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Showing 1153–1176 of 1214 results

Terracina, 1850

25,00 

Terracina, 1850 It is an engraving made with the technique of Burin, which offers a splendid view of the city of Terracina, animated by fishermen intent on their daily activities.
This work, dated 1850, presents

  • Engraving size: mm. 116×87
  • Margins: small irregular margins
  • Support: light paper
  • Back: white
  • Condition: good condition

Terracina, Dintorni, 1840

20,00 

Terracina, Dintorni è una litografia realizzata nel 1840, che offre una vista affascinante dei dintorni di Terracina.
This print is taken from the work Picturesque Polyorama, a periodical publication designed to disseminate useful knowledge across all social classes.

  • Sheet size: cm. 15×13 approx.
  • Support: Paper
  • Condition: Good condition, with writing on the back and on the back

La stampa è stata ritagliata dal libro e viene fornita completa di passepartout, rendendola una bella veduta decorativa per ogni collezionista.

Thomas Goff Lupton, Soggetto Olandese, 1830

30,00 

Thomas Goff Lupton, Soggetto Olandese è un’incisione realizzata nel 1830, che presenta un soggetto di ispirazione olandese.
Questa opera è un’acquatinta su carta leggera, incollata su un altro supporto cartaceo e rifilata alla battuta del rame.

  • Engraving size: cm. 18×15 circa con piccoli margini
  • In basso a sinistra: painted by Teniers
  • In basso a destra: Engraved on Stell by Thomas Lupton
  • Condition: Good condition

Thomas Goff Lupton (1791-1873) è stato un incisore e artista di mezzotinto inglese, noto per le sue incisioni su opere di Turner e altri pittori britannici del XIX secolo.
Ha anche contribuito all’evoluzione tecnica dell’incisione introducendo piastre di acciaio morbido.

Tiger, 1890

20,00 

Tiger, 1890 è una litografia realizzata per la celebre enciclopedia Meyers Conversations Lexicon, pubblicata in Germania a partire dalla seconda parte del XIX secolo.
Questa stampa appartiene a una vasta serie di illustrazioni progettate per arricchire l’opera, ed è specificamente tratta da un’edizione del 1890.

  • Sheet size: cm. 20×13 approx.
  • Support: Paper
  • Condition: Fair general conditions, with slight yellowing of the sheet

Tintoretto or Giacomo Robusti, Jupiter and Leda, 1786

70,00 

Giove e Leda è un’incisione realizzata da Tintoretto, noto anche come Giacomo Robusti, nel 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, e rappresenta una delle opere più celebri del maestro.

  • Sheet size: cm. 24×37 approx.
  • Condition: Buone, con uno strappo di 8-10 cm riparato al recto con carta
  • Support: Laid paper
  • Published by: J. Couche, Paris, 1786

La prova è di bella qualità, con un buon contrasto, rendendo questa incisione un pezzo interessante per collezionisti e appassionati.

Tivoli, 1834

25,00 

Tivoli, 1834 It is a steel engraving made in 1834, taken from the work Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich.
This engraving represents a significant example of 19th century art, with fine details and a fascinating composition.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms

Titian, The Magdalen, 1838

15,00 

Tiziano, La Maddalena It is a copper engraving made in 1838, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
Questa incisione misura cm. 11×15, con margini più piccoli, ed è stata ritagliata dal libro, presentando scritte al retro. La stampa verrà spedita con l’intera pagina contenente l’incisione.

  • Sheet size: Small
  • Condition: Good
  • Support: Paper
  • Technique: Burin
  • Era: XIX

Omnibus è stata una rivista fondata a Napoli nel 1833, tra i primi e più longevi periodici del Regno delle Due Sicilie. Le sue pubblicazioni continuarono fino al 1882. Fondata da un gruppo di giornalisti e scrittori, tra cui Vincenzo Torelli, la rivista ha avuto un’importante influenza culturale nel periodo post-unitario.

Torcello, 1865

15,00 

Torcello, 1865 It is a woodcut made in 1865, taken from the Chorographic Dictionary of Italy by Prof. Amato Amati.
This work is illustrated with about 1000 colored municipal weapons and was published in Milan by the publisher Vallardi.

  • Sheet size: mm. 140×110
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Torcello, 1877

15,00 

Torcello, 1877 it is a woodcut engraving on end grain, taken from the work Italy by J. Gourdault, published in Paris in 1877.
This small engraving features a decorative design and measures mm. 187×116, with almost no margins.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Good
  • Support: Light paper

Torino, 1865, Basilica di Superga

20,00 

Torino, 1865 – Basilica di Superga è un’incisione realizzata in xilografia, proveniente dal Chorographic Dictionary of Italy by Prof. Amato Amati.
This work is illustrated with approximately 1000 colored municipal weapons and was published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 220×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Turin, 1865, Central Station

20,00 

Turin, 1865, Central Station it is a woodcut representing the historic central station of Turin.
This work is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 220×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Torino, 1888, Il Palazzo Madama

20,00 

Il Palazzo Madama è un’incisione realizzata nel 1888, che rappresenta uno dei simboli architettonici di Torino.
Questa xilografia su legno di testa è stata tratta da The Italian Illustration, published by the Treves Brothers of Milan.

