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Showing 433–456 of 1283 results

Florence, Piazza del Granduca, 1835

30,00 

Florence, Grand Duke's Square it is a burin engraving made in 1835.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Technique: Burin
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Firenze, Piazza S.Maria Novella, 1835

30,00 

Firenze, Piazza S.Maria Novella It is an engraving made at burin nel 1835, che cattura la bellezza di uno dei luoghi più iconici di Firenze.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Firenze, Ponte a Santa Trinità, 1835

30,00 

Incisione realizzata al burin in 1835.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 16×25 approx.
  • Dimensione dell’immagine: cm. 11×16 circa
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Firenze, Strozzi, 1877

20,00 

Firenze, Strozzi, 1877 è una xilografia realizzata da A. Closs e G. Bauernfeind, che rappresenta la celebre Rue Strozzi.
This work is taken from L'Italy illustrée de 450 engravures sur wood, published in Paris by Hachette in 1877.

  • Sheet size: mm. 170×220
  • Support: Light paper
  • Condition: Good
  • Notes: Margini quasi assenti, ritagliata dal libro con scritte sul retro.

Florence, Terrace of the Loggia dei Lanzi, 1835

25,00 

Firenze, Terrazza della Loggia dei Lanzi è un’incisione realizzata nel 1835, che offre una splendida veduta della città di Firenze dalla terrazza della loggia dei Lanzi.
This work is taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 182×120
  • Support: Acciaio con coloritura manuale all’acquarello
  • Condition: Good margins, white back

Questa incisione è non solo decorativa, ma anche un’importante testimonianza storica della bellezza di Firenze.

Foche, 1890

15,00 

Foche It is a lithograph made in 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, edita in Germania a partire dalla seconda metà del XIX secolo dal Bibliographischen Instituts, con sedi a Leipzig e Vienna.

  • Sheet size: cm. 29×23
  • Condition: Discrete condizioni, con leggero ingiallimento e una piega centrale dovuta all’inserimento nel volume originale.
  • Support: Carta, retro bianco.

Foggia, Cathedral, Prospect, 1894

10,00 

Foggia, Cathedral, Prospect It is a woodcut engraving made in 1894, taken from the volume The 100 cities of Italy, an illustrated monthly supplement of Il Secolo, published by Edoardo Sonzogno in Milan.
This print represents the main façade of the Cathedral of Foggia and is characterized by absent margins, having been cut from the book. On the back there are inscriptions that attest to its provenance.

  • Sheet size: mm. 90×130
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Folco Portinari, 1857

30,00 

Folco Portinari è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’opera Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
Questa incisione rappresenta Folco Portinari, un noto banchiere italiano del XIII secolo.

  • Sheet size: cm. 23×32
  • Size of the joke: cm. 14×18
  • Support: Strong paper
  • Condition: Buone, con qualche leggera macchia di ruggine ai bordi, che non interessa l’incisione.

Anteater, Platypus, 1890

15,00 

Anteater and Platypus It is a lithograph from 1890, part of the famous encyclopedia Meyers Conversations Lexicon, published in Germany.
This antique print was created to illustrate a wide range of subjects, reflecting the richness of human knowledge.

  • Sheet size: cm. 14×23 approx.
  • Support: Paper
  • Condition: Fair condition, with slight yellowing of the sheet

Francesco Borgia, GP Laurens, 1879

20,00 

Francis Borgia It is an engraving made by GP Laurens in 1879, which represents the dramatic moment of Francesco Borgia in front of the corpse of Isabella of Portugal.
This woodcut on end grain is taken from the Italian illustration, published by Fratelli Treves in Milan in 1887.

  • Sheet size: mm. 200×270 approx.
  • Engraving size: mm. 200×270 approx.
  • Support: Paper
  • Condition: Good condition, with writing on the back

Francesco Saverio Abbrescia, 1854

20,00 

Francesco Saverio Abbrescia it's a lithographic printing made in 1854, taken from the periodical work Picturesque Polyorama, published in Naples.
Questa stampa, con dimensioni di cm. 24×12 circa su un foglio di cm. 30×20, è stata ritagliata dal libro e presenta scritte al verso. La pagina intera contenente la stampa verrà spedita.

  • Era: XIX
  • Technique: Lithography
  • Condition: Good
  • Dimensions: Medium
  • Support: Paper

The Picturesque Polyorama è stato un’importante pubblicazione, attiva dal 1836 al 1860, che mirava a diffondere conoscenze utili in tutte le classi sociali, trattando temi di scienze, tecnologia, arte e biografie.

France, CF Delamarche, 1816

70,00 

France, CF Delamarche, 1816 it's a carta della Francia divisa nei suoi dipartimenti, realizzata con incisione su rame colorata al contorno.
This map is taken from the volume Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicato alla gioventù, pubblicato a Parigi da Delamarche nel 1816.

  • Sheet size: cm. 21×27
  • Engraving size: cm. 21×27
  • Support: Paper
  • Condition: Good

Presenta qualche spellatura e una piega centrale editoriale, ma nel complesso si trova in buone condizioni.

