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Showing 49–72 of 120 results

Diderot and D'Alembert, 1778, Burin engraver, Printer

25,00 

Diderot and D'Alembert It is an engraving made by Fortunato Bartolomeo De Felice in 1778, which represents an important work in the field of arts and crafts.
This engraving is from the edition of Encyclopédie or Dictionnaire Universel Raisonné des connoissance…, known as the Encyclopedie d'Yverdon, published in Switzerland.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back

This engraving is characterized by a less French and less anti-religious approach than the original by Diderot and D'Alembert, which has earned it the nickname of Protestant encyclopedia, ensuring its strong diffusion in Northern Europe.

Diderot and D'Alembert, 1778, Burin engraver, La Pressa printer

25,00 

Diderot and D'Alembert It is a burin engraving made by Fortunate Bartholomew De Felice nel 1778, tratta dall’importante opera Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa incisione è parte dell’edizione dell’Enciclopedia curata da De Felice, nota come Yverdon Encyclopedia, published in Switzerland.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back

L’opera si distingue per il suo approccio meno francese e meno antireligioso rispetto all’originale di Diderot e D’Alembert, guadagnandosi il soprannome di Protestant encyclopedia e assicurando una forte diffusione nel Nord Europa.

Diderot and D'Alembert,1778, Professions, Lacemaker, String

25,00 

Costruttore di lacci, Spago It is an engraving made by Fortunate Bartholomew De Felice in 1778, part of the work Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
Questa incisione, che rappresenta un mestiere tradizionale, è nota per il suo approccio meno antireligioso e più accessibile rispetto all’edizione originale, guadagnandosi il soprannome di Protestant encyclopedia.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)

Diderot and D'Alembert, 1778, Trades, Lacemaker, String No. 2

25,00 

Costruttore di lacci, Spago n.2 è un’incisione realizzata da Fortunato Bartolomeo De Felice nel 1778, parte della celebre Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
Questa incisione rappresenta un interessante esempio di arti e mestieri, evidenziando il lavoro del costruttore di lacci.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon

Diderot and D'Alembert,1778, Printer, Typographer, Movable type printing

25,00 

Diderot and D'Alembert it is an engraving made by Fortunato Bartolomeo De Felice in 1778, taken from the important work Encyclopédie ou Dictionnaire Universel Raisonné des connaissances.
This engraving, which represents the theme of arts and crafts, was published in Yverdon, Switzerland, and is notable for its less French and less anti-religious approach than the original by Diderot and D'Alembert, thus earning it the nickname Protestant encyclopedia.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 24×18 approx.
  • Technique: Etching
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools

25,00 

Diderot and D'Alembert It is an engraving made by Fortunate Bartholomew De Felice nel 1771, pubblicata nel 1778.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, curata da De Felice, nota come Yverdon Encyclopedia.

  • Argomento: Arti e mestieri, Tipografo, Imprimerie en Lettres
  • Place of publication: Yverdon, Svizzera
  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back

Questa incisione è interessante per la sua differenza rispetto all’edizione originale di Diderot e D’Alembert, essendo meno francese e meno antireligiosa, il che le ha conferito il soprannome di Protestant encyclopedia, assicurandole una forte diffusione nel Nord Europa.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools

25,00 

Diderot and D'Alembert it is an engraving made by Fortunato Bartolomeo De Felice in 1771, published in 1778.
This work is part of the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, a fundamental work for the diffusion of knowledge in the 18th century.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon

This engraving is an interesting example of typography, highlighting the tools used by printers of the time. His edition, known as the Encyclopedie d'Yverdon, is distinguished by a less French and less anti-religious approach than the original by Diderot and D'Alembert, earning it the nickname of Protestant encyclopedia and a notable circulation in Northern Europe.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.3

25,00 

Diderot and D'Alembert, 1778 è un’incisione affascinante che esplora il tema delle arti e mestieri, in particolare il lavoro del tipografo.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)

