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Showing 937–960 of 1283 results

Pinelli, Ciociara dell’Abbruzzo, 1810

40,00 

Ciociara dell’Abbruzzo it is an engraving made by Bartolomeo Pinelli in 1810.
This work is part of the New Collection of fifty Picturesque Motifs and Costumes of Rome, etched and colored with watercolors.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Technique: Etching
  • Support: Paper
  • Condition: Good

L’incisione è firmata in basso a sinistra con ‘Pinelli inv e incise’.
Si segnala che il foglio presenta alcune macchie di colore al verso e risulta un po’ sciupato.

Pinelli, Eagle Woman 1810

40,00 

Eagle Woman it is an engraving made by Bartolomeo Pinelli in 1810.
This work is part of the New Collection of fifty Picturesque Motifs and Costumes of Rome, etched and colored with watercolors.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Technique: Etching
  • Condition: Good
  • Support: Paper

The work is signed lower left with the words 'Pinelli inv e incise'.
Please note that the sheet has some coloured stains on the back.

Pinelli, Trasteverino, 1810

40,00 

Trasteverino it is an engraving made by Bartolomeo Pinelli in 1810.
This work is part of the New Collection of fifty Picturesque Motifs and Costumes of Rome, etched and colored with watercolors.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Support: Paper
  • Condition: Good

L’incisione è firmata in basso a sinistra con “Pinelli inv e incise”.
Si segnala che il foglio presenta alcune imperfezioni, come una riparazione al verso e macchie di colore.

Pino Silvestre, 1860

20,00 

Pino Silvestre, 1860 it's a chromolithography su carta leggera, realizzata nel 1860.
This work is taken from Anne Pratt, “THE FLOWERING PLANTS OF GREAT BRITAIN WITH COLOURED PLATES”, published in London and New York by FREDERICK WARNE & CO.

  • Sheet size: cm. 15×24
  • Condition: Good condition
  • Support: Light paper

La composizione floreale è bella e decorativa, rendendo quest’opera un’aggiunta affascinante per collezionisti e appassionati di botanica.

Pine, J.Miller, late 18th century

30,00 

The Yen Tree It is an engraving made by J. Miller at the end of the 18th century.
This work, performed with the technique of Burin and watercolour, presents a fascinating and detailed subject.

  • Sheet size: cm. 30×24 approx.
  • Engraving size: cm. 23×19 approx.
  • Support: Laid paper
  • Condition: Good condition, with some stains

Pipistrelli, 1890

30,00 

Pipistrelli It is a lithograph made in 1890, taken from the publication Meyers Conversations Lexicon, un’enciclopedia edita in Germania a partire dalla seconda metà del XIX secolo dal Bibliographischen Instituts, con sedi a Leipzig e Vienna.
Questa stampa fa parte di una vasta serie di illustrazioni concepite per arricchire questa celebre enciclopedia.

  • Sheet size: cm. 29×23
  • Support: Paper
  • Condition: Fair general condition, with light yellowing and central editorial fold

Pisa, Baptistery, Cathedral, 1835

30,00 

Pisa, Battistero, Cattedrale It is an engraving made with the technique of burin on steel in 1835.
This work offers a beautiful view della famosa piazza di Pisa, con il Battistero, la Cattedrale, la Torre e il Cimitero, presentata in modo nitido e ben contrastato.

  • Sheet size: mm. 195×130 plus margins
  • Support: Light paper
  • Condition: Good condition

Pisa, Baptistery, Cathedral and Tower, 1835

20,00 

Pisa, Baptistery, Cathedral and Tower It is an engraving made in 1835, which offers an iconic view of the famous square in Pisa.
This work is taken from Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE and is made with the technique of burin on steel.

  • Sheet size: mm. 130×90 approx.
  • Support: Lightweight paper with white backing
  • Condition: Good condition

Pisa, Campo Santo, 1834

25,00 

Pisa, Holy Field è un’incisione in acciaio realizzata nel 1834, che cattura la bellezza del celebre Campo Santo di Pisa.
This work is taken from Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms

Pisa, Campo Santo, 1835

25,00 

Pisa, Holy Field It is an engraving made with the technique of burin on steel in 1835.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 195×130 plus margins
  • Condition: Good condition
  • Support: Lightweight paper, white back

The view of the interior is particularly beautiful and clear, making this engraving a fascinating piece for collectors and art enthusiasts.

Pisa, Galileo's House, 1880

20,00 

Pisa, Casa di Galileo è un’incisione xilografica acquerellata a mano realizzata nel 1880.
Questa stampa rappresenta una bella veduta decorativa della casa di Galileo a Pisa, ed è stata tratta dal volume L’Universo illustrato.

