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Showing 49–72 of 306 results

Canova Antonio, 1857

30,00 

Canova Antonio It is an original etching, made in 1857 and taken from the work Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
This work features a joke of mm. 140×180 on a sheet of paper cm. 23×32, made on strong paper with white back.

  • Condition: It has some light foxing at the edges, which does not affect the engraving.

Carlo Orsolini, Christ and an Angel, 1732

80,00 

Christ and an Angel it is an engraving made by Carlo Orsolini in 1732.
This work, performed in etching on parchment, measures 24x16 cm at the marginal line.
At the bottom left is the inscription “Franc. Bagozzi SS.Filippo e Giacomo” and on the right is the artist's signature “Car.Orsolini 1732”.
The print has two small holes and stains on the verso, making it a rarity of its kind.

  • Sheet size: cm. 24×16 approx.
  • Condition: Good
  • Support: Parchment

Charles Inselin Armillary Sphere 1707

80,00 

Charles Inselin Armillary Sphere It is an engraving made in 1707, which represents a map colored in watercolour.
This work, engraved by Charles Inselin, measures cm. 14×12 on a sheet of paper cm. 16×15.
It features editorial folds and a blank back, making it a unique piece for collectors and cartography history enthusiasts.

  • Sheet size: cm. 16×15 approx.
  • Engraving size: cm. 14×12 approx.
  • Support: Paper
  • Condition: Good

Cione Pollini, 1857

30,00 

Cione Pollini è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Iconoteca Italiana – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
Questa opera rappresenta Cione Pollini, un ricco mercante fiorentino noto per aver fondato l’Ospedale di S.Maria della Scala.

  • Sheet size: cm. 23×32
  • Size of the joke: cm. 14×18
  • Support: Strong paper
  • Condition: Buone, con qualche leggera macchia di ruggine ai bordi, che non interessa l’incisione.

Consalvo Carelli, Cross of Pozzano

120,00 

Croce di Pozzano It is a work created by Consalvo Carelli between 1870 and 1880.
This drawing, done in pencil on paper, measures mm. 130×204 and is glued to another paper support.
Carelli, one of the main exponents of the Posillipo School, è noto per la sua abilità nel catturare la bellezza dei paesaggi napoletani.

  • Era: XIX
  • Technique: Pencil
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Cornelis Galle, Naval Battle, 17th century.

50,00 

Naval Battle It is an engraving made by Cornelis Galle in the 17th century.
This etching on laid paper It measures approximately 85 x 125 mm, excluding the margins, and depicts a lively naval battle scene.
The work is signed lower right with the initials C.Galle, but the attribution between Cornelis Galle the Elder and the Younger remains uncertain.

  • Sheet size: mm. 85×125 approx.
  • Condition: Good, with small defects on the two lower edges
  • Support: Laid paper

Human body back, 1814

70,00 

Corpo Umano Parte Posteriore it is an anatomical plate created in 1814, engraved by Antonio Gajani based on a drawing by Giuseppe Guizzardi.
This work is part of the volume Anatomical tables for painters and sculptors di Giambattista Sabattini, pubblicato a Bologna.

  • Sheet size: cm. 33×23 approx.
  • Engraving size: cm. 24×16 approx.
  • Technique: Etching
  • Support: Heavy paper
  • Condition: Good condition

Viene venduta la tavola e le spiegazioni della stessa, rendendola una rarità per collezionisti e studiosi.

Human body, front, 1814

70,00 

Human body, front part it is an anatomical plate created in 1814, engraved by Antonio Gajani based on a drawing by Giuseppe Guizzardi.
This work is part of the Anatomical tables for painters and sculptors by Giambattista Sabattini, published in Bologna.

  • Sheet size: cm. 33×23 approx.
  • Engraving size: cm. 24×16 approx.
  • Support: Heavy paper
  • Condition: Good condition

The plate is sold with explanations of the same, making it a rarity for collectors and scholars.

Human body, front, 1814

70,00 

Human body, front part it is an anatomical table created in 1814 by Antonio Gajani, based on a design by Giuseppe Guizzardi.
This etching, part of the volume Anatomical tables for painters and sculptors by Giambattista Sabattini, is a work of great historical and artistic value.

  • Sheet size: cm. 33×23 approx.
  • Engraving size: cm. 24×16 approx.
  • Support: Heavy paper
  • Condition: Good condition

The plate is sold together with its explanations, making it a rarity for collectors and anatomy enthusiasts.

