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The Aldobrandini Wedding, 1724
40,00 €The Aldobrandini Wedding it is an etching made in 1724, taken from the volume Nieu We Reize van Misson naen door Italy by François Misson.
This work represents a beautiful animated view of a famous mural from the time of Augustus, discovered in 1601 and illustrating a wedding scene.
- Sheet size: cm. 13×36 approximately, plus irregular margins
- Engraving size: cm. 13×36 approx.
- Support: Laid paper
- Condition: Good condition, with two editorial folds
Lodovico Furlanetto, Spada di Gedeone
50,00 €Spada di Gedeone it is an etching made by Lodovico Furlanetto In the 18th century.
Questa opera presenta una scritta in latino che recita “non est hic aliud nisi gladius Gedeonis. Iudic 7.14” e si vende da Lodovico Furlanetto sopra il ponte de Baretteri.
- Sheet size: cm. 23×15 approx.
- Technique: Etching
- Support: Carta vergellata incollata su altro supporto cartaceo pesante
- Condition: Good
Mappa di Firenze, Scoto, 1761
90,00 €Mappa di Firenze it is a copper engraving made in 1761 by Francesco Scotto.
This map is part of the work Itinerary of Italy, pubblicata a Roma da Fausto Amidei.
- Sheet size: cm. 18×23 approx.
- Engraving size: cm. 12×18 approx.
- Support: Laid paper
- Condition: Buone, con pieghe editoriali e riparazioni con carta al verso
Map of Livorno, Scoto, 1761
90,00 €Map of Livorno It is a copper engraving made in 1761 by Francesco Scotto.
This map is part of the work Itinerary of Italy, published in Rome at the expense of Fausto Amidei, Book Merchant.
- Sheet size: cm. 18×23 approx.
- Engraving size: cm. 12×18 approx.
- Support: Laid paper
- Condition: Good, with editorial folds and paper repair on the back
Mappa di Napoli, Pozzuoli, 1724
140,00 €Mappa di Napoli, Pozzuoli, 1724 It is an engraving made in etching su carta vergellata con filigrana.
This map is taken from Nieu We Reize van Misson naen door Italy, di Francois Misson, pubblicata a Utrecht nel 1724.
Presenta una bella veduta animata della zona dei Campi Flegrei.
- Sheet size: cm. 17×27 circa, più margini irregolari
- Support: Laid paper
- Condition: Good condition, with two editorial folds
Martin Engelbrecht (Augsburg 1684 – 1756) St. Joachim
40,00 €St. Joachim It is a copper engraving made by Martin Engelbrecht (Augsburg 1684 – 1756), a well-known engraver and painter from Augsburg.
This work, with dimensions of cm. 20×31 at the time of writing, it is marginless and printed on laid paper.
- Condition: It has some stains and creases, with the sheet partly dirty, but it is a nice, well-contrasted example.
- Signature: Signed lower right on the plate Martin Engelbrecht excud.AV (partly illegible).
Martin Engelbrecht is known for his engravings illustrating works such as the Ovid's Metamorphoses, the War of the Spanish Succession, and a series of views of Venice.
In 1730, he also created engravings for stereovision, showing scenes of everyday life in a 3D perspective.
Meil Johann Wilhelm (1733-1805)
20,00 €L’Aratro It is an engraving made by Johann Wilhelm Meil (1733-1805) tramite la tecnica dell’Etching.
Questa opera, che rappresenta un tema agricolo, è stata creata con grande maestria e si distingue per i suoi dettagli accurati.
- Engraving size: mm. 127×100
- Support: Carta vergellata senza filigrana, retro bianco
- Condition: Good condition
Napoli, Castel Nuovo, 1724
80,00 €Napoli, Castel Nuovo è un’incisione realizzata nel 1724, che offre una splendida veduta animata del famoso castello partenopeo.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.
- Sheet size: cm. 16×27 approximately, plus irregular margins
- Engraving size: cm. 16×27 approx.
- Technique: Etching
- Support: Laid paper with watermark
- Condition: Good, it has two editorial folds
Napoli, Obelisco di S.Gennaro, 1707
20,00 €Napoli, Obelisco di S.Gennaro è un’incisione realizzata nel 1707, che rappresenta un’importante opera d’arte legata alla città di Napoli.
Questa incisione in rame è tratta dal volume The delights of Italy by De Rogissart, published in Paris.
- Sheet size: mm. 65×125
- Support: Light paper
- Condition: Buone condizioni, con margini assenti
Napoli, Palazzo del Vicere, 1724
80,00 €Napoli, Palazzo del Vicere è un’incisione realizzata nel 1724, che rappresenta una vivace veduta del Palazzo del Vicere di Napoli.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.
- Sheet size: cm. 16×27 approximately, plus irregular margins
- Engraving size: cm. 16×27 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Good condition, has two editorial folds
Naples, View with Vesuvius, 1724
120,00 €Naples, View with Vesuvius It is an etching made in 1724, which offers a splendid representation of Vesuvius and its surroundings, in particular Torre del Greco.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht.
- Sheet size: cm. 16×27 approximately, plus irregular margins
- Engraving size: cm. 16×27 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Good
Nicolò Dell'Abate, Rape of Proserpina, 1786
60,00 €Rape of Proserpina it is an engraving made by Nicolò Dell'Abate in 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.
- Sheet size: cm. 24×37 approx.