France, CF Delamarche, 1816

70,00 

Map of France It is an engraving made by CF Delamarche in 1816, which represents France divided into its 86 departments.
This work is taken from the Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicated to youth and published in Paris by Delamarche.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 20×26 approx.
  • Support: Paper
  • Condition: Good condition, with some peeling and central editorial crease

Frascati, 1834

25,00 

Frascati, 1834 è un’incisione in acciaio realizzata nel 1834, parte del volume Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich.
Questa opera rappresenta un’importante testimonianza artistica dell’epoca, stampata su carta leggera con un retro bianco e presenta sporadiche fioriture.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good

Frascati, 1840

30,00 

Frascati, 1840 è un’incisione al bulino realizzata da Frommel, che offre una vista suggestiva della città.
This work is taken from the volume Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

Frontespizio di Voyage en Italie, 1724

30,00 

Frontespizio di Voyage en Italie è un’incisione realizzata nel 1724, tratta dall’opera Nieu We Reize van Misson naen door Italy by François Misson.
Questa bella veduta animata presenta una composizione vivace e dettagliata, tipica dell’epoca.

  • Sheet size: cm. 17×13 circa, più margini irregolari
  • Support: Laid paper
  • Condition: Good condition, has two editorial folds

Seafood in Santa Lucia, Gaetano Dura, 1839

80,00 

Seafood in Santa Lucia It is a colored watercolor lithograph made by Gaetano Dura in 1839.
This work, glued on hard cardboard, is part of the series Popular scenes written by Gaetano Dura, published by Cats and Dura in Naples.

  • Sheet size: mm. 262×200
  • Support: Hard cardboard
  • Condition: Good general condition, with slight yellowing of the sheet
  • Rarity: Rare and decorative

Fucino, Avezzano, 1865

30,00 

Fucino, Avezzano, 1865 It is an extraordinary work that presents three woodcut engravings on end grain, depicting Lake Fucino, the Roman ruins and the castle of Avezzano.
This print is from the edition of Picturesque Emporium, published by Sonzogno in Milan in 1865.

  • Sheet size: mm. 400×290
  • Condition: Good, with almost no margins and editorial fold
  • Support: Light paper
  • Notes: The print was cut from the book and has writing on the back, partially visible

Fulmaro, Sterna, Procellaria, Albatros, 1890

15,00 

Fulmaro, Sterna, Procellaria, Albatros It is a lithograph from 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany.
This work was published by the Bibliographischen Instituts, with branches in Leipzig and Vienna, starting in the second half of the 19th century.

  • Sheet size: cm. 29×23
  • Condition: Fair condition, with light yellowing and central crease
  • Support: Paper

Rossini's Funeral, 1866

25,00 

Rossini's Funeral It is a print from 1866 which represents the exit of the funeral procession from the Church of the Holy Trinity.
This work is taken from the Emporio Pittoresco of Naples and presents a single double sheet with dimensions of approximately 39x29 cm.

  • Sheet size: cm. 39×29 approx.
  • Support: Light paper
  • Condition: Good, with crease in the center and visible stains
  • Notes: Back written and excerpt from a book

Rossini's Funeral, 1866

25,00 

Rossini's Funeral It is an 1866 print depicting the sprinkling in the Church of the Holy Trinity.
This work is taken from the Emporio Pittoresco of Naples and has a unique format, being a double sheet.

  • Sheet size: cm. 39×29 approx.
  • Support: Light paper
  • Condition: Good condition, with fold in the center of the sheet and writing on the back

Gabriel Perelle, Landscape, 1660

60,00 

Landscape by Gabriel Perelle is an engraving made in 1660, che cattura l’essenza dei paesaggi della regione parigina.
Questa opera è un’acquaforte su carta vergellata, firmata in basso a sinistra con ‘Perelle invent. et fecit’ e a destra ‘N.Poilly excudit’.

  • Sheet size: cm. 25×37
  • Engraving size: cm. 18×32
  • Support: Laid paper
  • Condition: Good

Probabilmente tratta dalla Collection of views of Paris, the surrounding castles and Rome, questa incisione presenta una piega centrale, tipica delle opere dell’epoca.

Gabriele Carelli, Studio su Tiziano, 1847

60,00 

Studio su Tiziano è un acquarello monocromo realizzato da Gabriele Carelli nel 1847.
Questo studio rappresenta un’opera ispirata a un quadro di Tiziano, eseguita su carta di colore bruno.

  • Sheet size: cm. 17×29
  • Support: Paper
  • Condition: Buone (presenta uno strappo al margine sinistro, restaurato con carta al verso)

Gabriele Carelli, nato a Napoli nel 1820 in una famiglia di artisti, si formò sotto la guida del padre Raffaele e si distinse per la sua interpretazione realista della pittura d’interno.
Nel 1847, il Duca di Devonshire lo portò in Inghilterra, dove continuò la sua carriera artistica, diventando membro della “Royal Society of Watercolours” nel 1874.
Carelli ricevette riconoscimenti internazionali, tra cui una medaglia d’oro a Boston nel 1881.

Gaeta, Fisherman, 1877

15,00 

Gaeta, Fisherman It is a watercolor woodcut made in 1877, which captures the essence of a fisherman's life in the historic city of Gaeta.
This work is taken from L'Italy illustrée de 450 engravures sur wood, published by Gourdault Jules in Paris, Hachette.

  • Sheet size: mm. 70×80
  • Support: Light paper
  • Condition: Good condition, with almost no margins and writing on the back

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