Human body, back, 1814

70,00 

Corpo umano, parte posteriore it is an anatomical plate created in 1814, engraved by Antonio Gajani based on a drawing by Giuseppe Guizzardi.
This work is taken from Anatomical tables for painters and sculptors by Giambattista Sabattini, published in Bologna.

  • Sheet size: cm. 33×23 approx.
  • Engraving size: cm. 24×16 approx.
  • Support: Heavy paper
  • Condition: Good condition

Viene venduta la tavola e le spiegazioni della stessa, rendendola una rarità per collezionisti e appassionati di anatomia.

da Giuseppe Ribera, Un Filosofo, XVIII secolo

50,00 

Un Filosofo It is an engraving made by Giuseppe de Ribera, noto anche come Lo Spagnoletto, e incisa da Anton Joseph Prenner in the 18th century.
Questa opera è un esempio significativo del lavoro di Ribera, uno dei principali pittori della scuola spagnola, attivo principalmente in Italia.

  • Sheet size: cm. 22×17 circa
  • Technique: Etching
  • Support: Medium thickness paper
  • Condition: Buone (foglio un poco sporco)

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Maria Anna Christienne Victoire de Baviere è un’acquaforte acquarellato realizzata da Nicolas de Larmessin nel 1680.
This work, signed De L’Armessin, sculpsit, è un esempio pregevole dell’arte del XVII secolo.

  • Sheet size: cm. 25×18 approx.
  • Support: Laid paper
  • Condition: Buone, con strappo di 10 cm riparato al verso con carta

Diderot and D'Alembert, 1778, Horse riding, horse, riding school

25,00 

Diderot e D’Alembert, 1778, Equitazione è un’incisione affascinante che esplora il tema dell’equitazione e del maneggio.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon

Questa incisione, realizzata nel 1771 e tirata nel 1778, è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Yverdon Encyclopedia.
Si distingue per il suo approccio meno francese e meno antireligioso, guadagnandosi il soprannome di enciclopedia protestante e una notevole diffusione nel Nord Europa.

Diderot and D'Alembert, 1778, Horsemanship, Horse, The Capriole

25,00 

Diderot e D’Alembert, Equitazione It is an engraving made by Fortunate Bartholomew De Felice nel 1778, tratta dall’importante opera Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa incisione, dedicata all’arte dell’equitazione e alla figura del cavallo, è parte dell’edizione nota come Yverdon Encyclopedia, published in Switzerland.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon

Diderot and D'Alembert, 1778, Riding, horse, the groupade

25,00 

Diderot e D’Alembert, 1778 – Equitazione, cavallo, la groupade è un’incisione affascinante che esplora il tema dell’equitazione.
Tratta dall’importante opera Encyclopedia or Dictionnaire Universel Raisonné des connoissance…, questa incisione è stata realizzata da Fortunato Bartolomeo De Felice, noto per il suo contributo all’edizione dell’Enciclopedia di Diderot e D’Alembert.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)

Questa incisione è parte dell’edizione dell’Enciclopedia d’Yverdon, nota per la sua diffusione nel Nord Europa, grazie al suo approccio meno francese e meno antireligioso rispetto all’originale di Diderot e d’Alembert.

Diderot and D'Alembert, 1778, Riding, horse, la pescade, la courbette

25,00 

Diderot e D’Alembert, 1778 – Equitazione è un’incisione che esplora le tecniche equestri, in particolare il passaggio, la pesade e la courbette.
This work is taken from the Encyclopedia or Dictionnaire Universel Raisonné des connoissance…, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back

L’incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Yverdon Encyclopedia, published in Switzerland.
Questa edizione, meno influenzata dalle idee francesi e antireligiose, è conosciuta come enciclopedia protestante e ha avuto una notevole diffusione nel Nord Europa.

Diderot and D'Alembert, 1778, Horsemanship, horse, the saddle

25,00 

Diderot e D’Alembert, Equitazione it is an engraving made by Fortunato Bartolomeo De Felice in 1778, taken from the important work Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa incisione, che rappresenta un tema legato all’equitazione e alla sella, è parte della famosa edizione dell’enciclopedia curata da De Felice, nota come Yverdon Encyclopedia, published in Switzerland.