Questa incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Encyclopedie d’Yverdon, che si distingue per il suo approccio meno francese e meno antireligioso, guadagnandosi il soprannome di enciclopedia protestante e una notevole diffusione nel Nord Europa.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.4

25,00 

Diderot and D'Alembert, 1778 è un’incisione affascinante che esplora il tema delle arti e mestieri, in particolare il lavoro del tipografo.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon

Questa incisione, realizzata nel 1771 e tirata nel 1778, è nota per la sua diffusione nel Nord Europa, grazie alla sua natura meno francese e meno antireligiosa rispetto all’originale di Diderot e D’Alembert.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.5

25,00 

Diderot and D'Alembert, 1778 It is an engraving made by Fortunate Bartholomew De Felice, part of the work Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa incisione, che rappresenta il tema degli arti e mestieri, è nota per la sua importanza storica e culturale.

  • Sheet size: cm. 24×18
  • Engraving size: unspecified
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)
  • Technique: Etching

Questa incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, curata da De Felice, nota come Yverdon Encyclopedia.
Questa edizione, meno influenzata dal pensiero francese e antireligioso, è conosciuta come enciclopedia protestante e ha avuto una forte diffusione nel Nord Europa.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.6

25,00 

Diderot and D'Alembert, 1778 è un’incisione affascinante che rappresenta gli utensili per la stampa, parte della celebre Encyclopédie ou Dictionnaire Universel Raisonné des connaissances.
Made by Fortunate Bartholomew De Felice, questa opera è un esempio significativo della tipografia del XVIII secolo.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon

Questa incisione è nota per la sua importanza storica, essendo parte dell’edizione dell’Enciclopedia curata da De Felice, che si distingue per il suo approccio meno francese e meno antireligioso rispetto all’originale di Diderot e d’Alembert, guadagnandosi il soprannome di Protestant encyclopedia e una notevole diffusione nel Nord Europa.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.7

25,00 

Diderot and D'Alembert, 1778 è un’incisione realizzata da Fortunato Bartolomeo De Felice, parte della celebre Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa opera rappresenta un’importante testimonianza degli arti e mestieri, in particolare del lavoro del tipografo e degli utensili per la stampa.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back

L’incisione è stata realizzata con la tecnica dell’etching e fa parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Yverdon Encyclopedia, pubblicata in Svizzera. Questa edizione, meno influenzata dal pensiero francese e antireligioso, è conosciuta come enciclopedia protestante e ha avuto una forte diffusione nel Nord Europa.

Women and Costumes of Augsburg, 1724

40,00 

Women and costumes of Augusta It is an etching made in 1724, which represents a lively view of the city of Augsburg in Germany.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×27 approximately, plus irregular margins
  • Technique: Etching
  • Support: Laid paper with watermark
  • Condition: Good, it has two editorial folds

Women and Costumes of Nuremberg, 1724

40,00 

Women and costumes of Nuremberg It is an engraving made in 1724, which offers a lively representation of daily life in Nuremberg, Germany.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×27 approximately, plus irregular margins
  • Engraving size: cm. 16×27 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Good condition, has two editorial folds

Emisferi della Terra, C.F. Delamarche, 1793

50,00 

Emisferi della Terra è un’incisione su rame realizzata da C.F. Delamarche nel 1793.
This work is taken from the Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicated to youth and published in Paris by Delamarche.

  • Sheet size: cm. 21×27 approx.
  • Support: Paper
  • Condition: Buone condizioni, presenta qualche spellatura e una piega centrale editoriale

Frontespizio di Voyage en Italie, 1724

30,00 

Frontespizio di Voyage en Italie è un’incisione realizzata nel 1724, tratta dall’opera Nieu We Reize van Misson naen door Italy by François Misson.
Questa bella veduta animata presenta una composizione vivace e dettagliata, tipica dell’epoca.