  • Sheet size: mm. 150×220
  • Support: Paper
  • Condition: Buone condizioni, con margini piccoli e scritte sul retro

Pisa, Piazza del Duomo, 1835

30,00 

Pisa, Piazza del Duomo It is an engraving made at burin In the 1835.
This work comes from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Pisa, S.Maria della Spina, 1834

25,00 

Pisa, S.Maria della Spina It is a steel engraving made in 1834.
This work comes from the volume Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms

Pisa, S.Maria della Spina, 1865

15,00 

Pisa, S.Maria della Spina è un’incisione xilografica realizzata nel 1865, che rappresenta la famosa chiesa di Santa Maria della Spina a Pisa.
Questa opera proviene dall’edizione di Picturesque Emporium, published by Sonzogno in Milan in 1864.

  • Sheet size: mm. 120×170 approx.
  • Support: Light paper
  • Condition: Buone condizioni, con margini quasi assenti e scritte visibili al retro

Pisa, Leaning Tower, 1835

30,00 

Pisa, Torre pendente It is an engraving made at burin in 1835.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Pisa, View, 1834

25,00 

Pisa, Veduta è un’incisione in acciaio realizzata nel 1834, che offre una rappresentazione affascinante della città di Pisa.
This work is taken from the volume Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms on the white back

Pistoia, 1859 Church of San Giovanni

15,00 

Pistoia, 1859 – Chiesa di San Giovanni è un’incisione anonima realizzata nel 1859, che ritrae la Chiesa di San Giovanni a Pistoia.
Questa xilografia acquerellata è tratta dall’opera Customs and Traditions of All the Peoples of the Universe, published in Milan.

  • Sheet size: mm. 130×80
  • Support: Light paper
  • Condition: Buone condizioni, margini assenti

Pistoia, The Cathedral, 1865

15,00 

Pistoia, La Cattedrale è un’incisione realizzata nel 1865, che rappresenta uno dei simboli architettonici più importanti della città di Pistoia.
This woodcut is from the Chorographic Dictionary of Italy del prof. Amato Amati, un’opera illustrata che include circa 1000 armi comunali colorate.

  • Sheet size: mm. 220×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

L’incisione è stata ritagliata dal libro e presenta scritte sul retro.

Platano Orientale, J.Miller, fine XVIII secolo

30,00 

Platano Orientale It is an engraving made by J. Miller at the end of the 18th century.
This work, entitled The Oriental Plane Tree, is performed with the technique of Burin acquarellato su carta vergellata.

  • Engraving size: cm. 23×19 approx.
  • Sheet size: cm. 30×24 approx.
  • Support: Laid paper
  • Condition: Good condition, with some stains

Plutarch, 1857

30,00 

Plutarco è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Iconoteca Italiana – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
Questa opera misura la battuta cm. 14×18 su un foglio di cm. 23×32, realizzata su strong paper with white back.
Presenta alcune leggere macchie di ruggine ai bordi, che non interessano l’incisione.

  • Era: XIX
  • Technique: Etching
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Plutarco, nato a Cheronea nel 46/48 d.C. e morto a Delfi nel 127 d.C., è stato un importante scrittore e filosofo dell’Impero Romano, noto per i suoi contributi alla letteratura e alla filosofia.

Polcevera, 1889

25,00 

Polcevera, 1889 it is a woodcut representing the grape harvest in the Polcevera region.
This work is taken from the Italian illustration, published by the Treves Brothers in Milan in 1889.

  • Sheet size: mm. 210×310
  • Engraving size: almost no margins
  • Technique: Woodcut on end grain wood
  • Condition: Good, with writing on the back
  • Support: Paper

Polonia, C.F. Delamarche, 1816

70,00 

Polonia, C.F. Delamarche, 1816 è una mappa dettagliata della Polonia, che illustra i suoi dipartimenti.
This copper engraving is colored around the outline and is taken from the volume Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicato alla gioventù e pubblicato a Parigi da Delamarche nel 1816.

  • Sheet size: cm. 21×27 approx.
  • Support: Paper
  • Condition: Good condition, with some peeling and a central editorial crease

Pompeii, 1834

25,00 

Pompeii, 1834 It is a steel engraving representing an important work of the 19th century.
This engraving is taken from Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main in 1834.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms on the white back

Pompeii, 1835

30,00 

Pompeii, 1835 It is an engraving made by Coach del. Monthellier, executed with the technique of burin on copper.
This work, part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot senior, is dated between 1835 and 1837.

  • Sheet size: mm. 177 x 128
  • Condition: Good margins, perfect condition
  • Support: Heavy paper, white back

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