  • Sheet size: cm. 24×18
  • Technique: Etching
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition

Diderot and D'Alembert, 1778, Horsemanship, horse, the piafer

25,00 

Diderot e D’Alembert, Equitazione it is an engraving made by Fortunato Bartolomeo De Felice in 1778, taken from the important work Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa incisione rappresenta un interessante studio sull’equitazione e il cavallo, ed è parte dell’edizione nota come Yverdon Encyclopedia, published in Switzerland.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back

Questa edizione si distingue per il suo approccio meno francese e meno antireligioso rispetto all’originale di Diderot e d’Alembert, guadagnandosi il soprannome di enciclopedia protestante e assicurando una forte diffusione nel Nord Europa.

Diderot and D'Alembert, 1778, Horsemanship, Horse, English Saddles

25,00 

Diderot e D’Alembert, 1778, Equitazione è un’incisione di Fortunato Bartolomeo De Felice, realizzata nel contesto della celebre Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa opera, dedicata all’arte dell’equitazione e alle selle inglesi, è parte dell’edizione dell’enciclopedia curata da De Felice, nota come Yverdon Encyclopedia, published in Switzerland.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)

Questa incisione si distingue per il suo approccio meno francese e meno antireligioso rispetto all’originale di Diderot e D’Alembert, guadagnandosi il soprannome di enciclopedia protestante e contribuendo alla sua diffusione nel Nord Europa.

Diderot and D'Alembert, 1778, Horsemanship, the gallop

25,00 

Horse riding, the gallop It is an engraving made by Fortunate Bartholomew De Felice in 1778, part of the work Encyclopedia or Dictionnaire Universel Raisonné des connoissance…, edited by Diderot and D'Alembert.
This engraving, interesting for its content, comes from the edition of the Diderot and D'Alembert Encyclopedia known as Yverdon Encyclopedia, published in Switzerland.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon
  • Engraving period: 1771
  • Period of circulation: 1778

Diderot and D'Alembert, 1778, lead working, rolling mill, foundry, trades

25,00 

Diderot and D'Alembert è un’incisione realizzata da Fortunato Bartolomeo De Felice nel 1778, che esplora il tema della lavorazione del piombo, del laminatoio e della fonderia.
This work is taken from the important Encyclopedia or Dictionnaire Universel Raisonné des connoissance…, nota per la sua influenza nel campo delle arti e dei mestieri.

  • Sheet size: cm. 24×42
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back and editorial fold

Diderot and D'Alembert, 1778, lead processing, rolling mill, foundry, n.10

25,00 

Diderot and D'Alembert, 1778 è un’incisione che rappresenta la lavorazione del piombo, un tema centrale nelle arti e mestieri.
Questa opera proviene dall’importante Encyclopedia or Dictionnaire Universel Raisonné des connoissance…, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back

L’incisione è stata realizzata con la tecnica dell’etching e fa parte dell’edizione della Enciclopedia di Diderot e D’Alembert, nota come Encyclopedie d’Yverdon, pubblicata in Svizzera.
Questa edizione, meno influenzata dalle idee francesi e antireligiose, è conosciuta come enciclopedia protestante e ha avuto una forte diffusione nel Nord Europa.

Diderot and D'Alembert, 1778, lead processing, rolling mill, foundry, n.11

25,00 

Diderot and D'Alembert, 1778 è un’incisione che rappresenta la lavorazione del piombo, illustrando il processo di laminatoio e fonderia.
This work is taken from the important Encyclopedia or Dictionnaire Universel Raisonné des connoissance…, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back

L’incisione, realizzata con la tecnica dell’etching, è parte dell’edizione della Enciclopedia di Diderot e D’Alembert, nota come Encyclopedie d’Yverdon, pubblicata in Svizzera.
Questa edizione si distingue per il suo approccio meno francese e meno antireligioso, guadagnandosi il soprannome di enciclopedia protestante e contribuendo alla sua diffusione nel Nord Europa.

Diderot and D'Alembert, 1778, lead processing, rolling mill, foundry, n.2

25,00 

Diderot and D'Alembert, 1778 It is an engraving illustrating the processing of lead, with a focus on rolling mills and foundries.
This work is taken from the important Encyclopédie or Dictionnaire Universel Raisonné des connoissance…, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×42
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back and editorial fold
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)

This engraving is part of the edition of Diderot and D'Alembert's Encyclopédie, known as the Encyclopedie d'Yverdon, which stands out for its less French and less anti-religious approach, earning it the nickname of Protestant encyclopédie and a strong circulation in Northern Europe.

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