23×32
  • Size of the joke: cm. 14×18
  • Support: Strong paper
  • Condition: Good, with some light rust stains on the edges, which do not affect the engraving

Roma, Monumento di Claudio a Porta Maggiore

50,00 

Monumento di Claudio a Porta Maggiore It is an engraving made by Gaetano Cottafavi in 1843, part of the Collection of the Principal Views of Rome and its Surroundings.
Questa opera rappresenta una veduta animata e decorativa del monumento, incisa con grande maestria.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Heavy paper
  • Condition: Buone, con qualche macchia e un po’ sciupato

L’incisione è una prova ottima con buon contrasto e retro bianco.
Verrà spedita in tubo rigido per garantire la massima protezione.

Roma, Palazzo Farnese, 1724

40,00 

Roma, Palazzo Farnese è un’incisione realizzata nel 1724, che offre una vista affascinante del celebre palazzo romano.
This work is taken from Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Size of the joke: cm. 16×27 approx.
  • Support: Medium paper with white back
  • Condition: Good, it has two editorial folds

St. Juliana Falconieri, 1800

25,00 

St. Juliana Falconieri It is an engraving made in 1800, which represents a significant work in the artistic panorama of the time.
This engraving was made using the technique ofEtching and of the Burin, and was designed by Gius. Marino and engraved by Gius. Marcucci.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 13×16 approx.
  • Support: Light paper
  • Condition: Good condition

St. Ignatius, St. Apollonia, 19th century

25,00 

St. Ignatius and St. Apollonia it is an ancient holy card dating back to 19th century.
This work is made in etching and measures approximately cm. 13×9.
Published at Paris from the publisher L. Turgis, is presented in good condition.

  • Sheet size: cm. 13×9 approx.
  • Technique: Etching
  • Condition: Good
  • Support: Paper

Salvator Rosa, Figurine, 1720

1.450,00 

Salvator Rosa, Figurines It is a complete set of 60 plates, including the title plate, published by the engraver and publisher François Chéreau in Paris in the first half of the 18th century.
This collection, known as the Figurines, was originally created by Rosa in 62 etchings between 1656 and 1657.

  • Sheet size: Great
  • Dimensions of the tables: Variables
  • Technique: Etching
  • Condition: Good
  • Support: Laid paper

On the frontispiece we read: SALVATOR ROSA Invenit. Liber Primus.
This edition is a good example, with six backlit prints and a few stains that do not detract from the artwork.

St. James of Nisibis, 1711

20,00 

Saint James of Nisibis It is an engraving made in 1711, executed with the technique ofetching and burin.
This work, signed by Mariette, is printed on laid paper with partial watermark.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 6×11 approx.
  • Support: Laid paper
  • Condition: Good condition

Saint Margaret Virgin, 1800

30,00 

Saint Margaret Virgin It is an engraving made in 1800, which represents the figure of Saint Margaret, one of the most venerated saints.
This work is made with the technique ofEtching and of the Burin, showing remarkable attention to detail and artistic finesse.

  • Sheet size: cm. 16×23 approx.
  • Engraving size: cm. 8×11 approx.
  • Support: Light paper
  • Condition: Good condition, has some creases

Saint Peter the Anchorite, 1711

20,00 

Saint Peter the Anchorite It is an engraving made in 1711 by Mariette, performed with the technique ofetching and burin.
This work features an engraving size of cm. 6×11 on a sheet of paper cm. 10×16, printed on laid paper with partial watermark.

  • Condition: Good condition
  • Price: €20,00

Saint Raymond, 1842

20,00 

Saint Raymond It is an engraving made in 1842 by Ant. Banzo, using the technique ofEtching and Burin.
This work has an engraving size of cm. 7x9 on a sheet of cm. 11x16, printed on paper with white back.

  • Sheet size: cm. 11×16
  • Engraving size: cm. 7×9
  • Support: Paper
  • Condition: Good condition

Saint Theodotus Innkeeper 17th century

40,00 

Saint Theodotus the Host It is an anonymous engraving made in 17th century.
This work is an etching on laid paper without watermark, with a size of cm. 14×21 at the edge of the image and has a caption in Latin.

  • Sheet size: cm. 14×21 approx.
  • Technique: Etching
  • Condition: Fair condition (not visible crease on the back)
  • Support: Laid paper

St. Thomas of Villanova 17th century

40,00 

St. Thomas of Villanova It is an anonymous engraving made in 17th century.
This work is an etching on laid paper without watermark, featuring a caption in Latin.