  • Sheet size: cm. 17×13 circa, più margini irregolari
  • Support: Laid paper
  • Condition: Good condition, has two editorial folds

Gerard Hoet (1648-1733), Saul tra i Profeti, 1720

140,00 

Saul tra i Profeti è un’incisione originale realizzata da Gerard Hoet nel 1720, un’opera che riflette il talento di uno dei più noti artisti del secolo d’oro olandese.
Questa incisione, firmata in basso a sinistra da G.Hoet delin. e a destra da Gouwe sculp., è stata realizzata con la tecnica dell’etching on laid paper con filigrana.

  • Sheet size: cm. 36×23 circa
  • Engraving size: cm. 34×21 approx.
  • Condition: Good, with traces of previous gluing on the back

Venetian Gondolier, 1724

30,00 

Venetian Gondolier It is an engraving made in 1724, which offers a lively representation of a gondolier in Venice.
This work is taken from Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Engraving size: cm. 16×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Good state of preservation

Idris, J. H. Ramberg, 1790

20,00 

Idris It is an engraving made by Johann Heinrich Ramberg nel 1790, con l’incisione di Johann Friedrich Bause.
This work is part of the volume The oper complete di Wieland, pubblicato a Lipsia.

  • Sheet size: mm. 142×190 più margini
  • Technique: Burin
  • Condition: Good state of preservation
  • Support: Medium engraving paper

Veronese, Man between Vice and Virtue, 1786

50,00 

Veronese, The Man Between Vice and Virtue it is an etching made in 1786 by Paolo Caliari, known as Il Veronese.
This work is taken from the Gallery of the Palais Royal, which collects works from different artistic schools, with a historical description of each painting provided by the Abbé de Fontenai.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Condition: Good, with a lack on the lower left edge
  • Support: Laid paper without watermark
  • Published by: J. Couche, Paris, 1786

JC Rugendas, After the battle, 1740

80,00 

Dopo la battaglia It is an engraving made by Johann Christian Rugendas In the 1740, ispirata a un dipinto di Georg Philipp Rugendas I of the 1698.
This work is part of the series Scene di battaglia con cavalli, pubblicata ad Augusta.

  • Sheet size: cm. 23×42 circa
  • Engraving size: cm. 20×38 circa
  • Technique: Mezzotinta e acquaforte stampata color seppia
  • Support: Carta vergata
  • Condition: Buone condizioni, con un strappo di 7 cm riparato al verso

Sotto il bordo dell’immagine si legge: (a sinistra) “G. P. Rugendas questo fece in Roma Ao. 1694.”; (a destra) “Christiano Rugendas sculp. et excudit. Aug Vind”.

Johann Adam Delsenbach, Architectural Ornaments, 18th century

40,00 

Architectural ornaments è un’incisione realizzata da Johann Adam Delsenbach, un noto artista e incisore tedesco, nel XVIII secolo.
This work, performed with the technique of burin, presenta ornamenti architettonici dettagliati e misura cm. 26×17 alla battuta, su laid paper.
In basso si trova la firma dell’artista: Joh Adam Delsenbach fecit.
Si segnala qualche danno al margine inferiore e una leggera macchia sul foglio.

Johann Heinrich Meil, (1729-1803) Etching. The Sculptor and the Statue of Jupiter

25,00 

The sculptor and the statue of Jupiter It is an engraving made by Johann Heinrich Meil in 1729-1803.
This etching represents a significant moment in sculptural art, highlighting the artist's mastery in capturing the beauty of the statue of Jupiter.

  • Sheet size: mm. 76×139 approx.
  • Support: Heavy paper
  • Condition: Good condition

La botte di Heidelberg, 1702

25,00 

La Botte di Heidelberg è un’incisione realizzata nel 1702, che rappresenta la famosa botte, la più grande del mondo.
This work is taken from the volume Nouveau Voyage d’Italie MDCCII, pubblicato da Henry van Bulderen.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 27×21 più margini irregolari
  • Technique: Bulino su rame
  • Support: Lightweight paper, white back
  • Condition: Buone, con strappo di 3 cm circa al margine sinistro

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