  • Sheet size: mm. 215×155
  • Margins: Almost absent
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Torino, La stazione centrale, 1872

25,00 

Torino, La stazione centrale è un’incisione xilografica originale del 1872, tratta da The Popular Illustration, pubblicata dai Fratelli Treves a Milano.
Questa stampa rappresenta un’importante testimonianza storica della stazione centrale di Torino, catturando l’architettura e l’atmosfera dell’epoca.

  • Sheet size: cm. 16×32 circa
  • Engraving size: cm. 16×32 circa
  • Support: Light paper
  • Condition: Buone, con piega centrale e piccoli fori dovuti alla rilegatura
  • Notes: La stampa è stata ritagliata dal libro e presenta scritte sul retro

Torre del Greco, Napoli, 1841

25,00 

Torre del Greco, Napoli è un’incisione realizzata da A. Perboni nel 1841.
This work represents a beautiful view dell’eruzione del Vesuvio, caratterizzata da un sharp contrast e ben definito.

  • Sheet size: mm. 270×190
  • Engraving size: mm. 145×100
  • Support: Medium paper
  • Condition: Good state of preservation

Tortura, La prova dell’acqua, 1838

20,00 

Tortura, La prova dell’acqua è una litografia realizzata nel 1838, tratta dall’opera periodica Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
Questa stampa illustra una delle procedure di tortura storicamente utilizzate, presentando un’importante testimonianza visiva dell’epoca.

  • Sheet size: cm. 14×13 approx.
  • Support: Paper
  • Condition: Buone condizioni, con margini quasi assenti

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.
The Picturesque Polyorama, published from 1836 to 1860 in the Kingdom of the Two Sicilies, dealt with science, technology, art and biographies, making family reading pleasant and profitable.

Trento, 1865, The Castle

15,00 

The Castle of Trento It is a woodcut made in 1865, taken from the Chorographic Dictionary of Italy by Prof. Amato Amati.
This work is illustrated with about 1000 colored municipal weapons and was published by Vallardi Editore in Milan.

  • Sheet size: mm. 135×110
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Trento, 1865, Tabarelli Palace

10,00 

Trento, 1865, Tabarelli Palace It is a woodcut representing an important work of the Chorographic Dictionary of Italy by Prof. Amato Amati.
This print, which measures mm. 65×120, was created in 1865 and features approximately 1000 colored municipal weapons.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Trento, 1865, Sant'Apollinare

10,00 

Trento, 1865, Sant'Apollinare it is a woodcut representing the Church of Sant'Apollinare, made in 1865.
This work comes from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Sheet size: mm. 65×120
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Trieste, 6 views, 1877

30,00 

Trieste, 6 views It is a woodcut engraving made by J.J. Kirkner in 1877.
This work, taken from a German magazine of the time, presents six suggestive views of Trieste, including:

  • St. Justus
  • Big Square
  • The lantern
  • Stock Exchange Square
  • The Pier

The measure of the beat is cm. 32×23 with almost no margins. The paper is light and the print was cut from the book, with the back written on.
This engraving is notable for its sharpness and good contrast.

Trieste, Church of San Giusto, 1877

20,00 

Trieste, Chiesa di San Giusto It is a woodcut made by Pierre Eugene Grandsire in 1877.
Questa suggestiva veduta della chiesa è tratta dal volume Italian by Kaden.

  • Sheet size: mm. 158×178
  • Support: Light paper
  • Condition: Good, with almost no margins and writing on the back

L’opera presenta una scena molto animata, tipica dello stile di Grandsire, noto per la sua specializzazione nella pittura di paesaggio.

Trieste, Stock Exchange Square, 1877

20,00 

Trieste, Stock Exchange Square It is a woodcut made by Pierre Eugene Grandsire in 1877, taken from the volume Italian by Kaden.
This evocative view offers a lively representation of the square, with details that capture the essence of city life at the time.

  • Sheet size: mm. 158×115
  • Support: Light paper
  • Condition: Good, with almost no margins and writing on the back

Tristezza, allegoria di Gottfried Bernhard Göz, 1750

30,00 

Tristezza, allegoria It is an engraving made by Gottfried Bernhard Göz In the 1750.
This work, performed with the technique of burin, has a size of cm. 13×19 and it is printed on thick paper con un retro scuro.
In calce all’incisione è riportata la frase latina Sedebam Tristis usque ad sacrificium vespertinum, che aggiunge un ulteriore strato di significato all’opera.

  • Sheet size: cm. 13×19 approx.
  • Condition: Good condition
  • Support: Thick paper

Türkiye, CF Delamarche, 1816

70,00 

Türkiye è una mappa incisa da C.F. Delamarche nel 1816, che rappresenta la Turchia d’Europa e parte dell’Asia.
This copper engraving is colored around the outline and is taken from the volume Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicato alla gioventù e pubblicato a Parigi da Delamarche.

  • Sheet size: cm. 21×27
  • Condition: Good condition, with some peeling and a central editorial crease
  • Support: Paper

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