  • Sheet size: cm. 14×21 approx.
  • Technique: Etching
  • Condition: Fair condition
  • Support: Laid paper

St. Augustine, Canivet

20,00 

St. Augustine, Canivet è un’opera del XIX secolo che rappresenta il celebre santo, realizzata con una tecnica di acquaforte caratterizzata da bordi riccamente trinati e colorata.
Questo pezzo è un esempio affascinante di arte religiosa, perfetto per collezionisti e appassionati.

  • Sheet size: cm. 8×12 approx.
  • Condition: Buone, con diverse piccole mancanze ai bordi
  • Support: Paper

Saint Asclapius, 1711

20,00 

Saint Asclapius It is an engraving made in 1711, which represents the famous god of medicine.
This work was created using the technique ofetching and burin, and is an example of engraving art of the period.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 6×11 approx.
  • Support: Laid paper with partial watermark
  • Condition: Good condition

Saint Eulogius, 1711

20,00 

Sant’Eulogio It is an engraving made in 1711 attraverso le tecniche dell’etching and of the burin.
Questa opera, pubblicata da Mariette a Parigi, presenta una misura dell’incisione di cm. 6×11 on a sheet of paper cm. 10×16, realizzata su laid paper with partial watermark.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 6×11 approx.
  • Support: Laid paper
  • Condition: Good condition

Santino antico, Angelo Custode, XIX sec.

20,00 

Santino Antico – Angelo Custode It is an engraving made in 19th century, proveniente dalla tradizione tedesca.
Questo santino, caratterizzato da un delicato merlettato, rappresenta l’Angelo Custode, simbolo di protezione e guida.

  • Sheet size: cm. 9×7 approx.
  • Technique: Etching
  • Condition: Good condition
  • Support: Paper

Santino antico, Comunione, Gesù, 1850-70

25,00 

Santino Antico di Comunione con Gesù è un’opera realizzata tra il 1850 e il 1870, rappresentativa della spiritualità del periodo.
Questo santino è caratterizzato da un’incisione ad Etching con un elegante merletto a punzone, che ne arricchisce il valore artistico.

  • Sheet size: cm. 11×8 approx.
  • Condition: Good condition
  • Support: Paper

Santino antico, Gesù, Giuseppe e Maria, XIX sec.

20,00 

Santino antico con Gesù, Giuseppe e Maria It is a work created in 19th century, di origine tedesca.
Questo santino, caratterizzato da un delicato merlettato, rappresenta una scena sacra di grande impatto visivo.

  • Sheet size: cm. 9×7 approx.
  • Technique: Etching
  • Condition: Buone condizioni, con una piccola mancanza nel bordo superiore
  • Support: Paper

Santino antico, Madonna con Bambino, XIX sec.

20,00 

Santino antico, Madonna con Bambino It is a work dating back to 19th century, realizzata con la tecnica dell’Etching.
Questo santino presenta un delicato merlettato e misura circa cm. 9×7.

  • Artists: Ch. Letaille, S. Bonnard
  • Condition: Good condition
  • Support: Paper

Santino antico, Madonna e angeli, XIX sec.

20,00 

Santino antico, Madonna e angeli It is an engraving made in 19th century, che rappresenta una scena sacra con la Madonna e gli angeli.
Questa opera è caratterizzata da una tecnica di Etching e presenta un elegante merlettato.

  • Sheet size: cm. 10×8 approx.
  • Condition: Good condition
  • Support: Paper

Santino antico, N.D. di la Salette, 1900

25,00 

Santino Antico, N.D. di La Salette è un’incisione realizzata nel 1900, raffigurante la Nostra Signora di La Salette.
This work is an example of acquaforte colorata a mano, che conferisce un tocco unico e artigianale all’immagine sacra.

  • Sheet size: cm. 14×9 approx.
  • Condition: Good condition
  • Support: Paper

Ancient holy card, St. Clare, 1900

25,00 

Ancient holy card of St. Clare dating back to 1900, a fascinating work that combines art and devotion.
This holy card is made in etching and features a compact format, ideal for collectors and enthusiasts of sacred art.

  • Dimensions: cm. 11×7 approx.
  • Condition: Good condition
  • Support: Paper with application of dried flowers

Ancient holy card, St. Vincent de Paul, 1850-70

30,00 

Ancient holy card of St. Vincent de Paul, made between 1850 and 1870.
This etching It has richly lace edges and measures approximately 11 x 8 cm.
Published by Villemur in Paris, this holy card is a fascinating example of religious art of the period.

  • Sheet size: cm. 11×8 approx.
  • Condition: Good condition (small repair to the bottom edge)
  • Support: Paper

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