- Support: Laid paper
- Condition: Good, with repaired tear on the back
The print features good rough edges and offers good contrast, making it a nice piece for collectors.
Palm, 1799
15,00 €Palm It is a watercolour copper engraving made in 1799.
This work is taken from the volume Unterhaltungen aus der Naturgeschichte by Gottlieb Tobias Wilhelm (1758-1811).
- Sheet size: cm. 9×15 approx.
- Support: Laid paper with partial watermark
- Condition: Good condition, with some light creases
Palm, 1799
15,00 €Palm It is a watercolour copper engraving made in 1799.
This work is taken from Unterhaltungen aus der Naturgeschichte by Gottlieb Tobias Wilhelm (1758-1811).
- Sheet size: cm. 9×15 approx.
- Support: Laid paper with partial watermark
- Condition: Good condition, with some light creases
Pecora, XVIII secolo
20,00 €Sheep It is an engraving made in 18th century, performed with the technique ofEtching on heavy laid paper.
This work, of small dimensions, measures approximately cm. 11×17. Presenta una firma illeggibile e una macchia di unto, che ne evidenziano la storia e l’autenticità.
- Sheet size: Small
- Condition: Good
- Support: Heavy laid paper
Pier Francesco Mola, Death of Archimedes, 1786
50,00 €Death of Archimedes it is an engraving made by Pier Francesco Mola in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.
- Engraving size: cm. 24×37
- Support: Laid paper
- Condition: Good, with a slightly dirty and worn sheet
The engraving is taken from Gallery of the Palais Royal, with a dedication to HSH Monseigneur le Duc d'Orléans, and presents a good contrast.
Pierre Moreau, Esequie in Italia, 1760 ca.
60,00 €Esequie in Italia è un’incisione realizzata da Pierre Moreau, un artista francese attivo nel XVIII secolo.
Questa opera, datata circa 1760, è un esempio significativo della sua abilità nell’arte dell’acquaforte.
- Sheet size: cm. 13×19 approx.
- Technique: Etching
- Support: Carta vergellata, incollato ai margini ad altro supporto cartaceo
- Condition: Buone, con mancanze ai margini superiori
Pine, J.Miller, late 18th century
30,00 €The Yen Tree It is an engraving made by J. Miller at the end of the 18th century.
This work, performed with the technique of Burin and watercolour, presents a fascinating and detailed subject.
- Sheet size: cm. 30×24 approx.
- Engraving size: cm. 23×19 approx.
- Support: Laid paper
- Condition: Good condition, with some stains
Platano Orientale, J.Miller, fine XVIII secolo
30,00 €Platano Orientale It is an engraving made by J. Miller at the end of the 18th century.
This work, entitled The Oriental Plane Tree, is performed with the technique of Burin acquarellato su carta vergellata.
- Engraving size: cm. 23×19 approx.
- Sheet size: cm. 30×24 approx.
- Support: Laid paper
- Condition: Good condition, with some stains
Trajan's Bridge, Danube, 1700
30,00 €Trajan's Bridge, Danube it is a vintage watercolour etching depicting the famous Trajan's bridge over the Danube.
This work, made by an unknown engraver, is printed on light laid paper and measures 28x17 cm without margins.
- Sheet size: cm. 28×17 approx.
- Support: Light laid paper
- Condition: Good condition
Roma, Nove Chiese per Indulgenza, 1707
40,00 €Roma, Nove Chiese per Indulgenza è un’incisione in rame realizzata nel 1707, che rappresenta un bell’insieme delle nove chiese importanti di Roma.
This work is taken from The delights of Italy by De Rogissart, published in Paris.
- Sheet size: mm. 165×122
- Support: Light paper
- Condition: Buone, con piccoli margini irregolari e due pieghe editoriali
Roma, Palazzo Farnese, 1724
40,00 €Roma, Palazzo Farnese è un’incisione realizzata nel 1724, che offre una vista affascinante del celebre palazzo romano.
This work is taken from Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.
- Size of the joke: cm. 16×27 approx.
- Support: Medium paper with white back
- Condition: Good, it has two editorial folds
Ruccellai Patrizio, Della Rosmunda Tragedia, 1737
40,00 €Della Rosmunda Tragedia è un’opera di Giovanni Ruccellai, pubblicata nel 1737. Questa nuova edizione è dedicata all’Eccellenza di Madama Maria Cavendish, contessa di Westmorland.
Stampata a Londra per Carlo Bennet, l’opera si presenta in un elegante formato in-24 (cm. 8×13) con una legatura coeva in piena pelle, caratterizzata da un dorso decorato con titolo e ornamenti dorati.
- Dimensions: Small
- Condition: Buone (intervento di restauro sulla legatura)
- Support: Paper
- Characteristics: pp. IV-64, capilettere e testatine all’inizio di ciascuno dei 5 atti della tragedia
- Rarity: Esemplare raro
Salvator Rosa, Figurine, 1720
1.450,00 €Salvator Rosa, Figurines It is a complete set of 60 plates, including the title plate, published by the engraver and publisher François Chéreau in Paris in the first half of the 18th century.
This collection, known as the Figurines, was originally created by Rosa in 62 etchings between 1656 and 1657.
- Sheet size: Great
- Dimensions of the tables: Variables
- Technique: Etching
- Condition: Good
- Support: Laid paper
On the frontispiece we read: SALVATOR ROSA Invenit. Liber Primus.
This edition is a good example, with six backlit prints and a few stains that do not detract from the artwork.
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